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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A61BB0 it is the complementary color #59E44F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A61BB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A61BB0 shade: #AB1BAB, #BC2DBE, #CD3FD1, #DE51E4 and #EF63F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A61BB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A61BB0 shade: #A61BB0, #95099D, #84008A, #730077 and #620064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A61BB0 shade: #A61BB0, #B01B92, #B01B6A, #B01B41 and #B01B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A61BB0 shade: #A61BB0, #7E1BB0, #561BB0, #2D1BB0 and #1B1BB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A61BB0 shade matches the following richer shades: #A61BB0 and #B40BC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A61BB0 shade: #A61BB0, #982C9F, #893C8F, #7B4D7E and #6D5D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A61BB0 shade: #541BB0, #7C1BB0, #A41BB0, #B01B95 and #B01B6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A61BB0 shade: #631069, #84158C, #A61BB0, #C821D4 and #D53DE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A61BB0 shade: #A61BB0, #B02C1B and #1BB068

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A61BB0 shade: #A61BB0, #B0A41B and #1BB0A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A61BB0 shade: #A61BB0, #B02C1B, #27B01B and #1B9FB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A61BB0 shade: #A61BB0, #B0591B, #27B01B and #1B72B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 85 / 0 / 31

HEX #A61BB0

RGB 166 27 176

HSL 295.97, 0.73%, 0.4%

LAB 41.26, 69.03, -47.02

 

Complementary color

CMYK 61 / 0 / 65 / 11

HEX #59E44F

RGB 89 228 79

HSL 115.97, 0.73%, 0.6%

LAB 80.84, -65, 59.53

 

CMYK 0 / 84 / 0 / 33

HEX #AB1BAB

RGB 171 27 171

HSL 300, 0.73%, 0.39%

LAB 41.82, 69.16, -43.11

 

CMYK 1 / 76 / 0 / 25

HEX #BC2DBE

RGB 188 45 190

HSL 299.17, 0.62%, 0.46%

LAB 47.35, 71.02, -45.31

 

CMYK 2 / 70 / 0 / 18

HEX #CD3FD1

RGB 205 63 209

HSL 298.36, 0.61%, 0.53%

LAB 53.1, 71.99, -46.97

 

CMYK 3 / 64 / 0 / 11

HEX #DE51E4

RGB 222 81 228

HSL 297.55, 0.73%, 0.61%

LAB 58.99, 72.36, -48.22

 

CMYK 3 / 60 / 0 / 3

HEX #EF63F7

RGB 239 99 247

HSL 296.76, 0.9%, 0.68%

LAB 64.95, 72.33, -49.2

 

CMYK 6 / 85 / 0 / 31

HEX #A61BB0

RGB 166 27 176

HSL 295.97, 0.73%, 0.4%

LAB 41.26, 69.03, -47.02

 

CMYK 5 / 94 / 0 / 38

HEX #95099D

RGB 149 9 157

HSL 296.76, 0.89%, 0.33%

LAB 36.02, 65.94, -44.19

 

CMYK 4 / 100 / 0 / 46

HEX #84008A

RGB 132 0 138

HSL 297.39, 1%, 0.27%

LAB 31.21, 61.22, -40.42

 

CMYK 3 / 100 / 0 / 53

HEX #730077

RGB 115 0 119

HSL 297.98, 1%, 0.23%

LAB 26.67, 55.23, -35.93

 

CMYK 2 / 100 / 0 / 61

HEX #620064

RGB 98 0 100

HSL 298.8, 1%, 0.2%

LAB 22, 49.08, -31.28

 

CMYK 6 / 85 / 0 / 31

HEX #A61BB0

RGB 166 27 176

HSL 295.97, 0.73%, 0.4%

LAB 41.26, 69.03, -47.02

 

CMYK 0 / 85 / 17 / 31

HEX #B01B92

RGB 176 27 146

HSL 312.08, 0.73%, 0.4%

LAB 41.36, 66.52, -28.73

 

