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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A43681 it is the complementary color #5BC97E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A43681. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A43681 shade: #A9367C, #BA488F, #CB5AA2, #DC6CB5 and #ED7EC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A43681. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A43681 shade: #A43681, #93246E, #82125B, #710048 and #600035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A43681 shade: #A43681, #A43664, #A43646 and #A43636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A43681 shade: #A43681, #A4369F, #8C36A4, #6E36A4 and #5136A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A43681 shade matches the following richer shades: #A43681, #B62588, #C7138E and #D90194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A43681 shade: #A43681, #92487B, #805A74, #6F6C6E and #5D7D67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A43681 shade: #8C36A4, #A4369E, #A43681, #A43664 and #A43647

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A43681 shade: #662250, #852C69, #A43681, #C04398 and #CA62A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A43681 shade: #A43681, #A46F36 and #36A49B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A43681 shade: #A43681, #81A436 and #3681A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A43681 shade: #A43681, #A46F36, #36A459 and #366BA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A43681 shade: #A43681, #A49036, #36A459 and #364AA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 21 / 36

HEX #A43681

RGB 164 54 129

HSL 319.09, 0.5%, 0.43%

LAB 41.4, 52.89, -18.43

 

Complementary color

CMYK 55 / 0 / 37 / 21

HEX #5BC97E

RGB 91 201 126

HSL 139.09, 0.5%, 0.57%

LAB 73.22, -48.1, 28.19

 

CMYK 0 / 68 / 27 / 34

HEX #A9367C

RGB 169 54 124

HSL 323.48, 0.52%, 0.44%

LAB 42.04, 53.61, -14.3

 

CMYK 0 / 61 / 23 / 27

HEX #BA488F

RGB 186 72 143

HSL 322.63, 0.45%, 0.51%

LAB 48.33, 53.51, -16.01

 

CMYK 0 / 56 / 20 / 20

HEX #CB5AA2

RGB 203 90 162

HSL 321.77, 0.52%, 0.57%

LAB 54.68, 53.08, -17.35

 

CMYK 0 / 51 / 18 / 14

HEX #DC6CB5

RGB 220 108 181

HSL 320.89, 0.62%, 0.64%

LAB 61.03, 52.48, -18.44

 

CMYK 0 / 47 / 16 / 7

HEX #ED7EC8

RGB 237 126 200

HSL 320, 0.76%, 0.71%

LAB 67.35, 51.79, -19.37

 

CMYK 0 / 67 / 21 / 36

HEX #A43681

RGB 164 54 129

HSL 319.09, 0.5%, 0.43%

LAB 41.4, 52.89, -18.43

 

CMYK 0 / 76 / 25 / 42

HEX #93246E

RGB 147 36 110

HSL 320, 0.61%, 0.36%

LAB 35.18, 52.42, -16.39

 

CMYK 0 / 86 / 30 / 49

HEX #82125B

RGB 130 18 91

HSL 320.89, 0.76%, 0.29%

LAB 29.24, 50.91, -13.55

 

CMYK 0 / 100 / 36 / 56

HEX #710048

RGB 113 0 72

HSL 321.77, 1%, 0.22%

LAB 23.6, 48.25, -9.8

 

CMYK 0 / 100 / 45 / 62

HEX #600035

RGB 96 0 53

HSL 326.88, 1%, 0.19%

LAB 18.99, 42.19, -3.93

 

CMYK 0 / 67 / 21 / 36

HEX #A43681

RGB 164 54 129

HSL 319.09, 0.5%, 0.43%

LAB 41.4, 52.89, -18.43

 

CMYK 0 / 67 / 39 / 36

HEX #A43664

RGB 164 54 100

HSL 334.91, 0.5%, 0.43%

LAB 40.33, 49.19, -2.04

 

CMYK 0 / 67 / 57 / 36

HEX #A43646

RGB 164 54 70

HSL 351.27, 0.5%, 0.43%

LAB 39.54, 46.34, 15.72

 

