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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B40BC0 it is the complementary color #4BF43F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B40BC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B40BC0 shade: #B90BBB, #CA1DCE, #DB2FE1, #EC41F4 and #FD53FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B40BC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B40BC0 shade: #B40BC0, #A300AD, #92009A, #810087 and #700074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B40BC0 shade: #B40BC0, #C00B9B, #C00B6A, #C00B39 and #C00B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B40BC0 shade: #B40BC0, #830BC0, #520BC0, #210BC0 and #0B0BC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B40BC0 shade matches the following richer shades: #B40BC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B40BC0 shade: #B40BC0, #A61BB0, #982C9F, #893C8F and #7B4D7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B40BC0 shade: #530BC0, #840BC0, #B40BC0, #C00B9C and #C00B6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B40BC0 shade: #6B0672, #900899, #B40BC0, #D90DE7 and #E52BF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B40BC0 shade: #B40BC0, #C0230B and #0BC06C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B40BC0 shade: #B40BC0, #C0B40B and #0BC0B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B40BC0 shade: #B40BC0, #C0230B, #17C00B and #0BA8C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B40BC0 shade: #B40BC0, #C0590B, #17C00B and #0B72C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 94 / 0 / 25

HEX #B40BC0

RGB 180 11 192

HSL 296.02, 0.89%, 0.4%

LAB 43.87, 76.43, -52.12

 

Complementary color

CMYK 69 / 0 / 74 / 4

HEX #4BF43F

RGB 75 244 63

HSL 116.02, 0.89%, 0.6%

LAB 85.28, -74.28, 69.87

 

CMYK 1 / 94 / 0 / 27

HEX #B90BBB

RGB 185 11 187

HSL 299.32, 0.89%, 0.39%

LAB 44.44, 76.49, -48.24

 

CMYK 2 / 86 / 0 / 19

HEX #CA1DCE

RGB 202 29 206

HSL 298.64, 0.75%, 0.46%

LAB 49.36, 79.81, -51.23

 

CMYK 3 / 79 / 0 / 12

HEX #DB2FE1

RGB 219 47 225

HSL 297.98, 0.75%, 0.53%

LAB 54.58, 82.02, -53.57

 

CMYK 3 / 73 / 0 / 4

HEX #EC41F4

RGB 236 65 244

HSL 297.32, 0.89%, 0.61%

LAB 60.02, 83.38, -55.4

 

CMYK 1 / 67 / 0 / 0

HEX #FD53FF

RGB 253 83 255

HSL 299.3, 1%, 0.66%

LAB 65.19, 82.85, -53.1

 

CMYK 6 / 94 / 0 / 25

HEX #B40BC0

RGB 180 11 192

HSL 296.02, 0.89%, 0.4%

LAB 43.87, 76.43, -52.12

 

CMYK 6 / 100 / 0 / 32

HEX #A300AD

RGB 163 0 173

HSL 296.53, 1%, 0.34%

LAB 39.25, 71.84, -48.49

 

CMYK 5 / 100 / 0 / 40

HEX #92009A

RGB 146 0 154

HSL 296.88, 1%, 0.3%

LAB 34.89, 66.1, -44.21

 

CMYK 4 / 100 / 0 / 47

HEX #810087

RGB 129 0 135

HSL 297.33, 1%, 0.26%

LAB 30.44, 60.23, -39.82

 

CMYK 3 / 100 / 0 / 55

HEX #700074

RGB 112 0 116

HSL 297.93, 1%, 0.23%

LAB 25.88, 54.22, -35.3

 

CMYK 6 / 94 / 0 / 25

HEX #B40BC0

RGB 180 11 192

HSL 296.02, 0.89%, 0.4%

LAB 43.87, 76.43, -52.12

 

CMYK 0 / 94 / 19 / 25

HEX #C00B9B

RGB 192 11 155

HSL 312.27, 0.89%, 0.4%

LAB 43.96, 73.34, -29.88

 

CMYK 0 / 94 / 45 / 25

HEX #C00B6A

RGB 192 11 106

HSL 328.51, 0.89%, 0.4%

LAB 41.98, 68.12, -2.77

 

CMYK 0 / 94 / 70 / 25

HEX #C00B39

RGB 192 11 57

HSL 344.75, 0.89%, 0.4%

LAB 40.8, 64.91, 26.57

 

CMYK 0 / 94 / 94 / 25

HEX #C00B0B

RGB 192 11 11

HSL 0, 0.89%, 0.4%

LAB 40.36, 63.68, 50.6

 

CMYK 6 / 94 / 0 / 25

HEX #B40BC0

RGB 180 11 192

HSL 296.02, 0.89%, 0.4%

LAB 43.87, 76.43, -52.12

 

CMYK 32 / 94 / 0 / 25

HEX #830BC0

RGB 131 11 192

HSL 279.78, 0.89%, 0.4%

LAB 35.73, 69.33, -65.7

 

CMYK 57 / 94 / 0 / 25

HEX #520BC0

RGB 82 11 192

HSL 263.54, 0.89%, 0.4%

LAB 29, 64.39, -77.02

 

CMYK 83 / 94 / 0 / 25

HEX #210BC0

RGB 33 11 192

HSL 247.29, 0.89%, 0.4%

LAB 24.85, 61.99, -84.04

 

CMYK 94 / 94 / 0 / 25

HEX #0B0BC0

RGB 11 11 192

HSL 240, 0.89%, 0.4%

LAB 24.05, 61.6, -85.4

 

CMYK 6 / 94 / 0 / 25

HEX #B40BC0

RGB 180 11 192

HSL 296.02, 0.89%, 0.4%

LAB 43.87, 76.43, -52.12

 

