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Color name
RGB 164 54 100

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 54 100 it is the complementary color RGB 91 201 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 54 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 54 100 shade: RGB 169 54 95, RGB 186 72 114, RGB 203 90 133, RGB 220 108 152 and RGB 237 126 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 54 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 54 100 shade: RGB 164 54 100, RGB 147 36 81, RGB 130 18 62, RGB 113 0 43 and RGB 96 0 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 54 100 shade: RGB 164 54 100, RGB 164 54 71 and RGB 164 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 54 100 shade: RGB 164 54 100, RGB 164 54 130, RGB 164 54 159, RGB 139 54 164 and RGB 109 54 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 54 100 shade matches the following richer shades: RGB 164 54 100, RGB 182 37 97, RGB 199 19 94 and RGB 217 1 91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 54 100 shade: RGB 164 54 100, RGB 146 72 103, RGB 128 90 106, RGB 111 108 109 and RGB 93 125 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 54 100 shade: RGB 164 54 160, RGB 164 54 131, RGB 164 54 102, RGB 164 54 73 and RGB 164 65 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 54 100 shade: RGB 102 34 62, RGB 133 44 81, RGB 164 54 100, RGB 192 67 120 and RGB 202 98 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 54 100 shade: RGB 164 54 100, RGB 164 138 54 and RGB 54 146 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 54 100 shade: RGB 164 54 100, RGB 102 164 54 and RGB 54 102 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 54 100 shade: RGB 164 54 100, RGB 164 138 54, RGB 54 164 116 and RGB 54 80 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 54 100 shade: RGB 164 54 100, RGB 157 164 54, RGB 54 164 116 and RGB 62 54 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 39 / 36

HEX #A43664

RGB 164 54 100

HSL 334.91, 0.5%, 0.43%

LAB 40.33, 49.19, -2.04

 

Complementary color

CMYK 55 / 0 / 23 / 21

HEX #5BC99B

RGB 91 201 155

HSL 154.91, 0.5%, 0.57%

LAB 73.78, -42.38, 13.59

 

CMYK 0 / 68 / 44 / 34

HEX #A9365F

RGB 169 54 95

HSL 338.61, 0.52%, 0.44%

LAB 41.06, 50.2, 2.26

 

CMYK 0 / 61 / 39 / 27

HEX #BA4872

RGB 186 72 114

HSL 337.89, 0.45%, 0.51%

LAB 47.35, 49.86, 0.04

 

CMYK 0 / 56 / 34 / 20

HEX #CB5A85

RGB 203 90 133

HSL 337.17, 0.52%, 0.57%

LAB 53.71, 49.23, -1.73

 

CMYK 0 / 51 / 31 / 14

HEX #DC6C98

RGB 220 108 152

HSL 336.43, 0.62%, 0.64%

LAB 60.08, 48.48, -3.2

 

CMYK 0 / 47 / 28 / 7

HEX #ED7EAB

RGB 237 126 171

HSL 335.68, 0.76%, 0.71%

LAB 66.42, 47.67, -4.44

 

CMYK 0 / 67 / 39 / 36

HEX #A43664

RGB 164 54 100

HSL 334.91, 0.5%, 0.43%

LAB 40.33, 49.19, -2.04

 

CMYK 0 / 76 / 45 / 42

HEX #932451

RGB 147 36 81

HSL 335.68, 0.61%, 0.36%

LAB 34.11, 49.02, 0.6

 

CMYK 0 / 86 / 52 / 49

HEX #82123E

RGB 130 18 62

HSL 336.43, 0.76%, 0.29%

LAB 28.18, 47.87, 4.17

 

CMYK 0 / 100 / 62 / 56

HEX #71002B

RGB 113 0 43

HSL 337.17, 1%, 0.22%

LAB 22.6, 45.62, 8.85

 

CMYK 0 / 100 / 75 / 62

HEX #600018

RGB 96 0 24

HSL 345, 1%, 0.19%

LAB 18.16, 39.98, 15.73

 

