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Color name
HEX #A368CD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A368CD it is the complementary color #5C9732. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A368CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A368CD shade: #A868C8, #B97ADB, #CA8CEE, #DB9EFF and #ECB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A368CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A368CD shade: #A368CD, #9256BA, #8144A7, #703294 and #5F2081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A368CD shade: #A369CD, #BE69CD, #CD69C0, #CD69A6 and #CD698B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A368CD shade: #A369CD, #8969CD, #6E69CD and #6969CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A368CD shade matches the following richer shades: #A369CD, #A659DD, #A949ED and #AC39FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A368CD shade: #A369CD, #A179BD, #9E8AAD, #9B9A9D and #99AA8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A368CD shade: #6E69CD, #8969CD, #A369CD, #BE69CD and #CD69C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A368CD shade: #7B39AB, #914AC2, #A369CD, #B688D7 and #C9A7E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A368CD shade: #A368CD, #CD697F and #69CD7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A368CD shade: #A368CD, #CDA369 and #69CDA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A368CD shade: #A368CD, #CD697F, #93CD69 and #69CDB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A368CD shade: #A368CD, #CD7269, #93CD69 and #69C4CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 49 / 0 / 20

HEX #A368CD

RGB 163 104 205

HSL 275.05, 0.5%, 0.61%

LAB 54.13, 42.17, -43.41

 

Complementary color

CMYK 39 / 0 / 67 / 41

HEX #5C9732

RGB 92 151 50

HSL 95.05, 0.5%, 0.39%

LAB 56.72, -37.06, 45.54

 

CMYK 16 / 48 / 0 / 22

HEX #A868C8

RGB 168 104 200

HSL 280, 0.47%, 0.6%

LAB 54.44, 42.46, -40.02

 

CMYK 16 / 44 / 0 / 14

HEX #B97ADB

RGB 185 122 219

HSL 278.97, 0.57%, 0.67%

LAB 61.09, 41.65, -40.19

 

CMYK 15 / 41 / 0 / 7

HEX #CA8CEE

RGB 202 140 238

HSL 277.96, 0.74%, 0.74%

LAB 67.64, 40.86, -40.33

 

CMYK 14 / 38 / 0 / 0

HEX #DB9EFF

RGB 219 158 255

HSL 277.73, 1%, 0.81%

LAB 74.02, 39.69, -39.52

 

CMYK 7 / 31 / 0 / 0

HEX #ECB0FF

RGB 236 176 255

HSL 285.57, 1%, 0.85%

LAB 79.67, 35.18, -30.64

 

CMYK 20 / 49 / 0 / 20

HEX #A368CD

RGB 163 104 205

HSL 275.05, 0.5%, 0.61%

LAB 54.13, 42.17, -43.41

 

CMYK 22 / 54 / 0 / 27

HEX #9256BA

RGB 146 86 186

HSL 276, 0.42%, 0.53%

LAB 47.38, 43.03, -43.29

 

CMYK 23 / 59 / 0 / 35

HEX #8144A7

RGB 129 68 167

HSL 276.97, 0.42%, 0.46%

LAB 40.56, 43.85, -43.1

 

CMYK 24 / 66 / 0 / 42

HEX #703294

RGB 112 50 148

HSL 277.96, 0.49%, 0.39%

LAB 33.7, 44.5, -42.76

 

CMYK 26 / 75 / 0 / 49

HEX #5F2081

RGB 95 32 129

HSL 278.97, 0.6%, 0.32%

LAB 26.88, 44.73, -42.1

 

CMYK 20 / 49 / 0 / 20

HEX #A369CD

RGB 163 105 205

HSL 274.8, 0.5%, 0.61%

LAB 54.34, 41.63, -43.07

 

CMYK 7 / 49 / 0 / 20

HEX #BE69CD

RGB 190 105 205

HSL 291, 0.5%, 0.61%

LAB 57.52, 49.19, -37.85

 

