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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A44E1D it is the complementary color #5BB1E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A44E1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A44E1D shade: #A94E18, #BA602B, #CB723E, #DC8451 and #ED9664

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A44E1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A44E1D shade: #A44E1D, #933C0A, #822A00, #711800 and #600600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A44E1D shade: #A44E1D, #A4291D and #A41D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A44E1D shade: #A44E1D, #A4721D, #A4971D, #8DA41D and #68A41D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A44E1D shade matches the following richer shades: #A44E1D and #B44A0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A44E1D shade: #A44E1D, #95522C, #85563C, #755B4C and #665F5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A44E1D shade: #A41D35, #A4281D, #A44C1D, #A4701D and #A4941D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A44E1D shade: #5E2C10, #813D16, #A44E1D, #C75E23 and #DB7338

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A44E1D shade: #A44E1D, #5AA41D and #1D23A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A44E1D shade: #A44E1D, #1DA44C and #4C1DA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A44E1D shade: #A44E1D, #5AA41D, #1D75A4 and #671DA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A44E1D shade: #A44E1D, #31A41D, #1D75A4 and #901DA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 82 / 36

HEX #A44E1D

RGB 164 78 29

HSL 21.78, 0.7%, 0.38%

LAB 43.4, 32.43, 43.44

 

Complementary color

CMYK 60 / 22 / 0 / 11

HEX #5BB1E2

RGB 91 177 226

HSL 201.78, 0.7%, 0.62%

LAB 68.87, -11.69, -32.43

 

CMYK 0 / 54 / 86 / 34

HEX #A94E18

RGB 169 78 24

HSL 22.34, 0.75%, 0.38%

LAB 44.16, 34.32, 46.56

 

CMYK 0 / 48 / 77 / 27

HEX #BA602B

RGB 186 96 43

HSL 22.24, 0.62%, 0.45%

LAB 50.66, 32.46, 45.09

 

CMYK 0 / 44 / 69 / 20

HEX #CB723E

RGB 203 114 62

HSL 22.13, 0.58%, 0.52%

LAB 57.15, 30.76, 43.29

 

CMYK 0 / 40 / 63 / 14

HEX #DC8451

RGB 220 132 81

HSL 22.01, 0.67%, 0.59%

LAB 63.6, 29.24, 41.48

 

CMYK 0 / 37 / 58 / 7

HEX #ED9664

RGB 237 150 100

HSL 21.9, 0.79%, 0.66%

LAB 69.99, 27.88, 39.76

 

CMYK 0 / 52 / 82 / 36

HEX #A44E1D

RGB 164 78 29

HSL 21.78, 0.7%, 0.38%

LAB 43.4, 32.43, 43.44

 

CMYK 0 / 59 / 93 / 42

HEX #933C0A

RGB 147 60 10

HSL 21.9, 0.87%, 0.31%

LAB 36.85, 34.38, 44.37

 

CMYK 0 / 68 / 100 / 49

HEX #822A00

RGB 130 42 0

HSL 19.38, 1%, 0.25%

LAB 30.4, 36.29, 42.31

 

CMYK 0 / 79 / 100 / 56

HEX #711800

RGB 113 24 0

HSL 12.74, 1%, 0.22%

LAB 24.21, 37.64, 35.62

 

CMYK 0 / 94 / 100 / 62

HEX #600600

RGB 96 6 0

HSL 3.75, 1%, 0.19%

LAB 18.44, 37.5, 28.25

 

CMYK 0 / 52 / 82 / 36

HEX #A44E1D

RGB 164 78 29

HSL 21.78, 0.7%, 0.38%

LAB 43.4, 32.43, 43.44

 

CMYK 0 / 75 / 82 / 36

HEX #A4291D

RGB 164 41 29

HSL 5.33, 0.7%, 0.38%

LAB 37.05, 49.25, 37.43

 

CMYK 0 / 82 / 82 / 36

HEX #A41D1D

RGB 164 29 29

HSL 0, 0.7%, 0.38%

LAB 35.71, 53.01, 36.12

 

CMYK 0 / 52 / 82 / 36

HEX #A44E1D

RGB 164 78 29

HSL 21.78, 0.7%, 0.38%

LAB 43.4, 32.43, 43.44

 

CMYK 0 / 30 / 82 / 36

HEX #A4721D

RGB 164 114 29

HSL 37.78, 0.7%, 0.38%

LAB 51.86, 12.4, 51.12

 

CMYK 0 / 8 / 82 / 36

HEX #A4971D

RGB 164 151 29

HSL 54.22, 0.7%, 0.38%

LAB 61.75, -8.1, 59.8

 

CMYK 14 / 0 / 82 / 36

HEX #8DA41D

RGB 141 164 29

HSL 70.22, 0.7%, 0.38%

LAB 63.59, -24.94, 60.67

 

CMYK 37 / 0 / 82 / 36

HEX #68A41D

RGB 104 164 29

HSL 86.67, 0.7%, 0.38%

LAB 61.29, -39.75, 57.75

 

CMYK 0 / 52 / 82 / 36

HEX #A44E1D

RGB 164 78 29

HSL 21.78, 0.7%, 0.38%

LAB 43.4, 32.43, 43.44

 

CMYK 0 / 59 / 93 / 29

HEX #B44A0D

RGB 180 74 13

HSL 21.92, 0.87%, 0.38%

LAB 45.12, 40.45, 51.92

 

CMYK 0 / 52 / 82 / 36

HEX #A44E1D

RGB 164 78 29

HSL 21.78, 0.7%, 0.38%

LAB 43.4, 32.43, 43.44

 

