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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A2E0A1 it is the complementary color #5D1F5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A2E0A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A2E0A1 shade: #A7E09C, #B8F2AF, #C9FFC2, #DAFFD5 and #EBFFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A2E0A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A2E0A1 shade: #A2E0A1, #91CE8E, #80BC7B, #6FAA68 and #5E9855

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A2E0A1 shade: #A0DF9F, #B1DF9F, #C2DF9F, #D3DF9F and #DFD99F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A2E0A1 shade: #A0DF9F, #9FDFAF, #9FDFC0, #9FDFD1 and #9FDBDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A2E0A1 shade matches the following richer shades: #A0DF9F, #96E995, #8CF38A and #82FE80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A2E0A1 shade: #A0DF9F, #AAD4A9, #B4CAB4, #BEC0BE and #C8B5C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A2E0A1 shade: #C2DF9F, #B1DF9F, #A0DF9F, #9FDFAF and #9FDFC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A2E0A1 shade: #63CA61, #81D480, #A0DF9F, #BFE9BE and #DDF3DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A2E0A1 shade: #A2E0A1, #9FD3DF and #DF9FB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A2E0A1 shade: #A2E0A1, #9FA0DF and #DF9FA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A2E0A1 shade: #A2E0A1, #9FD3DF, #DE9FDF and #DFAB9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A2E0A1 shade: #A2E0A1, #9FC0DF, #DE9FDF and #DFBE9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 28 / 12

HEX #A2E0A1

RGB 162 224 161

HSL 119.05, 0.5%, 0.75%

LAB 83.74, -31.77, 24.71

 

Complementary color

CMYK 1 / 67 / 0 / 63

HEX #5D1F5E

RGB 93 31 94

HSL 299.05, 0.5%, 0.25%

LAB 24.05, 37.2, -24.14

 

CMYK 25 / 0 / 30 / 12

HEX #A7E09C

RGB 167 224 156

HSL 110.29, 0.52%, 0.75%

LAB 83.93, -30.92, 27.6

 

CMYK 24 / 0 / 28 / 5

HEX #B8F2AF

RGB 184 242 175

HSL 111.94, 0.72%, 0.82%

LAB 90.22, -30.72, 26.56

 

CMYK 21 / 0 / 24 / 0

HEX #C9FFC2

RGB 201 255 194

HSL 113.11, 1%, 0.88%

LAB 95.09, -28.2, 23.72

 

CMYK 15 / 0 / 16 / 0

HEX #DAFFD5

RGB 218 255 213

HSL 112.86, 1%, 0.92%

LAB 96.5, -19.46, 16.16

 

CMYK 8 / 0 / 9 / 0

HEX #EBFFE8

RGB 235 255 232

HSL 112.17, 1%, 0.95%

LAB 98.04, -10.6, 8.76

 

CMYK 28 / 0 / 28 / 12

HEX #A2E0A1

RGB 162 224 161

HSL 119.05, 0.5%, 0.75%

LAB 83.74, -31.77, 24.71

 

CMYK 30 / 0 / 31 / 19

HEX #91CE8E

RGB 145 206 142

HSL 117.19, 0.4%, 0.68%

LAB 77.35, -32, 25.78

 

CMYK 32 / 0 / 35 / 26

HEX #80BC7B

RGB 128 188 123

HSL 115.38, 0.33%, 0.61%

LAB 70.86, -32.24, 26.91

 

CMYK 35 / 0 / 39 / 33

HEX #6FAA68

RGB 111 170 104

HSL 113.64, 0.28%, 0.54%

LAB 64.26, -32.47, 28.1

 

CMYK 38 / 0 / 44 / 40

HEX #5E9855

RGB 94 152 85

HSL 111.94, 0.28%, 0.46%

LAB 57.55, -32.67, 29.37

 

CMYK 28 / 0 / 29 / 13

HEX #A0DF9F

RGB 160 223 159

HSL 119.06, 0.5%, 0.75%

LAB 83.31, -32.28, 25.15

 

CMYK 21 / 0 / 29 / 13

HEX #B1DF9F

RGB 177 223 159

HSL 103.13, 0.5%, 0.75%

LAB 84.29, -26.58, 26.64

 