CMYK 0 / 67 / 39 / 36

HEX #A43664

RGB 164 54 100

HSL 334.91, 0.5%, 0.43%

LAB 40.33, 49.19, -2.04

 

CMYK 0 / 67 / 57 / 36

HEX #A43647

RGB 164 54 71

HSL 350.73, 0.5%, 0.43%

LAB 39.56, 46.42, 15.12

 

CMYK 0 / 67 / 67 / 36

HEX #A43636

RGB 164 54 54

HSL 0, 0.5%, 0.43%

LAB 39.24, 45.24, 25.26

 

CMYK 0 / 67 / 39 / 36

HEX #A43664

RGB 164 54 100

HSL 334.91, 0.5%, 0.43%

LAB 40.33, 49.19, -2.04

 

CMYK 0 / 67 / 21 / 36

HEX #A43682

RGB 164 54 130

HSL 318.55, 0.5%, 0.43%

LAB 41.44, 53.03, -18.98

 

CMYK 0 / 67 / 3 / 36

HEX #A4369F

RGB 164 54 159

HSL 302.73, 0.5%, 0.43%

LAB 42.81, 57.56, -34.43

 

CMYK 15 / 67 / 0 / 36

HEX #8B36A4

RGB 139 54 164

HSL 286.36, 0.5%, 0.43%

LAB 39.25, 52.47, -43.32

 

CMYK 34 / 67 / 0 / 36

HEX #6D36A4

RGB 109 54 164

HSL 270, 0.5%, 0.43%

LAB 35.14, 45.65, -50.15

 

CMYK 0 / 67 / 39 / 36

HEX #A43664

RGB 164 54 100

HSL 334.91, 0.5%, 0.43%

LAB 40.33, 49.19, -2.04

 

CMYK 0 / 80 / 47 / 29

HEX #B62561

RGB 182 37 97

HSL 335.17, 0.66%, 0.43%

LAB 41.42, 59.99, 1.84

 

CMYK 0 / 90 / 53 / 22

HEX #C7135E

RGB 199 19 94

HSL 335, 0.83%, 0.43%

LAB 43.38, 67.8, 6.98

 

CMYK 0 / 100 / 58 / 15

HEX #D9015B

RGB 217 1 91

HSL 335, 0.99%, 0.43%

LAB 46.35, 73.62, 13.55

 

CMYK 0 / 67 / 39 / 36

HEX #A43664

RGB 164 54 100

HSL 334.91, 0.5%, 0.43%

LAB 40.33, 49.19, -2.04

 

CMYK 0 / 51 / 29 / 43

HEX #924867

RGB 146 72 103

HSL 334.86, 0.34%, 0.43%

LAB 40.78, 34.87, -3.58

 

CMYK 0 / 30 / 17 / 50

HEX #805A6A

RGB 128 90 106

HSL 334.74, 0.17%, 0.43%

LAB 42.68, 18.24, -2.89

 

CMYK 0 / 3 / 2 / 56

HEX #6F6C6D

RGB 111 108 109

HSL 340, 0.01%, 0.43%

LAB 45.92, 1.37, -0.15

 

CMYK 26 / 0 / 10 / 51

HEX #5D7D70

RGB 93 125 112

HSL 155.63, 0.15%, 0.43%

LAB 49.69, -14.34, 3.39

 

CMYK 0 / 67 / 2 / 36

HEX #A436A0

RGB 164 54 160

HSL 302.18, 0.5%, 0.43%

LAB 42.87, 57.72, -34.94

 

CMYK 0 / 67 / 20 / 36

HEX #A43683

RGB 164 54 131

HSL 318, 0.5%, 0.43%

LAB 41.48, 53.17, -19.53

 

CMYK 0 / 67 / 38 / 36

HEX #A43666

RGB 164 54 102

HSL 333.82, 0.5%, 0.43%

LAB 40.39, 49.42, -3.2

 

CMYK 0 / 67 / 55 / 36

HEX #A43649

RGB 164 54 73

HSL 349.64, 0.5%, 0.43%

LAB 39.6, 46.58, 13.92

 

