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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A85856 it is the complementary color #57A7A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A85856. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A85856 shade: #AD5851, #BE6A64, #CF7C77, #E08E8A and #F1A09D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A85856. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A85856 shade: #A85856, #974643, #863430, #75221D and #64100A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A85856 shade: #A85856 and #A85656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A85856 shade: #A85856, #A86E56, #A88456, #A89A56 and #9FA856

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A85856 shade matches the following richer shades: #A85856, #BC4542, #D1312D, #E61D18 and #FA0A04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A85856 shade: #A85856, #936C6B, #7F7F7F, #6A9394 and #55A7A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A85856 shade: #A85680, #A8566B, #A85856, #A86D56 and #A88356

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A85856 shade: #713B3A, #8D4A48, #A85856, #B67371 and #C48E8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A85856 shade: #A85856, #96A856 and #5675A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A85856 shade: #A85856, #56A858 and #5856A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A85856 shade: #A85856, #96A856, #56A6A8 and #6856A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A85856 shade: #A85856, #7EA856, #56A6A8 and #8056A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 49 / 34

HEX #A85856

RGB 168 88 86

HSL 1.46, 0.32%, 0.5%

LAB 46.94, 32.48, 16.04

 

Complementary color

CMYK 49 / 1 / 0 / 34

HEX #57A7A9

RGB 87 167 169

HSL 181.46, 0.32%, 0.5%

LAB 63.78, -23.89, -8.62

 

CMYK 0 / 49 / 53 / 32

HEX #AD5851

RGB 173 88 81

HSL 4.57, 0.36%, 0.5%

LAB 47.57, 33.96, 20

 

CMYK 0 / 44 / 47 / 25

HEX #BE6A64

RGB 190 106 100

HSL 4, 0.41%, 0.57%

LAB 54.21, 32.76, 18.17

 

CMYK 0 / 40 / 43 / 19

HEX #CF7C77

RGB 207 124 119

HSL 3.41, 0.48%, 0.64%

LAB 60.79, 31.66, 16.59

 

CMYK 0 / 37 / 38 / 12

HEX #E08E8A

RGB 224 142 138

HSL 2.79, 0.58%, 0.71%

LAB 67.3, 30.66, 15.2

 

CMYK 0 / 34 / 35 / 5

HEX #F1A09D

RGB 241 160 157

HSL 2.14, 0.75%, 0.78%

LAB 73.72, 29.74, 13.97

 

CMYK 0 / 48 / 49 / 34

HEX #A85856

RGB 168 88 86

HSL 1.46, 0.32%, 0.5%

LAB 46.94, 32.48, 16.04

 

CMYK 0 / 54 / 56 / 41

HEX #974643

RGB 151 70 67

HSL 2.14, 0.39%, 0.43%

LAB 40.19, 33.69, 18.07

 

CMYK 0 / 61 / 64 / 47

HEX #863430

RGB 134 52 48

HSL 2.79, 0.47%, 0.36%

LAB 33.43, 34.9, 20.57

 

CMYK 0 / 71 / 75 / 54

HEX #75221D

RGB 117 34 29

HSL 3.41, 0.6%, 0.29%

LAB 26.78, 35.92, 23.75

 

CMYK 0 / 84 / 90 / 61

HEX #64100A

RGB 100 16 10

HSL 4, 0.82%, 0.22%

LAB 20.45, 36.24, 26.73

 

CMYK 0 / 48 / 49 / 34

HEX #A85856

RGB 168 88 86

HSL 1.46, 0.32%, 0.5%

LAB 46.94, 32.48, 16.04

 

CMYK 0 / 49 / 49 / 34

HEX #A85656

RGB 168 86 86

HSL 0, 0.32%, 0.5%

LAB 46.51, 33.56, 15.46

 

CMYK 0 / 48 / 49 / 34

HEX #A85856

RGB 168 88 86

HSL 1.46, 0.32%, 0.5%

LAB 46.94, 32.48, 16.04

 

CMYK 0 / 35 / 49 / 34

HEX #A86E56

RGB 168 110 86

HSL 17.56, 0.32%, 0.5%

LAB 52, 20.27, 22.82

 

CMYK 0 / 21 / 49 / 34

HEX #A88456

RGB 168 132 86

HSL 33.66, 0.32%, 0.5%

LAB 57.56, 7.84, 30.01

 

CMYK 0 / 8 / 49 / 34

HEX #A89A56

RGB 168 154 86

HSL 49.76, 0.32%, 0.5%

LAB 63.43, -4.29, 37.34

 

CMYK 5 / 0 / 49 / 34

HEX #9FA856

RGB 159 168 86

HSL 66.59, 0.32%, 0.5%

LAB 66.56, -15.49, 40.96

 

CMYK 0 / 48 / 49 / 34

HEX #A85856

RGB 168 88 86

HSL 1.46, 0.32%, 0.5%

LAB 46.94, 32.48, 16.04

 

CMYK 0 / 63 / 65 / 26

HEX #BC4542

RGB 188 69 66

HSL 1.48, 0.48%, 0.5%

LAB 46.1, 47.71, 27.49

 

CMYK 0 / 77 / 78 / 18

HEX #D1312D

RGB 209 49 45

HSL 1.46, 0.65%, 0.5%

LAB 46.9, 61.05, 41.46

 

CMYK 0 / 87 / 90 / 10

HEX #E61D18

RGB 230 29 24

HSL 1.46, 0.81%, 0.5%

LAB 49.21, 71.17, 55.28

 

CMYK 0 / 96 / 98 / 2

HEX #FA0A04

RGB 250 10 4

HSL 1.46, 0.97%, 0.5%

LAB 52.45, 78.24, 65.28

 

