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Color name
HEX #A62699

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A62699 it is the complementary color #59D966. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A62699. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A62699 shade: #AB2694, #BC38A7, #CD4ABA, #DE5CCD and #EF6EE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A62699. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A62699 shade: #A62699, #951486, #840273, #730060 and #62004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A62699 shade: #A62599, #A62576, #A62553, #A62531 and #A62525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A62699 shade: #A62599, #9025A6, #6D25A6, #4B25A6 and #2825A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A62699 shade matches the following richer shades: #A62599, #B615A6 and #C704B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A62699 shade: #A62599, #95368C, #85467E, #745771 and #646764

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A62699 shade: #6E25A6, #9025A6, #A62599, #A62577 and #A62554

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A62699 shade: #63165B, #841E7A, #A62599, #C72DB8 and #D548C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A62699 shade: #A62699, #A64C25 and #25A67F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A62699 shade: #A62699, #99A625 and #2599A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A62699 shade: #A62699, #A64C25, #25A632 and #257FA6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A62699 shade: #A62699, #A67225, #25A632 and #2559A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 8 / 35

HEX #A62699

RGB 166 38 153

HSL 306.09, 0.63%, 0.4%

LAB 40.89, 62.58, -33.84

 

Complementary color

CMYK 59 / 0 / 53 / 15

HEX #59D966

RGB 89 217 102

HSL 126.09, 0.63%, 0.6%

LAB 77.7, -58.5, 45.83

 

CMYK 0 / 78 / 13 / 33

HEX #AB2694

RGB 171 38 148

HSL 310.38, 0.64%, 0.41%

LAB 41.5, 62.96, -29.78

 

CMYK 0 / 70 / 11 / 26

HEX #BC38A7

RGB 188 56 167

HSL 309.55, 0.54%, 0.48%

LAB 47.38, 63.92, -31.75

 

CMYK 0 / 64 / 9 / 20

HEX #CD4ABA

RGB 205 74 186

HSL 308.7, 0.57%, 0.55%

LAB 53.41, 64.22, -33.25

 

CMYK 0 / 59 / 8 / 13

HEX #DE5CCD

RGB 222 92 205

HSL 307.85, 0.66%, 0.62%

LAB 59.52, 64.1, -34.41

 

CMYK 0 / 54 / 6 / 6

HEX #EF6EE0

RGB 239 110 224

HSL 306.98, 0.8%, 0.68%

LAB 65.66, 63.74, -35.35

 

CMYK 0 / 77 / 8 / 35

HEX #A62699

RGB 166 38 153

HSL 306.09, 0.63%, 0.4%

LAB 40.89, 62.58, -33.84

 

CMYK 0 / 87 / 10 / 42

HEX #951486

RGB 149 20 134

HSL 306.98, 0.76%, 0.33%

LAB 35.22, 60.63, -31.35

 

CMYK 0 / 98 / 13 / 48

HEX #840273

RGB 132 2 115

HSL 307.85, 0.97%, 0.26%

LAB 29.88, 57.41, -28.06

 

CMYK 0 / 100 / 17 / 55

HEX #730060

RGB 115 0 96

HSL 309.91, 1%, 0.23%

LAB 25.23, 51.71, -23.32

 

CMYK 0 / 100 / 21 / 62

HEX #62004D

RGB 98 0 77

HSL 312.86, 1%, 0.19%

LAB 20.57, 45.55, -18.16

 

CMYK 0 / 78 / 8 / 35

HEX #A62599

RGB 166 37 153

HSL 306.05, 0.64%, 0.4%

LAB 40.78, 62.87, -34

 

CMYK 0 / 78 / 29 / 35

HEX #A62576

RGB 166 37 118

HSL 322.33, 0.64%, 0.4%

LAB 39.14, 58.03, -15.06

 

CMYK 0 / 78 / 50 / 35

HEX #A62553

RGB 166 37 83

HSL 338.6, 0.64%, 0.4%

LAB 37.94, 54.36, 5.31

 

