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Color name
HEX #A87C4C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A87C4C it is the complementary color #5783B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A87C4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A87C4C shade: #AD7C47, #BE8E5A, #CFA06D, #E0B280 and #F1C493

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A87C4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A87C4C shade: #A87C4C, #976A39, #865826, #754613 and #643400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A87C4C shade: #A87C4B, #A8634B and #A84B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A87C4C shade: #A87C4B, #A8954B, #A3A84B, #8AA84B and #71A84B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A87C4C shade matches the following richer shades: #A87C4B, #BC7D38, #D07E24 and #E47E10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A87C4C shade: #A87C4B, #957B5F, #817A73, #6D7987 and #59789B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A87C4C shade: #A84B4D, #A8634B, #A87B4B, #A8944B and #A4A84B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A87C4C shade: #6F5232, #8C673F, #A87C4B, #B99064 and #C6A580

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A87C4C shade: #A87C4C, #66A84B and #564BA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A87C4C shade: #A87C4C, #4BA87B and #7B4BA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A87C4C shade: #A87C4C, #66A84B, #4B78A8 and #8E4BA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A87C4C shade: #A87C4C, #4BA84D, #4B78A8 and #A84BA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 55 / 34

HEX #A87C4C

RGB 168 124 76

HSL 31.3, 0.38%, 0.48%

LAB 55.34, 11.4, 32.68

 

Complementary color

CMYK 51 / 27 / 0 / 30

HEX #5783B3

RGB 87 131 179

HSL 211.3, 0.38%, 0.52%

LAB 53.51, -1.3, -29.94

 

CMYK 0 / 28 / 59 / 32

HEX #AD7C47

RGB 173 124 71

HSL 31.18, 0.42%, 0.48%

LAB 55.84, 13.15, 36.11

 

CMYK 0 / 25 / 53 / 25

HEX #BE8E5A

RGB 190 142 90

HSL 31.2, 0.43%, 0.55%

LAB 62.53, 12.04, 34.61

 

CMYK 0 / 23 / 47 / 19

HEX #CFA06D

RGB 207 160 109

HSL 31.22, 0.51%, 0.62%

LAB 69.12, 11.09, 33.2

 

CMYK 0 / 21 / 43 / 12

HEX #E0B280

RGB 224 178 128

HSL 31.25, 0.61%, 0.69%

LAB 75.6, 10.27, 31.88

 

CMYK 0 / 19 / 39 / 5

HEX #F1C493

RGB 241 196 147

HSL 31.28, 0.77%, 0.76%

LAB 81.99, 9.56, 30.65

 

CMYK 0 / 26 / 55 / 34

HEX #A87C4C

RGB 168 124 76

HSL 31.3, 0.38%, 0.48%

LAB 55.34, 11.4, 32.68

 

CMYK 0 / 30 / 62 / 41

HEX #976A39

RGB 151 106 57

HSL 31.28, 0.45%, 0.41%

LAB 48.49, 12.6, 34.23

 

CMYK 0 / 34 / 72 / 47

HEX #865826

RGB 134 88 38

HSL 31.25, 0.56%, 0.34%

LAB 41.51, 14.07, 35.78

 

CMYK 0 / 40 / 84 / 54

HEX #754613

RGB 117 70 19

HSL 31.22, 0.72%, 0.27%

LAB 34.41, 15.9, 37.01

 

CMYK 0 / 48 / 100 / 61

HEX #643400

RGB 100 52 0

HSL 31.2, 1%, 0.2%

LAB 27.2, 18.09, 37.52

 

CMYK 0 / 26 / 55 / 34

HEX #A87C4B

RGB 168 124 75

HSL 31.61, 0.38%, 0.48%

LAB 55.33, 11.31, 33.21

 

CMYK 0 / 41 / 55 / 34

HEX #A8634B

RGB 168 99 75

HSL 15.48, 0.38%, 0.48%

LAB 49.2, 25.41, 25.52

 