CMYK 0 / 48 / 49 / 34

HEX #A85856

RGB 168 88 86

HSL 1.46, 0.32%, 0.5%

LAB 46.94, 32.48, 16.04

 

CMYK 0 / 27 / 27 / 42

HEX #936C6B

RGB 147 108 107

HSL 1.5, 0.16%, 0.5%

LAB 49.48, 15.38, 6.65

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 28 / 1 / 0 / 42

HEX #6A9394

RGB 106 147 148

HSL 181.43, 0.17%, 0.5%

LAB 58.1, -13.71, -5.07

 

CMYK 50 / 1 / 0 / 34

HEX #55A7A9

RGB 85 167 169

HSL 181.43, 0.33%, 0.5%

LAB 63.7, -24.35, -8.74

 

CMYK 0 / 49 / 24 / 34

HEX #A85680

RGB 168 86 128

HSL 329.27, 0.32%, 0.5%

LAB 47.67, 38.8, -8.25

 

CMYK 0 / 49 / 36 / 34

HEX #A8566B

RGB 168 86 107

HSL 344.63, 0.32%, 0.5%

LAB 47.03, 35.92, 3.48

 

CMYK 0 / 48 / 49 / 34

HEX #A85856

RGB 168 88 86

HSL 1.46, 0.32%, 0.5%

LAB 46.94, 32.48, 16.04

 

CMYK 0 / 35 / 49 / 34

HEX #A86D56

RGB 168 109 86

HSL 16.83, 0.32%, 0.5%

LAB 51.76, 20.83, 22.5

 

CMYK 0 / 22 / 49 / 34

HEX #A88356

RGB 168 131 86

HSL 32.93, 0.32%, 0.5%

LAB 57.3, 8.4, 29.68

 

CMYK 0 / 48 / 49 / 56

HEX #713B3A

RGB 113 59 58

HSL 1.09, 0.32%, 0.34%

LAB 31.68, 23.54, 11.25

 

CMYK 0 / 48 / 49 / 45

HEX #8D4A48

RGB 141 74 72

HSL 1.74, 0.32%, 0.42%

LAB 39.63, 28.02, 13.96

 

CMYK 0 / 48 / 49 / 34

HEX #A85856

RGB 168 88 86

HSL 1.46, 0.32%, 0.5%

LAB 46.94, 32.48, 16.04

 

CMYK 0 / 37 / 38 / 29

HEX #B67371

RGB 182 115 113

HSL 1.74, 0.32%, 0.58%

LAB 55.48, 26.17, 12.19

 

CMYK 0 / 28 / 28 / 23

HEX #C48E8D

RGB 196 142 141

HSL 1.09, 0.32%, 0.66%

LAB 64.16, 20.35, 8.64

 

CMYK 0 / 48 / 49 / 34

HEX #A85856

RGB 168 88 86

HSL 1.46, 0.32%, 0.5%

LAB 46.94, 32.48, 16.04

 

CMYK 11 / 0 / 49 / 34

HEX #96A856

RGB 150 168 86

HSL 73.17, 0.32%, 0.5%

LAB 65.87, -19.19, 39.97

 

CMYK 49 / 30 / 0 / 34

HEX #5675A8

RGB 86 117 168

HSL 217.32, 0.32%, 0.5%

LAB 48.92, 3.36, -30.73

 

CMYK 0 / 48 / 49 / 34

HEX #A85856

RGB 168 88 86

HSL 1.46, 0.32%, 0.5%

LAB 46.94, 32.48, 16.04

 

CMYK 49 / 0 / 48 / 34

HEX #56A858

RGB 86 168 88

HSL 121.46, 0.32%, 0.5%

LAB 62.24, -41.85, 33.66

 

CMYK 48 / 49 / 0 / 34

HEX #5856A8

RGB 88 86 168

HSL 241.46, 0.32%, 0.5%

LAB 40.5, 23.12, -44.03

 

CMYK 0 / 48 / 49 / 34

HEX #A85856

RGB 168 88 86

HSL 1.46, 0.32%, 0.5%

LAB 46.94, 32.48, 16.04

 

CMYK 11 / 0 / 49 / 34

HEX #96A856

RGB 150 168 86

HSL 73.17, 0.32%, 0.5%

LAB 65.87, -19.19, 39.97

 

CMYK 49 / 1 / 0 / 34

HEX #56A6A8

RGB 86 166 168

HSL 181.46, 0.32%, 0.5%

LAB 63.41, -23.88, -8.61

 

CMYK 38 / 49 / 0 / 34

HEX #6856A8

RGB 104 86 168

HSL 253.17, 0.32%, 0.5%

LAB 41.88, 27.17, -41.74

 

CMYK 0 / 48 / 49 / 34

HEX #A85856

RGB 168 88 86

HSL 1.46, 0.32%, 0.5%

LAB 46.94, 32.48, 16.04

 

CMYK 25 / 0 / 49 / 34

HEX #7EA856

RGB 126 168 86

HSL 90.73, 0.32%, 0.5%

LAB 64.25, -28.63, 37.62

 

CMYK 49 / 1 / 0 / 34

HEX #56A6A8

RGB 86 166 168

HSL 181.46, 0.32%, 0.5%

LAB 63.41, -23.88, -8.61

 

CMYK 24 / 49 / 0 / 34

HEX #8056A8

RGB 128 86 168

HSL 270.73, 0.32%, 0.5%

LAB 44.34, 33.8, -37.7

 

Description

Color code: HEX #A85856 | qconv.com Color code: HEX #A85856 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 88 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 88 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 49 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 49% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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