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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A42C73 it is the complementary color #5BD38C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A42C73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A42C73 shade: #A92C6E, #BA3E81, #CB5094, #DC62A7 and #ED74BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A42C73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A42C73 shade: #A42C73, #931A60, #82084D, #71003A and #600027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A42C73 shade: #A52B73, #A52B52, #A52B32 and #A52B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A42C73 shade: #A52B73, #A52B94, #952BA5, #742BA5 and #532BA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A42C73 shade matches the following richer shades: #A52B73, #B61A76 and #C70A79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A42C73 shade: #A52B73, #943C70, #834D6D, #725E6A and #616F67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A42C73 shade: #952BA5, #A52B95, #A52B74, #A52B54 and #A52B33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A42C73 shade: #631A46, #84235C, #A52B73, #C5348A and #D1529D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A42C73 shade: #A42C73, #A5742B and #2BA5A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A42C73 shade: #A42C73, #74A52B and #2B74A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A42C73 shade: #A42C73, #A5742B, #2BA55C and #2B5CA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A42C73 shade: #A42C73, #A5992B, #2BA55C and #2B38A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 30 / 36

HEX #A42C73

RGB 164 44 115

HSL 324.5, 0.58%, 0.41%

LAB 39.47, 54.84, -12.72

 

Complementary color

CMYK 57 / 0 / 34 / 17

HEX #5BD38C

RGB 91 211 140

HSL 144.5, 0.58%, 0.59%

LAB 76.5, -49.64, 25.29

 

CMYK 0 / 74 / 35 / 34

HEX #A92C6E

RGB 169 44 110

HSL 328.32, 0.59%, 0.42%

LAB 40.18, 55.61, -8.42

 

CMYK 0 / 67 / 31 / 27

HEX #BA3E81

RGB 186 62 129

HSL 327.58, 0.5%, 0.49%

LAB 46.27, 55.9, -10.68

 

CMYK 0 / 61 / 27 / 20

HEX #CB5094

RGB 203 80 148

HSL 326.83, 0.54%, 0.55%

LAB 52.48, 55.7, -12.45

 

CMYK 0 / 55 / 24 / 14

HEX #DC62A7

RGB 220 98 167

HSL 326.07, 0.64%, 0.62%

LAB 58.73, 55.23, -13.87

 

CMYK 0 / 51 / 22 / 7

HEX #ED74BA

RGB 237 116 186

HSL 325.29, 0.77%, 0.69%

LAB 64.99, 54.6, -15.05

 

CMYK 0 / 73 / 30 / 36

HEX #A42C73

RGB 164 44 115

HSL 324.5, 0.58%, 0.41%

LAB 39.47, 54.84, -12.72

 

CMYK 0 / 82 / 35 / 42

HEX #931A60

RGB 147 26 96

HSL 325.29, 0.7%, 0.34%

LAB 33.53, 53.74, -9.96

 

CMYK 0 / 94 / 41 / 49

HEX #82084D

RGB 130 8 77

HSL 326.07, 0.88%, 0.27%

LAB 27.99, 51.29, -6.18

 

CMYK 0 / 100 / 49 / 56

HEX #71003A

RGB 113 0 58

HSL 329.2, 1%, 0.22%

LAB 23.05, 46.82, -0.99

 

CMYK 0 / 100 / 59 / 62

HEX #600027

RGB 96 0 39

HSL 335.63, 1%, 0.19%

LAB 18.51, 40.94, 5.41

 

CMYK 0 / 74 / 30 / 35

HEX #A52B73

RGB 165 43 115

HSL 324.59, 0.59%, 0.41%

LAB 39.52, 55.46, -12.62

 

CMYK 0 / 74 / 50 / 35

HEX #A52B52

RGB 165 43 82

HSL 340.82, 0.59%, 0.41%

LAB 38.44, 51.97, 6.63

 

