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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A74CE5 it is the complementary color #58B31A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A74CE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A74CE5 shade: #AC4CE0, #BD5EF3, #CE70FF, #DF82FF and #F094FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A74CE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A74CE5 shade: #A74CE5, #963AD2, #8528BF, #7416AC and #630499

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A74CE5 shade: #A74CE5, #D04CE5, #E54CD0, #E54CA7 and #E54C7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A74CE5 shade: #A74CE5, #7E4CE5, #544CE5 and #4C4CE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A74CE5 shade matches the following richer shades: #A74CE5 and #AA3BF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A74CE5 shade: #A74CE5, #A45DD4, #A16DC4, #9E7EB3 and #9A8EA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A74CE5 shade: #544CE5, #7C4CE5, #A54CE5, #CE4CE5 and #E54CD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A74CE5 shade: #7F1BC3, #9528E0, #A74CE5, #B970EA and #CA94EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A74CE5 shade: #A74CE5, #E54C6D and #4CE568

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A74CE5 shade: #A74CE5, #E5A54C and #4CE5A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A74CE5 shade: #A74CE5, #E54C6D, #8CE54C and #4CE5C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A74CE5 shade: #A74CE5, #E5594C, #8CE54C and #4CD8E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 67 / 0 / 10

HEX #A74CE5

RGB 167 76 229

HSL 275.69, 0.75%, 0.6%

LAB 50.74, 62.57, -62.41

 

Complementary color

CMYK 51 / 0 / 85 / 30

HEX #58B31A

RGB 88 179 26

HSL 95.69, 0.75%, 0.4%

LAB 65.27, -51.28, 61.78

 

CMYK 23 / 66 / 0 / 12

HEX #AC4CE0

RGB 172 76 224

HSL 278.92, 0.7%, 0.59%

LAB 51.06, 62.55, -59.03

 

CMYK 22 / 61 / 0 / 5

HEX #BD5EF3

RGB 189 94 243

HSL 278.26, 0.86%, 0.66%

LAB 57.36, 62.09, -59.46

 

CMYK 19 / 56 / 0 / 0

HEX #CE70FF

RGB 206 112 255

HSL 279.44, 1%, 0.72%

LAB 63.29, 59.98, -56.52

 

CMYK 13 / 49 / 0 / 0

HEX #DF82FF

RGB 223 130 255

HSL 284.64, 1%, 0.75%

LAB 68.66, 55.41, -47.88

 

CMYK 6 / 42 / 0 / 0

HEX #F094FF

RGB 240 148 255

HSL 291.59, 1%, 0.79%

LAB 74.14, 51.01, -39.16

 

CMYK 27 / 67 / 0 / 10

HEX #A74CE5

RGB 167 76 229

HSL 275.69, 0.75%, 0.6%

LAB 50.74, 62.57, -62.41

 

CMYK 29 / 72 / 0 / 18

HEX #963AD2

RGB 150 58 210

HSL 276.32, 0.63%, 0.53%

LAB 44.47, 62.79, -61.83

 

CMYK 30 / 79 / 0 / 25

HEX #8528BF

RGB 133 40 191

HSL 276.95, 0.65%, 0.45%

LAB 38.32, 62.46, -60.89

 

CMYK 33 / 87 / 0 / 33

HEX #7416AC

RGB 116 22 172

HSL 277.6, 0.77%, 0.38%

LAB 32.4, 61.18, -59.36

 

CMYK 35 / 97 / 0 / 40

HEX #630499

RGB 99 4 153

HSL 278.26, 0.95%, 0.31%

LAB 26.85, 58.53, -57.03

 

CMYK 27 / 67 / 0 / 10

HEX #A74CE5

RGB 167 76 229

HSL 275.69, 0.75%, 0.6%

LAB 50.74, 62.57, -62.41

 

