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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7AE40 it is the complementary color #5851BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7AE40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7AE40 shade: #ACAE3B, #BDC04E, #CED261, #DFE474 and #F0F687

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7AE40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7AE40 shade: #A7AE40, #969C2D, #858A1A, #747807 and #636600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7AE40 shade: #A7AE40, #AE9840, #AE7A40, #AE5C40 and #AE4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7AE40 shade: #A7AE40, #8AAE40, #6CAE40, #4EAE40 and #40AE50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7AE40 shade matches the following richer shades: #A7AE40, #B8C22D, #C9D519 and #DAE906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7AE40 shade: #A7AE40, #979B54, #868867, #75747A and #64618E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7AE40 shade: #AE7940, #AE9740, #A9AE40, #8CAE40 and #6EAE40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7AE40 shade: #6E722A, #8B9035, #A7AE40, #BAC157 and #C6CC75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7AE40 shade: #A7AE40, #40AE5C and #8840AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7AE40 shade: #A7AE40, #40A9AE and #AE40A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7AE40 shade: #A7AE40, #40AE5C, #4640AE and #AE4093

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7AE40 shade: #A7AE40, #40AE7D, #4640AE and #AE4072

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 63 / 32

HEX #A7AE40

RGB 167 174 64

HSL 63.82, 0.46%, 0.47%

LAB 68.65, -17.03, 53.75

 

Complementary color

CMYK 54 / 58 / 0 / 25

HEX #5851BF

RGB 88 81 191

HSL 243.82, 0.46%, 0.53%

LAB 40.77, 33.5, -57.13

 

CMYK 1 / 0 / 66 / 32

HEX #ACAE3B

RGB 172 174 59

HSL 61.04, 0.49%, 0.46%

LAB 69.01, -15.22, 56.34

 

CMYK 2 / 0 / 59 / 25

HEX #BDC04E

RGB 189 192 78

HSL 61.58, 0.48%, 0.53%

LAB 75.49, -15.93, 55.6

 

CMYK 2 / 0 / 54 / 18

HEX #CED261

RGB 206 210 97

HSL 62.12, 0.56%, 0.6%

LAB 81.88, -16.51, 54.63

 

CMYK 2 / 0 / 49 / 11

HEX #DFE474

RGB 223 228 116

HSL 62.68, 0.67%, 0.67%

LAB 88.18, -16.99, 53.55

 

CMYK 2 / 0 / 45 / 4

HEX #F0F687

RGB 240 246 135

HSL 63.24, 0.86%, 0.75%

LAB 94.39, -17.38, 52.43

 

CMYK 4 / 0 / 63 / 32

HEX #A7AE40

RGB 167 174 64

HSL 63.82, 0.46%, 0.47%

LAB 68.65, -17.03, 53.75

 

CMYK 4 / 0 / 71 / 39

HEX #969C2D

RGB 150 156 45

HSL 63.24, 0.55%, 0.39%

LAB 62.04, -16.28, 54.26

 

CMYK 4 / 0 / 81 / 46

HEX #858A1A

RGB 133 138 26

HSL 62.68, 0.68%, 0.32%

LAB 55.32, -15.31, 54

 

CMYK 3 / 0 / 94 / 53

HEX #747807

RGB 116 120 7

HSL 62.12, 0.89%, 0.25%

LAB 48.46, -14.07, 52.27

 

CMYK 3 / 0 / 100 / 60

HEX #636600

RGB 99 102 0

HSL 61.76, 1%, 0.2%

LAB 41.46, -12.45, 47.89

 

CMYK 4 / 0 / 63 / 32

HEX #A7AE40

RGB 167 174 64

HSL 63.82, 0.46%, 0.47%

LAB 68.65, -17.03, 53.75

 

CMYK 0 / 13 / 63 / 32

HEX #AE9840

RGB 174 152 64

HSL 48, 0.46%, 0.47%

LAB 63.2, -2.42, 48.05

 

CMYK 0 / 30 / 63 / 32

HEX #AE7A40

RGB 174 122 64

HSL 31.64, 0.46%, 0.47%

LAB 55.37, 14.19, 39.25

 

