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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A85857 it is the complementary color #57A7A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A85857. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A85857 shade: #AD5852, #BE6A65, #CF7C78, #E08E8B and #F1A09E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A85857. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A85857 shade: #A85857, #974644, #863431, #75221E and #64100B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A85857 shade: #A85756 and #A85656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A85857 shade: #A85756, #A86D56, #A88356, #A89956 and #A0A856

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A85857 shade matches the following richer shades: #A85756, #BC4342, #D12F2D, #E61B18 and #FA0704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A85857 shade: #A85756, #936B6B, #7F7F7F, #6A9494 and #55A8A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A85857 shade: #A85682, #A8566C, #A85656, #A86C56 and #A88256

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A85857 shade: #713B3A, #8D4948, #A85756, #B67271 and #C48D8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A85857 shade: #A85857, #97A856 and #5677A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A85857 shade: #A85857, #56A856 and #5656A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A85857 shade: #A85857, #97A856, #56A8A8 and #6756A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A85857 shade: #A85857, #7FA856, #56A8A8 and #7F56A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 48 / 34

HEX #A85857

RGB 168 88 87

HSL 0.74, 0.32%, 0.5%

LAB 46.96, 32.58, 15.47

 

Complementary color

CMYK 48 / 1 / 0 / 34

HEX #57A7A8

RGB 87 167 168

HSL 180.74, 0.32%, 0.5%

LAB 63.75, -24.16, -8.1

 

CMYK 0 / 49 / 53 / 32

HEX #AD5852

RGB 173 88 82

HSL 3.96, 0.36%, 0.5%

LAB 47.59, 34.05, 19.43

 

CMYK 0 / 44 / 47 / 25

HEX #BE6A65

RGB 190 106 101

HSL 3.37, 0.41%, 0.57%

LAB 54.23, 32.86, 17.61

 

CMYK 0 / 40 / 42 / 19

HEX #CF7C78

RGB 207 124 120

HSL 2.76, 0.48%, 0.64%

LAB 60.81, 31.77, 16.05

 

CMYK 0 / 37 / 38 / 12

HEX #E08E8B

RGB 224 142 139

HSL 2.12, 0.58%, 0.71%

LAB 67.32, 30.77, 14.68

 

CMYK 0 / 34 / 34 / 5

HEX #F1A09E

RGB 241 160 158

HSL 1.45, 0.75%, 0.78%

LAB 73.75, 29.86, 13.45

 

CMYK 0 / 48 / 48 / 34

HEX #A85857

RGB 168 88 87

HSL 0.74, 0.32%, 0.5%

LAB 46.96, 32.58, 15.47

 

CMYK 0 / 54 / 55 / 41

HEX #974644

RGB 151 70 68

HSL 1.45, 0.38%, 0.43%

LAB 40.21, 33.78, 17.48

 

CMYK 0 / 61 / 63 / 47

HEX #863431

RGB 134 52 49

HSL 2.12, 0.46%, 0.36%

LAB 33.45, 34.97, 19.96

 

CMYK 0 / 71 / 74 / 54

HEX #75221E

RGB 117 34 30

HSL 2.76, 0.59%, 0.29%

LAB 26.79, 35.97, 23.13

 

CMYK 0 / 84 / 89 / 61

HEX #64100B

RGB 100 16 11

HSL 3.37, 0.8%, 0.22%

LAB 20.46, 36.27, 26.32

 

CMYK 0 / 48 / 49 / 34

HEX #A85756

RGB 168 87 86

HSL 0.73, 0.32%, 0.5%

LAB 46.73, 33.02, 15.75

 

CMYK 0 / 49 / 49 / 34

HEX #A85656

RGB 168 86 86

HSL 0, 0.32%, 0.5%

LAB 46.51, 33.56, 15.46

 

CMYK 0 / 48 / 49 / 34

HEX #A85756

RGB 168 87 86

HSL 0.73, 0.32%, 0.5%

LAB 46.73, 33.02, 15.75

 

CMYK 0 / 35 / 49 / 34

HEX #A86D56

RGB 168 109 86

HSL 16.83, 0.32%, 0.5%

LAB 51.76, 20.83, 22.5

 

CMYK 0 / 22 / 49 / 34

HEX #A88356

RGB 168 131 86

HSL 32.93, 0.32%, 0.5%

LAB 57.3, 8.4, 29.68

 

CMYK 0 / 9 / 49 / 34

HEX #A89956

RGB 168 153 86

HSL 49.02, 0.32%, 0.5%

LAB 63.16, -3.75, 37.01

 

CMYK 5 / 0 / 49 / 34

HEX #A0A856

RGB 160 168 86

HSL 65.85, 0.32%, 0.5%

LAB 66.63, -15.07, 41.07

 

CMYK 0 / 48 / 49 / 34

HEX #A85756

RGB 168 87 86

HSL 0.73, 0.32%, 0.5%

LAB 46.73, 33.02, 15.75

 

CMYK 0 / 64 / 65 / 26

HEX #BC4342

RGB 188 67 66

HSL 0.49, 0.48%, 0.5%

LAB 45.77, 48.59, 27.08

 

CMYK 0 / 78 / 78 / 18

HEX #D12F2D

RGB 209 47 45

HSL 0.73, 0.65%, 0.5%

LAB 46.68, 61.66, 41.24

 

CMYK 0 / 88 / 90 / 10

HEX #E61B18

RGB 230 27 24

HSL 0.87, 0.81%, 0.5%

LAB 49.1, 71.5, 55.19

 

CMYK 0 / 97 / 98 / 2

HEX #FA0704

RGB 250 7 4

HSL 0.73, 0.97%, 0.5%

LAB 52.38, 78.45, 65.25

 