CMYK 9 / 67 / 0 / 10

HEX #D04CE5

RGB 208 76 229

HSL 291.76, 0.75%, 0.6%

LAB 56.32, 71.32, -53.15

 

CMYK 0 / 67 / 9 / 10

HEX #E54CD0

RGB 229 76 208

HSL 308.24, 0.75%, 0.6%

LAB 58.4, 72.69, -37.79

 

CMYK 0 / 67 / 27 / 10

HEX #E54CA7

RGB 229 76 167

HSL 324.31, 0.75%, 0.6%

LAB 56.7, 67.09, -16.82

 

CMYK 0 / 67 / 45 / 10

HEX #E54C7E

RGB 229 76 126

HSL 340.39, 0.75%, 0.6%

LAB 55.41, 62.65, 5.41

 

CMYK 27 / 67 / 0 / 10

HEX #A74CE5

RGB 167 76 229

HSL 275.69, 0.75%, 0.6%

LAB 50.74, 62.57, -62.41

 

CMYK 45 / 67 / 0 / 10

HEX #7E4CE5

RGB 126 76 229

HSL 259.61, 0.75%, 0.6%

LAB 45.99, 54.57, -70.33

 

CMYK 63 / 67 / 0 / 10

HEX #544CE5

RGB 84 76 229

HSL 243.14, 0.75%, 0.6%

LAB 42.32, 47.89, -76.47

 

CMYK 67 / 67 / 0 / 10

HEX #4C4CE5

RGB 76 76 229

HSL 240, 0.75%, 0.6%

LAB 41.79, 46.86, -77.37

 

CMYK 27 / 67 / 0 / 10

HEX #A74CE5

RGB 167 76 229

HSL 275.69, 0.75%, 0.6%

LAB 50.74, 62.57, -62.41

 

CMYK 31 / 76 / 0 / 4

HEX #AA3BF6

RGB 170 59 246

HSL 275.61, 0.91%, 0.6%

LAB 49.89, 73.6, -73.32

 

CMYK 27 / 67 / 0 / 10

HEX #A74CE5

RGB 167 76 229

HSL 275.69, 0.75%, 0.6%

LAB 50.74, 62.57, -62.41

 

CMYK 23 / 56 / 0 / 17

HEX #A45DD4

RGB 164 93 212

HSL 275.8, 0.58%, 0.6%

LAB 52.37, 49.88, -50.18

 

CMYK 18 / 44 / 0 / 23

HEX #A16DC4

RGB 161 109 196

HSL 275.86, 0.42%, 0.6%

LAB 54.55, 36.82, -37.62

 

CMYK 12 / 30 / 0 / 30

HEX #9E7EB3

RGB 158 126 179

HSL 276.23, 0.26%, 0.6%

LAB 57.51, 22.45, -23.33

 

CMYK 6 / 13 / 0 / 36

HEX #9A8EA3

RGB 154 142 163

HSL 274.29, 0.1%, 0.6%

LAB 60.66, 8.53, -9.45

 

CMYK 63 / 67 / 0 / 10

HEX #544CE5

RGB 84 76 229

HSL 243.14, 0.75%, 0.6%

LAB 42.32, 47.89, -76.47

 

CMYK 46 / 67 / 0 / 10

HEX #7C4CE5

RGB 124 76 229

HSL 258.82, 0.75%, 0.6%

LAB 45.79, 54.21, -70.67

 

CMYK 28 / 67 / 0 / 10

HEX #A54CE5

RGB 165 76 229

HSL 274.9, 0.75%, 0.6%

LAB 50.48, 62.16, -62.84

 

CMYK 10 / 67 / 0 / 10

HEX #CE4CE5

RGB 206 76 229

HSL 290.98, 0.75%, 0.6%

LAB 56.04, 70.89, -53.62

 

CMYK 0 / 67 / 8 / 10

HEX #E54CD3

RGB 229 76 211

HSL 307.06, 0.75%, 0.6%

LAB 58.54, 73.14, -39.27

 

