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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A62C71 it is the complementary color #59D38E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A62C71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A62C71 shade: #AB2C6C, #BC3E7F, #CD5092, #DE62A5 and #EF74B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A62C71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A62C71 shade: #A62C71, #951A5E, #84084B, #730038 and #620025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A62C71 shade: #A52B70, #A52B4F, #A52B2F and #A52B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A62C71 shade: #A52B70, #A52B91, #982BA5, #772BA5 and #572BA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A62C71 shade matches the following richer shades: #A52B70, #B61A72 and #C70A74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A62C71 shade: #A52B70, #943C6E, #834D6C, #725E69 and #616F67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A62C71 shade: #992BA5, #A52B90, #A52B70, #A52B50 and #A52B2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A62C71 shade: #631A44, #84235A, #A52B70, #C53486 and #D1529A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A62C71 shade: #A62C71, #A5782B and #2BA1A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A62C71 shade: #A62C71, #70A52B and #2B70A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A62C71 shade: #A62C71, #A5782B, #2BA560 and #2B58A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A62C71 shade: #A62C71, #A59D2B, #2BA560 and #2B33A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 32 / 35

HEX #A62C71

RGB 166 44 113

HSL 326.07, 0.58%, 0.41%

LAB 39.75, 55.14, -11.01

 

Complementary color

CMYK 58 / 0 / 33 / 17

HEX #59D38E

RGB 89 211 142

HSL 146.07, 0.58%, 0.59%

LAB 76.48, -49.7, 24.2

 

CMYK 0 / 74 / 37 / 33

HEX #AB2C6C

RGB 171 44 108

HSL 329.76, 0.59%, 0.42%

LAB 40.48, 55.93, -6.69

 

CMYK 0 / 67 / 32 / 26

HEX #BC3E7F

RGB 188 62 127

HSL 329.05, 0.5%, 0.49%

LAB 46.54, 56.23, -9.03

 

CMYK 0 / 61 / 29 / 20

HEX #CD5092

RGB 205 80 146

HSL 328.32, 0.56%, 0.56%

LAB 52.72, 56.04, -10.87

 

CMYK 0 / 56 / 26 / 13

HEX #DE62A5

RGB 222 98 165

HSL 327.58, 0.65%, 0.63%

LAB 58.96, 55.57, -12.35

 

CMYK 0 / 51 / 23 / 6

HEX #EF74B8

RGB 239 116 184

HSL 326.83, 0.79%, 0.7%

LAB 65.2, 54.94, -13.58

 

CMYK 0 / 73 / 32 / 35

HEX #A62C71

RGB 166 44 113

HSL 326.07, 0.58%, 0.41%

LAB 39.75, 55.14, -11.01

 

CMYK 0 / 83 / 37 / 42

HEX #951A5E

RGB 149 26 94

HSL 326.83, 0.7%, 0.34%

LAB 33.85, 54.03, -8.16

 

CMYK 0 / 94 / 43 / 48

HEX #84084B

RGB 132 8 75

HSL 327.58, 0.89%, 0.27%

LAB 28.35, 51.57, -4.27

 

CMYK 0 / 100 / 51 / 55

HEX #730038

RGB 115 0 56

HSL 330.78, 1%, 0.23%

LAB 23.44, 47.13, 1.02

 

CMYK 0 / 100 / 62 / 62

HEX #620025

RGB 98 0 37

HSL 337.35, 1%, 0.19%

LAB 18.93, 41.31, 7.5

 

CMYK 0 / 74 / 32 / 35

HEX #A52B70

RGB 165 43 112

HSL 326.07, 0.59%, 0.41%

LAB 39.41, 55.09, -10.92

 

CMYK 0 / 74 / 52 / 35

HEX #A52B4F

RGB 165 43 79

HSL 342.3, 0.59%, 0.41%

LAB 38.36, 51.71, 8.43

 