CMYK 0 / 67 / 67 / 36

HEX #A43636

RGB 164 54 54

HSL 0, 0.5%, 0.43%

LAB 39.24, 45.24, 25.26

 

CMYK 0 / 67 / 21 / 36

HEX #A43681

RGB 164 54 129

HSL 319.09, 0.5%, 0.43%

LAB 41.4, 52.89, -18.43

 

CMYK 0 / 67 / 3 / 36

HEX #A4369F

RGB 164 54 159

HSL 302.73, 0.5%, 0.43%

LAB 42.81, 57.56, -34.43

 

CMYK 15 / 67 / 0 / 36

HEX #8C36A4

RGB 140 54 164

HSL 286.91, 0.5%, 0.43%

LAB 39.4, 52.71, -43.07

 

CMYK 33 / 67 / 0 / 36

HEX #6E36A4

RGB 110 54 164

HSL 270.55, 0.5%, 0.43%

LAB 35.27, 45.87, -49.94

 

CMYK 51 / 67 / 0 / 36

HEX #5136A4

RGB 81 54 164

HSL 254.73, 0.5%, 0.43%

LAB 31.96, 39.95, -55.46

 

CMYK 0 / 67 / 21 / 36

HEX #A43681

RGB 164 54 129

HSL 319.09, 0.5%, 0.43%

LAB 41.4, 52.89, -18.43

 

CMYK 0 / 80 / 25 / 29

HEX #B62588

RGB 182 37 136

HSL 319.03, 0.66%, 0.43%

LAB 42.83, 64.18, -20.25

 

CMYK 0 / 90 / 29 / 22

HEX #C7138E

RGB 199 19 142

HSL 319, 0.83%, 0.43%

LAB 45.03, 72.27, -20.26

 

CMYK 0 / 100 / 32 / 15

HEX #D90194

RGB 217 1 148

HSL 319.17, 0.99%, 0.43%

LAB 48.15, 78.33, -18.8

 

CMYK 0 / 67 / 21 / 36

HEX #A43681

RGB 164 54 129

HSL 319.09, 0.5%, 0.43%

LAB 41.4, 52.89, -18.43

 

CMYK 0 / 51 / 16 / 43

HEX #92487B

RGB 146 72 123

HSL 318.65, 0.34%, 0.43%

LAB 41.49, 37.96, -14.85

 

CMYK 0 / 30 / 9 / 50

HEX #805A74

RGB 128 90 116

HSL 318.95, 0.17%, 0.43%

LAB 43.01, 20.06, -8.51

 

CMYK 0 / 3 / 1 / 56

HEX #6F6C6E

RGB 111 108 110

HSL 320, 0.01%, 0.43%

LAB 45.95, 1.57, -0.71

 

CMYK 26 / 0 / 18 / 51

HEX #5D7D67

RGB 93 125 103

HSL 138.75, 0.15%, 0.43%

LAB 49.46, -16.27, 8.33

 

CMYK 15 / 67 / 0 / 36

HEX #8C36A4

RGB 140 54 164

HSL 286.91, 0.5%, 0.43%

LAB 39.4, 52.71, -43.07

 

CMYK 0 / 67 / 4 / 36

HEX #A4369E

RGB 164 54 158

HSL 303.27, 0.5%, 0.43%

LAB 42.76, 57.39, -33.91

 

CMYK 0 / 67 / 21 / 36

HEX #A43681

RGB 164 54 129

HSL 319.09, 0.5%, 0.43%

LAB 41.4, 52.89, -18.43

 

CMYK 0 / 67 / 39 / 36

HEX #A43664

RGB 164 54 100

HSL 334.91, 0.5%, 0.43%

LAB 40.33, 49.19, -2.04

 

CMYK 0 / 67 / 57 / 36

HEX #A43647

RGB 164 54 71

HSL 350.73, 0.5%, 0.43%

LAB 39.56, 46.42, 15.12

 