CMYK 0 / 60 / 67 / 36

HEX #A44136

RGB 164 65 54

HSL 6, 0.5%, 0.43%

LAB 41.12, 40.21, 27.57

 

CMYK 0 / 67 / 39 / 60

HEX #66223E

RGB 102 34 62

HSL 335.29, 0.5%, 0.27%

LAB 24.69, 33.4, -1.58

 

CMYK 0 / 67 / 39 / 48

HEX #852C51

RGB 133 44 81

HSL 335.06, 0.5%, 0.35%

LAB 32.66, 41.5, -1.83

 

CMYK 0 / 67 / 39 / 36

HEX #A43664

RGB 164 54 100

HSL 334.91, 0.5%, 0.43%

LAB 40.33, 49.19, -2.04

 

CMYK 0 / 65 / 38 / 25

HEX #C04378

RGB 192 67 120

HSL 334.56, 0.5%, 0.51%

LAB 47.72, 54.57, -2.94

 

CMYK 0 / 51 / 30 / 21

HEX #CA628E

RGB 202 98 142

HSL 334.62, 0.5%, 0.59%

LAB 55.32, 46.13, -4.67

 

CMYK 0 / 67 / 39 / 36

HEX #A43664

RGB 164 54 100

HSL 334.91, 0.5%, 0.43%

LAB 40.33, 49.19, -2.04

 

CMYK 0 / 16 / 67 / 36

HEX #A48A36

RGB 164 138 54

HSL 45.82, 0.5%, 0.43%

LAB 58.35, 0.14, 47.13

 

CMYK 67 / 11 / 0 / 36

HEX #3692A4

RGB 54 146 164

HSL 189.82, 0.5%, 0.43%

LAB 56.11, -21.05, -17.44

 

CMYK 0 / 67 / 39 / 36

HEX #A43664

RGB 164 54 100

HSL 334.91, 0.5%, 0.43%

LAB 40.33, 49.19, -2.04

 

CMYK 38 / 0 / 67 / 36

HEX #66A436

RGB 102 164 54

HSL 93.82, 0.5%, 0.43%

LAB 61.34, -38.88, 48.93

 

CMYK 67 / 38 / 0 / 36

HEX #3666A4

RGB 54 102 164

HSL 213.82, 0.5%, 0.43%

LAB 42.71, 4.36, -38.26

 

CMYK 0 / 67 / 39 / 36

HEX #A43664

RGB 164 54 100

HSL 334.91, 0.5%, 0.43%

LAB 40.33, 49.19, -2.04

 

CMYK 0 / 16 / 67 / 36

HEX #A48A36

RGB 164 138 54

HSL 45.82, 0.5%, 0.43%

LAB 58.35, 0.14, 47.13

 

CMYK 67 / 0 / 29 / 36

HEX #36A474

RGB 54 164 116

HSL 153.82, 0.5%, 0.43%

LAB 60.42, -42.55, 16.03

 

CMYK 67 / 51 / 0 / 36

HEX #3650A4

RGB 54 80 164

HSL 225.82, 0.5%, 0.43%

LAB 36.37, 18.6, -48.4

 

CMYK 0 / 67 / 39 / 36

HEX #A43664

RGB 164 54 100

HSL 334.91, 0.5%, 0.43%

LAB 40.33, 49.19, -2.04

 

CMYK 4 / 0 / 67 / 36

HEX #9DA436

RGB 157 164 54

HSL 63.82, 0.5%, 0.43%

LAB 64.95, -16.85, 53.82

 

CMYK 67 / 0 / 29 / 36

HEX #36A474

RGB 54 164 116

HSL 153.82, 0.5%, 0.43%

LAB 60.42, -42.55, 16.03

 

CMYK 62 / 67 / 0 / 36

HEX #3E36A4

RGB 62 54 164

HSL 244.36, 0.5%, 0.43%

LAB 30.26, 36.69, -58.3

 

Description

Color code: RGB 164 54 100 | qconv.com Color code: RGB 164 54 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 54 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 54 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 39 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 39% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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