CMYK 6 / 94 / 0 / 25

HEX #B40BC0

RGB 180 11 192

HSL 296.02, 0.89%, 0.4%

LAB 43.87, 76.43, -52.12

 

CMYK 6 / 85 / 0 / 31

HEX #A61BB0

RGB 166 27 176

HSL 295.97, 0.73%, 0.4%

LAB 41.26, 69.03, -47.02

 

CMYK 4 / 72 / 0 / 38

HEX #982C9F

RGB 152 44 159

HSL 296.35, 0.57%, 0.4%

LAB 39.55, 58.5, -39.73

 

CMYK 4 / 58 / 0 / 44

HEX #893C8F

RGB 137 60 143

HSL 295.66, 0.41%, 0.4%

LAB 38.78, 44.97, -31.4

 

CMYK 2 / 39 / 0 / 51

HEX #7B4D7E

RGB 123 77 126

HSL 296.33, 0.24%, 0.4%

LAB 39.62, 27.95, -19.83

 

CMYK 57 / 94 / 0 / 25

HEX #530BC0

RGB 83 11 192

HSL 263.87, 0.89%, 0.4%

LAB 29.12, 64.46, -76.83

 

CMYK 31 / 94 / 0 / 25

HEX #840BC0

RGB 132 11 192

HSL 280.11, 0.89%, 0.4%

LAB 35.89, 69.46, -65.44

 

CMYK 6 / 94 / 0 / 25

HEX #B40BC0

RGB 180 11 192

HSL 296.02, 0.89%, 0.4%

LAB 43.87, 76.43, -52.12

 

CMYK 0 / 94 / 19 / 25

HEX #C00B9C

RGB 192 11 156

HSL 311.93, 0.89%, 0.4%

LAB 44.01, 73.46, -30.41

 

CMYK 0 / 94 / 44 / 25

HEX #C00B6C

RGB 192 11 108

HSL 327.85, 0.89%, 0.4%

LAB 42.04, 68.3, -3.93

 

CMYK 6 / 95 / 0 / 55

HEX #6B0672

RGB 107 6 114

HSL 296.11, 0.9%, 0.24%

LAB 25.17, 51.83, -35.21

 

CMYK 6 / 95 / 0 / 40

HEX #900899

RGB 144 8 153

HSL 296.28, 0.9%, 0.32%

LAB 34.81, 64.57, -43.75

 

CMYK 6 / 94 / 0 / 25

HEX #B40BC0

RGB 180 11 192

HSL 296.02, 0.89%, 0.4%

LAB 43.87, 76.43, -52.12

 

CMYK 6 / 94 / 0 / 9

HEX #D90DE7

RGB 217 13 231

HSL 296.15, 0.89%, 0.48%

LAB 52.74, 88.09, -59.93

 

CMYK 5 / 82 / 0 / 5

HEX #E52BF2

RGB 229 43 242

HSL 296.08, 0.88%, 0.56%

LAB 56.88, 87.35, -59.37

 

CMYK 6 / 94 / 0 / 25

HEX #B40BC0

RGB 180 11 192

HSL 296.02, 0.89%, 0.4%

LAB 43.87, 76.43, -52.12

 

CMYK 0 / 82 / 94 / 25

HEX #C0230B

RGB 192 35 11

HSL 7.96, 0.89%, 0.4%

LAB 41.9, 59.29, 51.5

 

CMYK 94 / 0 / 44 / 25

HEX #0BC06C

RGB 11 192 108

HSL 152.15, 0.89%, 0.4%

LAB 68.64, -59.28, 31.23

 

CMYK 6 / 94 / 0 / 25

HEX #B40BC0

RGB 180 11 192

HSL 296.02, 0.89%, 0.4%

LAB 43.87, 76.43, -52.12

 

CMYK 0 / 6 / 94 / 25

HEX #C0B40B

RGB 192 180 11

HSL 56.02, 0.89%, 0.4%

LAB 72.14, -11.2, 72.72

 

CMYK 94 / 0 / 6 / 25

HEX #0BC0B4

RGB 11 192 180

HSL 176.02, 0.89%, 0.4%

LAB 70.22, -42.05, -5.3

 

CMYK 6 / 94 / 0 / 25

HEX #B40BC0

RGB 180 11 192

HSL 296.02, 0.89%, 0.4%

LAB 43.87, 76.43, -52.12

 

CMYK 0 / 82 / 94 / 25

HEX #C0230B

RGB 192 35 11

HSL 7.96, 0.89%, 0.4%

LAB 41.9, 59.29, 51.5

 

CMYK 88 / 0 / 94 / 25

HEX #17C00B

RGB 23 192 11

HSL 116.02, 0.89%, 0.4%

LAB 67.95, -68.16, 66.11

 

CMYK 94 / 13 / 0 / 25

HEX #0BA8C0

RGB 11 168 192

HSL 187.96, 0.89%, 0.4%

LAB 63.25, -27.07, -22.43

 

CMYK 6 / 94 / 0 / 25

HEX #B40BC0

RGB 180 11 192

HSL 296.02, 0.89%, 0.4%

LAB 43.87, 76.43, -52.12

 

CMYK 0 / 54 / 94 / 25

HEX #C0590B

RGB 192 89 11

HSL 25.86, 0.89%, 0.4%

LAB 49.95, 37.68, 56.66

 

CMYK 88 / 0 / 94 / 25

HEX #17C00B

RGB 23 192 11

HSL 116.02, 0.89%, 0.4%

LAB 67.95, -68.16, 66.11

 

CMYK 94 / 41 / 0 / 25

HEX #0B72C0

RGB 11 114 192

HSL 205.86, 0.89%, 0.4%

LAB 46.86, 3.22, -48.07

 

Description

Color code: HEX #B40BC0 | qconv.com Color code: HEX #B40BC0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 11 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 11 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 94 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 94% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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