CMYK 0 / 85 / 40 / 31

HEX #B01B6A

RGB 176 27 106

HSL 328.19, 0.73%, 0.4%

LAB 39.67, 61.81, -6.54

 

CMYK 0 / 85 / 63 / 31

HEX #B01B41

RGB 176 27 65

HSL 344.7, 0.73%, 0.4%

LAB 38.54, 58.53, 17.96

 

CMYK 0 / 85 / 85 / 31

HEX #B01B1B

RGB 176 27 27

HSL 0, 0.73%, 0.4%

LAB 38.01, 56.94, 40.26

 

CMYK 6 / 85 / 0 / 31

HEX #A61BB0

RGB 166 27 176

HSL 295.97, 0.73%, 0.4%

LAB 41.26, 69.03, -47.02

 

CMYK 28 / 85 / 0 / 31

HEX #7E1BB0

RGB 126 27 176

HSL 279.87, 0.73%, 0.4%

LAB 34.71, 62.21, -57.93

 

CMYK 51 / 85 / 0 / 31

HEX #561BB0

RGB 86 27 176

HSL 263.76, 0.73%, 0.4%

LAB 29.15, 56.68, -67.25

 

CMYK 74 / 85 / 0 / 31

HEX #2D1BB0

RGB 45 27 176

HSL 247.25, 0.73%, 0.4%

LAB 25.19, 52.96, -73.93

 

CMYK 85 / 85 / 0 / 31

HEX #1B1BB0

RGB 27 27 176

HSL 240, 0.73%, 0.4%

LAB 24.17, 52.04, -75.66

 

CMYK 6 / 85 / 0 / 31

HEX #A61BB0

RGB 166 27 176

HSL 295.97, 0.73%, 0.4%

LAB 41.26, 69.03, -47.02

 

CMYK 6 / 94 / 0 / 25

HEX #B40BC0

RGB 180 11 192

HSL 296.02, 0.89%, 0.4%

LAB 43.87, 76.43, -52.12

 

CMYK 6 / 85 / 0 / 31

HEX #A61BB0

RGB 166 27 176

HSL 295.97, 0.73%, 0.4%

LAB 41.26, 69.03, -47.02

 

CMYK 4 / 72 / 0 / 38

HEX #982C9F

RGB 152 44 159

HSL 296.35, 0.57%, 0.4%

LAB 39.55, 58.5, -39.73

 

CMYK 4 / 58 / 0 / 44

HEX #893C8F

RGB 137 60 143

HSL 295.66, 0.41%, 0.4%

LAB 38.78, 44.97, -31.4

 

CMYK 2 / 39 / 0 / 51

HEX #7B4D7E

RGB 123 77 126

HSL 296.33, 0.24%, 0.4%

LAB 39.62, 27.95, -19.83

 

CMYK 1 / 15 / 0 / 57

HEX #6D5D6E

RGB 109 93 110

HSL 296.47, 0.08%, 0.4%

LAB 41.54, 9.83, -7.25

 

CMYK 52 / 85 / 0 / 31

HEX #541BB0

RGB 84 27 176

HSL 262.95, 0.73%, 0.4%

LAB 28.91, 56.45, -67.66

 

CMYK 30 / 85 / 0 / 31

HEX #7C1BB0

RGB 124 27 176

HSL 279.06, 0.73%, 0.4%

LAB 34.4, 61.9, -58.44

 

CMYK 7 / 85 / 0 / 31

HEX #A41BB0

RGB 164 27 176

HSL 295.17, 0.73%, 0.4%

LAB 40.91, 68.67, -47.59

 

CMYK 0 / 85 / 15 / 31

HEX #B01B95

RGB 176 27 149

HSL 310.87, 0.73%, 0.4%

LAB 41.51, 66.93, -30.32

 

CMYK 0 / 85 / 38 / 31

HEX #B01B6D

RGB 176 27 109

HSL 326.98, 0.73%, 0.4%

LAB 39.78, 62.12, -8.27

 

