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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A659C7 it is the complementary color #59A638. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A659C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A659C7 shade: #AB59C2, #BC6BD5, #CD7DE8, #DE8FFB and #EFA1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A659C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A659C7 shade: #A659C7, #9547B4, #8435A1, #73238E and #62117B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A659C7 shade: #A556C6, #C356C6, #C656AC, #C6568D and #C6566F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A659C7 shade: #A556C6, #8656C6, #6856C6 and #5656C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A659C7 shade matches the following richer shades: #A556C6, #AC44D9, #B332EB and #BB20FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A659C7 shade: #A556C6, #9D68B4, #967BA2, #8F8D90 and #889F7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A659C7 shade: #6956C6, #8756C6, #A556C6, #C356C6 and #C656AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A659C7 shade: #793298, #923DB7, #A556C6, #B575D1 and #C694DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A659C7 shade: #A659C7, #C65661 and #56C678

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A659C7 shade: #A659C7, #C6A556 and #56C6A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A659C7 shade: #A659C7, #C65661, #78C656 and #56C6BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A659C7 shade: #A659C7, #C66D56, #78C656 and #56B0C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 55 / 0 / 22

HEX #A659C7

RGB 166 89 199

HSL 282, 0.5%, 0.56%

LAB 51.12, 49.61, -44.71

 

Complementary color

CMYK 46 / 0 / 66 / 35

HEX #59A638

RGB 89 166 56

HSL 102, 0.5%, 0.44%

LAB 61.38, -43.92, 47.94

 

CMYK 12 / 54 / 0 / 24

HEX #AB59C2

RGB 171 89 194

HSL 286.86, 0.46%, 0.55%

LAB 51.49, 49.91, -41.21

 

CMYK 12 / 50 / 0 / 16

HEX #BC6BD5

RGB 188 107 213

HSL 285.85, 0.56%, 0.63%

LAB 58.05, 49.2, -41.57

 

CMYK 12 / 46 / 0 / 9

HEX #CD7DE8

RGB 205 125 232

HSL 284.86, 0.7%, 0.7%

LAB 64.54, 48.44, -41.85

 

CMYK 12 / 43 / 0 / 2

HEX #DE8FFB

RGB 222 143 251

HSL 283.89, 0.93%, 0.77%

LAB 70.97, 47.67, -42.09

 

CMYK 6 / 37 / 0 / 0

HEX #EFA1FF

RGB 239 161 255

HSL 289.79, 1%, 0.82%

LAB 76.72, 44, -35.17

 

CMYK 17 / 55 / 0 / 22

HEX #A659C7

RGB 166 89 199

HSL 282, 0.5%, 0.56%

LAB 51.12, 49.61, -44.71

 

CMYK 17 / 61 / 0 / 29

HEX #9547B4

RGB 149 71 180

HSL 282.94, 0.43%, 0.49%

LAB 44.51, 50.26, -44.34

 

CMYK 18 / 67 / 0 / 37

HEX #8435A1

RGB 132 53 161

HSL 283.89, 0.5%, 0.42%

LAB 37.89, 50.66, -43.76

 

CMYK 19 / 75 / 0 / 44

HEX #73238E

RGB 115 35 142

HSL 284.86, 0.6%, 0.35%

LAB 31.35, 50.55, -42.83

 

CMYK 20 / 86 / 0 / 52

HEX #62117B

RGB 98 17 123

HSL 285.85, 0.76%, 0.27%

LAB 25.04, 49.42, -41.26

 

CMYK 17 / 57 / 0 / 22

HEX #A556C6

RGB 165 86 198

HSL 282.32, 0.5%, 0.56%

LAB 50.37, 50.67, -45.34

 

CMYK 2 / 57 / 0 / 22

HEX #C356C6

RGB 195 86 198

HSL 298.39, 0.5%, 0.56%

LAB 54.38, 58.49, -38.74

 