CMYK 0 / 74 / 70 / 35

HEX #A52B32

RGB 165 43 50

HSL 356.56, 0.59%, 0.41%

LAB 37.77, 49.72, 25.96

 

CMYK 0 / 74 / 74 / 35

HEX #A52B2B

RGB 165 43 43

HSL 0, 0.59%, 0.41%

LAB 37.67, 49.38, 30.1

 

CMYK 0 / 74 / 30 / 35

HEX #A52B73

RGB 165 43 115

HSL 324.59, 0.59%, 0.41%

LAB 39.52, 55.46, -12.62

 

CMYK 0 / 74 / 10 / 35

HEX #A52B94

RGB 165 43 148

HSL 308.36, 0.59%, 0.41%

LAB 41, 60.02, -30.64

 

CMYK 10 / 74 / 0 / 35

HEX #952BA5

RGB 149 43 165

HSL 292.13, 0.59%, 0.41%

LAB 39.3, 59.28, -43.76

 

CMYK 30 / 74 / 0 / 35

HEX #742BA5

RGB 116 43 165

HSL 275.9, 0.59%, 0.41%

LAB 34.31, 52.5, -52.05

 

CMYK 50 / 74 / 0 / 35

HEX #532BA5

RGB 83 43 165

HSL 259.67, 0.59%, 0.41%

LAB 30.12, 46.52, -59.06

 

CMYK 0 / 74 / 30 / 35

HEX #A52B73

RGB 165 43 115

HSL 324.59, 0.59%, 0.41%

LAB 39.52, 55.46, -12.62

 

CMYK 0 / 86 / 35 / 29

HEX #B61A76

RGB 182 26 118

HSL 324.62, 0.75%, 0.41%

LAB 41.2, 64.7, -11.64

 

CMYK 0 / 95 / 39 / 22

HEX #C70A79

RGB 199 10 121

HSL 324.76, 0.9%, 0.41%

LAB 43.86, 71.14, -9.17

 

CMYK 0 / 74 / 30 / 35

HEX #A52B73

RGB 165 43 115

HSL 324.59, 0.59%, 0.41%

LAB 39.52, 55.46, -12.62

 

CMYK 0 / 59 / 24 / 42

HEX #943C70

RGB 148 60 112

HSL 324.55, 0.42%, 0.41%

LAB 39.07, 42.99, -11.71

 

CMYK 0 / 41 / 17 / 49

HEX #834D6D

RGB 131 77 109

HSL 324.44, 0.26%, 0.41%

LAB 39.98, 27.56, -8.72

 

CMYK 0 / 18 / 7 / 55

HEX #725E6A

RGB 114 94 106

HSL 324, 0.1%, 0.41%

LAB 42.19, 10.34, -3.78

 

CMYK 13 / 0 / 7 / 56

HEX #616F67

RGB 97 111 103

HSL 145.71, 0.07%, 0.41%

LAB 45.48, -6.98, 2.67

 

CMYK 10 / 74 / 0 / 35

HEX #952BA5

RGB 149 43 165

HSL 292.13, 0.59%, 0.41%

LAB 39.3, 59.28, -43.76

 

CMYK 0 / 74 / 10 / 35

HEX #A52B95

RGB 165 43 149

HSL 307.87, 0.59%, 0.41%

LAB 41.05, 60.18, -31.17

 

CMYK 0 / 74 / 30 / 35

HEX #A52B74

RGB 165 43 116

HSL 324.1, 0.59%, 0.41%

LAB 39.56, 55.58, -13.18

 

CMYK 0 / 74 / 49 / 35

HEX #A52B54

RGB 165 43 84

HSL 339.84, 0.59%, 0.41%

LAB 38.49, 52.15, 5.43

 

CMYK 0 / 74 / 69 / 35

HEX #A52B33

RGB 165 43 51

HSL 356.07, 0.59%, 0.41%

LAB 37.78, 49.78, 25.36

 