CMYK 0 / 47 / 63 / 32

HEX #AE5C40

RGB 174 92 64

HSL 15.27, 0.46%, 0.47%

LAB 48.29, 30.85, 30.85

 

CMYK 0 / 63 / 63 / 32

HEX #AE4040

RGB 174 64 64

HSL 0, 0.46%, 0.47%

LAB 42.82, 44.93, 24.05

 

CMYK 4 / 0 / 63 / 32

HEX #A7AE40

RGB 167 174 64

HSL 63.82, 0.46%, 0.47%

LAB 68.65, -17.03, 53.75

 

CMYK 21 / 0 / 63 / 32

HEX #8AAE40

RGB 138 174 64

HSL 79.64, 0.46%, 0.47%

LAB 66.55, -29.02, 50.89

 

CMYK 38 / 0 / 63 / 32

HEX #6CAE40

RGB 108 174 64

HSL 96, 0.46%, 0.47%

LAB 64.83, -40.26, 48.5

 

CMYK 55 / 0 / 63 / 32

HEX #4EAE40

RGB 78 174 64

HSL 112.36, 0.46%, 0.47%

LAB 63.56, -49.53, 46.74

 

CMYK 63 / 0 / 54 / 32

HEX #40AE50

RGB 64 174 80

HSL 128.73, 0.46%, 0.47%

LAB 63.29, -50.99, 38.82

 

CMYK 4 / 0 / 63 / 32

HEX #A7AE40

RGB 167 174 64

HSL 63.82, 0.46%, 0.47%

LAB 68.65, -17.03, 53.75

 

CMYK 5 / 0 / 77 / 24

HEX #B8C22D

RGB 184 194 45

HSL 64.03, 0.62%, 0.47%

LAB 75.43, -20.86, 67.85

 

CMYK 6 / 0 / 88 / 16

HEX #C9D519

RGB 201 213 25

HSL 63.83, 0.79%, 0.47%

LAB 81.88, -23.56, 78.57

 

CMYK 6 / 0 / 97 / 9

HEX #DAE906

RGB 218 233 6

HSL 63.96, 0.95%, 0.47%

LAB 88.54, -26.3, 86.43

 

CMYK 4 / 0 / 63 / 32

HEX #A7AE40

RGB 167 174 64

HSL 63.82, 0.46%, 0.47%

LAB 68.65, -17.03, 53.75

 

CMYK 3 / 0 / 46 / 39

HEX #979B54

RGB 151 155 84

HSL 63.38, 0.3%, 0.47%

LAB 62.22, -12.24, 36.56

 

CMYK 1 / 0 / 24 / 47

HEX #868867

RGB 134 136 103

HSL 63.64, 0.14%, 0.47%

LAB 55.74, -6.56, 17.53

 

CMYK 4 / 5 / 0 / 52

HEX #75747A

RGB 117 116 122

HSL 250, 0.03%, 0.47%

LAB 49.1, 1.62, -3.17

 

CMYK 30 / 32 / 0 / 44

HEX #64618E

RGB 100 97 142

HSL 244, 0.19%, 0.47%

LAB 43.08, 11.97, -24.38

 

CMYK 0 / 30 / 63 / 32

HEX #AE7940

RGB 174 121 64

HSL 31.09, 0.46%, 0.47%

LAB 55.12, 14.75, 38.96

 

CMYK 0 / 13 / 63 / 32

HEX #AE9740

RGB 174 151 64

HSL 47.45, 0.46%, 0.47%

LAB 62.93, -1.88, 47.76

 

CMYK 3 / 0 / 63 / 32

HEX #A9AE40

RGB 169 174 64

HSL 62.73, 0.46%, 0.47%

LAB 68.81, -16.18, 53.97

 

CMYK 20 / 0 / 63 / 32

HEX #8CAE40

RGB 140 174 64

HSL 78.55, 0.46%, 0.47%

LAB 66.69, -28.22, 51.07

 

