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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 215 152 it is the complementary color RGB 57 40 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 215 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 215 152 shade: RGB 203 215 147, RGB 220 233 166, RGB 237 251 185, RGB 254 255 204 and RGB 255 255 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 215 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 215 152 shade: RGB 198 215 152, RGB 181 197 133, RGB 164 179 114, RGB 147 161 95 and RGB 130 143 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 215 152 shade: RGB 198 215 152, RGB 215 215 152, RGB 215 198 152, RGB 215 181 152 and RGB 215 164 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 215 152 shade: RGB 198 215 152, RGB 181 215 152, RGB 164 215 152, RGB 152 215 157 and RGB 152 215 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 215 152 shade matches the following richer shades: RGB 198 215 152, RGB 203 226 140, RGB 208 238 129 and RGB 214 249 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 215 152 shade: RGB 198 215 152, RGB 192 203 163, RGB 187 191 175, RGB 182 180 186 and RGB 176 168 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 215 152 shade: RGB 215 198 152, RGB 215 215 152, RGB 198 215 152, RGB 181 215 152 and RGB 164 215 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 215 152 shade: RGB 165 191 92, RGB 181 203 122, RGB 198 215 152, RGB 214 226 181 and RGB 230 238 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 215 152 shade: RGB 198 215 152, RGB 152 215 181 and RGB 206 152 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 215 152 shade: RGB 198 215 152, RGB 152 198 215 and RGB 215 152 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 215 152 shade: RGB 198 215 152, RGB 152 215 181, RGB 168 152 215 and RGB 215 152 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 215 152 shade: RGB 198 215 152, RGB 152 215 200, RGB 168 152 215 and RGB 215 152 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 29 / 16

HEX #C6D798

RGB 198 215 152

HSL 76.19, 0.44%, 0.72%

LAB 83.38, -16.14, 29.26

 

Complementary color

CMYK 45 / 61 / 0 / 60

HEX #392867

RGB 57 40 103

HSL 256.19, 0.44%, 0.28%

LAB 21.46, 24.57, -34.46

 

CMYK 6 / 0 / 32 / 16

HEX #CBD793

RGB 203 215 147

HSL 70.59, 0.46%, 0.71%

LAB 83.65, -14.93, 32.27

 

CMYK 6 / 0 / 29 / 9

HEX #DCE9A6

RGB 220 233 166

HSL 71.64, 0.6%, 0.78%

LAB 89.97, -15.06, 31.2

 

CMYK 6 / 0 / 26 / 2

HEX #EDFBB9

RGB 237 251 185

HSL 72.73, 0.89%, 0.85%

LAB 96.2, -15.16, 30.18

 

CMYK 0 / 0 / 20 / 0

HEX #FEFFCC

RGB 254 255 204

HSL 61.18, 1%, 0.9%

LAB 98.81, -8.41, 24.33

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 8 / 0 / 29 / 16

HEX #C6D798

RGB 198 215 152

HSL 76.19, 0.44%, 0.72%

LAB 83.38, -16.14, 29.26

 

CMYK 8 / 0 / 32 / 23

HEX #B5C585

RGB 181 197 133

HSL 75, 0.36%, 0.65%

LAB 76.95, -16.05, 30.35

 

CMYK 8 / 0 / 36 / 30

HEX #A4B372

RGB 164 179 114

HSL 73.85, 0.3%, 0.57%

LAB 70.42, -15.94, 31.49

 

CMYK 9 / 0 / 41 / 37

HEX #93A15F

RGB 147 161 95

HSL 72.73, 0.26%, 0.5%

LAB 63.77, -15.79, 32.68

 

CMYK 9 / 0 / 47 / 44

HEX #828F4C

RGB 130 143 76

HSL 71.64, 0.31%, 0.43%

LAB 56.99, -15.58, 33.91

 

CMYK 8 / 0 / 29 / 16

HEX #C6D798

RGB 198 215 152

HSL 76.19, 0.44%, 0.72%

LAB 83.38, -16.14, 29.26

 

CMYK 0 / 0 / 29 / 16

HEX #D7D798

RGB 215 215 152

HSL 60, 0.44%, 0.72%

LAB 84.65, -9.74, 31.18

 

