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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A514BC it is the complementary color #5AEB43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A514BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A514BC shade: #AA14B7, #BB26CA, #CC38DD, #DD4AF0 and #EE5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A514BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A514BC shade: #A514BC, #9402A9, #830096, #720083 and #610070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A514BC shade: #A613BD, #BD13A6, #BD1379, #BD134B and #BD131D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A514BC shade: #A613BD, #7813BD, #4A13BD, #1D13BD and #1313BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A514BC shade matches the following richer shades: #A613BD and #B202CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A514BC shade: #A613BD, #9924AC, #8D359B, #81468A and #745779

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A514BC shade: #4913BD, #7613BD, #A313BD, #BD13A9 and #BD137C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A514BC shade: #640C72, #850F97, #A613BD, #C617E2 and #D239EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A514BC shade: #A514BC, #BD1C13 and #13BD60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A514BC shade: #A514BC, #BDA313 and #13BDA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A514BC shade: #A514BC, #BD1C13, #2DBD13 and #13B4BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A514BC shade: #A514BC, #BD4F13, #2DBD13 and #1381BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 89 / 0 / 26

HEX #A514BC

RGB 165 20 188

HSL 291.79, 0.81%, 0.41%

LAB 41.42, 72.18, -53.85

 

Complementary color

CMYK 62 / 0 / 71 / 8

HEX #5AEB43

RGB 90 235 67

HSL 111.79, 0.81%, 0.59%

LAB 82.91, -68.17, 66.25

 

CMYK 7 / 89 / 0 / 28

HEX #AA14B7

RGB 170 20 183

HSL 295.21, 0.8%, 0.4%

LAB 41.95, 72.18, -50.02

 

CMYK 7 / 81 / 0 / 21

HEX #BB26CA

RGB 187 38 202

HSL 294.51, 0.68%, 0.47%

LAB 47.26, 74.63, -52.44

 

CMYK 8 / 75 / 0 / 13

HEX #CC38DD

RGB 204 56 221

HSL 293.82, 0.71%, 0.54%

LAB 52.82, 76.05, -54.25

 

CMYK 8 / 69 / 0 / 6

HEX #DD4AF0

RGB 221 74 240

HSL 293.13, 0.85%, 0.62%

LAB 58.57, 76.76, -55.62

 

CMYK 7 / 64 / 0 / 0

HEX #EE5CFF

RGB 238 92 255

HSL 293.74, 1%, 0.68%

LAB 64.2, 76.28, -54.81

 

CMYK 12 / 89 / 0 / 26

HEX #A514BC

RGB 165 20 188

HSL 291.79, 0.81%, 0.41%

LAB 41.42, 72.18, -53.85

 

CMYK 12 / 99 / 0 / 34

HEX #9402A9

RGB 148 2 169

HSL 292.46, 0.98%, 0.34%

LAB 36.37, 68.62, -50.87

 

CMYK 13 / 100 / 0 / 41

HEX #830096

RGB 131 0 150

HSL 292.4, 1%, 0.29%

LAB 31.87, 63.06, -46.78

 

CMYK 13 / 100 / 0 / 49

HEX #720083

RGB 114 0 131

HSL 292.21, 1%, 0.26%

LAB 27.34, 57.11, -42.45

 

CMYK 13 / 100 / 0 / 56

HEX #610070

RGB 97 0 112

HSL 291.96, 1%, 0.22%

LAB 22.69, 51.01, -38.01

 

CMYK 12 / 90 / 0 / 26

HEX #A613BD

RGB 166 19 189

HSL 291.88, 0.82%, 0.41%

LAB 41.61, 72.67, -54.13

 

CMYK 0 / 90 / 12 / 26

HEX #BD13A6

RGB 189 19 166

HSL 308.12, 0.82%, 0.41%

LAB 44.29, 73.24, -36

 