CMYK 37 / 0 / 63 / 32

HEX #6EAE40

RGB 110 174 64

HSL 94.91, 0.46%, 0.47%

LAB 64.93, -39.56, 48.64

 

CMYK 4 / 0 / 63 / 55

HEX #6E722A

RGB 110 114 42

HSL 63.33, 0.46%, 0.31%

LAB 46.33, -11.96, 38.29

 

CMYK 3 / 0 / 63 / 44

HEX #8B9035

RGB 139 144 53

HSL 63.3, 0.46%, 0.39%

LAB 57.74, -14.33, 46.24

 

CMYK 4 / 0 / 63 / 32

HEX #A7AE40

RGB 167 174 64

HSL 63.82, 0.46%, 0.47%

LAB 68.65, -17.03, 53.75

 

CMYK 4 / 0 / 55 / 24

HEX #BAC157

RGB 186 193 87

HSL 63.96, 0.46%, 0.55%

LAB 75.62, -16.99, 51.63

 

CMYK 3 / 0 / 43 / 20

HEX #C6CC75

RGB 198 204 117

HSL 64.14, 0.46%, 0.63%

LAB 79.88, -14.86, 42.53

 

CMYK 4 / 0 / 63 / 32

HEX #A7AE40

RGB 167 174 64

HSL 63.82, 0.46%, 0.47%

LAB 68.65, -17.03, 53.75

 

CMYK 63 / 0 / 47 / 32

HEX #40AE5C

RGB 64 174 92

HSL 135.27, 0.46%, 0.47%

LAB 63.45, -49.19, 32.97

 

CMYK 22 / 63 / 0 / 32

HEX #8840AE

RGB 136 64 174

HSL 279.27, 0.46%, 0.47%

LAB 41.15, 49.21, -46.27

 

CMYK 4 / 0 / 63 / 32

HEX #A7AE40

RGB 167 174 64

HSL 63.82, 0.46%, 0.47%

LAB 68.65, -17.03, 53.75

 

CMYK 63 / 3 / 0 / 32

HEX #40A9AE

RGB 64 169 174

HSL 182.73, 0.46%, 0.47%

LAB 63.77, -28.07, -11.5

 

CMYK 0 / 63 / 3 / 32

HEX #AE40A9

RGB 174 64 169

HSL 302.73, 0.46%, 0.47%

LAB 46.35, 57.68, -34.7

 

CMYK 4 / 0 / 63 / 32

HEX #A7AE40

RGB 167 174 64

HSL 63.82, 0.46%, 0.47%

LAB 68.65, -17.03, 53.75

 

CMYK 63 / 0 / 47 / 32

HEX #40AE5C

RGB 64 174 92

HSL 135.27, 0.46%, 0.47%

LAB 63.45, -49.19, 32.97

 

CMYK 60 / 63 / 0 / 32

HEX #4640AE

RGB 70 64 174

HSL 243.27, 0.46%, 0.47%

LAB 34.03, 35.16, -58.11

 

CMYK 0 / 63 / 16 / 32

HEX #AE4093

RGB 174 64 147

HSL 314.73, 0.46%, 0.47%

LAB 45.32, 54.14, -23.19

 

CMYK 4 / 0 / 63 / 32

HEX #A7AE40

RGB 167 174 64

HSL 63.82, 0.46%, 0.47%

LAB 68.65, -17.03, 53.75

 

CMYK 63 / 0 / 28 / 32

HEX #40AE7D

RGB 64 174 125

HSL 153.27, 0.46%, 0.47%

LAB 64.03, -42.93, 16.12

 

CMYK 60 / 63 / 0 / 32

HEX #4640AE

RGB 70 64 174

HSL 243.27, 0.46%, 0.47%

LAB 34.03, 35.16, -58.11

 

CMYK 0 / 63 / 34 / 32

HEX #AE4072

RGB 174 64 114

HSL 332.73, 0.46%, 0.47%

LAB 44.06, 49.62, -5.03

 

Description

Color code: HEX #A7AE40 | qconv.com Color code: HEX #A7AE40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 174 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 174 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 63 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 63% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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