CMYK 0 / 55 / 55 / 34

HEX #A84B4B

RGB 168 75 75

HSL 0, 0.38%, 0.48%

LAB 44.04, 38.28, 18.77

 

CMYK 0 / 26 / 55 / 34

HEX #A87C4B

RGB 168 124 75

HSL 31.61, 0.38%, 0.48%

LAB 55.33, 11.31, 33.21

 

CMYK 0 / 11 / 55 / 34

HEX #A8954B

RGB 168 149 75

HSL 47.74, 0.38%, 0.48%

LAB 61.94, -2.58, 41.15

 

CMYK 3 / 0 / 55 / 34

HEX #A3A84B

RGB 163 168 75

HSL 63.23, 0.38%, 0.48%

LAB 66.75, -14.82, 46.62

 

CMYK 18 / 0 / 55 / 34

HEX #8AA84B

RGB 138 168 75

HSL 79.35, 0.38%, 0.48%

LAB 64.9, -25.14, 44

 

CMYK 33 / 0 / 55 / 34

HEX #71A84B

RGB 113 168 75

HSL 95.48, 0.38%, 0.48%

LAB 63.36, -34.7, 41.82

 

CMYK 0 / 26 / 55 / 34

HEX #A87C4B

RGB 168 124 75

HSL 31.61, 0.38%, 0.48%

LAB 55.33, 11.31, 33.21

 

CMYK 0 / 34 / 70 / 26

HEX #BC7D38

RGB 188 125 56

HSL 31.36, 0.54%, 0.48%

LAB 57.7, 18.12, 46.29

 

CMYK 0 / 39 / 83 / 18

HEX #D07E24

RGB 208 126 36

HSL 31.4, 0.7%, 0.48%

LAB 60.3, 25.33, 58.16

 

CMYK 0 / 45 / 93 / 11

HEX #E47E10

RGB 228 126 16

HSL 31.13, 0.87%, 0.48%

LAB 62.89, 33.25, 66.99

 

CMYK 0 / 26 / 55 / 34

HEX #A87C4B

RGB 168 124 75

HSL 31.61, 0.38%, 0.48%

LAB 55.33, 11.31, 33.21

 

CMYK 0 / 17 / 36 / 42

HEX #957B5F

RGB 149 123 95

HSL 31.11, 0.22%, 0.48%

LAB 53.36, 5.87, 19.09

 

CMYK 0 / 5 / 11 / 49

HEX #817A73

RGB 129 122 115

HSL 30, 0.06%, 0.48%

LAB 51.64, 1.36, 4.78

 

CMYK 19 / 10 / 0 / 47

HEX #6D7987

RGB 109 121 135

HSL 212.31, 0.11%, 0.48%

LAB 50.31, -1.26, -9.13

 

CMYK 43 / 23 / 0 / 39

HEX #59789B

RGB 89 120 155

HSL 211.82, 0.27%, 0.48%

LAB 49.4, -1.57, -22.37

 

CMYK 0 / 55 / 54 / 34

HEX #A84B4D

RGB 168 75 77

HSL 358.71, 0.38%, 0.48%

LAB 44.08, 38.45, 17.61

 

CMYK 0 / 41 / 55 / 34

HEX #A8634B

RGB 168 99 75

HSL 15.48, 0.38%, 0.48%

LAB 49.2, 25.41, 25.52

 

CMYK 0 / 27 / 55 / 34

HEX #A87B4B

RGB 168 123 75

HSL 30.97, 0.38%, 0.48%

LAB 55.07, 11.87, 32.89

 

CMYK 0 / 12 / 55 / 34

HEX #A8944B

RGB 168 148 75

HSL 47.1, 0.38%, 0.48%

LAB 61.67, -2.04, 40.83

 

CMYK 2 / 0 / 55 / 34

HEX #A4A84B

RGB 164 168 75

HSL 62.58, 0.38%, 0.48%

LAB 66.83, -14.4, 46.73

 

