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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A594A6 it is the complementary color #5A6B59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A594A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A594A6 shade: #AA94A1, #BBA6B4, #CCB8C7, #DDCADA and #EEDCED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A594A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A594A6 shade: #A594A6, #948293, #837080, #725E6D and #614C5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A594A6 shade: #A595A6, #A695A3, #A6959E, #A69599 and #A69595

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A594A6 shade: #A595A6, #A195A6, #9C95A6, #9795A6 and #9595A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A594A6 shade matches the following richer shades: #A595A6, #B385B6, #C176C6, #CF66D5 and #DD56E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A594A6 shade: #A595A6, #97A597, #89B487, #7CC477 and #6ED468

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A594A6 shade: #9C95A6, #A195A6, #A595A6, #A695A3 and #A6959E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A594A6 shade: #7E6A7F, #927E94, #A595A6, #B8ABB9 and #CBC2CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A594A6 shade: #A594A6, #A69795 and #95A69E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A594A6 shade: #A594A6, #A6A595 and #95A6A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A594A6 shade: #A594A6, #A69795, #96A695 and #95A4A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A594A6 shade: #A594A6, #A69C95, #96A695 and #959FA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 11 / 0 / 35

HEX #A594A6

RGB 165 148 166

HSL 296.67, 0.09%, 0.62%

LAB 63.29, 9.63, -7.13

 

Complementary color

CMYK 16 / 0 / 17 / 58

HEX #5A6B59

RGB 90 107 89

HSL 116.67, 0.09%, 0.38%

LAB 43.38, -10.23, 7.98

 

CMYK 0 / 13 / 5 / 33

HEX #AA94A1

RGB 170 148 161

HSL 324.55, 0.11%, 0.62%

LAB 63.59, 10.48, -3.81

 

CMYK 0 / 11 / 4 / 27

HEX #BBA6B4

RGB 187 166 180

HSL 320, 0.13%, 0.69%

LAB 70.27, 10.1, -4.41

 

CMYK 0 / 10 / 2 / 20

HEX #CCB8C7

RGB 204 184 199

HSL 315, 0.16%, 0.76%

LAB 76.83, 9.75, -4.98

 

CMYK 0 / 9 / 1 / 13

HEX #DDCADA

RGB 221 202 218

HSL 309.47, 0.22%, 0.83%

LAB 83.27, 9.42, -5.53

 

CMYK 0 / 8 / 0 / 7

HEX #EEDCED

RGB 238 220 237

HSL 303.33, 0.35%, 0.9%

LAB 89.62, 9.12, -6.07

 

CMYK 1 / 11 / 0 / 35

HEX #A594A6

RGB 165 148 166

HSL 296.67, 0.09%, 0.62%

LAB 63.29, 9.63, -7.13

 

CMYK 0 / 12 / 1 / 42

HEX #948293

RGB 148 130 147

HSL 303.33, 0.08%, 0.55%

LAB 56.45, 10.02, -6.6

 

CMYK 0 / 15 / 2 / 49

HEX #837080

RGB 131 112 128

HSL 309.47, 0.08%, 0.48%

LAB 49.46, 10.45, -6.05

 

CMYK 0 / 18 / 4 / 55

HEX #725E6D

RGB 114 94 109

HSL 315, 0.1%, 0.41%

LAB 42.29, 10.93, -5.47

 

CMYK 0 / 22 / 7 / 62

HEX #614C5A

RGB 97 76 90

HSL 320, 0.12%, 0.34%

LAB 34.9, 11.5, -4.85

 

CMYK 1 / 10 / 0 / 35

HEX #A595A6

RGB 165 149 166

HSL 296.47, 0.09%, 0.62%

LAB 63.55, 9.07, -6.75

 

CMYK 0 / 10 / 2 / 35

HEX #A695A3

RGB 166 149 163

HSL 310.59, 0.09%, 0.62%

LAB 63.55, 8.85, -5.05

 

CMYK 0 / 10 / 5 / 35

HEX #A6959E

RGB 166 149 158

HSL 328.24, 0.09%, 0.62%

LAB 63.4, 7.91, -2.44

 