CMYK 0 / 49 / 6 / 20

HEX #CD69C0

RGB 205 105 192

HSL 307.8, 0.5%, 0.61%

LAB 58.87, 51.17, -28.2

 

CMYK 0 / 49 / 19 / 20

HEX #CD69A6

RGB 205 105 166

HSL 323.4, 0.5%, 0.61%

LAB 57.88, 47, -14.79

 

CMYK 0 / 49 / 32 / 20

HEX #CD698B

RGB 205 105 139

HSL 339.6, 0.5%, 0.61%

LAB 57.02, 43.25, -0.37

 

CMYK 20 / 49 / 0 / 20

HEX #A369CD

RGB 163 105 205

HSL 274.8, 0.5%, 0.61%

LAB 54.34, 41.63, -43.07

 

CMYK 33 / 49 / 0 / 20

HEX #8969CD

RGB 137 105 205

HSL 259.2, 0.5%, 0.61%

LAB 51.64, 34.61, -47.52

 

CMYK 46 / 49 / 0 / 20

HEX #6E69CD

RGB 110 105 205

HSL 243, 0.5%, 0.61%

LAB 49.28, 27.91, -51.42

 

CMYK 49 / 49 / 0 / 20

HEX #6969CD

RGB 105 105 205

HSL 240, 0.5%, 0.61%

LAB 48.9, 26.77, -52.05

 

CMYK 20 / 49 / 0 / 20

HEX #A369CD

RGB 163 105 205

HSL 274.8, 0.5%, 0.61%

LAB 54.34, 41.63, -43.07

 

CMYK 25 / 60 / 0 / 13

HEX #A659DD

RGB 166 89 221

HSL 275, 0.66%, 0.61%

LAB 52.37, 54.41, -55.28

 

CMYK 29 / 69 / 0 / 7

HEX #A949ED

RGB 169 73 237

HSL 275.12, 0.82%, 0.61%

LAB 51.05, 66.02, -66.39

 

CMYK 32 / 77 / 0 / 1

HEX #AC39FD

RGB 172 57 253

HSL 275.2, 0.98%, 0.61%

LAB 50.44, 76.08, -76.32

 

CMYK 20 / 49 / 0 / 20

HEX #A369CD

RGB 163 105 205

HSL 274.8, 0.5%, 0.61%

LAB 54.34, 41.63, -43.07

 

CMYK 15 / 36 / 0 / 26

HEX #A179BD

RGB 161 121 189

HSL 275.29, 0.34%, 0.61%

LAB 57, 28.47, -29.8

 

CMYK 9 / 20 / 0 / 32

HEX #9E8AAD

RGB 158 138 173

HSL 274.29, 0.18%, 0.61%

LAB 60.3, 14.28, -15.64

 

CMYK 1 / 2 / 0 / 38

HEX #9B9A9D

RGB 155 154 157

HSL 260, 0.02%, 0.61%

LAB 63.77, 0.94, -1.45

 

CMYK 10 / 0 / 18 / 33

HEX #99AA8C

RGB 153 170 140

HSL 94, 0.15%, 0.61%

LAB 67.59, -11.57, 13.49

 

CMYK 46 / 49 / 0 / 20

HEX #6E69CD

RGB 110 105 205

HSL 243, 0.5%, 0.61%

LAB 49.28, 27.91, -51.42

 

CMYK 33 / 49 / 0 / 20

HEX #8969CD

RGB 137 105 205

HSL 259.2, 0.5%, 0.61%

LAB 51.64, 34.61, -47.52

 

CMYK 20 / 49 / 0 / 20

HEX #A369CD

RGB 163 105 205

HSL 274.8, 0.5%, 0.61%

LAB 54.34, 41.63, -43.07

 

CMYK 7 / 49 / 0 / 20

HEX #BE69CD

RGB 190 105 205

HSL 291, 0.5%, 0.61%

LAB 57.52, 49.19, -37.85

 

CMYK 0 / 49 / 6 / 20

HEX #CD69C1

RGB 205 105 193

HSL 307.2, 0.5%, 0.61%

LAB 58.91, 51.34, -28.71

 

