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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A46964 it is the complementary color #5B969B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A46964. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A46964 shade: #A9695F, #BA7B72, #CB8D85, #DC9F98 and #EDB1AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A46964. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A46964 shade: #A46964, #935751, #82453E, #71332B and #602118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A46964 shade: #A46964 and #A46464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A46964 shade: #A46964, #A47A64, #A48C64, #A49D64 and #9AA464

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A46964 shade matches the following richer shades: #A46964, #B85950, #CC483D, #DF3729 and #F32615

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A46964 shade: #A46964, #907A78, #7C8B8C, #699BA0 and #55ACB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A46964 shade: #A46482, #A46471, #A46964, #A47964 and #A48A64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A46964 shade: #734743, #8D5752, #A46964, #B3827E and #C29C98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A46964 shade: #A46964, #93A464 and #6479A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A46964 shade: #A46964, #64A469 and #6964A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A46964 shade: #A46964, #93A464, #64A0A4 and #7564A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A46964 shade: #A46964, #80A464, #64A0A4 and #8864A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 39 / 36

HEX #A46964

RGB 164 105 100

HSL 4.69, 0.26%, 0.52%

LAB 50.59, 23.02, 12.64

 

Complementary color

CMYK 41 / 3 / 0 / 39

HEX #5B969B

RGB 91 150 155

HSL 184.69, 0.26%, 0.48%

LAB 58.42, -17.84, -8.69

 

CMYK 0 / 38 / 44 / 34

HEX #A9695F

RGB 169 105 95

HSL 8.11, 0.3%, 0.52%

LAB 51.11, 24.46, 16.41

 

CMYK 0 / 34 / 39 / 27

HEX #BA7B72

RGB 186 123 114

HSL 7.5, 0.34%, 0.59%

LAB 57.87, 23.44, 15

 

CMYK 0 / 31 / 34 / 20

HEX #CB8D85

RGB 203 141 133

HSL 6.86, 0.4%, 0.66%

LAB 64.52, 22.54, 13.76

 

CMYK 0 / 28 / 31 / 14

HEX #DC9F98

RGB 220 159 152

HSL 6.18, 0.49%, 0.73%

LAB 71.06, 21.74, 12.64

 

CMYK 0 / 25 / 28 / 7

HEX #EDB1AB

RGB 237 177 171

HSL 5.45, 0.65%, 0.8%

LAB 77.51, 21.02, 11.61

 

CMYK 0 / 36 / 39 / 36

HEX #A46964

RGB 164 105 100

HSL 4.69, 0.26%, 0.52%

LAB 50.59, 23.02, 12.64

 

CMYK 0 / 41 / 45 / 42

HEX #935751

RGB 147 87 81

HSL 5.45, 0.29%, 0.45%

LAB 43.67, 24.09, 14.12

 

CMYK 0 / 47 / 52 / 49

HEX #82453E

RGB 130 69 62

HSL 6.18, 0.35%, 0.38%

LAB 36.65, 25.31, 15.87

 

CMYK 0 / 55 / 62 / 56

HEX #71332B

RGB 113 51 43

HSL 6.86, 0.45%, 0.31%

LAB 29.55, 26.66, 18.06

 

CMYK 0 / 66 / 75 / 62

HEX #602118

RGB 96 33 24

HSL 7.5, 0.6%, 0.24%

LAB 22.45, 28.06, 20.87

 

CMYK 0 / 36 / 39 / 36

HEX #A46964

RGB 164 105 100

HSL 4.69, 0.26%, 0.52%

LAB 50.59, 23.02, 12.64

 

CMYK 0 / 39 / 39 / 36

HEX #A46464

RGB 164 100 100

HSL 0, 0.26%, 0.52%

LAB 49.41, 25.84, 11

 

CMYK 0 / 36 / 39 / 36

HEX #A46964

RGB 164 105 100

HSL 4.69, 0.26%, 0.52%

LAB 50.59, 23.02, 12.64

 

CMYK 0 / 26 / 39 / 36

HEX #A47A64

RGB 164 122 100

HSL 20.63, 0.26%, 0.52%

LAB 54.79, 13.36, 18.42

 

CMYK 0 / 15 / 39 / 36

HEX #A48C64

RGB 164 140 100

HSL 37.5, 0.26%, 0.52%

LAB 59.5, 3.22, 24.73

 

CMYK 0 / 4 / 39 / 36

HEX #A49D64

RGB 164 157 100

HSL 53.44, 0.26%, 0.52%

LAB 64.1, -6.1, 30.73

 

CMYK 6 / 0 / 39 / 36

HEX #9AA464

RGB 154 164 100

HSL 69.38, 0.26%, 0.52%

LAB 65.23, -13.91, 32.02

 

CMYK 0 / 36 / 39 / 36

HEX #A46964

RGB 164 105 100

HSL 4.69, 0.26%, 0.52%

LAB 50.59, 23.02, 12.64

 

CMYK 0 / 52 / 57 / 28

HEX #B85950

RGB 184 89 80

HSL 5.19, 0.42%, 0.52%

LAB 49.39, 37.59, 23.3

 

CMYK 0 / 65 / 70 / 20

HEX #CC483D

RGB 204 72 61

HSL 4.62, 0.58%, 0.52%

LAB 49.26, 51.63, 34.87

 

CMYK 0 / 75 / 82 / 13

HEX #DF3729

RGB 223 55 41

HSL 4.62, 0.74%, 0.52%

LAB 50.19, 63.24, 47.71

 

CMYK 0 / 84 / 91 / 5

HEX #F32615

RGB 243 38 21

HSL 4.59, 0.9%, 0.52%

LAB 52.39, 72.87, 59.79

 