CMYK 13 / 0 / 29 / 13

HEX #C2DF9F

RGB 194 223 159

HSL 87.19, 0.5%, 0.75%

LAB 85.38, -20.58, 28.29

 

CMYK 5 / 0 / 29 / 13

HEX #D3DF9F

RGB 211 223 159

HSL 71.25, 0.5%, 0.75%

LAB 86.57, -14.35, 30.1

 

CMYK 0 / 3 / 29 / 13

HEX #DFD99F

RGB 223 217 159

HSL 54.38, 0.5%, 0.75%

LAB 85.91, -6.82, 29.38

 

CMYK 28 / 0 / 29 / 13

HEX #A0DF9F

RGB 160 223 159

HSL 119.06, 0.5%, 0.75%

LAB 83.31, -32.28, 25.15

 

CMYK 29 / 0 / 22 / 13

HEX #9FDFAF

RGB 159 223 175

HSL 135, 0.5%, 0.75%

LAB 83.57, -29.84, 17.15

 

CMYK 29 / 0 / 14 / 13

HEX #9FDFC0

RGB 159 223 192

HSL 150.94, 0.5%, 0.75%

LAB 83.94, -26.61, 8.74

 

CMYK 29 / 0 / 6 / 13

HEX #9FDFD1

RGB 159 223 209

HSL 166.88, 0.5%, 0.75%

LAB 84.35, -23.12, 0.35

 

CMYK 29 / 2 / 0 / 13

HEX #9FDBDF

RGB 159 219 223

HSL 183.75, 0.5%, 0.75%

LAB 83.63, -18.04, -8.13

 

CMYK 28 / 0 / 29 / 13

HEX #A0DF9F

RGB 160 223 159

HSL 119.06, 0.5%, 0.75%

LAB 83.31, -32.28, 25.15

 

CMYK 36 / 0 / 36 / 9

HEX #96E995

RGB 150 233 149

HSL 119.29, 0.66%, 0.75%

LAB 85.47, -41.58, 33.07

 

CMYK 42 / 0 / 43 / 5

HEX #8CF38A

RGB 140 243 138

HSL 118.86, 0.81%, 0.75%

LAB 87.73, -50.47, 41.4

 

CMYK 49 / 0 / 50 / 0

HEX #82FE80

RGB 130 254 128

HSL 119.05, 0.98%, 0.75%

LAB 90.41, -58.98, 49.44

 

CMYK 28 / 0 / 29 / 13

HEX #A0DF9F

RGB 160 223 159

HSL 119.06, 0.5%, 0.75%

LAB 83.31, -32.28, 25.15

 

CMYK 20 / 0 / 20 / 17

HEX #AAD4A9

RGB 170 212 169

HSL 118.6, 0.33%, 0.75%

LAB 81.01, -21.99, 16.83

 

CMYK 11 / 0 / 11 / 21

HEX #B4CAB4

RGB 180 202 180

HSL 120, 0.17%, 0.75%

LAB 79.18, -11.58, 8.47

 

CMYK 1 / 0 / 1 / 25

HEX #BEC0BE

RGB 190 192 190

HSL 120, 0.02%, 0.75%

LAB 77.5, -1.06, 0.75

 

CMYK 0 / 10 / 0 / 22

HEX #C8B5C8

RGB 200 181 200

HSL 300, 0.15%, 0.75%

LAB 75.76, 10.17, -7.14

 

CMYK 13 / 0 / 29 / 13

HEX #C2DF9F

RGB 194 223 159

HSL 87.19, 0.5%, 0.75%

LAB 85.38, -20.58, 28.29

 

CMYK 21 / 0 / 29 / 13

HEX #B1DF9F

RGB 177 223 159

HSL 103.13, 0.5%, 0.75%

LAB 84.29, -26.58, 26.64

 

CMYK 28 / 0 / 29 / 13

HEX #A0DF9F

RGB 160 223 159

HSL 119.06, 0.5%, 0.75%

LAB 83.31, -32.28, 25.15

 

CMYK 29 / 0 / 22 / 13

HEX #9FDFAF

RGB 159 223 175

HSL 135, 0.5%, 0.75%

LAB 83.57, -29.84, 17.15

 