CMYK 0 / 8 / 29 / 16

HEX #D7C698

RGB 215 198 152

HSL 43.81, 0.44%, 0.72%

LAB 80.24, -0.99, 25.25

 

CMYK 0 / 16 / 29 / 16

HEX #D7B598

RGB 215 181 152

HSL 27.62, 0.44%, 0.72%

LAB 75.92, 7.99, 19.35

 

CMYK 0 / 24 / 29 / 16

HEX #D7A498

RGB 215 164 152

HSL 11.43, 0.44%, 0.72%

LAB 71.73, 17.13, 13.51

 

CMYK 8 / 0 / 29 / 16

HEX #C6D798

RGB 198 215 152

HSL 76.19, 0.44%, 0.72%

LAB 83.38, -16.14, 29.26

 

CMYK 16 / 0 / 29 / 16

HEX #B5D798

RGB 181 215 152

HSL 92.38, 0.44%, 0.72%

LAB 82.21, -22.35, 27.49

 

CMYK 24 / 0 / 29 / 16

HEX #A4D798

RGB 164 215 152

HSL 108.57, 0.44%, 0.72%

LAB 81.16, -28.29, 25.89

 

CMYK 29 / 0 / 27 / 16

HEX #98D79D

RGB 152 215 157

HSL 124.76, 0.44%, 0.72%

LAB 80.58, -31.45, 22.38

 

CMYK 29 / 0 / 19 / 16

HEX #98D7AE

RGB 152 215 174

HSL 140.95, 0.44%, 0.72%

LAB 80.92, -28.39, 13.91

 

CMYK 8 / 0 / 29 / 16

HEX #C6D798

RGB 198 215 152

HSL 76.19, 0.44%, 0.72%

LAB 83.38, -16.14, 29.26

 

CMYK 10 / 0 / 38 / 11

HEX #CBE28C

RGB 203 226 140

HSL 76.05, 0.6%, 0.72%

LAB 86.5, -21.24, 39.52

 

CMYK 13 / 0 / 46 / 7

HEX #D0EE81

RGB 208 238 129

HSL 76.51, 0.76%, 0.72%

LAB 89.93, -26.35, 49.28

 

CMYK 14 / 0 / 53 / 2

HEX #D6F975

RGB 214 249 117

HSL 75.91, 0.92%, 0.72%

LAB 93.16, -30.41, 58.79

 

CMYK 8 / 0 / 29 / 16

HEX #C6D798

RGB 198 215 152

HSL 76.19, 0.44%, 0.72%

LAB 83.38, -16.14, 29.26

 

CMYK 5 / 0 / 20 / 20

HEX #C0CBA3

RGB 192 203 163

HSL 76.5, 0.28%, 0.72%

LAB 79.93, -10.67, 18.73

 

CMYK 2 / 0 / 8 / 25

HEX #BBBFAF

RGB 187 191 175

HSL 75, 0.11%, 0.72%

LAB 76.63, -4.27, 7.58

 

CMYK 2 / 3 / 0 / 27

HEX #B6B4BA

RGB 182 180 186

HSL 260, 0.04%, 0.72%

LAB 73.63, 1.84, -2.8

 

CMYK 11 / 15 / 0 / 22

HEX #B0A8C6

RGB 176 168 198

HSL 256, 0.21%, 0.72%

LAB 70.39, 8.75, -14.26

 

CMYK 0 / 8 / 29 / 16

HEX #D7C698

RGB 215 198 152

HSL 43.81, 0.44%, 0.72%

LAB 80.24, -0.99, 25.25

 

CMYK 0 / 0 / 29 / 16

HEX #D7D798

RGB 215 215 152

HSL 60, 0.44%, 0.72%

LAB 84.65, -9.74, 31.18

 

CMYK 8 / 0 / 29 / 16

HEX #C6D798

RGB 198 215 152

HSL 76.19, 0.44%, 0.72%

LAB 83.38, -16.14, 29.26

 

CMYK 16 / 0 / 29 / 16

HEX #B5D798

RGB 181 215 152

HSL 92.38, 0.44%, 0.72%

LAB 82.21, -22.35, 27.49

 