CMYK 0 / 10 / 8 / 35

HEX #A69599

RGB 166 149 153

HSL 345.88, 0.09%, 0.62%

LAB 63.26, 7, 0.18

 

CMYK 0 / 10 / 10 / 35

HEX #A69595

RGB 166 149 149

HSL 0, 0.09%, 0.62%

LAB 63.15, 6.29, 2.29

 

CMYK 1 / 10 / 0 / 35

HEX #A595A6

RGB 165 149 166

HSL 296.47, 0.09%, 0.62%

LAB 63.55, 9.07, -6.75

 

CMYK 3 / 10 / 0 / 35

HEX #A195A6

RGB 161 149 166

HSL 282.35, 0.09%, 0.62%

LAB 63.2, 7.65, -7.3

 

CMYK 6 / 10 / 0 / 35

HEX #9C95A6

RGB 156 149 166

HSL 264.71, 0.09%, 0.62%

LAB 62.77, 5.89, -7.98

 

CMYK 9 / 10 / 0 / 35

HEX #9795A6

RGB 151 149 166

HSL 247.06, 0.09%, 0.62%

LAB 62.36, 4.15, -8.64

 

CMYK 10 / 10 / 0 / 35

HEX #9595A6

RGB 149 149 166

HSL 240, 0.09%, 0.62%

LAB 62.2, 3.46, -8.9

 

CMYK 1 / 10 / 0 / 35

HEX #A595A6

RGB 165 149 166

HSL 296.47, 0.09%, 0.62%

LAB 63.55, 9.07, -6.75

 

CMYK 2 / 27 / 0 / 29

HEX #B385B6

RGB 179 133 182

HSL 296.33, 0.25%, 0.62%

LAB 61.43, 26.08, -18.86

 

CMYK 3 / 40 / 0 / 22

HEX #C176C6

RGB 193 118 198

HSL 296.25, 0.41%, 0.62%

LAB 60.22, 41.93, -29.64

 

CMYK 3 / 52 / 0 / 16

HEX #CF66D5

RGB 207 102 213

HSL 296.76, 0.57%, 0.62%

LAB 59.5, 56.89, -39.12

 

CMYK 3 / 62 / 0 / 10

HEX #DD56E5

RGB 221 86 229

HSL 296.64, 0.73%, 0.62%

LAB 59.6, 70.32, -47.82

 

CMYK 1 / 10 / 0 / 35

HEX #A595A6

RGB 165 149 166

HSL 296.47, 0.09%, 0.62%

LAB 63.55, 9.07, -6.75

 

CMYK 8 / 0 / 8 / 35

HEX #97A597

RGB 151 165 151

HSL 120, 0.07%, 0.62%

LAB 66.31, -7.66, 5.57

 

CMYK 24 / 0 / 25 / 29

HEX #89B487

RGB 137 180 135

HSL 117.33, 0.23%, 0.62%

LAB 69.26, -23.3, 18.4

 

CMYK 37 / 0 / 39 / 23

HEX #7CC477

RGB 124 196 119

HSL 116.1, 0.39%, 0.62%

LAB 72.96, -37.85, 31.72

 

CMYK 48 / 0 / 51 / 17

HEX #6ED468

RGB 110 212 104

HSL 116.67, 0.56%, 0.62%

LAB 76.92, -50.98, 44.1

 

CMYK 6 / 10 / 0 / 35

HEX #9C95A6

RGB 156 149 166

HSL 264.71, 0.09%, 0.62%

LAB 62.77, 5.89, -7.98

 

CMYK 3 / 10 / 0 / 35

HEX #A195A6

RGB 161 149 166

HSL 282.35, 0.09%, 0.62%

LAB 63.2, 7.65, -7.3

 

CMYK 1 / 10 / 0 / 35

HEX #A595A6

RGB 165 149 166

HSL 296.47, 0.09%, 0.62%

LAB 63.55, 9.07, -6.75

 

CMYK 0 / 10 / 2 / 35

HEX #A695A3

RGB 166 149 163

HSL 310.59, 0.09%, 0.62%

LAB 63.55, 8.85, -5.05

 