CMYK 29 / 0 / 14 / 13

HEX #9FDFC0

RGB 159 223 192

HSL 150.94, 0.5%, 0.75%

LAB 83.94, -26.61, 8.74

 

CMYK 51 / 0 / 52 / 21

HEX #63CA61

RGB 99 202 97

HSL 118.86, 0.5%, 0.59%

LAB 73.39, -50.93, 43.06

 

CMYK 39 / 0 / 40 / 17

HEX #81D480

RGB 129 212 128

HSL 119.29, 0.49%, 0.67%

LAB 78.06, -42.02, 33.8

 

CMYK 28 / 0 / 29 / 13

HEX #A0DF9F

RGB 160 223 159

HSL 119.06, 0.5%, 0.75%

LAB 83.31, -32.28, 25.15

 

CMYK 18 / 0 / 18 / 9

HEX #BFE9BE

RGB 191 233 190

HSL 118.6, 0.49%, 0.83%

LAB 88.48, -21.63, 16.48

 

CMYK 9 / 0 / 9 / 5

HEX #DDF3DD

RGB 221 243 221

HSL 120, 0.48%, 0.91%

LAB 93.75, -11.19, 8.15

 

CMYK 28 / 0 / 28 / 12

HEX #A2E0A1

RGB 162 224 161

HSL 119.05, 0.5%, 0.75%

LAB 83.74, -31.77, 24.71

 

CMYK 29 / 5 / 0 / 13

HEX #9FD3DF

RGB 159 211 223

HSL 191.25, 0.5%, 0.75%

LAB 81.45, -13.97, -11.37

 

CMYK 0 / 29 / 17 / 13

HEX #DF9FB9

RGB 223 159 185

HSL 335.63, 0.5%, 0.75%

LAB 72.22, 27.59, -3.9

 

CMYK 28 / 0 / 28 / 12

HEX #A2E0A1

RGB 162 224 161

HSL 119.05, 0.5%, 0.75%

LAB 83.74, -31.77, 24.71

 

CMYK 29 / 28 / 0 / 13

HEX #9FA0DF

RGB 159 160 223

HSL 239.06, 0.5%, 0.75%

LAB 67.9, 13.63, -31.97

 

CMYK 0 / 29 / 28 / 13

HEX #DF9FA0

RGB 223 159 160

HSL 359.06, 0.5%, 0.75%

LAB 71.57, 23.94, 8.98

 

CMYK 28 / 0 / 28 / 12

HEX #A2E0A1

RGB 162 224 161

HSL 119.05, 0.5%, 0.75%

LAB 83.74, -31.77, 24.71

 

CMYK 29 / 5 / 0 / 13

HEX #9FD3DF

RGB 159 211 223

HSL 191.25, 0.5%, 0.75%

LAB 81.45, -13.97, -11.37

 

CMYK 0 / 29 / 0 / 13

HEX #DE9FDF

RGB 222 159 223

HSL 299.06, 0.5%, 0.75%

LAB 73.32, 33.77, -23.16

 

CMYK 0 / 23 / 29 / 13

HEX #DFAB9F

RGB 223 171 159

HSL 11.25, 0.5%, 0.75%

LAB 74.39, 17.35, 13.53

 

CMYK 28 / 0 / 28 / 12

HEX #A2E0A1

RGB 162 224 161

HSL 119.05, 0.5%, 0.75%

LAB 83.74, -31.77, 24.71

 

CMYK 29 / 14 / 0 / 13

HEX #9FC0DF

RGB 159 192 223

HSL 209.06, 0.5%, 0.75%

LAB 76.31, -4.01, -19.1

 

CMYK 0 / 29 / 0 / 13

HEX #DE9FDF

RGB 222 159 223

HSL 299.06, 0.5%, 0.75%

LAB 73.32, 33.77, -23.16

 

CMYK 0 / 15 / 29 / 13

HEX #DFBE9F

RGB 223 190 159

HSL 29.06, 0.5%, 0.75%

LAB 79.05, 7.21, 20.03

 

Description

Color code: HEX #A2E0A1 | qconv.com Color code: HEX #A2E0A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 224 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 224 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 28 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 28% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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