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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A6C05D it is the complementary color #593FA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A6C05D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A6C05D shade: #ABC058, #BCD26B, #CDE47E, #DEF691 and #EFFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A6C05D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A6C05D shade: #A6C05D, #95AE4A, #849C37, #738A24 and #627811

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A6C05D shade: #A6C05D, #C0BF5D, #C0A45D, #C08A5D and #C06F5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A6C05D shade: #A6C05D, #8BC05D, #70C05D, #5DC064 and #5DC07F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A6C05D shade matches the following richer shades: #A6C05D, #AED24B, #B7E439 and #C0F626

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A6C05D shade: #A6C05D, #9DAE6F, #949B81, #8C8993 and #8377A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A6C05D shade: #C0A45D, #C0BE5D, #A7C05D, #8DC05D and #72C05D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A6C05D shade: #7A9238, #93AF44, #A6C05D, #B6CB7B and #C6D798

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A6C05D shade: #A6C05D, #5DC089 and #B15DC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A6C05D shade: #A6C05D, #5DA7C0 and #C05DA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A6C05D shade: #A6C05D, #5DC089, #765DC0 and #C05D93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A6C05D shade: #A6C05D, #5DC0A7, #765DC0 and #C05D76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 52 / 25

HEX #A6C05D

RGB 166 192 93

HSL 75.76, 0.44%, 0.56%

LAB 73.93, -24.03, 46.47

 

Complementary color

CMYK 45 / 61 / 0 / 36

HEX #593FA2

RGB 89 63 162

HSL 255.76, 0.44%, 0.44%

LAB 34.57, 35.72, -49.97

 

CMYK 11 / 0 / 54 / 25

HEX #ABC058

RGB 171 192 88

HSL 72.12, 0.45%, 0.55%

LAB 74.23, -22.51, 49.27

 

CMYK 10 / 0 / 49 / 18

HEX #BCD26B

RGB 188 210 107

HSL 72.82, 0.53%, 0.62%

LAB 80.65, -22.8, 48.18

 

CMYK 10 / 0 / 45 / 11

HEX #CDE47E

RGB 205 228 126

HSL 73.53, 0.65%, 0.69%

LAB 86.98, -23.02, 47.04

 

CMYK 10 / 0 / 41 / 4

HEX #DEF691

RGB 222 246 145

HSL 74.26, 0.85%, 0.77%

LAB 93.23, -23.19, 45.91

 

CMYK 6 / 0 / 36 / 0

HEX #EFFFA4

RGB 239 255 164

HSL 70.55, 1%, 0.82%

LAB 97.05, -19.03, 41.77

 

CMYK 14 / 0 / 52 / 25

HEX #A6C05D

RGB 166 192 93

HSL 75.76, 0.44%, 0.56%

LAB 73.93, -24.03, 46.47

 

CMYK 14 / 0 / 57 / 32

HEX #95AE4A

RGB 149 174 74

HSL 75, 0.4%, 0.49%

LAB 67.39, -23.76, 47.54

 

CMYK 15 / 0 / 65 / 39

HEX #849C37

RGB 132 156 55

HSL 74.26, 0.48%, 0.41%

LAB 60.74, -23.37, 48.41

 

CMYK 17 / 0 / 74 / 46

HEX #738A24

RGB 115 138 36

HSL 73.53, 0.59%, 0.34%

LAB 53.97, -22.81, 48.85

 

CMYK 18 / 0 / 86 / 53

HEX #627811

RGB 98 120 17

HSL 72.82, 0.75%, 0.27%

LAB 47.07, -22.02, 48.28

 

CMYK 14 / 0 / 52 / 25

HEX #A6C05D

RGB 166 192 93

HSL 75.76, 0.44%, 0.56%

LAB 73.93, -24.03, 46.47

 

CMYK 0 / 1 / 52 / 25

HEX #C0BF5D

RGB 192 191 93

HSL 59.39, 0.44%, 0.56%

LAB 75.61, -13, 48.94

 