CMYK 0 / 74 / 72 / 35

HEX #A52B2F

RGB 165 43 47

HSL 358.03, 0.59%, 0.41%

LAB 37.72, 49.57, 27.75

 

CMYK 0 / 74 / 74 / 35

HEX #A52B2B

RGB 165 43 43

HSL 0, 0.59%, 0.41%

LAB 37.67, 49.38, 30.1

 

CMYK 0 / 74 / 32 / 35

HEX #A52B70

RGB 165 43 112

HSL 326.07, 0.59%, 0.41%

LAB 39.41, 55.09, -10.92

 

CMYK 0 / 74 / 12 / 35

HEX #A52B91

RGB 165 43 145

HSL 309.84, 0.59%, 0.41%

LAB 40.85, 59.57, -29.06

 

CMYK 8 / 74 / 0 / 35

HEX #982BA5

RGB 152 43 165

HSL 293.61, 0.59%, 0.41%

LAB 39.78, 59.92, -42.96

 

CMYK 28 / 74 / 0 / 35

HEX #772BA5

RGB 119 43 165

HSL 277.38, 0.59%, 0.41%

LAB 34.73, 53.09, -51.34

 

CMYK 47 / 74 / 0 / 35

HEX #572BA5

RGB 87 43 165

HSL 261.64, 0.59%, 0.41%

LAB 30.57, 47.18, -58.3

 

CMYK 0 / 74 / 32 / 35

HEX #A52B70

RGB 165 43 112

HSL 326.07, 0.59%, 0.41%

LAB 39.41, 55.09, -10.92

 

CMYK 0 / 86 / 37 / 29

HEX #B61A72

RGB 182 26 114

HSL 326.15, 0.75%, 0.41%

LAB 41.05, 64.28, -9.37

 

CMYK 0 / 95 / 42 / 22

HEX #C70A74

RGB 199 10 116

HSL 326.35, 0.9%, 0.41%

LAB 43.68, 70.67, -6.33

 

CMYK 0 / 74 / 32 / 35

HEX #A52B70

RGB 165 43 112

HSL 326.07, 0.59%, 0.41%

LAB 39.41, 55.09, -10.92

 

CMYK 0 / 59 / 26 / 42

HEX #943C6E

RGB 148 60 110

HSL 325.91, 0.42%, 0.41%

LAB 38.99, 42.7, -10.58

 

CMYK 0 / 41 / 18 / 49

HEX #834D6C

RGB 131 77 108

HSL 325.56, 0.26%, 0.41%

LAB 39.94, 27.39, -8.15

 

CMYK 0 / 18 / 8 / 55

HEX #725E69

RGB 114 94 105

HSL 327, 0.1%, 0.41%

LAB 42.16, 10.14, -3.22

 

CMYK 13 / 0 / 7 / 56

HEX #616F67

RGB 97 111 103

HSL 145.71, 0.07%, 0.41%

LAB 45.48, -6.98, 2.67

 

CMYK 7 / 74 / 0 / 35

HEX #992BA5

RGB 153 43 165

HSL 294.1, 0.59%, 0.41%

LAB 39.94, 60.14, -42.69

 

CMYK 0 / 74 / 13 / 35

HEX #A52B90

RGB 165 43 144

HSL 310.33, 0.59%, 0.41%

LAB 40.8, 59.42, -28.52

 

CMYK 0 / 74 / 32 / 35

HEX #A52B70

RGB 165 43 112

HSL 326.07, 0.59%, 0.41%

LAB 39.41, 55.09, -10.92

 

CMYK 0 / 74 / 52 / 35

HEX #A52B50

RGB 165 43 80

HSL 341.8, 0.59%, 0.41%

LAB 38.39, 51.79, 7.83

 

CMYK 0 / 74 / 72 / 35

HEX #A52B2F

RGB 165 43 47

HSL 358.03, 0.59%, 0.41%

LAB 37.72, 49.57, 27.75

 