CMYK 0 / 57 / 13 / 22

HEX #C656AC

RGB 198 86 172

HSL 313.93, 0.5%, 0.56%

LAB 53.64, 54.97, -24.83

 

CMYK 0 / 57 / 29 / 22

HEX #C6568D

RGB 198 86 141

HSL 330.54, 0.5%, 0.56%

LAB 52.49, 50.51, -8.36

 

CMYK 0 / 57 / 44 / 22

HEX #C6566F

RGB 198 86 111

HSL 346.61, 0.5%, 0.56%

LAB 51.62, 47.01, 8.25

 

CMYK 17 / 57 / 0 / 22

HEX #A556C6

RGB 165 86 198

HSL 282.32, 0.5%, 0.56%

LAB 50.37, 50.67, -45.34

 

CMYK 32 / 57 / 0 / 22

HEX #8656C6

RGB 134 86 198

HSL 265.71, 0.5%, 0.56%

LAB 46.71, 42.85, -51.39

 

CMYK 47 / 57 / 0 / 22

HEX #6856C6

RGB 104 86 198

HSL 249.64, 0.5%, 0.56%

LAB 43.76, 35.92, -56.29

 

CMYK 57 / 57 / 0 / 22

HEX #5656C6

RGB 86 86 198

HSL 240, 0.5%, 0.56%

LAB 42.32, 32.28, -58.69

 

CMYK 17 / 57 / 0 / 22

HEX #A556C6

RGB 165 86 198

HSL 282.32, 0.5%, 0.56%

LAB 50.37, 50.67, -45.34

 

CMYK 21 / 69 / 0 / 15

HEX #AC44D9

RGB 172 68 217

HSL 281.88, 0.66%, 0.56%

LAB 49.39, 64.53, -57.74

 

CMYK 24 / 79 / 0 / 8

HEX #B332EB

RGB 179 50 235

HSL 281.84, 0.82%, 0.56%

LAB 49.33, 75.85, -67.99

 

CMYK 26 / 87 / 0 / 1

HEX #BB20FD

RGB 187 32 253

HSL 282.08, 0.98%, 0.56%

LAB 50.32, 84.85, -76.42

 

CMYK 17 / 57 / 0 / 22

HEX #A556C6

RGB 165 86 198

HSL 282.32, 0.5%, 0.56%

LAB 50.37, 50.67, -45.34

 

CMYK 13 / 42 / 0 / 29

HEX #9D68B4

RGB 157 104 180

HSL 281.84, 0.34%, 0.56%

LAB 52.25, 34.9, -32.06

 

CMYK 7 / 24 / 0 / 36

HEX #967BA2

RGB 150 123 162

HSL 281.54, 0.17%, 0.56%

LAB 55.34, 17.84, -16.94

 

CMYK 1 / 2 / 0 / 44

HEX #8F8D90

RGB 143 141 144

HSL 280, 0.01%, 0.56%

LAB 58.88, 1.32, -1.34

 

CMYK 14 / 0 / 21 / 38

HEX #889F7E

RGB 136 159 126

HSL 101.82, 0.15%, 0.56%

LAB 62.96, -14.45, 14.59

 

CMYK 47 / 57 / 0 / 22

HEX #6956C6

RGB 105 86 198

HSL 250.18, 0.5%, 0.56%

LAB 43.85, 36.14, -56.14

 

CMYK 32 / 57 / 0 / 22

HEX #8756C6

RGB 135 86 198

HSL 266.25, 0.5%, 0.56%

LAB 46.82, 43.09, -51.21

 

CMYK 17 / 57 / 0 / 22

HEX #A556C6

RGB 165 86 198

HSL 282.32, 0.5%, 0.56%

LAB 50.37, 50.67, -45.34

 

CMYK 2 / 57 / 0 / 22

HEX #C356C6

RGB 195 86 198

HSL 298.39, 0.5%, 0.56%

LAB 54.38, 58.49, -38.74

 