CMYK 0 / 78 / 70 / 35

HEX #A62531

RGB 166 37 49

HSL 354.42, 0.64%, 0.4%

LAB 37.21, 52.04, 25.95

 

CMYK 0 / 78 / 78 / 35

HEX #A62525

RGB 166 37 37

HSL 0, 0.64%, 0.4%

LAB 37.05, 51.51, 33.03

 

CMYK 0 / 78 / 8 / 35

HEX #A62599

RGB 166 37 153

HSL 306.05, 0.64%, 0.4%

LAB 40.78, 62.87, -34

 

CMYK 13 / 78 / 0 / 35

HEX #9025A6

RGB 144 37 166

HSL 289.77, 0.64%, 0.4%

LAB 37.85, 60.47, -46.72

 

CMYK 34 / 78 / 0 / 35

HEX #6D25A6

RGB 109 37 166

HSL 273.49, 0.64%, 0.4%

LAB 32.54, 53.89, -55.57

 

CMYK 55 / 78 / 0 / 35

HEX #4B25A6

RGB 75 37 166

HSL 257.67, 0.64%, 0.4%

LAB 28.31, 48.53, -62.67

 

CMYK 76 / 78 / 0 / 35

HEX #2825A6

RGB 40 37 166

HSL 241.4, 0.64%, 0.4%

LAB 25.34, 44.68, -67.66

 

CMYK 0 / 78 / 8 / 35

HEX #A62599

RGB 166 37 153

HSL 306.05, 0.64%, 0.4%

LAB 40.78, 62.87, -34

 

CMYK 0 / 88 / 9 / 29

HEX #B615A6

RGB 182 21 166

HSL 305.96, 0.79%, 0.4%

LAB 43.11, 71.6, -37.94

 

CMYK 0 / 98 / 10 / 22

HEX #C704B3

RGB 199 4 179

HSL 306.15, 0.96%, 0.4%

LAB 46.29, 78.38, -40.43

 

CMYK 0 / 78 / 8 / 35

HEX #A62599

RGB 166 37 153

HSL 306.05, 0.64%, 0.4%

LAB 40.78, 62.87, -34

 

CMYK 0 / 64 / 6 / 42

HEX #95368C

RGB 149 54 140

HSL 305.68, 0.47%, 0.4%

LAB 39.45, 50.49, -28.4

 

CMYK 0 / 47 / 5 / 48

HEX #85467E

RGB 133 70 126

HSL 306.67, 0.31%, 0.4%

LAB 39.37, 35.28, -20.12

 

CMYK 0 / 25 / 3 / 55

HEX #745771

RGB 116 87 113

HSL 306.21, 0.14%, 0.4%

LAB 40.77, 16.76, -10.17

 

CMYK 3 / 0 / 3 / 60

HEX #646764

RGB 100 103 100

HSL 120, 0.01%, 0.4%

LAB 43.26, -1.78, 1.28

 

CMYK 34 / 78 / 0 / 35

HEX #6E25A6

RGB 110 37 166

HSL 273.95, 0.64%, 0.4%

LAB 32.68, 54.07, -55.34

 

CMYK 13 / 78 / 0 / 35

HEX #9025A6

RGB 144 37 166

HSL 289.77, 0.64%, 0.4%

LAB 37.85, 60.47, -46.72

 

CMYK 0 / 78 / 8 / 35

HEX #A62599

RGB 166 37 153

HSL 306.05, 0.64%, 0.4%

LAB 40.78, 62.87, -34

 

CMYK 0 / 78 / 28 / 35

HEX #A62577

RGB 166 37 119

HSL 321.86, 0.64%, 0.4%

LAB 39.18, 58.16, -15.62

 

CMYK 0 / 78 / 49 / 35

HEX #A62554

RGB 166 37 84

HSL 338.14, 0.64%, 0.4%

LAB 37.97, 54.44, 4.71

 

