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Color name
HEX #A82681

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A82681 it is the complementary color #57D97E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A82681. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A82681 shade: #AD267C, #BE388F, #CF4AA2, #E05CB5 and #F16EC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A82681. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A82681 shade: #A82681, #97146E, #86025B, #750048 and #640035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A82681 shade: #A6257F, #A6255D, #A6253A and #A62525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A82681 shade: #A6257F, #A625A2, #8725A6, #6425A6 and #4225A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A82681 shade matches the following richer shades: #A6257F, #B61586 and #C7048C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A82681 shade: #A6257F, #953679, #854672, #74576B and #646765

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A82681 shade: #8825A6, #A625A1, #A6257F, #A6255D and #A6253B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A82681 shade: #63164C, #841E65, #A6257F, #C72D99 and #D548AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A82681 shade: #A82681, #A66625 and #25A699

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A82681 shade: #A82681, #7FA625 and #257FA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A82681 shade: #A82681, #A66625, #25A64C and #2566A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A82681 shade: #A82681, #A68C25, #25A64C and #253FA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 23 / 34

HEX #A82681

RGB 168 38 129

HSL 318, 0.63%, 0.4%

LAB 40.07, 59.63, -20.42

 

Complementary color

CMYK 60 / 0 / 42 / 15

HEX #57D97E

RGB 87 217 126

HSL 138, 0.63%, 0.6%

LAB 77.97, -55.37, 34.4

 

CMYK 0 / 78 / 28 / 32

HEX #AD267C

RGB 173 38 124

HSL 321.78, 0.64%, 0.41%

LAB 40.78, 60.23, -16.17

 

CMYK 0 / 71 / 25 / 25

HEX #BE388F

RGB 190 56 143

HSL 321.04, 0.54%, 0.48%

LAB 46.66, 61.06, -18.51

 

CMYK 0 / 64 / 22 / 19

HEX #CF4AA2

RGB 207 74 162

HSL 320.3, 0.58%, 0.55%

LAB 52.7, 61.25, -20.31

 

CMYK 0 / 59 / 19 / 12

HEX #E05CB5

RGB 224 92 181

HSL 319.55, 0.68%, 0.62%

LAB 58.82, 61.05, -21.75

 

CMYK 0 / 54 / 17 / 5

HEX #F16EC8

RGB 241 110 200

HSL 318.78, 0.82%, 0.69%

LAB 64.98, 60.61, -22.93

 

CMYK 0 / 77 / 23 / 34

HEX #A82681

RGB 168 38 129

HSL 318, 0.63%, 0.4%

LAB 40.07, 59.63, -20.42

 

CMYK 0 / 87 / 27 / 41

HEX #97146E

RGB 151 20 110

HSL 318.78, 0.77%, 0.34%

LAB 34.41, 57.81, -17.52

 

CMYK 0 / 99 / 32 / 47

HEX #86025B

RGB 134 2 91

HSL 319.55, 0.97%, 0.27%

LAB 29.07, 54.73, -13.74

 

CMYK 0 / 100 / 38 / 54

HEX #750048

RGB 117 0 72

HSL 323.08, 1%, 0.23%

LAB 24.48, 49.16, -8.38

 

CMYK 0 / 100 / 47 / 61

HEX #640035

RGB 100 0 53

HSL 328.2, 1%, 0.2%

LAB 19.91, 43.17, -2.46

 

CMYK 0 / 78 / 23 / 35

HEX #A6257F

RGB 166 37 127

HSL 318.14, 0.64%, 0.4%

LAB 39.52, 59.17, -20.07

 

CMYK 0 / 78 / 44 / 35

HEX #A6255D

RGB 166 37 93

HSL 333.95, 0.64%, 0.4%

LAB 38.24, 55.28, -0.65

 

CMYK 0 / 78 / 65 / 35

HEX #A6253A

RGB 166 37 58

HSL 350.23, 0.64%, 0.4%

LAB 37.36, 52.53, 20.49

 

CMYK 0 / 78 / 78 / 35

HEX #A62525

RGB 166 37 37

HSL 0, 0.64%, 0.4%

LAB 37.05, 51.51, 33.03

 

CMYK 0 / 78 / 23 / 35

HEX #A6257F

RGB 166 37 127

HSL 318.14, 0.64%, 0.4%

LAB 39.52, 59.17, -20.07

 

CMYK 0 / 78 / 2 / 35

HEX #A625A2

RGB 166 37 162

HSL 301.86, 0.64%, 0.4%

LAB 41.28, 64.28, -38.64

 

CMYK 19 / 78 / 0 / 35

HEX #8725A6

RGB 135 37 166

HSL 285.58, 0.64%, 0.4%

LAB 36.42, 58.7, -49.11

 

CMYK 40 / 78 / 0 / 35

HEX #6425A6

RGB 100 37 166

HSL 269.3, 0.64%, 0.4%

LAB 31.31, 52.35, -57.63

 

CMYK 60 / 78 / 0 / 35

HEX #4225A6

RGB 66 37 166

HSL 253.49, 0.64%, 0.4%

LAB 27.39, 47.35, -64.21

 

CMYK 0 / 78 / 23 / 35

HEX #A6257F

RGB 166 37 127

HSL 318.14, 0.64%, 0.4%

LAB 39.52, 59.17, -20.07

 

CMYK 0 / 88 / 26 / 29

HEX #B61586

RGB 182 21 134

HSL 317.89, 0.79%, 0.4%

LAB 41.54, 67.42, -21.03

 

CMYK 0 / 98 / 30 / 22

HEX #C7048C

RGB 199 4 140

HSL 318.15, 0.96%, 0.4%

LAB 44.41, 73.62, -20

 

