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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A85C5B it is the complementary color #57A3A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A85C5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A85C5B shade: #AD5C56, #BE6E69, #CF807C, #E0928F and #F1A4A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A85C5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A85C5B shade: #A85C5B, #974A48, #863835, #752622 and #64140F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A85C5B shade: #A85C5B and #A85B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A85C5B shade: #A85C5B, #A8715B, #A8865B, #A89A5B and #A1A85B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A85C5B shade matches the following richer shades: #A85C5B, #BD4847, #D13432, #E5211E and #F90D0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A85C5B shade: #A85C5B, #94706F, #808383, #6C9797 and #57ABAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A85C5B shade: #A85B84, #A85B6F, #A85B5B, #A86F5B and #A8845B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A85C5B shade: #743D3D, #8F4C4B, #A85C5B, #B77776 and #C59291

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A85C5B shade: #A85C5B, #99A85B and #5B7AA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A85C5B shade: #A85C5B, #5BA85B and #5B5BA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A85C5B shade: #A85C5B, #99A85B, #5BA8A8 and #6A5BA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A85C5B shade: #A85C5B, #82A85B, #5BA8A8 and #825BA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 46 / 34

HEX #A85C5B

RGB 168 92 91

HSL 0.78, 0.31%, 0.51%

LAB 47.92, 30.83, 14.39

 

Complementary color

CMYK 47 / 1 / 0 / 36

HEX #57A3A4

RGB 87 163 164

HSL 180.78, 0.31%, 0.49%

LAB 62.42, -23.2, -7.83

 

CMYK 0 / 47 / 50 / 32

HEX #AD5C56

RGB 173 92 86

HSL 4.14, 0.35%, 0.51%

LAB 48.52, 32.28, 18.31

 

CMYK 0 / 42 / 45 / 25

HEX #BE6E69

RGB 190 110 105

HSL 3.53, 0.4%, 0.58%

LAB 55.19, 31.12, 16.6

 

CMYK 0 / 38 / 40 / 19

HEX #CF807C

RGB 207 128 124

HSL 2.89, 0.46%, 0.65%

LAB 61.79, 30.07, 15.12

 

CMYK 0 / 35 / 36 / 12

HEX #E0928F

RGB 224 146 143

HSL 2.22, 0.57%, 0.72%

LAB 68.31, 29.11, 13.82

 

CMYK 0 / 32 / 33 / 5

HEX #F1A4A2

RGB 241 164 162

HSL 1.52, 0.74%, 0.79%

LAB 74.74, 28.24, 12.65

 

CMYK 0 / 45 / 46 / 34

HEX #A85C5B

RGB 168 92 91

HSL 0.78, 0.31%, 0.51%

LAB 47.92, 30.83, 14.39

 

CMYK 0 / 51 / 52 / 41

HEX #974A48

RGB 151 74 72

HSL 1.52, 0.35%, 0.44%

LAB 41.13, 32.01, 16.25

 

CMYK 0 / 58 / 60 / 47

HEX #863835

RGB 134 56 53

HSL 2.22, 0.43%, 0.37%

LAB 34.3, 33.24, 18.54

 

CMYK 0 / 68 / 71 / 54

HEX #752622

RGB 117 38 34

HSL 2.89, 0.55%, 0.3%

LAB 27.53, 34.37, 21.46

 

CMYK 0 / 80 / 85 / 61

HEX #64140F

RGB 100 20 15

HSL 3.53, 0.74%, 0.23%

LAB 21, 35, 25

 

CMYK 0 / 45 / 46 / 34

HEX #A85C5B

RGB 168 92 91

HSL 0.78, 0.31%, 0.51%

LAB 47.92, 30.83, 14.39

 

CMYK 0 / 46 / 46 / 34

HEX #A85B5B

RGB 168 91 91

HSL 0, 0.31%, 0.51%

LAB 47.7, 31.37, 14.09

 