CMYK 0 / 15 / 52 / 25

HEX #C0A45D

RGB 192 164 93

HSL 43.03, 0.44%, 0.56%

LAB 68.42, 1.16, 40.35

 

CMYK 0 / 28 / 52 / 25

HEX #C08A5D

RGB 192 138 93

HSL 27.27, 0.44%, 0.56%

LAB 61.8, 15.36, 32.13

 

CMYK 0 / 42 / 52 / 25

HEX #C06F5D

RGB 192 111 93

HSL 10.91, 0.44%, 0.56%

LAB 55.45, 30.18, 23.91

 

CMYK 14 / 0 / 52 / 25

HEX #A6C05D

RGB 166 192 93

HSL 75.76, 0.44%, 0.56%

LAB 73.93, -24.03, 46.47

 

CMYK 28 / 0 / 52 / 25

HEX #8BC05D

RGB 139 192 93

HSL 92.12, 0.44%, 0.56%

LAB 72.21, -34.32, 44.01

 

CMYK 42 / 0 / 52 / 25

HEX #70C05D

RGB 112 192 93

HSL 108.48, 0.44%, 0.56%

LAB 70.83, -43.52, 42

 

CMYK 52 / 0 / 48 / 25

HEX #5DC064

RGB 93 192 100

HSL 124.24, 0.44%, 0.56%

LAB 70.14, -48.12, 37.53

 

CMYK 52 / 0 / 34 / 25

HEX #5DC07F

RGB 93 192 127

HSL 140.61, 0.44%, 0.56%

LAB 70.57, -43.66, 24.12

 

CMYK 14 / 0 / 52 / 25

HEX #A6C05D

RGB 166 192 93

HSL 75.76, 0.44%, 0.56%

LAB 73.93, -24.03, 46.47

 

CMYK 17 / 0 / 64 / 18

HEX #AED24B

RGB 174 210 75

HSL 76, 0.6%, 0.56%

LAB 79.39, -31, 60.74

 

CMYK 20 / 0 / 75 / 11

HEX #B7E439

RGB 183 228 57

HSL 75.79, 0.76%, 0.56%

LAB 84.92, -36.8, 72.93

 

CMYK 22 / 0 / 85 / 4

HEX #C0F626

RGB 192 246 38

HSL 75.58, 0.92%, 0.56%

LAB 90.44, -42.03, 82.95

 

CMYK 14 / 0 / 52 / 25

HEX #A6C05D

RGB 166 192 93

HSL 75.76, 0.44%, 0.56%

LAB 73.93, -24.03, 46.47

 

CMYK 10 / 0 / 36 / 32

HEX #9DAE6F

RGB 157 174 111

HSL 76.19, 0.28%, 0.56%

LAB 68.45, -16.51, 30.41

 

CMYK 5 / 0 / 17 / 39

HEX #949B81

RGB 148 155 129

HSL 76.15, 0.12%, 0.56%

LAB 62.78, -7.29, 12.8

 

CMYK 5 / 7 / 0 / 42

HEX #8C8993

RGB 140 137 147

HSL 258, 0.04%, 0.56%

LAB 57.63, 3.11, -4.94

 

CMYK 21 / 28 / 0 / 35

HEX #8377A6

RGB 131 119 166

HSL 255.32, 0.21%, 0.56%

LAB 52.7, 14.74, -23.45

 

CMYK 0 / 15 / 52 / 25

HEX #C0A45D

RGB 192 164 93

HSL 43.03, 0.44%, 0.56%

LAB 68.42, 1.16, 40.35

 

CMYK 0 / 1 / 52 / 25

HEX #C0BE5D

RGB 192 190 93

HSL 58.79, 0.44%, 0.56%

LAB 75.34, -12.49, 48.62

 

CMYK 13 / 0 / 52 / 25

HEX #A7C05D

RGB 167 192 93

HSL 75.15, 0.44%, 0.56%

LAB 74, -23.64, 46.57

 

CMYK 27 / 0 / 52 / 25

HEX #8DC05D

RGB 141 192 93

HSL 90.91, 0.44%, 0.56%

LAB 72.33, -33.59, 44.17

 