CMYK 0 / 78 / 23 / 35

HEX #A6257F

RGB 166 37 127

HSL 318.14, 0.64%, 0.4%

LAB 39.52, 59.17, -20.07

 

CMYK 0 / 64 / 19 / 42

HEX #953679

RGB 149 54 121

HSL 317.68, 0.47%, 0.4%

LAB 38.57, 47.42, -18.06

 

CMYK 0 / 47 / 14 / 48

HEX #854672

RGB 133 70 114

HSL 318.1, 0.31%, 0.4%

LAB 38.87, 33.11, -13.47

 

CMYK 0 / 25 / 8 / 55

HEX #74576B

RGB 116 87 107

HSL 318.62, 0.14%, 0.4%

LAB 40.56, 15.56, -6.8

 

CMYK 3 / 0 / 2 / 60

HEX #646765

RGB 100 103 101

HSL 140, 0.01%, 0.4%

LAB 43.29, -1.58, 0.72

 

CMYK 18 / 78 / 0 / 35

HEX #8825A6

RGB 136 37 166

HSL 286.05, 0.64%, 0.4%

LAB 36.58, 58.9, -48.84

 

CMYK 0 / 78 / 3 / 35

HEX #A625A1

RGB 166 37 161

HSL 302.33, 0.64%, 0.4%

LAB 41.22, 64.12, -38.13

 

CMYK 0 / 78 / 23 / 35

HEX #A6257F

RGB 166 37 127

HSL 318.14, 0.64%, 0.4%

LAB 39.52, 59.17, -20.07

 

CMYK 0 / 78 / 44 / 35

HEX #A6255D

RGB 166 37 93

HSL 333.95, 0.64%, 0.4%

LAB 38.24, 55.28, -0.65

 

CMYK 0 / 78 / 64 / 35

HEX #A6253B

RGB 166 37 59

HSL 349.77, 0.64%, 0.4%

LAB 37.38, 52.59, 19.88

 

CMYK 0 / 78 / 23 / 61

HEX #63164C

RGB 99 22 76

HSL 317.92, 0.64%, 0.24%

LAB 22.82, 39.59, -13.97

 

CMYK 0 / 77 / 23 / 48

HEX #841E65

RGB 132 30 101

HSL 318.24, 0.63%, 0.32%

LAB 31.29, 49.29, -16.88

 

CMYK 0 / 78 / 23 / 35

HEX #A6257F

RGB 166 37 127

HSL 318.14, 0.64%, 0.4%

LAB 39.52, 59.17, -20.07

 

CMYK 0 / 77 / 23 / 22

HEX #C72D99

RGB 199 45 153

HSL 317.92, 0.63%, 0.48%

LAB 47.39, 68.11, -23.25

 

CMYK 0 / 66 / 20 / 16

HEX #D548AB

RGB 213 72 171

HSL 317.87, 0.63%, 0.56%

LAB 53.73, 64.88, -23.92

 

CMYK 0 / 77 / 23 / 34

HEX #A82681

RGB 168 38 129

HSL 318, 0.63%, 0.4%

LAB 40.07, 59.63, -20.42

 

CMYK 0 / 39 / 78 / 35

HEX #A66625

RGB 166 102 37

HSL 30.23, 0.64%, 0.4%

LAB 49.18, 20.4, 45.47

 

CMYK 78 / 0 / 8 / 35

HEX #25A699

RGB 37 166 153

HSL 173.95, 0.64%, 0.4%

LAB 61.62, -36.46, -2.98

 

CMYK 0 / 77 / 23 / 34

HEX #A82681

RGB 168 38 129

HSL 318, 0.63%, 0.4%

LAB 40.07, 59.63, -20.42

 

CMYK 23 / 0 / 78 / 35

HEX #7FA625

RGB 127 166 37

HSL 78.14, 0.64%, 0.4%

LAB 63.28, -31.38, 57.67

 

CMYK 78 / 23 / 0 / 35

HEX #257FA6

RGB 37 127 166

HSL 198.14, 0.64%, 0.4%

LAB 49.89, -12.39, -28.21

 

CMYK 0 / 77 / 23 / 34

HEX #A82681

RGB 168 38 129

HSL 318, 0.63%, 0.4%

LAB 40.07, 59.63, -20.42

 

CMYK 0 / 39 / 78 / 35

HEX #A66625

RGB 166 102 37

HSL 30.23, 0.64%, 0.4%

LAB 49.18, 20.4, 45.47

 

CMYK 78 / 0 / 54 / 35

HEX #25A64C

RGB 37 166 76

HSL 138.14, 0.64%, 0.4%

LAB 60.06, -53.47, 36.73

 

CMYK 78 / 39 / 0 / 35

HEX #2566A6

RGB 37 102 166

HSL 209.77, 0.64%, 0.4%

LAB 42.23, 2.58, -40.25

 

CMYK 0 / 77 / 23 / 34

HEX #A82681

RGB 168 38 129

HSL 318, 0.63%, 0.4%

LAB 40.07, 59.63, -20.42

 

CMYK 0 / 16 / 78 / 35

HEX #A68C25

RGB 166 140 37

HSL 47.91, 0.64%, 0.4%

LAB 58.97, -0.93, 54.79

 

CMYK 78 / 0 / 54 / 35

HEX #25A64C

RGB 37 166 76

HSL 138.14, 0.64%, 0.4%

LAB 60.06, -53.47, 36.73

 

CMYK 78 / 62 / 0 / 35

HEX #253FA6

RGB 37 63 166

HSL 227.91, 0.64%, 0.4%

LAB 31.12, 28.32, -58.17

 

Description

Color code: HEX #A82681 | qconv.com Color code: HEX #A82681 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 38 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 38 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 23 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 23% 34% C M Y K

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Provide designers and agencies with accurate color values.

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