CMYK 0 / 45 / 46 / 34

HEX #A85C5B

RGB 168 92 91

HSL 0.78, 0.31%, 0.51%

LAB 47.92, 30.83, 14.39

 

CMYK 0 / 33 / 46 / 34

HEX #A8715B

RGB 168 113 91

HSL 17.14, 0.31%, 0.51%

LAB 52.83, 19.1, 21.03

 

CMYK 0 / 20 / 46 / 34

HEX #A8865B

RGB 168 134 91

HSL 33.51, 0.31%, 0.51%

LAB 58.16, 7.24, 28.03

 

CMYK 0 / 8 / 46 / 34

HEX #A89A5B

RGB 168 154 91

HSL 49.09, 0.31%, 0.51%

LAB 63.5, -3.79, 34.82

 

CMYK 4 / 0 / 46 / 34

HEX #A1A85B

RGB 161 168 91

HSL 65.45, 0.31%, 0.51%

LAB 66.78, -14.15, 38.74

 

CMYK 0 / 45 / 46 / 34

HEX #A85C5B

RGB 168 92 91

HSL 0.78, 0.31%, 0.51%

LAB 47.92, 30.83, 14.39

 

CMYK 0 / 62 / 62 / 26

HEX #BD4847

RGB 189 72 71

HSL 0.51, 0.47%, 0.51%

LAB 46.85, 47.03, 25.51

 

CMYK 0 / 75 / 76 / 18

HEX #D13432

RGB 209 52 50

HSL 0.75, 0.63%, 0.51%

LAB 47.29, 60.28, 39.1

 

CMYK 0 / 86 / 87 / 10

HEX #E5211E

RGB 229 33 30

HSL 0.9, 0.79%, 0.51%

LAB 49.3, 70.28, 52.67

 

CMYK 0 / 95 / 96 / 2

HEX #F90D0A

RGB 249 13 10

HSL 0.75, 0.95%, 0.51%

LAB 52.34, 77.81, 63.65

 

CMYK 0 / 45 / 46 / 34

HEX #A85C5B

RGB 168 92 91

HSL 0.78, 0.31%, 0.51%

LAB 47.92, 30.83, 14.39

 

CMYK 0 / 24 / 25 / 42

HEX #94706F

RGB 148 112 111

HSL 1.62, 0.15%, 0.51%

LAB 50.72, 14.07, 6.07

 

CMYK 2 / 0 / 0 / 49

HEX #808383

RGB 128 131 131

HSL 180, 0.01%, 0.51%

LAB 54.51, -1.11, -0.4

 

CMYK 28 / 0 / 0 / 41

HEX #6C9797

RGB 108 151 151

HSL 180, 0.17%, 0.51%

LAB 59.49, -14.53, -4.73

 

CMYK 49 / 1 / 0 / 33

HEX #57ABAC

RGB 87 171 172

HSL 180.71, 0.34%, 0.51%

LAB 65.07, -25.1, -8.37

 

CMYK 0 / 46 / 21 / 34

HEX #A85B84

RGB 168 91 132

HSL 328.05, 0.31%, 0.51%

LAB 48.85, 36.74, -8.89

 

CMYK 0 / 46 / 34 / 34

HEX #A85B6F

RGB 168 91 111

HSL 344.42, 0.31%, 0.51%

LAB 48.2, 33.75, 2.76

 

CMYK 0 / 46 / 46 / 34

HEX #A85B5B

RGB 168 91 91

HSL 0, 0.31%, 0.51%

LAB 47.7, 31.37, 14.09

 

CMYK 0 / 34 / 46 / 34

HEX #A86F5B

RGB 168 111 91

HSL 15.58, 0.31%, 0.51%

LAB 52.34, 20.23, 20.38

 

CMYK 0 / 21 / 46 / 34

HEX #A8845B

RGB 168 132 91

HSL 31.95, 0.31%, 0.51%

LAB 57.64, 8.36, 27.36

 

