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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A67749 it is the complementary color #5988B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A67749. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A67749 shade: #AB7744, #BC8957, #CD9B6A, #DEAD7D and #EFBF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A67749. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A67749 shade: #A67749, #956536, #845323, #734110 and #622F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A67749 shade: #A67749, #A65E49 and #A64949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A67749 shade: #A67749, #A69049, #A3A649, #8AA649 and #70A649

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A67749 shade matches the following richer shades: #A67749, #B97735, #CD7622 and #E0760E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A67749 shade: #A67749, #93775C, #7F776F, #6C7783 and #597896

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A67749 shade: #A6494D, #A65D49, #A67649, #A68F49 and #A5A649

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A67749 shade: #6D4E2F, #89623C, #A67749, #B98C5F and #C5A07C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A67749 shade: #A67749, #66A649 and #5049A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A67749 shade: #A67749, #49A676 and #7649A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A67749 shade: #A67749, #66A649, #4979A6 and #8849A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A67749 shade: #A67749, #4AA649, #4979A6 and #A549A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 56 / 35

HEX #A67749

RGB 166 119 73

HSL 29.68, 0.39%, 0.47%

LAB 53.79, 13.09, 32.36

 

Complementary color

CMYK 51 / 25 / 0 / 29

HEX #5988B6

RGB 89 136 182

HSL 209.68, 0.39%, 0.53%

LAB 55.19, -2.81, -29.05

 

CMYK 0 / 30 / 60 / 33

HEX #AB7744

RGB 171 119 68

HSL 29.71, 0.43%, 0.47%

LAB 54.31, 14.86, 35.82

 

CMYK 0 / 27 / 54 / 26

HEX #BC8957

RGB 188 137 87

HSL 29.7, 0.43%, 0.54%

LAB 61.02, 13.68, 34.28

 

CMYK 0 / 24 / 48 / 20

HEX #CD9B6A

RGB 205 155 106

HSL 29.7, 0.5%, 0.61%

LAB 67.62, 12.68, 32.84

 

CMYK 0 / 22 / 44 / 13

HEX #DEAD7D

RGB 222 173 125

HSL 29.69, 0.6%, 0.68%

LAB 74.12, 11.82, 31.49

 

CMYK 0 / 20 / 40 / 6

HEX #EFBF90

RGB 239 191 144

HSL 29.68, 0.75%, 0.75%

LAB 80.53, 11.07, 30.23

 

CMYK 0 / 28 / 56 / 35

HEX #A67749

RGB 166 119 73

HSL 29.68, 0.39%, 0.47%

LAB 53.79, 13.09, 32.36

 

CMYK 0 / 32 / 64 / 42

HEX #956536

RGB 149 101 54

HSL 29.68, 0.47%, 0.4%

LAB 46.93, 14.37, 33.95

 

CMYK 0 / 37 / 73 / 48

HEX #845323

RGB 132 83 35

HSL 29.69, 0.58%, 0.33%

LAB 39.94, 15.92, 35.55

 

CMYK 0 / 43 / 86 / 55

HEX #734110

RGB 115 65 16

HSL 29.7, 0.76%, 0.26%

LAB 32.84, 17.84, 36.76

 

CMYK 0 / 52 / 100 / 62

HEX #622F00

RGB 98 47 0

HSL 28.78, 1%, 0.19%

LAB 25.65, 20.14, 36.01

 

CMYK 0 / 28 / 56 / 35

HEX #A67749

RGB 166 119 73

HSL 29.68, 0.39%, 0.47%

LAB 53.79, 13.09, 32.36

 

CMYK 0 / 43 / 56 / 35

HEX #A65E49

RGB 166 94 73

HSL 13.55, 0.39%, 0.47%

LAB 47.74, 27.18, 24.75

 

CMYK 0 / 56 / 56 / 35

HEX #A64949

RGB 166 73 73

HSL 0, 0.39%, 0.47%

LAB 43.29, 38.38, 18.94

 

CMYK 0 / 28 / 56 / 35

HEX #A67749

RGB 166 119 73

HSL 29.68, 0.39%, 0.47%

LAB 53.79, 13.09, 32.36

 

CMYK 0 / 13 / 56 / 35

HEX #A69049

RGB 166 144 73

HSL 45.81, 0.39%, 0.47%

LAB 60.37, -0.89, 40.27

 

CMYK 2 / 0 / 56 / 35

HEX #A3A649

RGB 163 166 73

HSL 61.94, 0.39%, 0.47%

LAB 66.17, -13.95, 46.9

 

CMYK 17 / 0 / 56 / 35

HEX #8AA649

RGB 138 166 73

HSL 78.06, 0.39%, 0.47%

LAB 64.29, -24.35, 44.25

 

CMYK 33 / 0 / 56 / 35

HEX #70A649

RGB 112 166 73

HSL 94.84, 0.39%, 0.47%

LAB 62.67, -34.36, 41.96

 

CMYK 0 / 28 / 56 / 35

HEX #A67749

RGB 166 119 73

HSL 29.68, 0.39%, 0.47%

LAB 53.79, 13.09, 32.36

 

CMYK 0 / 36 / 71 / 27

HEX #B97735

RGB 185 119 53

HSL 30, 0.55%, 0.47%

LAB 55.85, 19.98, 45.64

 

CMYK 0 / 42 / 83 / 20

HEX #CD7622

RGB 205 118 34

HSL 29.47, 0.72%, 0.47%

LAB 58.09, 28.3, 56.8

 

CMYK 0 / 47 / 94 / 12

HEX #E0760E

RGB 224 118 14

HSL 29.71, 0.88%, 0.47%

LAB 60.64, 35.73, 65.56

 

