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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A5B828 it is the complementary color #5A47D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A5B828. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A5B828 shade: #AAB823, #BBCA36, #CCDC49, #DDEE5C and #EEFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A5B828. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A5B828 shade: #A5B828, #94A615, #839402, #728200 and #617000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A5B828 shade: #A5B828, #B8A428, #B87D28, #B85628 and #B83028

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A5B828 shade: #A5B828, #7EB828, #57B828, #30B828 and #28B846

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A5B828 shade matches the following richer shades: #A5B828, #B2CA16 and #BFDC04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A5B828 shade: #A5B828, #97A53A, #8A934C, #7C815E and #6F6F71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A5B828 shade: #B87C28, #B8A228, #A7B828, #80B828 and #5AB828

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A5B828 shade: #687419, #869620, #A5B828, #BED336 and #C9DA58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A5B828 shade: #A5B828, #28B855 and #8F28B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A5B828 shade: #A5B828, #28A7B8 and #B828A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A5B828 shade: #A5B828, #28B855, #3928B8 and #B8288A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A5B828 shade: #A5B828, #28B880, #3928B8 and #B8285F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 78 / 28

HEX #A5B828

RGB 165 184 40

HSL 67.92, 0.64%, 0.44%

LAB 71.17, -24.16, 64.96

 

Complementary color

CMYK 58 / 67 / 0 / 16

HEX #5A47D7

RGB 90 71 215

HSL 247.92, 0.64%, 0.56%

LAB 40.55, 47.24, -71.36

 

CMYK 8 / 0 / 81 / 28

HEX #AAB823

RGB 170 184 35

HSL 65.64, 0.68%, 0.43%

LAB 71.52, -22.23, 66.83

 

CMYK 7 / 0 / 73 / 21

HEX #BBCA36

RGB 187 202 54

HSL 66.08, 0.58%, 0.5%

LAB 77.92, -23.14, 67.37

 

CMYK 7 / 0 / 67 / 14

HEX #CCDC49

RGB 204 220 73

HSL 66.53, 0.68%, 0.57%

LAB 84.23, -23.87, 67.2

 

CMYK 7 / 0 / 61 / 7

HEX #DDEE5C

RGB 221 238 92

HSL 66.99, 0.81%, 0.65%

LAB 90.46, -24.48, 66.62

 

CMYK 7 / 0 / 56 / 0

HEX #EEFF6F

RGB 238 255 111

HSL 67.08, 1%, 0.72%

LAB 96.35, -24.51, 65.5

 

CMYK 10 / 0 / 78 / 28

HEX #A5B828

RGB 165 184 40

HSL 67.92, 0.64%, 0.44%

LAB 71.17, -24.16, 64.96

 

CMYK 11 / 0 / 87 / 35

HEX #94A615

RGB 148 166 21

HSL 67.45, 0.78%, 0.37%

LAB 64.66, -23.17, 63.69

 

CMYK 11 / 0 / 99 / 42

HEX #839402

RGB 131 148 2

HSL 66.99, 0.97%, 0.29%

LAB 58.05, -21.96, 61.04

 

CMYK 12 / 0 / 100 / 49

HEX #728200

RGB 114 130 0

HSL 67.38, 1%, 0.25%

LAB 51.32, -20.42, 55.75

 

CMYK 13 / 0 / 100 / 56

HEX #617000

RGB 97 112 0

HSL 68.04, 1%, 0.22%

LAB 44.42, -18.82, 50.01

 

CMYK 10 / 0 / 78 / 28

HEX #A5B828

RGB 165 184 40

HSL 67.92, 0.64%, 0.44%

LAB 71.17, -24.16, 64.96

 

CMYK 0 / 11 / 78 / 28

HEX #B8A428

RGB 184 164 40

HSL 51.67, 0.64%, 0.44%

LAB 67.2, -5.69, 61.95

 