CMYK 35 / 86 / 0 / 24

HEX #7F1BC3

RGB 127 27 195

HSL 275.71, 0.76%, 0.44%

LAB 36.43, 66.31, -66.34

 

CMYK 33 / 82 / 0 / 12

HEX #9528E0

RGB 149 40 224

HSL 275.54, 0.75%, 0.52%

LAB 43.2, 71.93, -71.93

 

CMYK 27 / 67 / 0 / 10

HEX #A74CE5

RGB 167 76 229

HSL 275.69, 0.75%, 0.6%

LAB 50.74, 62.57, -62.41

 

CMYK 21 / 52 / 0 / 8

HEX #B970EA

RGB 185 112 234

HSL 275.9, 0.74%, 0.68%

LAB 59.75, 50.23, -50.68

 

CMYK 15 / 38 / 0 / 6

HEX #CA94EF

RGB 202 148 239

HSL 275.6, 0.74%, 0.76%

LAB 69.45, 36.73, -38.06

 

CMYK 27 / 67 / 0 / 10

HEX #A74CE5

RGB 167 76 229

HSL 275.69, 0.75%, 0.6%

LAB 50.74, 62.57, -62.41

 

CMYK 0 / 67 / 52 / 10

HEX #E54C6D

RGB 229 76 109

HSL 347.06, 0.75%, 0.6%

LAB 55, 61.19, 14.91

 

CMYK 67 / 0 / 55 / 10

HEX #4CE568

RGB 76 229 104

HSL 130.98, 0.75%, 0.6%

LAB 81.06, -65.17, 48.86

 

CMYK 27 / 67 / 0 / 10

HEX #A74CE5

RGB 167 76 229

HSL 275.69, 0.75%, 0.6%

LAB 50.74, 62.57, -62.41

 

CMYK 0 / 28 / 67 / 10

HEX #E5A54C

RGB 229 165 76

HSL 34.9, 0.75%, 0.6%

LAB 72.29, 15.04, 54.08

 

CMYK 67 / 0 / 28 / 10

HEX #4CE5A5

RGB 76 229 165

HSL 154.9, 0.75%, 0.6%

LAB 82, -54.73, 19.72

 

CMYK 27 / 67 / 0 / 10

HEX #A74CE5

RGB 167 76 229

HSL 275.69, 0.75%, 0.6%

LAB 50.74, 62.57, -62.41

 

CMYK 0 / 67 / 52 / 10

HEX #E54C6D

RGB 229 76 109

HSL 347.06, 0.75%, 0.6%

LAB 55, 61.19, 14.91

 

CMYK 39 / 0 / 67 / 10

HEX #8CE54C

RGB 140 229 76

HSL 94.9, 0.75%, 0.6%

LAB 82.99, -51.53, 63.57

 

CMYK 67 / 0 / 14 / 10

HEX #4CE5C4

RGB 76 229 196

HSL 167.06, 0.75%, 0.6%

LAB 82.68, -47.66, 4.41

 

CMYK 27 / 67 / 0 / 10

HEX #A74CE5

RGB 167 76 229

HSL 275.69, 0.75%, 0.6%

LAB 50.74, 62.57, -62.41

 

CMYK 0 / 61 / 67 / 10

HEX #E5594C

RGB 229 89 76

HSL 5.1, 0.75%, 0.6%

LAB 56.41, 53.59, 35.92

 

CMYK 39 / 0 / 67 / 10

HEX #8CE54C

RGB 140 229 76

HSL 94.9, 0.75%, 0.6%

LAB 82.99, -51.53, 63.57

 

CMYK 67 / 6 / 0 / 10

HEX #4CD8E5

RGB 76 216 229

HSL 185.1, 0.75%, 0.6%

LAB 79.79, -33.01, -17.4

 

Description

Color code: HEX #A74CE5 | qconv.com Color code: HEX #A74CE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 76 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 76 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 67 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 67% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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