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Color name
HEX #A4F650

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A4F650 it is the complementary color #5B09AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A4F650. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A4F650 shade: #A9F64B, #BAFF5E, #CBFF71, #DCFF84 and #EDFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A4F650. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A4F650 shade: #A4F650, #93E43D, #82D22A, #71C017 and #60AE04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A4F650 shade: #A4F550, #D0F550, #F5EE50, #F5C150 and #F59550

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A4F650 shade: #A4F550, #77F550, #50F556, #50F582 and #50F5AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A4F650 shade matches the following richer shades: #A4F550

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A4F650 shade: #A4F550, #A4E65F, #A3D86E, #A3C97D and #A3BA8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A4F650 shade: #F5ED50, #D2F550, #A5F550, #79F550 and #50F553

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A4F650 shade: #7BE70C, #8FF329, #A4F550, #B8F777 and #CDF99E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A4F650 shade: #A4F650, #50F5C1 and #F550E8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A4F650 shade: #A4F650, #50A5F5 and #F550A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A4F650 shade: #A4F650, #50F5C1, #A050F5 and #F55084

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A4F650 shade: #A4F650, #50F5F3, #A050F5 and #F55053

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 67 / 4

HEX #A4F650

RGB 164 246 80

HSL 89.64, 0.9%, 0.64%

LAB 89.1, -50.18, 68.81

 

Complementary color

CMYK 48 / 95 / 0 / 31

HEX #5B09AF

RGB 91 9 175

HSL 269.64, 0.9%, 0.36%

LAB 28.15, 61.56, -68.28

 

CMYK 31 / 0 / 70 / 4

HEX #A9F64B

RGB 169 246 75

HSL 87.02, 0.9%, 0.63%

LAB 89.32, -48.78, 70.94

 

CMYK 27 / 0 / 63 / 0

HEX #BAFF5E

RGB 186 255 94

HSL 85.71, 1%, 0.68%

LAB 92.91, -45.28, 67.8

 

CMYK 20 / 0 / 56 / 0

HEX #CBFF71

RGB 203 255 113

HSL 81.97, 1%, 0.72%

LAB 94.06, -37.59, 61.42

 

CMYK 14 / 0 / 48 / 0

HEX #DCFF84

RGB 220 255 132

HSL 77.07, 1%, 0.76%

LAB 95.33, -29.54, 54.64

 

CMYK 7 / 0 / 41 / 0

HEX #EDFF97

RGB 237 255 151

HSL 70.38, 1%, 0.8%

LAB 96.72, -21.24, 47.65

 

CMYK 33 / 0 / 67 / 4

HEX #A4F650

RGB 164 246 80

HSL 89.64, 0.9%, 0.64%

LAB 89.1, -50.18, 68.81

 

CMYK 36 / 0 / 73 / 11

HEX #93E43D

RGB 147 228 61

HSL 89.1, 0.76%, 0.57%

LAB 82.93, -49.8, 69.03

 

CMYK 38 / 0 / 80 / 18

HEX #82D22A

RGB 130 210 42

HSL 88.57, 0.67%, 0.49%

LAB 76.68, -49.25, 68.63

 

CMYK 41 / 0 / 88 / 25

HEX #71C017

RGB 113 192 23

HSL 88.05, 0.79%, 0.42%

LAB 70.37, -48.47, 67.23

 

CMYK 45 / 0 / 98 / 32

HEX #60AE04

RGB 96 174 4

HSL 87.53, 0.96%, 0.35%

LAB 63.97, -47.4, 64.46

 

CMYK 33 / 0 / 67 / 4

HEX #A4F550

RGB 164 245 80

HSL 89.45, 0.89%, 0.64%

LAB 88.82, -49.76, 68.52

 

CMYK 15 / 0 / 67 / 4

HEX #D0F550

RGB 208 245 80

HSL 73.45, 0.89%, 0.64%

LAB 91.37, -33.6, 71.95

 

CMYK 0 / 3 / 67 / 4

HEX #F5EE50

RGB 245 238 80

HSL 57.45, 0.89%, 0.64%

LAB 92.19, -15.51, 73.66

 

CMYK 0 / 21 / 67 / 4

HEX #F5C150

RGB 245 193 80

HSL 41.09, 0.89%, 0.64%

LAB 80.81, 7.23, 61.94

 

CMYK 0 / 39 / 67 / 4

HEX #F59550

RGB 245 149 80

HSL 25.09, 0.89%, 0.64%

LAB 70.52, 30.32, 50.76

 

CMYK 33 / 0 / 67 / 4

HEX #A4F550

RGB 164 245 80

HSL 89.45, 0.89%, 0.64%

LAB 88.82, -49.76, 68.52

 

CMYK 51 / 0 / 67 / 4

HEX #77F550

RGB 119 245 80

HSL 105.82, 0.89%, 0.64%

LAB 86.9, -63.59, 65.92

 

CMYK 67 / 0 / 65 / 4

HEX #50F556

RGB 80 245 86

HSL 122.18, 0.89%, 0.64%

LAB 85.85, -71.82, 62.13

 

CMYK 67 / 0 / 47 / 4

HEX #50F582

RGB 80 245 130

HSL 138.18, 0.89%, 0.64%

LAB 86.32, -66.36, 43.08

 

CMYK 67 / 0 / 29 / 4

HEX #50F5AF

RGB 80 245 175

HSL 154.55, 0.89%, 0.64%

LAB 87.05, -58.27, 21.55

 

CMYK 33 / 0 / 67 / 4

HEX #A4F550

RGB 164 245 80

HSL 89.45, 0.89%, 0.64%

LAB 88.82, -49.76, 68.52

 

CMYK 33 / 0 / 67 / 4

HEX #A4F550

RGB 164 245 80

HSL 89.45, 0.89%, 0.64%

LAB 88.82, -49.76, 68.52

 