CMYK 0 / 45 / 70 / 42

HEX #95522C

RGB 149 82 44

HSL 21.71, 0.54%, 0.38%

LAB 42.16, 24.6, 33.91

 

CMYK 0 / 35 / 55 / 48

HEX #85563C

RGB 133 86 60

HSL 21.37, 0.38%, 0.38%

LAB 41.17, 16.49, 23.06

 

CMYK 0 / 22 / 35 / 54

HEX #755B4C

RGB 117 91 76

HSL 21.95, 0.21%, 0.38%

LAB 40.87, 8.32, 12.72

 

CMYK 0 / 7 / 11 / 60

HEX #665F5B

RGB 102 95 91

HSL 21.82, 0.06%, 0.38%

LAB 40.84, 2.02, 3.28

 

CMYK 0 / 82 / 68 / 36

HEX #A41D35

RGB 164 29 53

HSL 349.33, 0.7%, 0.38%

LAB 36.04, 54.01, 21.9

 

CMYK 0 / 76 / 82 / 36

HEX #A4281D

RGB 164 40 29

HSL 4.89, 0.7%, 0.38%

LAB 36.93, 49.6, 37.3

 

CMYK 0 / 54 / 82 / 36

HEX #A44C1D

RGB 164 76 29

HSL 20.89, 0.7%, 0.38%

LAB 42.99, 33.49, 43.05

 

CMYK 0 / 32 / 82 / 36

HEX #A4701D

RGB 164 112 29

HSL 36.89, 0.7%, 0.38%

LAB 51.35, 13.54, 50.67

 

CMYK 0 / 10 / 82 / 36

HEX #A4941D

RGB 164 148 29

HSL 52.89, 0.7%, 0.38%

LAB 60.92, -6.49, 59.08

 

CMYK 0 / 53 / 83 / 63

HEX #5E2C10

RGB 94 44 16

HSL 21.54, 0.71%, 0.22%

LAB 24.38, 20.62, 27.62

 

CMYK 0 / 53 / 83 / 49

HEX #813D16

RGB 129 61 22

HSL 21.87, 0.71%, 0.3%

LAB 34.11, 26.67, 36

 

CMYK 0 / 52 / 82 / 36

HEX #A44E1D

RGB 164 78 29

HSL 21.78, 0.7%, 0.38%

LAB 43.4, 32.43, 43.44

 

CMYK 0 / 53 / 82 / 22

HEX #C75E23

RGB 199 94 35

HSL 21.59, 0.7%, 0.46%

LAB 52.14, 38.43, 50.81

 

CMYK 0 / 47 / 74 / 14

HEX #DB7338

RGB 219 115 56

HSL 21.72, 0.69%, 0.54%

LAB 59.53, 36.39, 49.47

 

CMYK 0 / 52 / 82 / 36

HEX #A44E1D

RGB 164 78 29

HSL 21.78, 0.7%, 0.38%

LAB 43.4, 32.43, 43.44

 

CMYK 45 / 0 / 82 / 36

HEX #5AA41D

RGB 90 164 29

HSL 92.89, 0.7%, 0.38%

LAB 60.62, -44.64, 56.89

 

CMYK 82 / 79 / 0 / 36

HEX #1D23A4

RGB 29 35 164

HSL 237.33, 0.7%, 0.38%

LAB 24.14, 44.34, -68.46

 

CMYK 0 / 52 / 82 / 36

HEX #A44E1D

RGB 164 78 29

HSL 21.78, 0.7%, 0.38%

LAB 43.4, 32.43, 43.44

 

CMYK 82 / 0 / 54 / 36

HEX #1DA44C

RGB 29 164 76

HSL 140.89, 0.7%, 0.38%

LAB 59.28, -53.77, 35.76

 

CMYK 54 / 82 / 0 / 36

HEX #4C1DA4

RGB 76 29 164

HSL 260.89, 0.7%, 0.38%

LAB 27.01, 51.62, -63.6

 

CMYK 0 / 52 / 82 / 36

HEX #A44E1D

RGB 164 78 29

HSL 21.78, 0.7%, 0.38%

LAB 43.4, 32.43, 43.44

 

CMYK 45 / 0 / 82 / 36

HEX #5AA41D

RGB 90 164 29

HSL 92.89, 0.7%, 0.38%

LAB 60.62, -44.64, 56.89

 

CMYK 82 / 29 / 0 / 36

HEX #1D75A4

RGB 29 117 164

HSL 200.89, 0.7%, 0.38%

LAB 46.53, -8.21, -32.29

 

CMYK 37 / 82 / 0 / 36

HEX #671DA4

RGB 103 29 164

HSL 272.89, 0.7%, 0.38%

LAB 30.5, 55.4, -57.73

 

CMYK 0 / 52 / 82 / 36

HEX #A44E1D

RGB 164 78 29

HSL 21.78, 0.7%, 0.38%

LAB 43.4, 32.43, 43.44

 

CMYK 70 / 0 / 82 / 36

HEX #31A41D

RGB 49 164 29

HSL 111.11, 0.7%, 0.38%

LAB 59.24, -55.55, 55.12

 

CMYK 82 / 29 / 0 / 36

HEX #1D75A4

RGB 29 117 164

HSL 200.89, 0.7%, 0.38%

LAB 46.53, -8.21, -32.29

 

CMYK 12 / 82 / 0 / 36

HEX #901DA4

RGB 144 29 164

HSL 291.11, 0.7%, 0.38%

LAB 36.91, 62.45, -47.04

 

Description

Color code: HEX #A44E1D | qconv.com Color code: HEX #A44E1D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 78 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 78 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 82 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 82% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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