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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A420CA it is the complementary color #5BDF35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A420CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A420CA shade: #A920C5, #BA32D8, #CB44EB, #DC56FE and #ED68FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A420CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A420CA shade: #A420CA, #930EB7, #8200A4, #710091 and #60007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A420CA shade: #A41FCA, #CA1FC3, #CA1F94, #CA1F66 and #CA1F38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A420CA shade: #A41FCA, #761FCA, #481FCA and #1F1FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A420CA shade matches the following richer shades: #A41FCA and #AF0CDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A420CA shade: #A41FCA, #9A32B7, #8F45A4, #855891 and #7A6B7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A420CA shade: #471FCA, #751FCA, #A21FCA, #CA1FC5 and #CA1F97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A420CA shade: #6A1483, #871AA7, #A41FCA, #B934DF and #C558E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A420CA shade: #A420CA, #CA1F25 and #1FCA5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A420CA shade: #A420CA, #CAA21F and #1FCAA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A420CA shade: #A420CA, #CA1F25, #47CA1F and #1FCAC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A420CA shade: #A420CA, #CA4D1F, #47CA1F and #1F9DCA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 84 / 0 / 21

HEX #A420CA

RGB 164 32 202

HSL 286.59, 0.73%, 0.46%

LAB 43.05, 72.07, -59.41

 

Complementary color

CMYK 59 / 0 / 76 / 13

HEX #5BDF35

RGB 91 223 53

HSL 106.59, 0.73%, 0.54%

LAB 79.19, -64.85, 67.22

 

CMYK 14 / 84 / 0 / 23

HEX #A920C5

RGB 169 32 197

HSL 289.82, 0.72%, 0.45%

LAB 43.51, 72.02, -55.72

 

CMYK 14 / 77 / 0 / 15

HEX #BA32D8

RGB 186 50 216

HSL 289.16, 0.68%, 0.52%

LAB 49.1, 73.57, -57.52

 

CMYK 14 / 71 / 0 / 8

HEX #CB44EB

RGB 203 68 235

HSL 288.5, 0.81%, 0.59%

LAB 54.9, 74.32, -58.84

 

CMYK 13 / 66 / 0 / 0

HEX #DC56FE

RGB 220 86 254

HSL 287.86, 0.99%, 0.67%

LAB 60.81, 74.53, -59.82

 

CMYK 7 / 59 / 0 / 0

HEX #ED68FF

RGB 237 104 255

HSL 292.85, 1%, 0.7%

LAB 65.85, 71.13, -52.21

 

CMYK 19 / 84 / 0 / 21

HEX #A420CA

RGB 164 32 202

HSL 286.59, 0.73%, 0.46%

LAB 43.05, 72.07, -59.41

 

CMYK 20 / 92 / 0 / 28

HEX #930EB7

RGB 147 14 183

HSL 287.22, 0.86%, 0.39%

LAB 37.73, 69.42, -57.03

 

CMYK 21 / 100 / 0 / 36

HEX #8200A4

RGB 130 0 164

HSL 287.56, 1%, 0.32%

LAB 32.76, 65.38, -53.87

 

CMYK 22 / 100 / 0 / 43

HEX #710091

RGB 113 0 145

HSL 286.76, 1%, 0.28%

LAB 28.26, 59.5, -49.7

 

CMYK 24 / 100 / 0 / 51

HEX #60007E

RGB 96 0 126

HSL 285.71, 1%, 0.25%

LAB 23.65, 53.48, -45.44

 

CMYK 19 / 85 / 0 / 21

HEX #A41FCA

RGB 164 31 202

HSL 286.67, 0.73%, 0.46%

LAB 42.97, 72.31, -59.54

 

CMYK 0 / 85 / 3 / 21

HEX #CA1FC3

RGB 202 31 195

HSL 302.46, 0.73%, 0.46%

LAB 48.86, 77.8, -45.68

 

CMYK 0 / 85 / 27 / 21

HEX #CA1F94

RGB 202 31 148

HSL 318.95, 0.73%, 0.46%

LAB 46.54, 71.57, -21.51

 

CMYK 0 / 85 / 50 / 21

HEX #CA1F66

RGB 202 31 102

HSL 335.09, 0.73%, 0.46%

LAB 44.94, 67.02, 4.28

 

CMYK 0 / 85 / 72 / 21

HEX #CA1F38

RGB 202 31 56

HSL 351.23, 0.73%, 0.46%

LAB 43.98, 64.22, 31.49

 

CMYK 19 / 85 / 0 / 21

HEX #A41FCA

RGB 164 31 202

HSL 286.67, 0.73%, 0.46%

LAB 42.97, 72.31, -59.54

 

CMYK 42 / 85 / 0 / 21

HEX #761FCA

RGB 118 31 202

HSL 270.53, 0.73%, 0.46%

LAB 36.17, 65.54, -70.91

 

CMYK 64 / 85 / 0 / 21

HEX #481FCA

RGB 72 31 202

HSL 254.39, 0.73%, 0.46%

LAB 30.93, 60.66, -79.73

 

CMYK 85 / 85 / 0 / 21

HEX #1F1FCA

RGB 31 31 202

HSL 240, 0.73%, 0.46%

LAB 28.21, 58.28, -84.33

 

CMYK 19 / 85 / 0 / 21

HEX #A41FCA

RGB 164 31 202

HSL 286.67, 0.73%, 0.46%

LAB 42.97, 72.31, -59.54

 

CMYK 21 / 95 / 0 / 13

HEX #AF0CDD

RGB 175 12 221

HSL 286.79, 0.9%, 0.46%

LAB 45.08, 80.4, -66.98

 

CMYK 19 / 85 / 0 / 21

HEX #A41FCA

RGB 164 31 202

HSL 286.67, 0.73%, 0.46%

LAB 42.97, 72.31, -59.54

 