CMYK 29 / 0 / 59 / 10

HEX #A4E65F

RGB 164 230 95

HSL 89.33, 0.73%, 0.64%

LAB 84.64, -42.18, 57.92

 

CMYK 25 / 0 / 49 / 15

HEX #A3D86E

RGB 163 216 110

HSL 90, 0.58%, 0.64%

LAB 80.75, -34.77, 46.48

 

CMYK 19 / 0 / 38 / 21

HEX #A3C97D

RGB 163 201 125

HSL 90, 0.41%, 0.64%

LAB 76.7, -25.85, 33.93

 

CMYK 12 / 0 / 25 / 27

HEX #A3BA8B

RGB 163 186 139

HSL 89.36, 0.25%, 0.64%

LAB 72.74, -16.35, 21.28

 

CMYK 0 / 3 / 67 / 4

HEX #F5ED50

RGB 245 237 80

HSL 57.09, 0.89%, 0.64%

LAB 91.94, -15.03, 73.4

 

CMYK 14 / 0 / 67 / 4

HEX #D2F550

RGB 210 245 80

HSL 72.73, 0.89%, 0.64%

LAB 91.5, -32.83, 72.12

 

CMYK 33 / 0 / 67 / 4

HEX #A5F550

RGB 165 245 80

HSL 89.09, 0.89%, 0.64%

LAB 88.87, -49.42, 68.58

 

CMYK 51 / 0 / 67 / 4

HEX #79F550

RGB 121 245 80

HSL 105.09, 0.89%, 0.64%

LAB 86.97, -63.05, 66.02

 

CMYK 67 / 0 / 66 / 4

HEX #50F553

RGB 80 245 83

HSL 121.09, 0.89%, 0.64%

LAB 85.82, -72.1, 63.29

 

CMYK 47 / 0 / 95 / 9

HEX #7BE70C

RGB 123 231 12

HSL 89.59, 0.9%, 0.48%

LAB 82.59, -60.49, 78.98

 

CMYK 41 / 0 / 83 / 5

HEX #8FF329

RGB 143 243 41

HSL 89.7, 0.89%, 0.56%

LAB 87.05, -58.03, 78.38

 

CMYK 33 / 0 / 67 / 4

HEX #A4F550

RGB 164 245 80

HSL 89.45, 0.89%, 0.64%

LAB 88.82, -49.76, 68.52

 

CMYK 26 / 0 / 52 / 3

HEX #B8F777

RGB 184 247 119

HSL 89.53, 0.89%, 0.72%

LAB 90.8, -40.29, 54.66

 

CMYK 18 / 0 / 37 / 2

HEX #CDF99E

RGB 205 249 158

HSL 89.01, 0.88%, 0.8%

LAB 93.1, -29.24, 39.16

 

CMYK 33 / 0 / 67 / 4

HEX #A4F650

RGB 164 246 80

HSL 89.64, 0.9%, 0.64%

LAB 89.1, -50.18, 68.81

 

CMYK 67 / 0 / 21 / 4

HEX #50F5C1

RGB 80 245 193

HSL 161.09, 0.89%, 0.64%

LAB 87.42, -54.38, 12.78

 

CMYK 0 / 67 / 5 / 4

HEX #F550E8

RGB 245 80 232

HSL 304.73, 0.89%, 0.64%

LAB 62.49, 78.58, -44.71

 

CMYK 33 / 0 / 67 / 4

HEX #A4F650

RGB 164 246 80

HSL 89.64, 0.9%, 0.64%

LAB 89.1, -50.18, 68.81

 

CMYK 67 / 33 / 0 / 4

HEX #50A5F5

RGB 80 165 245

HSL 209.09, 0.89%, 0.64%

LAB 65.91, -0.77, -47.46

 

CMYK 0 / 67 / 33 / 4

HEX #F550A5

RGB 245 80 165

HSL 329.09, 0.89%, 0.64%

LAB 59.77, 69.69, -10.77

 

CMYK 33 / 0 / 67 / 4

HEX #A4F650

RGB 164 246 80

HSL 89.64, 0.9%, 0.64%

LAB 89.1, -50.18, 68.81

 

CMYK 67 / 0 / 21 / 4

HEX #50F5C1

RGB 80 245 193

HSL 161.09, 0.89%, 0.64%

LAB 87.42, -54.38, 12.78

 

CMYK 35 / 67 / 0 / 4

HEX #A050F5

RGB 160 80 245

HSL 269.09, 0.89%, 0.64%

LAB 51.61, 62.96, -70.02

 

CMYK 0 / 67 / 46 / 4

HEX #F55084

RGB 245 80 132

HSL 341.09, 0.89%, 0.64%

LAB 58.8, 66.37, 7.08

 

CMYK 33 / 0 / 67 / 4

HEX #A4F650

RGB 164 246 80

HSL 89.64, 0.9%, 0.64%

LAB 89.1, -50.18, 68.81

 

CMYK 67 / 0 / 1 / 4

HEX #50F5F3

RGB 80 245 243

HSL 179.27, 0.89%, 0.64%

LAB 88.68, -41.89, -11.45

 

CMYK 35 / 67 / 0 / 4

HEX #A050F5

RGB 160 80 245

HSL 269.09, 0.89%, 0.64%

LAB 51.61, 62.96, -70.02

 

CMYK 0 / 67 / 66 / 4

HEX #F55053

RGB 245 80 83

HSL 358.91, 0.89%, 0.64%

LAB 57.82, 62.9, 34.3

 

Description

Color code: HEX #A4F650 | qconv.com Color code: HEX #A4F650 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 246 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 246 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 67 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 67% 4% C M Y K

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Provide designers and agencies with accurate color values.

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