CMYK 6 / 85 / 0 / 59

HEX #631069

RGB 99 16 105

HSL 295.96, 0.74%, 0.24%

LAB 23.81, 46.42, -31.65

 

CMYK 6 / 85 / 0 / 45

HEX #84158C

RGB 132 21 140

HSL 295.97, 0.74%, 0.32%

LAB 32.56, 57.97, -39.5

 

CMYK 6 / 85 / 0 / 31

HEX #A61BB0

RGB 166 27 176

HSL 295.97, 0.73%, 0.4%

LAB 41.26, 69.03, -47.02

 

CMYK 6 / 84 / 0 / 17

HEX #C821D4

RGB 200 33 212

HSL 295.98, 0.73%, 0.48%

LAB 49.64, 79.65, -54.25

 

CMYK 5 / 73 / 0 / 12

HEX #D53DE0

RGB 213 61 224

HSL 295.95, 0.72%, 0.56%

LAB 54.93, 76.79, -52.5

 

CMYK 6 / 85 / 0 / 31

HEX #A61BB0

RGB 166 27 176

HSL 295.97, 0.73%, 0.4%

LAB 41.26, 69.03, -47.02

 

CMYK 0 / 75 / 85 / 31

HEX #B02C1B

RGB 176 44 27

HSL 6.85, 0.73%, 0.4%

LAB 39.77, 52, 41.84

 

CMYK 85 / 0 / 41 / 31

HEX #1BB068

RGB 27 176 104

HSL 151.01, 0.73%, 0.4%

LAB 63.58, -53.36, 26.72

 

CMYK 6 / 85 / 0 / 31

HEX #A61BB0

RGB 166 27 176

HSL 295.97, 0.73%, 0.4%

LAB 41.26, 69.03, -47.02

 

CMYK 0 / 7 / 85 / 31

HEX #B0A41B

RGB 176 164 27

HSL 55.17, 0.73%, 0.4%

LAB 66.41, -9.66, 64.72

 

CMYK 85 / 0 / 7 / 31

HEX #1BB0A4

RGB 27 176 164

HSL 175.17, 0.73%, 0.4%

LAB 64.93, -38.74, -4.27

 

CMYK 6 / 85 / 0 / 31

HEX #A61BB0

RGB 166 27 176

HSL 295.97, 0.73%, 0.4%

LAB 41.26, 69.03, -47.02

 

CMYK 0 / 75 / 85 / 31

HEX #B02C1B

RGB 176 44 27

HSL 6.85, 0.73%, 0.4%

LAB 39.77, 52, 41.84

 

CMYK 78 / 0 / 85 / 31

HEX #27B01B

RGB 39 176 27

HSL 115.17, 0.73%, 0.4%

LAB 62.98, -61.16, 58.99

 

CMYK 85 / 10 / 0 / 31

HEX #1B9FB0

RGB 27 159 176

HSL 186.85, 0.73%, 0.4%

LAB 60.04, -26.98, -18.34

 

CMYK 6 / 85 / 0 / 31

HEX #A61BB0

RGB 166 27 176

HSL 295.97, 0.73%, 0.4%

LAB 41.26, 69.03, -47.02

 

CMYK 0 / 49 / 85 / 31

HEX #B0591B

RGB 176 89 27

HSL 24.97, 0.73%, 0.4%

LAB 47.56, 31.49, 48.72

 

CMYK 78 / 0 / 85 / 31

HEX #27B01B

RGB 39 176 27

HSL 115.17, 0.73%, 0.4%

LAB 62.98, -61.16, 58.99

 

CMYK 85 / 35 / 0 / 31

HEX #1B72B0

RGB 27 114 176

HSL 204.97, 0.73%, 0.4%

LAB 46.18, -2.05, -39.86

 

Description

Color code: HEX #A61BB0 | qconv.com Color code: HEX #A61BB0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 27 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 27 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 85 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 85% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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