CMYK 0 / 90 / 36 / 26

HEX #BD1379

RGB 189 19 121

HSL 324, 0.82%, 0.41%

LAB 42.25, 67.85, -11.78

 

CMYK 0 / 90 / 60 / 26

HEX #BD134B

RGB 189 19 75

HSL 340.24, 0.82%, 0.41%

LAB 40.88, 64.06, 15.2

 

CMYK 0 / 90 / 85 / 26

HEX #BD131D

RGB 189 19 29

HSL 356.47, 0.82%, 0.41%

LAB 40.2, 62.12, 42.2

 

CMYK 12 / 90 / 0 / 26

HEX #A613BD

RGB 166 19 189

HSL 291.88, 0.82%, 0.41%

LAB 41.61, 72.67, -54.13

 

CMYK 37 / 90 / 0 / 26

HEX #7813BD

RGB 120 19 189

HSL 275.65, 0.82%, 0.41%

LAB 34.26, 65.99, -66.41

 

CMYK 61 / 90 / 0 / 26

HEX #4A13BD

RGB 74 19 189

HSL 259.41, 0.82%, 0.41%

LAB 28.37, 61.26, -76.33

 

CMYK 85 / 90 / 0 / 26

HEX #1D13BD

RGB 29 19 189

HSL 243.53, 0.82%, 0.41%

LAB 24.96, 58.92, -82.1

 

CMYK 90 / 90 / 0 / 26

HEX #1313BD

RGB 19 19 189

HSL 240, 0.82%, 0.41%

LAB 24.57, 58.68, -82.75

 

CMYK 12 / 90 / 0 / 26

HEX #A613BD

RGB 166 19 189

HSL 291.88, 0.82%, 0.41%

LAB 41.61, 72.67, -54.13

 

CMYK 14 / 99 / 0 / 19

HEX #B202CE

RGB 178 2 206

HSL 291.76, 0.98%, 0.41%

LAB 44.18, 79.21, -59.78

 

CMYK 12 / 90 / 0 / 26

HEX #A613BD

RGB 166 19 189

HSL 291.88, 0.82%, 0.41%

LAB 41.61, 72.67, -54.13

 

CMYK 11 / 79 / 0 / 33

HEX #9924AC

RGB 153 36 172

HSL 291.62, 0.65%, 0.41%

LAB 39.6, 63.63, -47.42

 

CMYK 9 / 66 / 0 / 39

HEX #8D359B

RGB 141 53 155

HSL 291.76, 0.49%, 0.41%

LAB 38.86, 51.61, -38.52

 

CMYK 7 / 49 / 0 / 46

HEX #81468A

RGB 129 70 138

HSL 292.06, 0.33%, 0.41%

LAB 39.38, 36.39, -27.49

 

CMYK 4 / 28 / 0 / 53

HEX #745779

RGB 116 87 121

HSL 291.18, 0.16%, 0.41%

LAB 41.07, 18.44, -14.62

 

CMYK 61 / 90 / 0 / 26

HEX #4913BD

RGB 73 19 189

HSL 259.06, 0.82%, 0.41%

LAB 28.26, 61.19, -76.5

 

CMYK 38 / 90 / 0 / 26

HEX #7613BD

RGB 118 19 189

HSL 274.94, 0.82%, 0.41%

LAB 33.97, 65.73, -66.91

 

CMYK 14 / 90 / 0 / 26

HEX #A313BD

RGB 163 19 189

HSL 290.82, 0.82%, 0.41%

LAB 41.1, 72.19, -54.98

 

CMYK 0 / 90 / 11 / 26

HEX #BD13A9

RGB 189 19 169

HSL 307.06, 0.82%, 0.41%

LAB 44.45, 73.65, -37.54

 

CMYK 0 / 90 / 34 / 26

HEX #BD137C

RGB 189 19 124

HSL 322.94, 0.82%, 0.41%

LAB 42.37, 68.16, -13.46

 