CMYK 0 / 26 / 55 / 56

HEX #6F5232

RGB 111 82 50

HSL 31.48, 0.38%, 0.32%

LAB 37.2, 7.91, 23.38

 

CMYK 0 / 26 / 55 / 45

HEX #8C673F

RGB 140 103 63

HSL 31.17, 0.38%, 0.4%

LAB 46.49, 9.92, 28.21

 

CMYK 0 / 26 / 55 / 34

HEX #A87C4B

RGB 168 124 75

HSL 31.61, 0.38%, 0.48%

LAB 55.33, 11.31, 33.21

 

CMYK 0 / 22 / 46 / 27

HEX #B99064

RGB 185 144 100

HSL 31.06, 0.38%, 0.56%

LAB 62.66, 9.8, 29.27

 

CMYK 0 / 17 / 35 / 22

HEX #C6A580

RGB 198 165 128

HSL 31.71, 0.38%, 0.64%

LAB 69.81, 6.83, 23.71

 

CMYK 0 / 26 / 55 / 34

HEX #A87C4C

RGB 168 124 76

HSL 31.3, 0.38%, 0.48%

LAB 55.34, 11.4, 32.68

 

CMYK 39 / 0 / 55 / 34

HEX #66A84B

RGB 102 168 75

HSL 102.58, 0.38%, 0.48%

LAB 62.79, -38.54, 41

 

CMYK 49 / 55 / 0 / 34

HEX #564BA8

RGB 86 75 168

HSL 247.1, 0.38%, 0.48%

LAB 37.55, 29.55, -48.78

 

CMYK 0 / 26 / 55 / 34

HEX #A87C4C

RGB 168 124 76

HSL 31.3, 0.38%, 0.48%

LAB 55.34, 11.4, 32.68

 

CMYK 55 / 0 / 27 / 34

HEX #4BA87B

RGB 75 168 123

HSL 150.97, 0.38%, 0.48%

LAB 62.45, -38.39, 15.07

 

CMYK 27 / 55 / 0 / 34

HEX #7B4BA8

RGB 123 75 168

HSL 270.97, 0.38%, 0.48%

LAB 41.33, 38.71, -42.51

 

CMYK 0 / 26 / 55 / 34

HEX #A87C4C

RGB 168 124 76

HSL 31.3, 0.38%, 0.48%

LAB 55.34, 11.4, 32.68

 

CMYK 39 / 0 / 55 / 34

HEX #66A84B

RGB 102 168 75

HSL 102.58, 0.38%, 0.48%

LAB 62.79, -38.54, 41

 

CMYK 55 / 29 / 0 / 34

HEX #4B78A8

RGB 75 120 168

HSL 210.97, 0.38%, 0.48%

LAB 49.2, -1.06, -30.34

 

CMYK 15 / 55 / 0 / 34

HEX #8E4BA8

RGB 142 75 168

HSL 283.23, 0.38%, 0.48%

LAB 43.67, 43.82, -38.65

 

CMYK 0 / 26 / 55 / 34

HEX #A87C4C

RGB 168 124 76

HSL 31.3, 0.38%, 0.48%

LAB 55.34, 11.4, 32.68

 

CMYK 55 / 0 / 54 / 34

HEX #4BA84D

RGB 75 168 77

HSL 121.29, 0.38%, 0.48%

LAB 61.69, -46.43, 38.43

 

CMYK 55 / 29 / 0 / 34

HEX #4B78A8

RGB 75 120 168

HSL 210.97, 0.38%, 0.48%

LAB 49.2, -1.06, -30.34

 

CMYK 0 / 55 / 1 / 34

HEX #A84BA7

RGB 168 75 167

HSL 300.65, 0.38%, 0.48%

LAB 47.17, 50.8, -32.3

 

Description

Color code: HEX #A87C4C | qconv.com Color code: HEX #A87C4C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 124 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 124 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 55 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 55% 34% C M Y K

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Provide designers and agencies with accurate color values.

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