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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA3BF6 it is the complementary color #55C409. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA3BF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA3BF6 shade: #AF3BF1, #C04DFF, #D15FFF, #E271FF and #F383FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA3BF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA3BF6 shade: #AA3BF6, #9929E3, #8817D0, #7705BD and #6600AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA3BF6 shade: #AA3CF5, #DC3CF5, #F53CDD, #F53CAB and #F53C79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA3BF6 shade: #AA3CF5, #783CF5, #463CF5 and #3C3CF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA3BF6 shade matches the following richer shades: #AA3CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA3BF6 shade: #AA3CF5, #A74CE5, #A45DD4, #A16DC4 and #9E7EB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA3BF6 shade: #453CF5, #763CF5, #A83CF5, #D93CF5 and #F53CE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA3BF6 shade: #820AD5, #9914F3, #AA3CF5, #BB63F7 and #CC8AF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA3BF6 shade: #AA3BF6, #F53C64 and #3CF55E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA3BF6 shade: #AA3BF6, #F5A83C and #3CF5A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA3BF6 shade: #AA3BF6, #F53C64, #89F53C and #3CF5CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA3BF6 shade: #AA3BF6, #F54B3C, #89F53C and #3CE6F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 76 / 0 / 4

HEX #AA3BF6

RGB 170 59 246

HSL 275.61, 0.91%, 0.6%

LAB 49.89, 73.6, -73.32

 

Complementary color

CMYK 57 / 0 / 95 / 23

HEX #55C409

RGB 85 196 9

HSL 95.61, 0.91%, 0.4%

LAB 70.48, -58.77, 68.92

 

CMYK 27 / 76 / 0 / 5

HEX #AF3BF1

RGB 175 59 241

HSL 278.24, 0.87%, 0.59%

LAB 50.21, 73.42, -69.97

 

CMYK 25 / 70 / 0 / 0

HEX #C04DFF

RGB 192 77 255

HSL 278.76, 1%, 0.65%

LAB 55.82, 72.6, -68.58

 

CMYK 18 / 63 / 0 / 0

HEX #D15FFF

RGB 209 95 255

HSL 282.75, 1%, 0.69%

LAB 60.75, 68.57, -60.55

 

CMYK 11 / 56 / 0 / 0

HEX #E271FF

RGB 226 113 255

HSL 287.75, 1%, 0.72%

LAB 65.9, 64.43, -52.21

 

CMYK 5 / 49 / 0 / 0

HEX #F383FF

RGB 243 131 255

HSL 294.19, 1%, 0.76%

LAB 71.22, 60.3, -43.69

 

CMYK 31 / 76 / 0 / 4

HEX #AA3BF6

RGB 170 59 246

HSL 275.61, 0.91%, 0.6%

LAB 49.89, 73.6, -73.32

 

CMYK 33 / 82 / 0 / 11

HEX #9929E3

RGB 153 41 227

HSL 276.13, 0.77%, 0.53%

LAB 44.1, 72.85, -72.14

 

CMYK 35 / 89 / 0 / 18

HEX #8817D0

RGB 136 23 208

HSL 276.65, 0.8%, 0.45%

LAB 38.55, 71.13, -70.39

 

CMYK 37 / 97 / 0 / 26

HEX #7705BD

RGB 119 5 189

HSL 277.17, 0.95%, 0.38%

LAB 33.36, 68.11, -67.89

 

CMYK 40 / 100 / 0 / 33

HEX #6600AA

RGB 102 0 170

HSL 276, 1%, 0.33%

LAB 28.71, 63.12, -64.29

 

CMYK 31 / 76 / 0 / 4

HEX #AA3CF5

RGB 170 60 245

HSL 275.68, 0.9%, 0.6%

LAB 49.94, 73.04, -72.68

 

CMYK 10 / 76 / 0 / 4

HEX #DC3CF5

RGB 220 60 245

HSL 291.89, 0.9%, 0.6%

LAB 57.11, 81.95, -60.74

 

CMYK 0 / 76 / 10 / 4

HEX #F53CDD

RGB 245 60 221

HSL 307.78, 0.9%, 0.6%

LAB 59.77, 83.21, -42.82

 

CMYK 0 / 76 / 30 / 4

HEX #F53CAB

RGB 245 60 171

HSL 324, 0.9%, 0.6%

LAB 57.64, 76.91, -17.47

 

CMYK 0 / 76 / 51 / 4

HEX #F53C79

RGB 245 60 121

HSL 340.22, 0.9%, 0.6%

LAB 56.11, 72.18, 9.75

 

CMYK 31 / 76 / 0 / 4

HEX #AA3CF5

RGB 170 60 245

HSL 275.68, 0.9%, 0.6%

LAB 49.94, 73.04, -72.68

 

CMYK 51 / 76 / 0 / 4

HEX #783CF5

RGB 120 60 245

HSL 259.46, 0.9%, 0.6%

LAB 43.97, 65.43, -82.68

 

CMYK 71 / 76 / 0 / 4

HEX #463CF5

RGB 70 60 245

HSL 243.24, 0.9%, 0.6%

LAB 39.79, 59.97, -89.71

 

CMYK 76 / 76 / 0 / 4

HEX #3C3CF5

RGB 60 60 245

HSL 240, 0.9%, 0.6%

LAB 39.22, 59.2, -90.68

 

CMYK 31 / 76 / 0 / 4

HEX #AA3CF5

RGB 170 60 245

HSL 275.68, 0.9%, 0.6%

LAB 49.94, 73.04, -72.68

 

CMYK 31 / 76 / 0 / 4

HEX #AA3CF5

RGB 170 60 245

HSL 275.68, 0.9%, 0.6%

LAB 49.94, 73.04, -72.68

 