CMYK 0 / 32 / 78 / 28

HEX #B87D28

RGB 184 125 40

HSL 35.42, 0.64%, 0.44%

LAB 57.09, 15.61, 52.59

 

CMYK 0 / 53 / 78 / 28

HEX #B85628

RGB 184 86 40

HSL 19.17, 0.64%, 0.44%

LAB 48.26, 36.74, 44.02

 

CMYK 0 / 74 / 78 / 28

HEX #B83028

RGB 184 48 40

HSL 3.33, 0.64%, 0.44%

LAB 41.93, 53.55, 37.57

 

CMYK 10 / 0 / 78 / 28

HEX #A5B828

RGB 165 184 40

HSL 67.92, 0.64%, 0.44%

LAB 71.17, -24.16, 64.96

 

CMYK 32 / 0 / 78 / 28

HEX #7EB828

RGB 126 184 40

HSL 84.17, 0.64%, 0.44%

LAB 68.66, -39.79, 61.73

 

CMYK 53 / 0 / 78 / 28

HEX #57B828

RGB 87 184 40

HSL 100.42, 0.64%, 0.44%

LAB 66.87, -52.77, 59.41

 

CMYK 74 / 0 / 78 / 28

HEX #30B828

RGB 48 184 40

HSL 116.67, 0.64%, 0.44%

LAB 65.8, -61.55, 58.01

 

CMYK 78 / 0 / 62 / 28

HEX #28B846

RGB 40 184 70

HSL 132.5, 0.64%, 0.44%

LAB 65.88, -59.98, 46.43

 

CMYK 10 / 0 / 78 / 28

HEX #A5B828

RGB 165 184 40

HSL 67.92, 0.64%, 0.44%

LAB 71.17, -24.16, 64.96

 

CMYK 12 / 0 / 89 / 21

HEX #B2CA16

RGB 178 202 22

HSL 68, 0.8%, 0.44%

LAB 77.14, -27.94, 74.57

 

CMYK 13 / 0 / 98 / 14

HEX #BFDC04

RGB 191 220 4

HSL 68.06, 0.96%, 0.44%

LAB 83.06, -31.3, 81.61

 

CMYK 10 / 0 / 78 / 28

HEX #A5B828

RGB 165 184 40

HSL 67.92, 0.64%, 0.44%

LAB 71.17, -24.16, 64.96

 

CMYK 8 / 0 / 65 / 35

HEX #97A53A

RGB 151 165 58

HSL 67.85, 0.48%, 0.44%

LAB 64.8, -19.67, 51.85

 

CMYK 6 / 0 / 48 / 42

HEX #8A934C

RGB 138 147 76

HSL 67.61, 0.32%, 0.44%

LAB 58.78, -14.32, 36.25

 

CMYK 4 / 0 / 27 / 49

HEX #7C815E

RGB 124 129 94

HSL 68.57, 0.16%, 0.44%

LAB 52.72, -8.12, 18.4

 

CMYK 2 / 2 / 0 / 56

HEX #6F6F71

RGB 111 111 113

HSL 240, 0.01%, 0.44%

LAB 46.9, 0.41, -1.11

 

CMYK 0 / 33 / 78 / 28

HEX #B87C28

RGB 184 124 40

HSL 35, 0.64%, 0.44%

LAB 56.84, 16.17, 52.36

 

CMYK 0 / 12 / 78 / 28

HEX #B8A228

RGB 184 162 40

HSL 50.83, 0.64%, 0.44%

LAB 66.66, -4.62, 61.46

 

CMYK 9 / 0 / 78 / 28

HEX #A7B828

RGB 167 184 40

HSL 67.08, 0.64%, 0.44%

LAB 71.32, -23.32, 65.15

 

CMYK 30 / 0 / 78 / 28

HEX #80B828

RGB 128 184 40

HSL 83.33, 0.64%, 0.44%

LAB 68.77, -39.04, 61.88

 

CMYK 51 / 0 / 78 / 28

HEX #5AB828

RGB 90 184 40

HSL 99.17, 0.64%, 0.44%

LAB 66.98, -51.9, 59.56

 