CMYK 0 / 28 / 56 / 35

HEX #A67749

RGB 166 119 73

HSL 29.68, 0.39%, 0.47%

LAB 53.79, 13.09, 32.36

 

CMYK 0 / 19 / 37 / 42

HEX #93775C

RGB 147 119 92

HSL 29.45, 0.23%, 0.47%

LAB 52.03, 6.93, 18.97

 

CMYK 0 / 6 / 13 / 50

HEX #7F776F

RGB 127 119 111

HSL 30, 0.07%, 0.47%

LAB 50.52, 1.59, 5.49

 

CMYK 18 / 9 / 0 / 49

HEX #6C7783

RGB 108 119 131

HSL 211.3, 0.1%, 0.47%

LAB 49.52, -1.38, -7.95

 

CMYK 41 / 20 / 0 / 41

HEX #597896

RGB 89 120 150

HSL 209.51, 0.26%, 0.47%

LAB 49.2, -3.02, -19.75

 

CMYK 0 / 56 / 54 / 35

HEX #A6494D

RGB 166 73 77

HSL 357.42, 0.39%, 0.47%

LAB 43.37, 38.72, 16.61

 

CMYK 0 / 44 / 56 / 35

HEX #A65D49

RGB 166 93 73

HSL 12.9, 0.39%, 0.47%

LAB 47.52, 27.74, 24.46

 

CMYK 0 / 29 / 56 / 35

HEX #A67649

RGB 166 118 73

HSL 29.03, 0.39%, 0.47%

LAB 53.54, 13.66, 32.05

 

CMYK 0 / 14 / 56 / 35

HEX #A68F49

RGB 166 143 73

HSL 45.16, 0.39%, 0.47%

LAB 60.1, -0.34, 39.95

 

CMYK 1 / 0 / 56 / 35

HEX #A5A649

RGB 165 166 73

HSL 60.65, 0.39%, 0.47%

LAB 66.33, -13.1, 47.13

 

CMYK 0 / 28 / 57 / 57

HEX #6D4E2F

RGB 109 78 47

HSL 30, 0.4%, 0.31%

LAB 35.8, 9.12, 23.36

 

CMYK 0 / 28 / 56 / 46

HEX #89623C

RGB 137 98 60

HSL 29.61, 0.39%, 0.39%

LAB 44.77, 11.22, 27.7

 

CMYK 0 / 28 / 56 / 35

HEX #A67749

RGB 166 119 73

HSL 29.68, 0.39%, 0.47%

LAB 53.79, 13.09, 32.36

 

CMYK 0 / 24 / 49 / 27

HEX #B98C5F

RGB 185 140 95

HSL 30, 0.39%, 0.55%

LAB 61.56, 11.5, 30.58

 

CMYK 0 / 19 / 37 / 23

HEX #C5A07C

RGB 197 160 124

HSL 29.59, 0.39%, 0.63%

LAB 68.36, 8.65, 23.93

 

CMYK 0 / 28 / 56 / 35

HEX #A67749

RGB 166 119 73

HSL 29.68, 0.39%, 0.47%

LAB 53.79, 13.09, 32.36

 

CMYK 39 / 0 / 56 / 35

HEX #66A649

RGB 102 166 73

HSL 101.29, 0.39%, 0.47%

LAB 62.15, -37.89, 41.21

 

CMYK 52 / 56 / 0 / 35

HEX #5049A6

RGB 80 73 166

HSL 244.52, 0.39%, 0.47%

LAB 36.41, 28.86, -49.44

 

CMYK 0 / 28 / 56 / 35

HEX #A67749

RGB 166 119 73

HSL 29.68, 0.39%, 0.47%

LAB 53.79, 13.09, 32.36

 

CMYK 56 / 0 / 29 / 35

HEX #49A676

RGB 73 166 118

HSL 149.03, 0.39%, 0.47%

LAB 61.65, -39.04, 16.71

 

CMYK 29 / 56 / 0 / 35

HEX #7649A6

RGB 118 73 166

HSL 269.03, 0.39%, 0.47%

LAB 40.2, 38.02, -43.16

 

CMYK 0 / 28 / 56 / 35

HEX #A67749

RGB 166 119 73

HSL 29.68, 0.39%, 0.47%

LAB 53.79, 13.09, 32.36

 

CMYK 39 / 0 / 56 / 35

HEX #66A649

RGB 102 166 73

HSL 101.29, 0.39%, 0.47%

LAB 62.15, -37.89, 41.21

 

CMYK 56 / 27 / 0 / 35

HEX #4979A6

RGB 73 121 166

HSL 209.03, 0.39%, 0.47%

LAB 49.31, -2.75, -29.02

 

CMYK 18 / 56 / 0 / 35

HEX #8849A6

RGB 136 73 166

HSL 280.65, 0.39%, 0.47%

LAB 42.39, 42.81, -39.54

 

CMYK 0 / 28 / 56 / 35

HEX #A67749

RGB 166 119 73

HSL 29.68, 0.39%, 0.47%

LAB 53.79, 13.09, 32.36

 

CMYK 55 / 0 / 56 / 35

HEX #4AA649

RGB 74 166 73

HSL 119.35, 0.39%, 0.47%

LAB 60.97, -46.42, 39.52

 

CMYK 56 / 27 / 0 / 35

HEX #4979A6

RGB 73 121 166

HSL 209.03, 0.39%, 0.47%

LAB 49.31, -2.75, -29.02

 

CMYK 1 / 56 / 0 / 35

HEX #A549A6

RGB 165 73 166

HSL 299.35, 0.39%, 0.47%

LAB 46.34, 50.74, -33.05

 

Description

Color code: HEX #A67749 | qconv.com Color code: HEX #A67749 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 119 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 119 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 56 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 56% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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