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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A84AE7 it is the complementary color #57B518. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A84AE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A84AE7 shade: #AD4AE2, #BE5CF5, #CF6EFF, #E080FF and #F192FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A84AE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A84AE7 shade: #A84AE7, #9738D4, #8626C1, #7514AE and #64029B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A84AE7 shade: #A84AE7, #D24AE7, #E74AD1, #E74AA7 and #E74A7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A84AE7 shade: #A84AE7, #7E4AE7, #534AE7 and #4A4AE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A84AE7 shade matches the following richer shades: #A84AE7 and #AB39F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A84AE7 shade: #A84AE7, #A55AD7, #A16BC6, #9E7BB6 and #9B8CA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A84AE7 shade: #524AE7, #7C4AE7, #A64AE7, #CF4AE7 and #E74AD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A84AE7 shade: #8019C5, #9725E2, #A84AE7, #B96EEC and #CB93F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A84AE7 shade: #A84AE7, #E74A6C and #4AE767

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A84AE7 shade: #A84AE7, #E7A64A and #4AE7A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A84AE7 shade: #A84AE7, #E74A6C, #8BE74A and #4AE7C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A84AE7 shade: #A84AE7, #E7574A, #8BE74A and #4ADAE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 68 / 0 / 9

HEX #A84AE7

RGB 168 74 231

HSL 275.92, 0.77%, 0.6%

LAB 50.68, 64.09, -63.63

 

Complementary color

CMYK 52 / 0 / 87 / 29

HEX #57B518

RGB 87 181 24

HSL 95.92, 0.77%, 0.4%

LAB 65.86, -52.4, 62.73

 

CMYK 23 / 67 / 0 / 11

HEX #AD4AE2

RGB 173 74 226

HSL 279.08, 0.72%, 0.59%

LAB 51, 64.06, -60.24

 

CMYK 22 / 62 / 0 / 4

HEX #BE5CF5

RGB 190 92 245

HSL 278.43, 0.88%, 0.66%

LAB 57.26, 63.66, -60.72

 

CMYK 19 / 57 / 0 / 0

HEX #CF6EFF

RGB 207 110 255

HSL 280.14, 1%, 0.72%

LAB 63.04, 61.19, -56.9

 

CMYK 12 / 50 / 0 / 0

HEX #E080FF

RGB 224 128 255

HSL 285.35, 1%, 0.75%

LAB 68.39, 56.68, -48.29

 

CMYK 5 / 43 / 0 / 0

HEX #F192FF

RGB 241 146 255

HSL 292.29, 1%, 0.79%

LAB 73.85, 52.31, -39.6

 

CMYK 27 / 68 / 0 / 9

HEX #A84AE7

RGB 168 74 231

HSL 275.92, 0.77%, 0.6%

LAB 50.68, 64.09, -63.63

 

CMYK 29 / 74 / 0 / 17

HEX #9738D4

RGB 151 56 212

HSL 276.54, 0.64%, 0.53%

LAB 44.46, 64.21, -62.98

 

CMYK 31 / 80 / 0 / 24

HEX #8626C1

RGB 134 38 193

HSL 277.16, 0.67%, 0.45%

LAB 38.38, 63.72, -61.94

 

CMYK 33 / 89 / 0 / 32

HEX #7514AE

RGB 117 20 174

HSL 277.79, 0.79%, 0.38%

LAB 32.56, 62.22, -60.29

 

CMYK 35 / 99 / 0 / 39

HEX #64029B

RGB 100 2 155

HSL 278.43, 0.97%, 0.31%

LAB 27.07, 59.43, -57.89

 

CMYK 27 / 68 / 0 / 9

HEX #A84AE7

RGB 168 74 231

HSL 275.92, 0.77%, 0.6%

LAB 50.68, 64.09, -63.63

 

CMYK 9 / 68 / 0 / 9

HEX #D24AE7

RGB 210 74 231

HSL 291.97, 0.77%, 0.6%

LAB 56.46, 72.87, -54.04

 