CMYK 0 / 67 / 22 / 60

HEX #662250

RGB 102 34 80

HSL 319.41, 0.5%, 0.27%

LAB 25.41, 35.98, -12.63

 

CMYK 0 / 67 / 21 / 48

HEX #852C69

RGB 133 44 105

HSL 318.88, 0.5%, 0.35%

LAB 33.58, 44.72, -15.89

 

CMYK 0 / 67 / 21 / 36

HEX #A43681

RGB 164 54 129

HSL 319.09, 0.5%, 0.43%

LAB 41.4, 52.89, -18.43

 

CMYK 0 / 65 / 21 / 25

HEX #C04398

RGB 192 67 152

HSL 319.2, 0.5%, 0.51%

LAB 48.87, 58.59, -20.48

 

CMYK 0 / 51 / 16 / 21

HEX #CA62A9

RGB 202 98 169

HSL 319.04, 0.5%, 0.59%

LAB 56.24, 49.98, -19.05

 

CMYK 0 / 67 / 21 / 36

HEX #A43681

RGB 164 54 129

HSL 319.09, 0.5%, 0.43%

LAB 41.4, 52.89, -18.43

 

CMYK 0 / 32 / 67 / 36

HEX #A46F36

RGB 164 111 54

HSL 31.09, 0.5%, 0.43%

LAB 51.3, 15.32, 39.43

 

CMYK 67 / 0 / 5 / 36

HEX #36A49B

RGB 54 164 155

HSL 175.09, 0.5%, 0.43%

LAB 61.4, -32.71, -4.41

 

CMYK 0 / 67 / 21 / 36

HEX #A43681

RGB 164 54 129

HSL 319.09, 0.5%, 0.43%

LAB 41.4, 52.89, -18.43

 

CMYK 21 / 0 / 67 / 36

HEX #81A436

RGB 129 164 54

HSL 79.09, 0.5%, 0.43%

LAB 62.91, -28.6, 51.07

 

CMYK 67 / 21 / 0 / 36

HEX #3681A4

RGB 54 129 164

HSL 199.09, 0.5%, 0.43%

LAB 50.88, -11.78, -25.47

 

CMYK 0 / 67 / 21 / 36

HEX #A43681

RGB 164 54 129

HSL 319.09, 0.5%, 0.43%

LAB 41.4, 52.89, -18.43

 

CMYK 0 / 32 / 67 / 36

HEX #A46F36

RGB 164 111 54

HSL 31.09, 0.5%, 0.43%

LAB 51.3, 15.32, 39.43

 

CMYK 67 / 0 / 46 / 36

HEX #36A459

RGB 54 164 89

HSL 139.09, 0.5%, 0.43%

LAB 59.94, -47.84, 30.01

 

CMYK 67 / 35 / 0 / 36

HEX #366BA4

RGB 54 107 164

HSL 211.09, 0.5%, 0.43%

LAB 44.2, 1.25, -35.9

 

CMYK 0 / 67 / 21 / 36

HEX #A43681

RGB 164 54 129

HSL 319.09, 0.5%, 0.43%

LAB 41.4, 52.89, -18.43

 

CMYK 0 / 12 / 67 / 36

HEX #A49036

RGB 164 144 54

HSL 49.09, 0.5%, 0.43%

LAB 59.98, -3.15, 48.85

 

CMYK 67 / 0 / 46 / 36

HEX #36A459

RGB 54 164 89

HSL 139.09, 0.5%, 0.43%

LAB 59.94, -47.84, 30.01

 

CMYK 67 / 55 / 0 / 36

HEX #364AA4

RGB 54 74 164

HSL 229.09, 0.5%, 0.43%

LAB 34.73, 22.56, -51.06

 

Description

Color code: HEX #A43681 | qconv.com Color code: HEX #A43681 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 54 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 54 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 21 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 21% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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