CMYK 41 / 0 / 52 / 25

HEX #72C05D

RGB 114 192 93

HSL 107.27, 0.44%, 0.56%

LAB 70.92, -42.88, 42.14

 

CMYK 16 / 0 / 62 / 43

HEX #7A9238

RGB 122 146 56

HSL 76, 0.45%, 0.4%

LAB 57.06, -22.45, 43.75

 

CMYK 16 / 0 / 61 / 31

HEX #93AF44

RGB 147 175 68

HSL 75.7, 0.44%, 0.48%

LAB 67.49, -25.56, 50.32

 

CMYK 14 / 0 / 52 / 25

HEX #A6C05D

RGB 166 192 93

HSL 75.76, 0.44%, 0.56%

LAB 73.93, -24.03, 46.47

 

CMYK 10 / 0 / 39 / 20

HEX #B6CB7B

RGB 182 203 123

HSL 75.75, 0.43%, 0.64%

LAB 78.51, -19.94, 37.54

 

CMYK 8 / 0 / 29 / 16

HEX #C6D798

RGB 198 215 152

HSL 76.19, 0.44%, 0.72%

LAB 83.38, -16.14, 29.26

 

CMYK 14 / 0 / 52 / 25

HEX #A6C05D

RGB 166 192 93

HSL 75.76, 0.44%, 0.56%

LAB 73.93, -24.03, 46.47

 

CMYK 52 / 0 / 29 / 25

HEX #5DC089

RGB 93 192 137

HSL 146.67, 0.44%, 0.56%

LAB 70.76, -41.73, 19.04

 

CMYK 8 / 52 / 0 / 25

HEX #B15DC0

RGB 177 93 192

HSL 290.91, 0.44%, 0.56%

LAB 52.93, 49.13, -37.74

 

CMYK 14 / 0 / 52 / 25

HEX #A6C05D

RGB 166 192 93

HSL 75.76, 0.44%, 0.56%

LAB 73.93, -24.03, 46.47

 

CMYK 52 / 13 / 0 / 25

HEX #5DA7C0

RGB 93 167 192

HSL 195.15, 0.44%, 0.56%

LAB 64.78, -16.1, -19.93

 

CMYK 0 / 52 / 13 / 25

HEX #C05DA7

RGB 192 93 167

HSL 315.15, 0.44%, 0.56%

LAB 53.84, 49.06, -21.68

 

CMYK 14 / 0 / 52 / 25

HEX #A6C05D

RGB 166 192 93

HSL 75.76, 0.44%, 0.56%

LAB 73.93, -24.03, 46.47

 

CMYK 52 / 0 / 29 / 25

HEX #5DC089

RGB 93 192 137

HSL 146.67, 0.44%, 0.56%

LAB 70.76, -41.73, 19.04

 

CMYK 39 / 52 / 0 / 25

HEX #765DC0

RGB 118 93 192

HSL 255.15, 0.44%, 0.56%

LAB 46.29, 33.29, -48.69

 

CMYK 0 / 52 / 23 / 25

HEX #C05D93

RGB 192 93 147

HSL 327.27, 0.44%, 0.56%

LAB 53.1, 46.01, -11.08

 

CMYK 14 / 0 / 52 / 25

HEX #A6C05D

RGB 166 192 93

HSL 75.76, 0.44%, 0.56%

LAB 73.93, -24.03, 46.47

 

CMYK 52 / 0 / 13 / 25

HEX #5DC0A7

RGB 93 192 167

HSL 164.85, 0.44%, 0.56%

LAB 71.43, -35.14, 3.75

 

CMYK 39 / 52 / 0 / 25

HEX #765DC0

RGB 118 93 192

HSL 255.15, 0.44%, 0.56%

LAB 46.29, 33.29, -48.69

 

CMYK 0 / 52 / 39 / 25

HEX #C05D76

RGB 192 93 118

HSL 344.85, 0.44%, 0.56%

LAB 52.22, 42.24, 4.81

 

Description

Color code: HEX #A6C05D | qconv.com Color code: HEX #A6C05D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 192 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 192 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 52 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 52% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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