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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A55625 it is the complementary color #5AA9DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A55625. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A55625 shade: #AA5620, #BB6833, #CC7A46, #DD8C59 and #EE9E6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A55625. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A55625 shade: #A55625, #944412, #833200, #722000 and #610E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A55625 shade: #A65625, #A63425 and #A62525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A55625 shade: #A65625, #A67925, #A69C25, #8DA625 and #6AA625

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A55625 shade matches the following richer shades: #A65625, #B65315 and #C74F04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A55625 shade: #A65625, #955A36, #855E46, #746257 and #646667

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A55625 shade: #A6253B, #A63225, #A65425, #A67725 and #A69925

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A55625 shade: #633316, #84451E, #A65625, #C7682D and #D57E48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A55625 shade: #A55625, #5DA625 and #252AA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A55625 shade: #A55625, #25A654 and #5425A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A55625 shade: #A55625, #5DA625, #2577A6 and #6E25A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A55625 shade: #A55625, #36A625, #2577A6 and #9525A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 78 / 35

HEX #A55625

RGB 165 86 37

HSL 22.97, 0.63%, 0.4%

LAB 45.34, 28.86, 41.61

 

Complementary color

CMYK 59 / 22 / 0 / 15

HEX #5AA9DA

RGB 90 169 218

HSL 202.97, 0.63%, 0.6%

LAB 66.22, -10.01, -32.13

 

CMYK 0 / 49 / 81 / 33

HEX #AA5620

RGB 170 86 32

HSL 23.48, 0.68%, 0.4%

LAB 46.05, 30.76, 44.89

 

CMYK 0 / 44 / 73 / 27

HEX #BB6833

RGB 187 104 51

HSL 23.38, 0.57%, 0.47%

LAB 52.62, 28.95, 43.26

 

CMYK 0 / 40 / 66 / 20

HEX #CC7A46

RGB 204 122 70

HSL 23.28, 0.57%, 0.54%

LAB 59.16, 27.35, 41.48

 

CMYK 0 / 37 / 60 / 13

HEX #DD8C59

RGB 221 140 89

HSL 23.18, 0.66%, 0.61%

LAB 65.63, 25.93, 39.76

 

CMYK 0 / 34 / 55 / 7

HEX #EE9E6C

RGB 238 158 108

HSL 23.08, 0.79%, 0.68%

LAB 72.04, 24.68, 38.14

 

CMYK 0 / 48 / 78 / 35

HEX #A55625

RGB 165 86 37

HSL 22.97, 0.63%, 0.4%

LAB 45.34, 28.86, 41.61

 

CMYK 0 / 54 / 88 / 42

HEX #944412

RGB 148 68 18

HSL 23.08, 0.78%, 0.33%

LAB 38.68, 30.79, 42.99

 

CMYK 0 / 62 / 100 / 49

HEX #833200

RGB 131 50 0

HSL 22.9, 1%, 0.26%

LAB 32.05, 32.81, 43.55

 

CMYK 0 / 72 / 100 / 55

HEX #722000

RGB 114 32 0

HSL 16.84, 1%, 0.22%

LAB 25.59, 34.75, 37.02

 

CMYK 0 / 86 / 100 / 62

HEX #610E00

RGB 97 14 0

HSL 8.66, 1%, 0.19%

LAB 19.46, 35.6, 29.5

 

CMYK 0 / 48 / 78 / 35

HEX #A65625

RGB 166 86 37

HSL 22.79, 0.64%, 0.4%

LAB 45.49, 29.28, 41.81

 

CMYK 0 / 69 / 78 / 35

HEX #A63425

RGB 166 52 37

HSL 6.98, 0.64%, 0.4%

LAB 39.06, 45.95, 35.19

 

CMYK 0 / 78 / 78 / 35

HEX #A62525

RGB 166 37 37

HSL 0, 0.64%, 0.4%

LAB 37.05, 51.51, 33.03

 

CMYK 0 / 48 / 78 / 35

HEX #A65625

RGB 166 86 37

HSL 22.79, 0.64%, 0.4%

LAB 45.49, 29.28, 41.81

 

CMYK 0 / 27 / 78 / 35

HEX #A67925

RGB 166 121 37

HSL 39.07, 0.64%, 0.4%

LAB 53.94, 9.66, 50.06

 

CMYK 0 / 6 / 78 / 35

HEX #A69C25

RGB 166 156 37

HSL 55.35, 0.64%, 0.4%

LAB 63.36, -9.57, 58.83

 

CMYK 15 / 0 / 78 / 35

HEX #8DA625

RGB 141 166 37

HSL 71.63, 0.64%, 0.4%

LAB 64.22, -25.6, 58.88

 

CMYK 36 / 0 / 78 / 35

HEX #6AA625

RGB 106 166 37

HSL 87.91, 0.64%, 0.4%

LAB 62.06, -39.49, 56.09

 

CMYK 0 / 48 / 78 / 35

HEX #A65625

RGB 166 86 37

HSL 22.79, 0.64%, 0.4%

LAB 45.49, 29.28, 41.81

 

CMYK 0 / 54 / 88 / 29

HEX #B65315

RGB 182 83 21

HSL 23.11, 0.79%, 0.4%

LAB 47.22, 36.91, 51.06

 

CMYK 0 / 60 / 98 / 22

HEX #C74F04

RGB 199 79 4

HSL 23.08, 0.96%, 0.4%

LAB 49.18, 45.15, 58.33

 

CMYK 0 / 48 / 78 / 35

HEX #A65625

RGB 166 86 37

HSL 22.79, 0.64%, 0.4%

LAB 45.49, 29.28, 41.81

 