CMYK 0 / 47 / 47 / 55

HEX #743D3D

RGB 116 61 61

HSL 0, 0.31%, 0.35%

LAB 32.67, 23.97, 10.76

 

CMYK 0 / 47 / 48 / 44

HEX #8F4C4B

RGB 143 76 75

HSL 0.88, 0.31%, 0.43%

LAB 40.44, 28.03, 13.26

 

CMYK 0 / 45 / 46 / 34

HEX #A85C5B

RGB 168 92 91

HSL 0.78, 0.31%, 0.51%

LAB 47.92, 30.83, 14.39

 

CMYK 0 / 35 / 36 / 28

HEX #B77776

RGB 183 119 118

HSL 0.92, 0.31%, 0.59%

LAB 56.65, 24.97, 10.95

 

CMYK 0 / 26 / 26 / 23

HEX #C59291

RGB 197 146 145

HSL 1.15, 0.31%, 0.67%

LAB 65.34, 19.1, 8.07

 

CMYK 0 / 45 / 46 / 34

HEX #A85C5B

RGB 168 92 91

HSL 0.78, 0.31%, 0.51%

LAB 47.92, 30.83, 14.39

 

CMYK 9 / 0 / 46 / 34

HEX #99A85B

RGB 153 168 91

HSL 71.69, 0.31%, 0.51%

LAB 66.16, -17.43, 37.85

 

CMYK 46 / 27 / 0 / 34

HEX #5B7AA8

RGB 91 122 168

HSL 215.84, 0.31%, 0.51%

LAB 50.65, 1.64, -28.01

 

CMYK 0 / 45 / 46 / 34

HEX #A85C5B

RGB 168 92 91

HSL 0.78, 0.31%, 0.51%

LAB 47.92, 30.83, 14.39

 

CMYK 46 / 0 / 46 / 34

HEX #5BA85B

RGB 91 168 91

HSL 120, 0.31%, 0.51%

LAB 62.49, -39.93, 32.47

 

CMYK 46 / 46 / 0 / 34

HEX #5B5BA8

RGB 91 91 168

HSL 240, 0.31%, 0.51%

LAB 42.05, 20.72, -41.54

 

CMYK 0 / 45 / 46 / 34

HEX #A85C5B

RGB 168 92 91

HSL 0.78, 0.31%, 0.51%

LAB 47.92, 30.83, 14.39

 

CMYK 9 / 0 / 46 / 34

HEX #99A85B

RGB 153 168 91

HSL 71.69, 0.31%, 0.51%

LAB 66.16, -17.43, 37.85

 

CMYK 46 / 0 / 0 / 34

HEX #5BA8A8

RGB 91 168 168

HSL 180, 0.31%, 0.51%

LAB 64.21, -23.72, -7.4

 

CMYK 37 / 46 / 0 / 34

HEX #6A5BA8

RGB 106 91 168

HSL 251.69, 0.31%, 0.51%

LAB 43.32, 24.65, -39.45

 

CMYK 0 / 45 / 46 / 34

HEX #A85C5B

RGB 168 92 91

HSL 0.78, 0.31%, 0.51%

LAB 47.92, 30.83, 14.39

 

CMYK 23 / 0 / 46 / 34

HEX #82A85B

RGB 130 168 91

HSL 89.61, 0.31%, 0.51%

LAB 64.57, -26.51, 35.52

 

CMYK 46 / 0 / 0 / 34

HEX #5BA8A8

RGB 91 168 168

HSL 180, 0.31%, 0.51%

LAB 64.21, -23.72, -7.4

 

CMYK 23 / 46 / 0 / 34

HEX #825BA8

RGB 130 91 168

HSL 270.39, 0.31%, 0.51%

LAB 45.71, 31.48, -35.51

 

Description

Color code: HEX #A85C5B | qconv.com Color code: HEX #A85C5B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 92 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 92 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 46 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 46% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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