CMYK 12 / 89 / 0 / 55

HEX #640C72

RGB 100 12 114

HSL 291.76, 0.81%, 0.25%

LAB 24.28, 49.31, -36.71

 

CMYK 12 / 90 / 0 / 41

HEX #850F97

RGB 133 15 151

HSL 292.06, 0.82%, 0.33%

LAB 33.05, 61.31, -45.46

 

CMYK 12 / 90 / 0 / 26

HEX #A613BD

RGB 166 19 189

HSL 291.88, 0.82%, 0.41%

LAB 41.61, 72.67, -54.13

 

CMYK 12 / 90 / 0 / 11

HEX #C617E2

RGB 198 23 226

HSL 291.72, 0.82%, 0.49%

LAB 49.63, 83.26, -62.28

 

CMYK 10 / 76 / 0 / 8

HEX #D239EA

RGB 210 57 234

HSL 291.86, 0.81%, 0.57%

LAB 54.62, 79.1, -58.66

 

CMYK 12 / 89 / 0 / 26

HEX #A514BC

RGB 165 20 188

HSL 291.79, 0.81%, 0.41%

LAB 41.42, 72.18, -53.85

 

CMYK 0 / 85 / 90 / 26

HEX #BD1C13

RGB 189 28 19

HSL 3.18, 0.82%, 0.41%

LAB 40.73, 60.22, 47.44

 

CMYK 90 / 0 / 49 / 26

HEX #13BD60

RGB 19 189 96

HSL 147.18, 0.82%, 0.41%

LAB 67.56, -59.94, 35.96

 

CMYK 12 / 89 / 0 / 26

HEX #A514BC

RGB 165 20 188

HSL 291.79, 0.81%, 0.41%

LAB 41.42, 72.18, -53.85

 

CMYK 0 / 14 / 90 / 26

HEX #BDA313

RGB 189 163 19

HSL 50.82, 0.82%, 0.41%

LAB 67.32, -3.51, 67.69

 

CMYK 90 / 0 / 14 / 26

HEX #13BDA3

RGB 19 189 163

HSL 170.82, 0.82%, 0.41%

LAB 68.88, -45.17, 2.05

 

CMYK 12 / 89 / 0 / 26

HEX #A514BC

RGB 165 20 188

HSL 291.79, 0.81%, 0.41%

LAB 41.42, 72.18, -53.85

 

CMYK 0 / 85 / 90 / 26

HEX #BD1C13

RGB 189 28 19

HSL 3.18, 0.82%, 0.41%

LAB 40.73, 60.22, 47.44

 

CMYK 76 / 0 / 90 / 26

HEX #2DBD13

RGB 45 189 19

HSL 110.82, 0.82%, 0.41%

LAB 67.28, -64.58, 64.48

 

CMYK 90 / 5 / 0 / 26

HEX #13B4BD

RGB 19 180 189

HSL 183.18, 0.82%, 0.41%

LAB 66.87, -33.55, -15.26

 

CMYK 12 / 89 / 0 / 26

HEX #A514BC

RGB 165 20 188

HSL 291.79, 0.81%, 0.41%

LAB 41.42, 72.18, -53.85

 

CMYK 0 / 58 / 90 / 26

HEX #BD4F13

RGB 189 79 19

HSL 21.18, 0.82%, 0.41%

LAB 47.57, 41.58, 52.51

 

CMYK 76 / 0 / 90 / 26

HEX #2DBD13

RGB 45 189 19

HSL 110.82, 0.82%, 0.41%

LAB 67.28, -64.58, 64.48

 

CMYK 90 / 32 / 0 / 26

HEX #1381BD

RGB 19 129 189

HSL 201.18, 0.82%, 0.41%

LAB 51.28, -6.63, -39.32

 

Description

Color code: HEX #A514BC | qconv.com Color code: HEX #A514BC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 20 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 20 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 89 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 89% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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