CMYK 0 / 78 / 8 / 61

HEX #63165B

RGB 99 22 91

HSL 306.23, 0.64%, 0.24%

LAB 23.61, 42, -22.78

 

CMYK 0 / 77 / 8 / 48

HEX #841E7A

RGB 132 30 122

HSL 305.88, 0.63%, 0.32%

LAB 32.35, 52.45, -28.6

 

CMYK 0 / 78 / 8 / 35

HEX #A62599

RGB 166 37 153

HSL 306.05, 0.64%, 0.4%

LAB 40.78, 62.87, -34

 

CMYK 0 / 77 / 8 / 22

HEX #C72DB8

RGB 199 45 184

HSL 305.84, 0.63%, 0.48%

LAB 48.86, 72.37, -39.3

 

CMYK 0 / 66 / 7 / 16

HEX #D548C7

RGB 213 72 199

HSL 305.96, 0.63%, 0.56%

LAB 54.97, 68.98, -38.2

 

CMYK 0 / 77 / 8 / 35

HEX #A62699

RGB 166 38 153

HSL 306.09, 0.63%, 0.4%

LAB 40.89, 62.58, -33.84

 

CMYK 0 / 54 / 78 / 35

HEX #A64C25

RGB 166 76 37

HSL 18.14, 0.64%, 0.4%

LAB 43.37, 34.6, 39.66

 

CMYK 78 / 0 / 23 / 35

HEX #25A67F

RGB 37 166 127

HSL 161.86, 0.64%, 0.4%

LAB 60.96, -43.36, 10.62

 

CMYK 0 / 77 / 8 / 35

HEX #A62699

RGB 166 38 153

HSL 306.09, 0.63%, 0.4%

LAB 40.89, 62.58, -33.84

 

CMYK 8 / 0 / 78 / 35

HEX #99A625

RGB 153 166 37

HSL 66.05, 0.64%, 0.4%

LAB 65.1, -20.47, 60.03

 

CMYK 78 / 8 / 0 / 35

HEX #2599A6

RGB 37 153 166

HSL 186.05, 0.64%, 0.4%

LAB 57.97, -26.29, -15.8

 

CMYK 0 / 77 / 8 / 35

HEX #A62699

RGB 166 38 153

HSL 306.09, 0.63%, 0.4%

LAB 40.89, 62.58, -33.84

 

CMYK 0 / 54 / 78 / 35

HEX #A64C25

RGB 166 76 37

HSL 18.14, 0.64%, 0.4%

LAB 43.37, 34.6, 39.66

 

CMYK 78 / 0 / 70 / 35

HEX #25A632

RGB 37 166 50

HSL 126.05, 0.64%, 0.4%

LAB 59.79, -56.65, 48.29

 

CMYK 78 / 23 / 0 / 35

HEX #257FA6

RGB 37 127 166

HSL 198.14, 0.64%, 0.4%

LAB 49.89, -12.39, -28.21

 

CMYK 0 / 77 / 8 / 35

HEX #A62699

RGB 166 38 153

HSL 306.09, 0.63%, 0.4%

LAB 40.89, 62.58, -33.84

 

CMYK 0 / 31 / 78 / 35

HEX #A67225

RGB 166 114 37

HSL 35.81, 0.64%, 0.4%

LAB 52.15, 13.62, 48.35

 

CMYK 78 / 0 / 70 / 35

HEX #25A632

RGB 37 166 50

HSL 126.05, 0.64%, 0.4%

LAB 59.79, -56.65, 48.29

 

CMYK 78 / 46 / 0 / 35

HEX #2559A6

RGB 37 89 166

HSL 215.81, 0.64%, 0.4%

LAB 38.36, 10.95, -46.43

 

Description

Color code: HEX #A62699 | qconv.com Color code: HEX #A62699 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 38 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 38 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 8 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 8% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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