CMYK 24 / 0 / 29 / 16

HEX #A4D798

RGB 164 215 152

HSL 108.57, 0.44%, 0.72%

LAB 81.16, -28.29, 25.89

 

CMYK 14 / 0 / 52 / 25

HEX #A5BF5C

RGB 165 191 92

HSL 75.76, 0.44%, 0.55%

LAB 73.57, -24.04, 46.5

 

CMYK 11 / 0 / 40 / 20

HEX #B5CB7A

RGB 181 203 122

HSL 76.3, 0.44%, 0.64%

LAB 78.43, -20.44, 37.92

 

CMYK 8 / 0 / 29 / 16

HEX #C6D798

RGB 198 215 152

HSL 76.19, 0.44%, 0.72%

LAB 83.38, -16.14, 29.26

 

CMYK 5 / 0 / 20 / 11

HEX #D6E2B5

RGB 214 226 181

HSL 76, 0.44%, 0.8%

LAB 87.98, -11.62, 20.69

 

CMYK 3 / 0 / 11 / 7

HEX #E6EED3

RGB 230 238 211

HSL 77.78, 0.44%, 0.88%

LAB 92.87, -7.31, 12.16

 

CMYK 8 / 0 / 29 / 16

HEX #C6D798

RGB 198 215 152

HSL 76.19, 0.44%, 0.72%

LAB 83.38, -16.14, 29.26

 

CMYK 29 / 0 / 16 / 16

HEX #98D7B5

RGB 152 215 181

HSL 147.62, 0.44%, 0.72%

LAB 81.08, -27.05, 10.42

 

CMYK 4 / 29 / 0 / 16

HEX #CE98D7

RGB 206 152 215

HSL 291.43, 0.44%, 0.72%

LAB 69.81, 30.89, -24.27

 

CMYK 8 / 0 / 29 / 16

HEX #C6D798

RGB 198 215 152

HSL 76.19, 0.44%, 0.72%

LAB 83.38, -16.14, 29.26

 

CMYK 29 / 8 / 0 / 16

HEX #98C6D7

RGB 152 198 215

HSL 196.19, 0.44%, 0.72%

LAB 77.26, -11.12, -13.39

 

CMYK 0 / 29 / 8 / 16

HEX #D798C6

RGB 215 152 198

HSL 316.19, 0.44%, 0.72%

LAB 70.16, 30.74, -14.25

 

CMYK 8 / 0 / 29 / 16

HEX #C6D798

RGB 198 215 152

HSL 76.19, 0.44%, 0.72%

LAB 83.38, -16.14, 29.26

 

CMYK 29 / 0 / 16 / 16

HEX #98D7B5

RGB 152 215 181

HSL 147.62, 0.44%, 0.72%

LAB 81.08, -27.05, 10.42

 

CMYK 22 / 29 / 0 / 16

HEX #A898D7

RGB 168 152 215

HSL 255.24, 0.44%, 0.72%

LAB 66.28, 18.92, -30

 

CMYK 0 / 29 / 14 / 16

HEX #D798B9

RGB 215 152 185

HSL 328.57, 0.44%, 0.72%

LAB 69.76, 28.55, -7.63

 

CMYK 8 / 0 / 29 / 16

HEX #C6D798

RGB 198 215 152

HSL 76.19, 0.44%, 0.72%

LAB 83.38, -16.14, 29.26

 

CMYK 29 / 0 / 7 / 16

HEX #98D7C8

RGB 152 215 200

HSL 165.71, 0.44%, 0.72%

LAB 81.54, -23.14, 0.98

 

CMYK 22 / 29 / 0 / 16

HEX #A898D7

RGB 168 152 215

HSL 255.24, 0.44%, 0.72%

LAB 66.28, 18.92, -30

 

CMYK 0 / 29 / 23 / 16

HEX #D798A6

RGB 215 152 166

HSL 346.67, 0.44%, 0.72%

LAB 69.22, 25.6, 2.16

 

Description

Color code: RGB 198 215 152 | qconv.com Color code: RGB 198 215 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 215 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 215 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 29 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 29% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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