CMYK 0 / 74 / 31 / 61

HEX #631A44

RGB 99 26 68

HSL 325.48, 0.58%, 0.25%

LAB 23.03, 36.85, -8.21

 

CMYK 0 / 73 / 32 / 48

HEX #84235A

RGB 132 35 90

HSL 325.98, 0.58%, 0.33%

LAB 31.45, 46.03, -9.5

 

CMYK 0 / 74 / 32 / 35

HEX #A52B70

RGB 165 43 112

HSL 326.07, 0.59%, 0.41%

LAB 39.41, 55.09, -10.92

 

CMYK 0 / 74 / 32 / 23

HEX #C53486

RGB 197 52 134

HSL 326.07, 0.58%, 0.49%

LAB 47.04, 63.17, -12.37

 

CMYK 0 / 61 / 26 / 18

HEX #D1529A

RGB 209 82 154

HSL 325.98, 0.58%, 0.57%

LAB 53.95, 57.39, -13.68

 

CMYK 0 / 73 / 32 / 35

HEX #A62C71

RGB 166 44 113

HSL 326.07, 0.58%, 0.41%

LAB 39.75, 55.14, -11.01

 

CMYK 0 / 27 / 74 / 35

HEX #A5782B

RGB 165 120 43

HSL 37.87, 0.59%, 0.41%

LAB 53.61, 10.05, 47.17

 

CMYK 74 / 2 / 0 / 35

HEX #2BA1A5

RGB 43 161 165

HSL 181.97, 0.59%, 0.41%

LAB 60.53, -29.87, -11.36

 

CMYK 0 / 73 / 32 / 35

HEX #A62C71

RGB 166 44 113

HSL 326.07, 0.58%, 0.41%

LAB 39.75, 55.14, -11.01

 

CMYK 32 / 0 / 74 / 35

HEX #70A52B

RGB 112 165 43

HSL 86.07, 0.59%, 0.41%

LAB 62.11, -36.46, 54.19

 

CMYK 74 / 32 / 0 / 35

HEX #2B70A5

RGB 43 112 165

HSL 206.07, 0.59%, 0.41%

LAB 45.38, -3.19, -34.66

 

CMYK 0 / 73 / 32 / 35

HEX #A62C71

RGB 166 44 113

HSL 326.07, 0.58%, 0.41%

LAB 39.75, 55.14, -11.01

 

CMYK 0 / 27 / 74 / 35

HEX #A5782B

RGB 165 120 43

HSL 37.87, 0.59%, 0.41%

LAB 53.61, 10.05, 47.17

 

CMYK 74 / 0 / 42 / 35

HEX #2BA560

RGB 43 165 96

HSL 146.07, 0.59%, 0.41%

LAB 60.13, -48.87, 26.5

 

CMYK 74 / 47 / 0 / 35

HEX #2B58A5

RGB 43 88 165

HSL 217.87, 0.59%, 0.41%

LAB 38.22, 12, -46.06

 

CMYK 0 / 73 / 32 / 35

HEX #A62C71

RGB 166 44 113

HSL 326.07, 0.58%, 0.41%

LAB 39.75, 55.14, -11.01

 

CMYK 0 / 5 / 74 / 35

HEX #A59D2B

RGB 165 157 43

HSL 56.07, 0.59%, 0.41%

LAB 63.58, -10.28, 56.93

 

CMYK 74 / 0 / 42 / 35

HEX #2BA560

RGB 43 165 96

HSL 146.07, 0.59%, 0.41%

LAB 60.13, -48.87, 26.5

 

CMYK 74 / 69 / 0 / 35

HEX #2B33A5

RGB 43 51 165

HSL 236.07, 0.59%, 0.41%

LAB 28.37, 36.39, -62.05

 

Description

Color code: HEX #A62C71 | qconv.com Color code: HEX #A62C71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 44 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 44 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 32 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 32% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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