CMYK 0 / 48 / 49 / 34

HEX #A85756

RGB 168 87 86

HSL 0.73, 0.32%, 0.5%

LAB 46.73, 33.02, 15.75

 

CMYK 0 / 27 / 27 / 42

HEX #936B6B

RGB 147 107 107

HSL 0, 0.16%, 0.5%

LAB 49.23, 15.96, 6.29

 

CMYK 0 / 0 / 0 / 50

HEX #7F7F7F

RGB 127 127 127

HSL 0, 0%, 0.5%

LAB 53.19, 0, -0.01

 

CMYK 28 / 0 / 0 / 42

HEX #6A9494

RGB 106 148 148

HSL 180, 0.17%, 0.5%

LAB 58.4, -14.25, -4.64

 

CMYK 50 / 1 / 0 / 34

HEX #55A8A9

RGB 85 168 169

HSL 180.71, 0.33%, 0.5%

LAB 64, -24.85, -8.3

 

CMYK 0 / 49 / 23 / 34

HEX #A85682

RGB 168 86 130

HSL 327.8, 0.32%, 0.5%

LAB 47.74, 39.09, -9.35

 

CMYK 0 / 49 / 36 / 34

HEX #A8566C

RGB 168 86 108

HSL 343.9, 0.32%, 0.5%

LAB 47.06, 36.05, 2.92

 

CMYK 0 / 49 / 49 / 34

HEX #A85656

RGB 168 86 86

HSL 0, 0.32%, 0.5%

LAB 46.51, 33.56, 15.46

 

CMYK 0 / 36 / 49 / 34

HEX #A86C56

RGB 168 108 86

HSL 16.1, 0.32%, 0.5%

LAB 51.52, 21.4, 22.18

 

CMYK 0 / 23 / 49 / 34

HEX #A88256

RGB 168 130 86

HSL 32.2, 0.32%, 0.5%

LAB 57.04, 8.97, 29.35

 

CMYK 0 / 48 / 49 / 56

HEX #713B3A

RGB 113 59 58

HSL 1.09, 0.32%, 0.34%

LAB 31.68, 23.54, 11.25

 

CMYK 0 / 48 / 49 / 45

HEX #8D4948

RGB 141 73 72

HSL 0.87, 0.32%, 0.42%

LAB 39.4, 28.58, 13.66

 

CMYK 0 / 48 / 49 / 34

HEX #A85756

RGB 168 87 86

HSL 0.73, 0.32%, 0.5%

LAB 46.73, 33.02, 15.75

 

CMYK 0 / 37 / 38 / 29

HEX #B67271

RGB 182 114 113

HSL 0.87, 0.32%, 0.58%

LAB 55.25, 26.73, 11.86

 

CMYK 0 / 28 / 28 / 23

HEX #C48D8D

RGB 196 141 141

HSL 0, 0.32%, 0.66%

LAB 63.92, 20.9, 8.3

 

CMYK 0 / 48 / 48 / 34

HEX #A85857

RGB 168 88 87

HSL 0.74, 0.32%, 0.5%

LAB 46.96, 32.58, 15.47

 

CMYK 10 / 0 / 49 / 34

HEX #97A856

RGB 151 168 86

HSL 72.44, 0.32%, 0.5%

LAB 65.95, -18.78, 40.08

 

CMYK 49 / 29 / 0 / 34

HEX #5677A8

RGB 86 119 168

HSL 215.85, 0.32%, 0.5%

LAB 49.5, 2.15, -29.83

 

CMYK 0 / 48 / 48 / 34

HEX #A85857

RGB 168 88 87

HSL 0.74, 0.32%, 0.5%

LAB 46.96, 32.58, 15.47

 

CMYK 49 / 0 / 49 / 34

HEX #56A856

RGB 86 168 86

HSL 120, 0.32%, 0.5%

LAB 62.22, -42.14, 34.65

 

CMYK 49 / 49 / 0 / 34

HEX #5656A8

RGB 86 86 168

HSL 240, 0.32%, 0.5%

LAB 40.35, 22.64, -44.29

 

CMYK 0 / 48 / 48 / 34

HEX #A85857

RGB 168 88 87

HSL 0.74, 0.32%, 0.5%

LAB 46.96, 32.58, 15.47

 

CMYK 10 / 0 / 49 / 34

HEX #97A856

RGB 151 168 86

HSL 72.44, 0.32%, 0.5%

LAB 65.95, -18.78, 40.08

 

CMYK 49 / 0 / 0 / 34

HEX #56A8A8

RGB 86 168 168

HSL 180, 0.32%, 0.5%

LAB 64.01, -24.89, -7.72

 

CMYK 39 / 49 / 0 / 34

HEX #6756A8

RGB 103 86 168

HSL 252.44, 0.32%, 0.5%

LAB 41.79, 26.91, -41.89

 

CMYK 0 / 48 / 48 / 34

HEX #A85857

RGB 168 88 87

HSL 0.74, 0.32%, 0.5%

LAB 46.96, 32.58, 15.47

 

CMYK 24 / 0 / 49 / 34

HEX #7FA856

RGB 127 168 86

HSL 90, 0.32%, 0.5%

LAB 64.31, -28.25, 37.71

 

CMYK 49 / 0 / 0 / 34

HEX #56A8A8

RGB 86 168 168

HSL 180, 0.32%, 0.5%

LAB 64.01, -24.89, -7.72

 

CMYK 24 / 49 / 0 / 34

HEX #7F56A8

RGB 127 86 168

HSL 270, 0.32%, 0.5%

LAB 44.23, 33.52, -37.88

 

Description

Color code: HEX #A85857 | qconv.com Color code: HEX #A85857 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 88 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 88 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 48 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 48% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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