CMYK 0 / 74 / 29 / 61

HEX #631A46

RGB 99 26 70

HSL 323.84, 0.58%, 0.25%

LAB 23.11, 37.13, -9.45

 

CMYK 0 / 73 / 30 / 48

HEX #84235C

RGB 132 35 92

HSL 324.74, 0.58%, 0.33%

LAB 31.53, 46.29, -10.68

 

CMYK 0 / 74 / 30 / 35

HEX #A52B73

RGB 165 43 115

HSL 324.59, 0.59%, 0.41%

LAB 39.52, 55.46, -12.62

 

CMYK 0 / 74 / 30 / 23

HEX #C5348A

RGB 197 52 138

HSL 324.41, 0.58%, 0.49%

LAB 47.19, 63.64, -14.57

 

CMYK 0 / 61 / 25 / 18

HEX #D1529D

RGB 209 82 157

HSL 324.57, 0.58%, 0.57%

LAB 54.05, 57.78, -15.28

 

CMYK 0 / 73 / 30 / 36

HEX #A42C73

RGB 164 44 115

HSL 324.5, 0.58%, 0.41%

LAB 39.47, 54.84, -12.72

 

CMYK 0 / 30 / 74 / 35

HEX #A5742B

RGB 165 116 43

HSL 35.9, 0.59%, 0.41%

LAB 52.58, 12.31, 46.13

 

CMYK 74 / 0 / 0 / 35

HEX #2BA5A5

RGB 43 165 165

HSL 180, 0.59%, 0.41%

LAB 61.78, -31.81, -9.5

 

CMYK 0 / 73 / 30 / 36

HEX #A42C73

RGB 164 44 115

HSL 324.5, 0.58%, 0.41%

LAB 39.47, 54.84, -12.72

 

CMYK 30 / 0 / 74 / 35

HEX #74A52B

RGB 116 165 43

HSL 84.1, 0.59%, 0.41%

LAB 62.34, -34.94, 54.49

 

CMYK 74 / 30 / 0 / 35

HEX #2B74A5

RGB 43 116 165

HSL 204.1, 0.59%, 0.41%

LAB 46.61, -5.59, -32.74

 

CMYK 0 / 73 / 30 / 36

HEX #A42C73

RGB 164 44 115

HSL 324.5, 0.58%, 0.41%

LAB 39.47, 54.84, -12.72

 

CMYK 0 / 30 / 74 / 35

HEX #A5742B

RGB 165 116 43

HSL 35.9, 0.59%, 0.41%

LAB 52.58, 12.31, 46.13

 

CMYK 74 / 0 / 44 / 35

HEX #2BA55C

RGB 43 165 92

HSL 144.1, 0.59%, 0.41%

LAB 60.07, -49.61, 28.54

 

CMYK 74 / 44 / 0 / 35

HEX #2B5CA5

RGB 43 92 165

HSL 215.9, 0.59%, 0.41%

LAB 39.39, 9.39, -44.18

 

CMYK 0 / 73 / 30 / 36

HEX #A42C73

RGB 164 44 115

HSL 324.5, 0.58%, 0.41%

LAB 39.47, 54.84, -12.72

 

CMYK 0 / 7 / 74 / 35

HEX #A5992B

RGB 165 153 43

HSL 54.1, 0.59%, 0.41%

LAB 62.47, -8.16, 55.87

 

CMYK 74 / 0 / 44 / 35

HEX #2BA55C

RGB 43 165 92

HSL 144.1, 0.59%, 0.41%

LAB 60.07, -49.61, 28.54

 

CMYK 74 / 66 / 0 / 35

HEX #2B38A5

RGB 43 56 165

HSL 233.61, 0.59%, 0.41%

LAB 29.56, 33.21, -60.1

 

Description

Color code: HEX #A42C73 | qconv.com Color code: HEX #A42C73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 44 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 44 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 30 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 30% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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