CMYK 10 / 0 / 78 / 55

HEX #687419

RGB 104 116 25

HSL 67.91, 0.65%, 0.28%

LAB 46.32, -16.87, 45.26

 

CMYK 11 / 0 / 79 / 41

HEX #869620

RGB 134 150 32

HSL 68.14, 0.65%, 0.36%

LAB 58.96, -20.84, 55.45

 

CMYK 10 / 0 / 78 / 28

HEX #A5B828

RGB 165 184 40

HSL 67.92, 0.64%, 0.44%

LAB 71.17, -24.16, 64.96

 

CMYK 10 / 0 / 74 / 17

HEX #BED336

RGB 190 211 54

HSL 68.03, 0.64%, 0.52%

LAB 80.63, -26.24, 70.01

 

CMYK 8 / 0 / 60 / 15

HEX #C9DA58

RGB 201 218 88

HSL 67.85, 0.64%, 0.6%

LAB 83.58, -23.14, 60.4

 

CMYK 10 / 0 / 78 / 28

HEX #A5B828

RGB 165 184 40

HSL 67.92, 0.64%, 0.44%

LAB 71.17, -24.16, 64.96

 

CMYK 78 / 0 / 54 / 28

HEX #28B855

RGB 40 184 85

HSL 138.75, 0.64%, 0.44%

LAB 66.05, -57.99, 39.59

 

CMYK 22 / 78 / 0 / 28

HEX #8F28B8

RGB 143 40 184

HSL 282.92, 0.64%, 0.44%

LAB 39.27, 62.77, -55.15

 

CMYK 10 / 0 / 78 / 28

HEX #A5B828

RGB 165 184 40

HSL 67.92, 0.64%, 0.44%

LAB 71.17, -24.16, 64.96

 

CMYK 78 / 9 / 0 / 28

HEX #28A7B8

RGB 40 167 184

HSL 187.08, 0.64%, 0.44%

LAB 62.97, -27.25, -18.36

 

CMYK 0 / 78 / 9 / 28

HEX #B828A7

RGB 184 40 167

HSL 307.08, 0.64%, 0.44%

LAB 44.94, 68.04, -35.63

 

CMYK 10 / 0 / 78 / 28

HEX #A5B828

RGB 165 184 40

HSL 67.92, 0.64%, 0.44%

LAB 71.17, -24.16, 64.96

 

CMYK 78 / 0 / 54 / 28

HEX #28B855

RGB 40 184 85

HSL 138.75, 0.64%, 0.44%

LAB 66.05, -57.99, 39.59

 

CMYK 69 / 78 / 0 / 28

HEX #3928B8

RGB 57 40 184

HSL 247.08, 0.64%, 0.44%

LAB 29.03, 50.3, -72.32

 

CMYK 0 / 78 / 25 / 28

HEX #B8288A

RGB 184 40 138

HSL 319.17, 0.64%, 0.44%

LAB 43.57, 64.08, -20.31

 

CMYK 10 / 0 / 78 / 28

HEX #A5B828

RGB 165 184 40

HSL 67.92, 0.64%, 0.44%

LAB 71.17, -24.16, 64.96

 

CMYK 78 / 0 / 30 / 28

HEX #28B880

RGB 40 184 128

HSL 156.67, 0.64%, 0.44%

LAB 66.74, -50.06, 18.15

 

CMYK 69 / 78 / 0 / 28

HEX #3928B8

RGB 57 40 184

HSL 247.08, 0.64%, 0.44%

LAB 29.03, 50.3, -72.32

 

CMYK 0 / 78 / 48 / 28

HEX #B8285F

RGB 184 40 95

HSL 337.08, 0.64%, 0.44%

LAB 42.05, 59.49, 4.06

 

Description

Color code: HEX #A5B828 | qconv.com Color code: HEX #A5B828 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 184 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 184 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 78 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 78% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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