CMYK 0 / 68 / 10 / 9

HEX #E74AD1

RGB 231 74 209

HSL 308.41, 0.77%, 0.6%

LAB 58.5, 74.02, -38.18

 

CMYK 0 / 68 / 28 / 9

HEX #E74AA7

RGB 231 74 167

HSL 324.46, 0.77%, 0.6%

LAB 56.76, 68.36, -16.7

 

CMYK 0 / 68 / 46 / 9

HEX #E74A7D

RGB 231 74 125

HSL 340.51, 0.77%, 0.6%

LAB 55.45, 63.91, 6.09

 

CMYK 27 / 68 / 0 / 9

HEX #A84AE7

RGB 168 74 231

HSL 275.92, 0.77%, 0.6%

LAB 50.68, 64.09, -63.63

 

CMYK 45 / 68 / 0 / 9

HEX #7E4AE7

RGB 126 74 231

HSL 259.87, 0.77%, 0.6%

LAB 45.77, 56.11, -71.81

 

CMYK 64 / 68 / 0 / 9

HEX #534AE7

RGB 83 74 231

HSL 243.44, 0.77%, 0.6%

LAB 42.01, 49.52, -78.12

 

CMYK 68 / 68 / 0 / 9

HEX #4A4AE7

RGB 74 74 231

HSL 240, 0.77%, 0.6%

LAB 41.41, 48.42, -79.13

 

CMYK 27 / 68 / 0 / 9

HEX #A84AE7

RGB 168 74 231

HSL 275.92, 0.77%, 0.6%

LAB 50.68, 64.09, -63.63

 

CMYK 31 / 77 / 0 / 3

HEX #AB39F8

RGB 171 57 248

HSL 275.81, 0.93%, 0.6%

LAB 49.93, 74.88, -74.37

 

CMYK 27 / 68 / 0 / 9

HEX #A84AE7

RGB 168 74 231

HSL 275.92, 0.77%, 0.6%

LAB 50.68, 64.09, -63.63

 

CMYK 23 / 58 / 0 / 16

HEX #A55AD7

RGB 165 90 215

HSL 276, 0.61%, 0.6%

LAB 52.08, 52.33, -52.33

 

CMYK 19 / 46 / 0 / 22

HEX #A16BC6

RGB 161 107 198

HSL 275.6, 0.44%, 0.6%

LAB 54.21, 38.38, -39.31

 

CMYK 13 / 32 / 0 / 29

HEX #9E7BB6

RGB 158 123 182

HSL 275.59, 0.29%, 0.6%

LAB 56.89, 24.83, -25.99

 

CMYK 6 / 15 / 0 / 35

HEX #9B8CA5

RGB 155 140 165

HSL 276, 0.12%, 0.6%

LAB 60.29, 10.43, -11.14

 

CMYK 65 / 68 / 0 / 9

HEX #524AE7

RGB 82 74 231

HSL 243.06, 0.77%, 0.6%

LAB 41.94, 49.39, -78.24

 

CMYK 46 / 68 / 0 / 9

HEX #7C4AE7

RGB 124 74 231

HSL 259.11, 0.77%, 0.6%

LAB 45.57, 55.76, -72.16

 

CMYK 28 / 68 / 0 / 9

HEX #A64AE7

RGB 166 74 231

HSL 275.16, 0.77%, 0.6%

LAB 50.42, 63.69, -64.06

 

CMYK 10 / 68 / 0 / 9

HEX #CF4AE7

RGB 207 74 231

HSL 290.83, 0.77%, 0.6%

LAB 56.02, 72.23, -54.76

 

CMYK 0 / 68 / 8 / 9

HEX #E74AD5

RGB 231 74 213

HSL 306.88, 0.77%, 0.6%

LAB 58.69, 74.62, -40.15

 