CMYK 0 / 57 / 13 / 22

HEX #C656AC

RGB 198 86 172

HSL 313.93, 0.5%, 0.56%

LAB 53.64, 54.97, -24.83

 

CMYK 20 / 67 / 0 / 40

HEX #793298

RGB 121 50 152

HSL 281.76, 0.5%, 0.4%

LAB 35.23, 47.53, -42.67

 

CMYK 20 / 67 / 0 / 28

HEX #923DB7

RGB 146 61 183

HSL 281.8, 0.5%, 0.48%

LAB 42.56, 54.89, -49.23

 

CMYK 17 / 57 / 0 / 22

HEX #A556C6

RGB 165 86 198

HSL 282.32, 0.5%, 0.56%

LAB 50.37, 50.67, -45.34

 

CMYK 13 / 44 / 0 / 18

HEX #B575D1

RGB 181 117 209

HSL 281.74, 0.5%, 0.64%

LAB 59.11, 41.08, -37.69

 

CMYK 10 / 32 / 0 / 14

HEX #C694DB

RGB 198 148 219

HSL 282.25, 0.5%, 0.72%

LAB 68.24, 31.34, -28.96

 

CMYK 17 / 55 / 0 / 22

HEX #A659C7

RGB 166 89 199

HSL 282, 0.5%, 0.56%

LAB 51.12, 49.61, -44.71

 

CMYK 0 / 57 / 51 / 22

HEX #C65661

RGB 198 86 97

HSL 354.11, 0.5%, 0.56%

LAB 51.3, 45.67, 16.15

 

CMYK 57 / 0 / 39 / 22

HEX #56C678

RGB 86 198 120

HSL 138.21, 0.5%, 0.56%

LAB 72.04, -49.11, 29.72

 

CMYK 17 / 55 / 0 / 22

HEX #A659C7

RGB 166 89 199

HSL 282, 0.5%, 0.56%

LAB 51.12, 49.61, -44.71

 

CMYK 0 / 17 / 57 / 22

HEX #C6A556

RGB 198 165 86

HSL 42.32, 0.5%, 0.56%

LAB 69.18, 2.57, 44.91

 

CMYK 57 / 0 / 17 / 22

HEX #56C6A5

RGB 86 198 165

HSL 162.32, 0.5%, 0.56%

LAB 72.95, -39.87, 6.99

 

CMYK 17 / 55 / 0 / 22

HEX #A659C7

RGB 166 89 199

HSL 282, 0.5%, 0.56%

LAB 51.12, 49.61, -44.71

 

CMYK 0 / 57 / 51 / 22

HEX #C65661

RGB 198 86 97

HSL 354.11, 0.5%, 0.56%

LAB 51.3, 45.67, 16.15

 

CMYK 39 / 0 / 57 / 22

HEX #78C656

RGB 120 198 86

HSL 101.79, 0.5%, 0.56%

LAB 72.93, -44.32, 47.92

 

CMYK 57 / 0 / 6 / 22

HEX #56C6BB

RGB 86 198 187

HSL 174.11, 0.5%, 0.56%

LAB 73.52, -34.42, -4.11

 

CMYK 17 / 55 / 0 / 22

HEX #A659C7

RGB 166 89 199

HSL 282, 0.5%, 0.56%

LAB 51.12, 49.61, -44.71

 

CMYK 0 / 45 / 57 / 22

HEX #C66D56

RGB 198 109 86

HSL 12.32, 0.5%, 0.56%

LAB 55.7, 33.03, 28.38

 

CMYK 39 / 0 / 57 / 22

HEX #78C656

RGB 120 198 86

HSL 101.79, 0.5%, 0.56%

LAB 72.93, -44.32, 47.92

 

CMYK 57 / 11 / 0 / 22

HEX #56B0C6

RGB 86 176 198

HSL 191.79, 0.5%, 0.56%

LAB 67.36, -20.55, -19.36

 

Description

Color code: HEX #A659C7 | qconv.com Color code: HEX #A659C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 89 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 89 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 55 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 55% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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