CMYK 0 / 40 / 64 / 42

HEX #955A36

RGB 149 90 54

HSL 22.74, 0.47%, 0.4%

LAB 44.19, 20.71, 30.72

 

CMYK 0 / 29 / 47 / 48

HEX #855E46

RGB 133 94 70

HSL 22.86, 0.31%, 0.4%

LAB 43.41, 12.8, 20.05

 

CMYK 0 / 16 / 25 / 55

HEX #746257

RGB 116 98 87

HSL 22.76, 0.14%, 0.4%

LAB 42.97, 5.35, 8.94

 

CMYK 3 / 1 / 0 / 60

HEX #646667

RGB 100 102 103

HSL 200, 0.01%, 0.4%

LAB 43.05, -0.56, -0.84

 

CMYK 0 / 78 / 64 / 35

HEX #A6253B

RGB 166 37 59

HSL 349.77, 0.64%, 0.4%

LAB 37.38, 52.59, 19.88

 

CMYK 0 / 70 / 78 / 35

HEX #A63225

RGB 166 50 37

HSL 6.05, 0.64%, 0.4%

LAB 38.76, 46.77, 34.87

 

CMYK 0 / 49 / 78 / 35

HEX #A65425

RGB 166 84 37

HSL 21.86, 0.64%, 0.4%

LAB 45.06, 30.36, 41.37

 

CMYK 0 / 28 / 78 / 35

HEX #A67725

RGB 166 119 37

HSL 38.14, 0.64%, 0.4%

LAB 53.42, 10.79, 49.57

 

CMYK 0 / 8 / 78 / 35

HEX #A69925

RGB 166 153 37

HSL 53.95, 0.64%, 0.4%

LAB 62.53, -7.97, 58.07

 

CMYK 0 / 48 / 78 / 61

HEX #633316

RGB 99 51 22

HSL 22.6, 0.64%, 0.24%

LAB 26.96, 19.04, 27.23

 

CMYK 0 / 48 / 77 / 48

HEX #84451E

RGB 132 69 30

HSL 22.94, 0.63%, 0.32%

LAB 36.47, 23.81, 34.48

 

CMYK 0 / 48 / 78 / 35

HEX #A65625

RGB 166 86 37

HSL 22.79, 0.64%, 0.4%

LAB 45.49, 29.28, 41.81

 

CMYK 0 / 48 / 77 / 22

HEX #C7682D

RGB 199 104 45

HSL 22.99, 0.63%, 0.48%

LAB 54.27, 33.62, 48.38

 

CMYK 0 / 41 / 66 / 16

HEX #D57E48

RGB 213 126 72

HSL 22.98, 0.63%, 0.56%

LAB 61.25, 29.02, 43.17

 

CMYK 0 / 48 / 78 / 35

HEX #A55625

RGB 165 86 37

HSL 22.97, 0.63%, 0.4%

LAB 45.34, 28.86, 41.61

 

CMYK 44 / 0 / 78 / 35

HEX #5DA625

RGB 93 166 37

HSL 93.95, 0.64%, 0.4%

LAB 61.42, -44.04, 55.26

 

CMYK 78 / 75 / 0 / 35

HEX #252AA6

RGB 37 42 166

HSL 237.67, 0.64%, 0.4%

LAB 26.16, 41.62, -66.31

 

CMYK 0 / 48 / 78 / 35

HEX #A55625

RGB 165 86 37

HSL 22.97, 0.63%, 0.4%

LAB 45.34, 28.86, 41.61

 

CMYK 78 / 0 / 49 / 35

HEX #25A654

RGB 37 166 84

HSL 141.86, 0.64%, 0.4%

LAB 60.16, -52.22, 32.82

 

CMYK 49 / 78 / 0 / 35

HEX #5425A6

RGB 84 37 166

HSL 261.86, 0.64%, 0.4%

LAB 29.31, 49.82, -60.98

 

CMYK 0 / 48 / 78 / 35

HEX #A55625

RGB 165 86 37

HSL 22.97, 0.63%, 0.4%

LAB 45.34, 28.86, 41.61

 

CMYK 44 / 0 / 78 / 35

HEX #5DA625

RGB 93 166 37

HSL 93.95, 0.64%, 0.4%

LAB 61.42, -44.04, 55.26

 

CMYK 78 / 28 / 0 / 35

HEX #2577A6

RGB 37 119 166

HSL 201.86, 0.64%, 0.4%

LAB 47.42, -7.78, -32.06

 

CMYK 34 / 78 / 0 / 35

HEX #6E25A6

RGB 110 37 166

HSL 273.95, 0.64%, 0.4%

LAB 32.68, 54.07, -55.34

 

CMYK 0 / 48 / 78 / 35

HEX #A55625

RGB 165 86 37

HSL 22.97, 0.63%, 0.4%

LAB 45.34, 28.86, 41.61

 

CMYK 67 / 0 / 78 / 35

HEX #36A625

RGB 54 166 37

HSL 112.09, 0.64%, 0.4%

LAB 60.06, -54.73, 53.48

 

CMYK 78 / 28 / 0 / 35

HEX #2577A6

RGB 37 119 166

HSL 201.86, 0.64%, 0.4%

LAB 47.42, -7.78, -32.06

 

CMYK 10 / 78 / 0 / 35

HEX #9525A6

RGB 149 37 166

HSL 292.09, 0.64%, 0.4%

LAB 38.67, 61.46, -45.37

 

Description

Color code: HEX #A55625 | qconv.com Color code: HEX #A55625 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 86 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 86 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 78 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 78% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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