CMYK 27 / 67 / 0 / 10

HEX #A74CE5

RGB 167 76 229

HSL 275.69, 0.75%, 0.6%

LAB 50.74, 62.57, -62.41

 

CMYK 23 / 56 / 0 / 17

HEX #A45DD4

RGB 164 93 212

HSL 275.8, 0.58%, 0.6%

LAB 52.37, 49.88, -50.18

 

CMYK 18 / 44 / 0 / 23

HEX #A16DC4

RGB 161 109 196

HSL 275.86, 0.42%, 0.6%

LAB 54.55, 36.82, -37.62

 

CMYK 12 / 30 / 0 / 30

HEX #9E7EB3

RGB 158 126 179

HSL 276.23, 0.26%, 0.6%

LAB 57.51, 22.45, -23.33

 

CMYK 72 / 76 / 0 / 4

HEX #453CF5

RGB 69 60 245

HSL 242.92, 0.9%, 0.6%

LAB 39.73, 59.89, -89.82

 

CMYK 52 / 76 / 0 / 4

HEX #763CF5

RGB 118 60 245

HSL 258.81, 0.9%, 0.6%

LAB 43.76, 65.16, -83.03

 

CMYK 31 / 76 / 0 / 4

HEX #A83CF5

RGB 168 60 245

HSL 275.03, 0.9%, 0.6%

LAB 49.68, 72.7, -73.12

 

CMYK 11 / 76 / 0 / 4

HEX #D93CF5

RGB 217 60 245

HSL 290.92, 0.9%, 0.6%

LAB 56.66, 81.39, -61.49

 

CMYK 0 / 76 / 9 / 4

HEX #F53CE0

RGB 245 60 224

HSL 306.81, 0.9%, 0.6%

LAB 59.91, 83.63, -44.28

 

CMYK 39 / 95 / 0 / 16

HEX #820AD5

RGB 130 10 213

HSL 275.47, 0.91%, 0.44%

LAB 37.42, 73.56, -75.18

 

CMYK 37 / 92 / 0 / 5

HEX #9914F3

RGB 153 20 243

HSL 275.78, 0.9%, 0.52%

LAB 43.86, 80.75, -81.58

 

CMYK 31 / 76 / 0 / 4

HEX #AA3CF5

RGB 170 60 245

HSL 275.68, 0.9%, 0.6%

LAB 49.94, 73.04, -72.68

 

CMYK 24 / 60 / 0 / 3

HEX #BB63F7

RGB 187 99 247

HSL 275.68, 0.9%, 0.68%

LAB 58.23, 60.11, -60.31

 

CMYK 18 / 45 / 0 / 2

HEX #CC8AF9

RGB 204 138 249

HSL 275.68, 0.9%, 0.76%

LAB 67.91, 44.84, -45.92

 

CMYK 31 / 76 / 0 / 4

HEX #AA3BF6

RGB 170 59 246

HSL 275.61, 0.91%, 0.6%

LAB 49.89, 73.6, -73.32

 

CMYK 0 / 76 / 59 / 4

HEX #F53C64

RGB 245 60 100

HSL 347.03, 0.9%, 0.6%

LAB 55.65, 70.71, 21.6

 

CMYK 76 / 0 / 62 / 4

HEX #3CF55E

RGB 60 245 94

HSL 131.03, 0.9%, 0.6%

LAB 85.54, -74.13, 58.41

 

CMYK 31 / 76 / 0 / 4

HEX #AA3BF6

RGB 170 59 246

HSL 275.61, 0.91%, 0.6%

LAB 49.89, 73.6, -73.32

 

CMYK 0 / 31 / 76 / 4

HEX #F5A83C

RGB 245 168 60

HSL 35.03, 0.9%, 0.6%

LAB 74.66, 19.39, 63.95

 

CMYK 76 / 0 / 31 / 4

HEX #3CF5A8

RGB 60 245 168

HSL 155.03, 0.9%, 0.6%

LAB 86.55, -62.45, 24.39

 

CMYK 31 / 76 / 0 / 4

HEX #AA3BF6

RGB 170 59 246

HSL 275.61, 0.91%, 0.6%

LAB 49.89, 73.6, -73.32

 

CMYK 0 / 76 / 59 / 4

HEX #F53C64

RGB 245 60 100

HSL 347.03, 0.9%, 0.6%

LAB 55.65, 70.71, 21.6

 

CMYK 44 / 0 / 76 / 4

HEX #89F53C

RGB 137 245 60

HSL 95.03, 0.9%, 0.6%

LAB 87.46, -59.79, 73.59

 

CMYK 76 / 0 / 16 / 4

HEX #3CF5CD

RGB 60 245 205

HSL 167.03, 0.9%, 0.6%

LAB 87.33, -54.13, 6.36

 

CMYK 31 / 76 / 0 / 4

HEX #AA3BF6

RGB 170 59 246

HSL 275.61, 0.91%, 0.6%

LAB 49.89, 73.6, -73.32

 

CMYK 0 / 69 / 76 / 4

HEX #F54B3C

RGB 245 75 60

HSL 4.86, 0.9%, 0.6%

LAB 56.85, 63.74, 45.88

 

CMYK 44 / 0 / 76 / 4

HEX #89F53C

RGB 137 245 60

HSL 95.03, 0.9%, 0.6%

LAB 87.46, -59.79, 73.59

 

CMYK 76 / 6 / 0 / 4

HEX #3CE6F5

RGB 60 230 245

HSL 184.86, 0.9%, 0.6%

LAB 84.04, -36.84, -19.5

 

Description

Color code: HEX #AA3BF6 | qconv.com Color code: HEX #AA3BF6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 59 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 59 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 76 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 76% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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