CMYK 35 / 87 / 0 / 23

HEX #8019C5

RGB 128 25 197

HSL 275.93, 0.77%, 0.44%

LAB 36.59, 67.37, -67.26

 

CMYK 33 / 84 / 0 / 11

HEX #9725E2

RGB 151 37 226

HSL 276.19, 0.77%, 0.52%

LAB 43.35, 73.48, -72.8

 

CMYK 27 / 68 / 0 / 9

HEX #A84AE7

RGB 168 74 231

HSL 275.92, 0.77%, 0.6%

LAB 50.68, 64.09, -63.63

 

CMYK 22 / 53 / 0 / 7

HEX #B96EEC

RGB 185 110 236

HSL 275.71, 0.77%, 0.68%

LAB 59.45, 51.71, -52.25

 

CMYK 16 / 39 / 0 / 5

HEX #CB93F1

RGB 203 147 241

HSL 275.74, 0.77%, 0.76%

LAB 69.41, 38, -39.21

 

CMYK 27 / 68 / 0 / 9

HEX #A84AE7

RGB 168 74 231

HSL 275.92, 0.77%, 0.6%

LAB 50.68, 64.09, -63.63

 

CMYK 0 / 68 / 53 / 9

HEX #E74A6C

RGB 231 74 108

HSL 347.01, 0.77%, 0.6%

LAB 55.04, 62.49, 15.61

 

CMYK 68 / 0 / 55 / 9

HEX #4AE767

RGB 74 231 103

HSL 131.08, 0.77%, 0.6%

LAB 81.61, -66.34, 49.97

 

CMYK 27 / 68 / 0 / 9

HEX #A84AE7

RGB 168 74 231

HSL 275.92, 0.77%, 0.6%

LAB 50.68, 64.09, -63.63

 

CMYK 0 / 28 / 68 / 9

HEX #E7A64A

RGB 231 166 74

HSL 35.16, 0.77%, 0.6%

LAB 72.73, 15.23, 55.53

 

CMYK 68 / 0 / 28 / 9

HEX #4AE7A6

RGB 74 231 166

HSL 155.16, 0.77%, 0.6%

LAB 82.57, -55.63, 19.99

 

CMYK 27 / 68 / 0 / 9

HEX #A84AE7

RGB 168 74 231

HSL 275.92, 0.77%, 0.6%

LAB 50.68, 64.09, -63.63

 

CMYK 0 / 68 / 53 / 9

HEX #E74A6C

RGB 231 74 108

HSL 347.01, 0.77%, 0.6%

LAB 55.04, 62.49, 15.61

 

CMYK 40 / 0 / 68 / 9

HEX #8BE74A

RGB 139 231 74

HSL 95.16, 0.77%, 0.6%

LAB 83.51, -52.81, 64.88

 

CMYK 68 / 0 / 15 / 9

HEX #4AE7C5

RGB 74 231 197

HSL 167.01, 0.77%, 0.6%

LAB 83.25, -48.56, 4.71

 

CMYK 27 / 68 / 0 / 9

HEX #A84AE7

RGB 168 74 231

HSL 275.92, 0.77%, 0.6%

LAB 50.68, 64.09, -63.63

 

CMYK 0 / 62 / 68 / 9

HEX #E7574A

RGB 231 87 74

HSL 4.97, 0.77%, 0.6%

LAB 56.39, 55.03, 37.08

 

CMYK 40 / 0 / 68 / 9

HEX #8BE74A

RGB 139 231 74

HSL 95.16, 0.77%, 0.6%

LAB 83.51, -52.81, 64.88

 

CMYK 68 / 6 / 0 / 9

HEX #4ADAE7

RGB 74 218 231

HSL 184.97, 0.77%, 0.6%

LAB 80.39, -33.66, -17.57

 

Description

Color code: HEX #A84AE7 | qconv.com Color code: HEX #A84AE7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 74 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 74 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 68 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 68% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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