CMYK 0 / 36 / 39 / 36

HEX #A46964

RGB 164 105 100

HSL 4.69, 0.26%, 0.52%

LAB 50.59, 23.02, 12.64

 

CMYK 0 / 15 / 17 / 44

HEX #907A78

RGB 144 122 120

HSL 5, 0.1%, 0.52%

LAB 53.17, 8.14, 4.24

 

CMYK 11 / 1 / 0 / 45

HEX #7C8B8C

RGB 124 139 140

HSL 183.75, 0.07%, 0.52%

LAB 56.73, -5.19, -2.39

 

CMYK 34 / 3 / 0 / 37

HEX #699BA0

RGB 105 155 160

HSL 185.45, 0.22%, 0.52%

LAB 60.77, -15.34, -7.95

 

CMYK 53 / 4 / 0 / 30

HEX #55ACB3

RGB 85 172 179

HSL 184.47, 0.38%, 0.52%

LAB 65.51, -24.13, -11.62

 

CMYK 0 / 39 / 21 / 36

HEX #A46482

RGB 164 100 130

HSL 331.88, 0.26%, 0.52%

LAB 50.24, 30.07, -5.69

 

CMYK 0 / 39 / 31 / 36

HEX #A46471

RGB 164 100 113

HSL 347.81, 0.26%, 0.52%

LAB 49.74, 27.54, 3.71

 

CMYK 0 / 36 / 39 / 36

HEX #A46964

RGB 164 105 100

HSL 4.69, 0.26%, 0.52%

LAB 50.59, 23.02, 12.64

 

CMYK 0 / 26 / 39 / 36

HEX #A47964

RGB 164 121 100

HSL 19.69, 0.26%, 0.52%

LAB 54.54, 13.93, 18.08

 

CMYK 0 / 16 / 39 / 36

HEX #A48A64

RGB 164 138 100

HSL 35.63, 0.26%, 0.52%

LAB 58.96, 4.33, 24.02

 

CMYK 0 / 38 / 42 / 55

HEX #734743

RGB 115 71 67

HSL 5, 0.26%, 0.36%

LAB 35.12, 18.33, 10.3

 

CMYK 0 / 38 / 42 / 45

HEX #8D5752

RGB 141 87 82

HSL 5.08, 0.26%, 0.44%

LAB 42.9, 21.73, 12.31

 

CMYK 0 / 36 / 39 / 36

HEX #A46964

RGB 164 105 100

HSL 4.69, 0.26%, 0.52%

LAB 50.59, 23.02, 12.64

 

CMYK 0 / 27 / 30 / 30

HEX #B3827E

RGB 179 130 126

HSL 4.53, 0.26%, 0.6%

LAB 59.03, 18.32, 9.62

 

CMYK 0 / 20 / 22 / 24

HEX #C29C98

RGB 194 156 152

HSL 5.71, 0.26%, 0.68%

LAB 67.66, 13.48, 7.44

 

CMYK 0 / 36 / 39 / 36

HEX #A46964

RGB 164 105 100

HSL 4.69, 0.26%, 0.52%

LAB 50.59, 23.02, 12.64

 

CMYK 10 / 0 / 39 / 36

HEX #93A464

RGB 147 164 100

HSL 75.94, 0.26%, 0.52%

LAB 64.7, -16.72, 31.24

 

CMYK 39 / 26 / 0 / 36

HEX #6479A4

RGB 100 121 164

HSL 220.31, 0.26%, 0.52%

LAB 50.76, 3.52, -25.47

 

CMYK 0 / 36 / 39 / 36

HEX #A46964

RGB 164 105 100

HSL 4.69, 0.26%, 0.52%

LAB 50.59, 23.02, 12.64

 

CMYK 39 / 0 / 36 / 36

HEX #64A469

RGB 100 164 105

HSL 124.69, 0.26%, 0.52%

LAB 61.9, -33.1, 24.34

 

CMYK 36 / 39 / 0 / 36

HEX #6964A4

RGB 105 100 164

HSL 244.69, 0.26%, 0.52%

LAB 45.36, 17.71, -33.88

 

CMYK 0 / 36 / 39 / 36

HEX #A46964

RGB 164 105 100

HSL 4.69, 0.26%, 0.52%

LAB 50.59, 23.02, 12.64

 

CMYK 10 / 0 / 39 / 36

HEX #93A464

RGB 147 164 100

HSL 75.94, 0.26%, 0.52%

LAB 64.7, -16.72, 31.24

 

CMYK 39 / 2 / 0 / 36

HEX #64A0A4

RGB 100 160 164

HSL 183.75, 0.26%, 0.52%

LAB 62.11, -18.35, -8.24

 

CMYK 29 / 39 / 0 / 36

HEX #7564A4

RGB 117 100 164

HSL 255.94, 0.26%, 0.52%

LAB 46.41, 21.23, -32.14

 

CMYK 0 / 36 / 39 / 36

HEX #A46964

RGB 164 105 100

HSL 4.69, 0.26%, 0.52%

LAB 50.59, 23.02, 12.64

 

CMYK 22 / 0 / 39 / 36

HEX #80A464

RGB 128 164 100

HSL 93.75, 0.26%, 0.52%

LAB 63.39, -24.1, 29.29

 

CMYK 39 / 2 / 0 / 36

HEX #64A0A4

RGB 100 160 164

HSL 183.75, 0.26%, 0.52%

LAB 62.11, -18.35, -8.24

 

CMYK 17 / 39 / 0 / 36

HEX #8864A4

RGB 136 100 164

HSL 273.75, 0.26%, 0.52%

LAB 48.3, 27.09, -29.06

 

Description

Color code: HEX #A46964 | qconv.com Color code: HEX #A46964 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 105 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 105 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 39 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 39% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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