CMYK 28 / 67 / 0 / 33

HEX #7B39AB

RGB 123 57 171

HSL 274.74, 0.5%, 0.45%

LAB 37.98, 48.94, -49.66

 

CMYK 25 / 62 / 0 / 24

HEX #914AC2

RGB 145 74 194

HSL 275.5, 0.5%, 0.53%

LAB 45.38, 50.88, -51.15

 

CMYK 20 / 49 / 0 / 20

HEX #A369CD

RGB 163 105 205

HSL 274.8, 0.5%, 0.61%

LAB 54.34, 41.63, -43.07

 

CMYK 15 / 37 / 0 / 16

HEX #B688D7

RGB 182 136 215

HSL 274.94, 0.5%, 0.69%

LAB 63.72, 32.19, -33.86

 

CMYK 11 / 26 / 0 / 12

HEX #C9A7E1

RGB 201 167 225

HSL 275.17, 0.49%, 0.77%

LAB 73.21, 23.07, -24.6

 

CMYK 20 / 49 / 0 / 20

HEX #A368CD

RGB 163 104 205

HSL 275.05, 0.5%, 0.61%

LAB 54.13, 42.17, -43.41

 

CMYK 0 / 49 / 38 / 20

HEX #CD697F

RGB 205 105 127

HSL 346.8, 0.5%, 0.61%

LAB 56.7, 41.79, 6.17

 

CMYK 49 / 0 / 40 / 20

HEX #69CD7C

RGB 105 205 124

HSL 131.4, 0.5%, 0.61%

LAB 74.9, -46.55, 31.53

 

CMYK 20 / 49 / 0 / 20

HEX #A368CD

RGB 163 104 205

HSL 275.05, 0.5%, 0.61%

LAB 54.13, 42.17, -43.41

 

CMYK 0 / 20 / 49 / 20

HEX #CDA369

RGB 205 163 105

HSL 34.8, 0.5%, 0.61%

LAB 69.61, 8.25, 35.89

 

CMYK 49 / 0 / 20 / 20

HEX #69CDA3

RGB 105 205 163

HSL 154.8, 0.5%, 0.61%

LAB 75.64, -39.15, 12

 

CMYK 20 / 49 / 0 / 20

HEX #A368CD

RGB 163 104 205

HSL 275.05, 0.5%, 0.61%

LAB 54.13, 42.17, -43.41

 

CMYK 0 / 49 / 38 / 20

HEX #CD697F

RGB 205 105 127

HSL 346.8, 0.5%, 0.61%

LAB 56.7, 41.79, 6.17

 

CMYK 28 / 0 / 49 / 20

HEX #93CD69

RGB 147 205 105

HSL 94.8, 0.5%, 0.61%

LAB 76.61, -36.04, 43.63

 

CMYK 49 / 0 / 11 / 20

HEX #69CDB7

RGB 105 205 183

HSL 166.8, 0.5%, 0.61%

LAB 76.12, -34.63, 1.94

 

CMYK 20 / 49 / 0 / 20

HEX #A368CD

RGB 163 104 205

HSL 275.05, 0.5%, 0.61%

LAB 54.13, 42.17, -43.41

 

CMYK 0 / 44 / 49 / 20

HEX #CD7269

RGB 205 114 105

HSL 5.4, 0.5%, 0.61%

LAB 58.07, 34.78, 20.84

 

CMYK 28 / 0 / 49 / 20

HEX #93CD69

RGB 147 205 105

HSL 94.8, 0.5%, 0.61%

LAB 76.61, -36.04, 43.63

 

CMYK 49 / 4 / 0 / 20

HEX #69C4CD

RGB 105 196 205

HSL 185.4, 0.5%, 0.61%

LAB 74.12, -24.74, -12.92

 

Description

Color code: HEX #A368CD | qconv.com Color code: HEX #A368CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 104 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 104 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 49 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 49% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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