CMYK 16 / 73 / 0 / 28

HEX #9A32B7

RGB 154 50 183

HSL 286.92, 0.57%, 0.46%

LAB 42.11, 61.18, -49.9

 

CMYK 13 / 58 / 0 / 36

HEX #8F45A4

RGB 143 69 164

HSL 286.74, 0.41%, 0.46%

LAB 42.42, 46.34, -38.23

 

CMYK 8 / 39 / 0 / 43

HEX #855891

RGB 133 88 145

HSL 287.37, 0.24%, 0.46%

LAB 44.25, 28.89, -24.1

 

CMYK 4 / 16 / 0 / 50

HEX #7A6B7F

RGB 122 107 127

HSL 285, 0.09%, 0.46%

LAB 47.22, 9.86, -8.9

 

CMYK 65 / 85 / 0 / 21

HEX #471FCA

RGB 71 31 202

HSL 254.04, 0.73%, 0.46%

LAB 30.84, 60.58, -79.88

 

CMYK 42 / 85 / 0 / 21

HEX #751FCA

RGB 117 31 202

HSL 270.18, 0.73%, 0.46%

LAB 36.03, 65.41, -71.14

 

CMYK 20 / 85 / 0 / 21

HEX #A21FCA

RGB 162 31 202

HSL 285.96, 0.73%, 0.46%

LAB 42.65, 71.98, -60.07

 

CMYK 0 / 85 / 2 / 21

HEX #CA1FC5

RGB 202 31 197

HSL 301.75, 0.73%, 0.46%

LAB 48.97, 78.09, -46.66

 

CMYK 0 / 85 / 25 / 21

HEX #CA1F97

RGB 202 31 151

HSL 317.89, 0.73%, 0.46%

LAB 46.67, 71.92, -23.12

 

CMYK 19 / 85 / 0 / 49

HEX #6A1483

RGB 106 20 131

HSL 286.49, 0.74%, 0.3%

LAB 27.31, 51.64, -42.58

 

CMYK 19 / 84 / 0 / 35

HEX #871AA7

RGB 135 26 167

HSL 286.38, 0.73%, 0.38%

LAB 35.36, 62.18, -51.42

 

CMYK 19 / 85 / 0 / 21

HEX #A41FCA

RGB 164 31 202

HSL 286.67, 0.73%, 0.46%

LAB 42.97, 72.31, -59.54

 

CMYK 17 / 77 / 0 / 13

HEX #B934DF

RGB 185 52 223

HSL 286.67, 0.73%, 0.54%

LAB 49.61, 74.03, -60.7

 

CMYK 14 / 61 / 0 / 11

HEX #C558E4

RGB 197 88 228

HSL 286.71, 0.72%, 0.62%

LAB 56.54, 63.65, -52.33

 

CMYK 19 / 84 / 0 / 21

HEX #A420CA

RGB 164 32 202

HSL 286.59, 0.73%, 0.46%

LAB 43.05, 72.07, -59.41

 

CMYK 0 / 85 / 82 / 21

HEX #CA1F25

RGB 202 31 37

HSL 357.89, 0.73%, 0.46%

LAB 43.76, 63.56, 42.21

 

CMYK 85 / 0 / 53 / 21

HEX #1FCA5E

RGB 31 202 94

HSL 142.11, 0.73%, 0.46%

LAB 71.79, -63.65, 42.19

 

CMYK 19 / 84 / 0 / 21

HEX #A420CA

RGB 164 32 202

HSL 286.59, 0.73%, 0.46%

LAB 43.05, 72.07, -59.41

 

CMYK 0 / 20 / 85 / 21

HEX #CAA21F

RGB 202 162 31

HSL 45.96, 0.73%, 0.46%

LAB 68.38, 3.07, 66.34

 

CMYK 85 / 0 / 20 / 21

HEX #1FCAA2

RGB 31 202 162

HSL 165.96, 0.73%, 0.46%

LAB 72.98, -50.04, 8.52

 

CMYK 19 / 84 / 0 / 21

HEX #A420CA

RGB 164 32 202

HSL 286.59, 0.73%, 0.46%

LAB 43.05, 72.07, -59.41

 

CMYK 0 / 85 / 82 / 21

HEX #CA1F25

RGB 202 31 37

HSL 357.89, 0.73%, 0.46%

LAB 43.76, 63.56, 42.21

 

CMYK 65 / 0 / 85 / 21

HEX #47CA1F

RGB 71 202 31

HSL 105.96, 0.73%, 0.46%

LAB 72.01, -63.49, 66.39

 

CMYK 85 / 0 / 2 / 21

HEX #1FCAC5

RGB 31 202 197

HSL 178.25, 0.73%, 0.46%

LAB 73.91, -40.57, -9.08

 

CMYK 19 / 84 / 0 / 21

HEX #A420CA

RGB 164 32 202

HSL 286.59, 0.73%, 0.46%

LAB 43.05, 72.07, -59.41

 

CMYK 0 / 62 / 85 / 21

HEX #CA4D1F

RGB 202 77 31

HSL 16.14, 0.73%, 0.46%

LAB 49.45, 47.61, 50.32

 

CMYK 65 / 0 / 85 / 21

HEX #47CA1F

RGB 71 202 31

HSL 105.96, 0.73%, 0.46%

LAB 72.01, -63.49, 66.39

 

CMYK 85 / 22 / 0 / 21

HEX #1F9DCA

RGB 31 157 202

HSL 195.79, 0.73%, 0.46%

LAB 60.49, -16.84, -32.26

 

Description

Color code: HEX #A420CA | qconv.com Color code: HEX #A420CA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 32 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 32 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 84 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 84% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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