CMYK 0 / 10 / 5 / 35

HEX #A6959E

RGB 166 149 158

HSL 328.24, 0.09%, 0.62%

LAB 63.4, 7.91, -2.44

 

CMYK 1 / 17 / 0 / 50

HEX #7E6A7F

RGB 126 106 127

HSL 297.14, 0.09%, 0.46%

LAB 47.33, 11.94, -8.68

 

CMYK 1 / 15 / 0 / 42

HEX #927E94

RGB 146 126 148

HSL 294.55, 0.09%, 0.54%

LAB 55.25, 11.8, -9

 

CMYK 1 / 10 / 0 / 35

HEX #A595A6

RGB 165 149 166

HSL 296.47, 0.09%, 0.62%

LAB 63.55, 9.07, -6.75

 

CMYK 1 / 8 / 0 / 27

HEX #B8ABB9

RGB 184 171 185

HSL 295.71, 0.09%, 0.7%

LAB 71.43, 7.23, -5.48

 

CMYK 0 / 5 / 0 / 20

HEX #CBC2CC

RGB 203 194 204

HSL 294, 0.09%, 0.78%

LAB 79.41, 4.96, -3.89

 

CMYK 1 / 11 / 0 / 35

HEX #A594A6

RGB 165 148 166

HSL 296.67, 0.09%, 0.62%

LAB 63.29, 9.63, -7.13

 

CMYK 0 / 9 / 10 / 35

HEX #A69795

RGB 166 151 149

HSL 7.06, 0.09%, 0.62%

LAB 63.68, 5.17, 3.05

 

CMYK 10 / 0 / 5 / 35

HEX #95A69E

RGB 149 166 158

HSL 151.76, 0.09%, 0.62%

LAB 66.62, -7.55, 2.1

 

CMYK 1 / 11 / 0 / 35

HEX #A594A6

RGB 165 148 166

HSL 296.67, 0.09%, 0.62%

LAB 63.29, 9.63, -7.13

 

CMYK 0 / 1 / 10 / 35

HEX #A6A595

RGB 166 165 149

HSL 56.47, 0.09%, 0.62%

LAB 67.42, -2.53, 8.42

 

CMYK 10 / 0 / 1 / 35

HEX #95A6A5

RGB 149 166 165

HSL 176.47, 0.09%, 0.62%

LAB 66.81, -6.14, -1.52

 

CMYK 1 / 11 / 0 / 35

HEX #A594A6

RGB 165 148 166

HSL 296.67, 0.09%, 0.62%

LAB 63.29, 9.63, -7.13

 

CMYK 0 / 9 / 10 / 35

HEX #A69795

RGB 166 151 149

HSL 7.06, 0.09%, 0.62%

LAB 63.68, 5.17, 3.05

 

CMYK 10 / 0 / 10 / 35

HEX #96A695

RGB 150 166 149

HSL 116.47, 0.09%, 0.62%

LAB 66.46, -8.93, 6.89

 

CMYK 10 / 1 / 0 / 35

HEX #95A4A6

RGB 149 164 166

HSL 187.06, 0.09%, 0.62%

LAB 66.29, -4.85, -2.85

 

CMYK 1 / 11 / 0 / 35

HEX #A594A6

RGB 165 148 166

HSL 296.67, 0.09%, 0.62%

LAB 63.29, 9.63, -7.13

 

CMYK 0 / 6 / 10 / 35

HEX #A69C95

RGB 166 156 149

HSL 24.71, 0.09%, 0.62%

LAB 65.01, 2.4, 4.96

 

CMYK 10 / 0 / 10 / 35

HEX #96A695

RGB 150 166 149

HSL 116.47, 0.09%, 0.62%

LAB 66.46, -8.93, 6.89

 

CMYK 10 / 4 / 0 / 35

HEX #959FA6

RGB 149 159 166

HSL 204.71, 0.09%, 0.62%

LAB 64.91, -2.11, -4.87

 

Description

Color code: HEX #A594A6 | qconv.com Color code: HEX #A594A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 148 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 148 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 11 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 11% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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