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Color name
HEX #C6A580

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6A580 it is the complementary color #395A7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6A580. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6A580 shade: #CBA57B, #DCB78E, #EDC9A1, #FEDBB4 and #FFEDC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6A580. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6A580 shade: #C6A580, #B5936D, #A4815A, #936F47 and #825D34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6A580 shade: #C6A580, #C69280 and #C68080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6A580 shade: #C6A580, #C6B880, #C1C680, #AEC680 and #9BC680

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6A580 shade matches the following richer shades: #C6A580, #D4A671, #E3A662 and #F2A753

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6A580 shade: #C6A580, #B7A48F, #A8A39E, #99A2AC and #8AA1BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6A580 shade: #C68081, #C69180, #C6A480, #C6B680 and #C2C680

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6A580 shade: #A87C4B, #B99163, #C6A580, #D2B99C and #DFCDB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6A580 shade: #C6A580, #94C680 and #8880C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6A580 shade: #C6A580, #80C6A4 and #A480C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6A580 shade: #C6A580, #94C680, #80A2C6 and #B280C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6A580 shade: #C6A580, #80C681, #80A2C6 and #C680C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 35 / 22

HEX #C6A580

RGB 198 165 128

HSL 31.71, 0.38%, 0.64%

LAB 69.81, 6.83, 23.71

 

Complementary color

CMYK 55 / 29 / 0 / 50

HEX #395A7F

RGB 57 90 127

HSL 211.71, 0.38%, 0.36%

LAB 37.33, -0.49, -24.47

 

CMYK 0 / 19 / 39 / 20

HEX #CBA57B

RGB 203 165 123

HSL 31.5, 0.43%, 0.64%

LAB 70.2, 8.25, 27.04

 

CMYK 0 / 17 / 35 / 14

HEX #DCB78E

RGB 220 183 142

HSL 31.54, 0.53%, 0.71%

LAB 76.7, 7.61, 25.84

 

CMYK 0 / 15 / 32 / 7

HEX #EDC9A1

RGB 237 201 161

HSL 31.58, 0.68%, 0.78%

LAB 83.1, 7.05, 24.73

 

CMYK 0 / 14 / 29 / 0

HEX #FEDBB4

RGB 254 219 180

HSL 31.62, 0.97%, 0.85%

LAB 89.41, 6.55, 23.68

 

CMYK 0 / 7 / 22 / 0

HEX #FFEDC7

RGB 255 237 199

HSL 40.71, 1%, 0.89%

LAB 94.29, 0.27, 20.63

 

CMYK 0 / 17 / 35 / 22

HEX #C6A580

RGB 198 165 128

HSL 31.71, 0.38%, 0.64%

LAB 69.81, 6.83, 23.71

 

CMYK 0 / 19 / 40 / 29

HEX #B5936D

RGB 181 147 109

HSL 31.67, 0.33%, 0.57%

LAB 63.17, 7.47, 24.93

 

CMYK 0 / 21 / 45 / 36

HEX #A4815A

RGB 164 129 90

HSL 31.62, 0.29%, 0.5%

LAB 56.42, 8.24, 26.25

 

CMYK 0 / 24 / 52 / 42

HEX #936F47

RGB 147 111 71

HSL 31.58, 0.35%, 0.43%

LAB 49.53, 9.15, 27.68

 

CMYK 0 / 28 / 60 / 49

HEX #825D34

RGB 130 93 52

HSL 31.54, 0.43%, 0.36%

LAB 42.49, 10.28, 29.23

 

CMYK 0 / 17 / 35 / 22

HEX #C6A580

RGB 198 165 128

HSL 31.71, 0.38%, 0.64%

LAB 69.81, 6.83, 23.71

 

CMYK 0 / 26 / 35 / 22

HEX #C69280

RGB 198 146 128

HSL 15.43, 0.38%, 0.64%

LAB 65.06, 17.21, 17.23

 

CMYK 0 / 35 / 35 / 22

HEX #C68080

RGB 198 128 128

HSL 0, 0.38%, 0.64%

LAB 60.78, 27.09, 11.27

 

CMYK 0 / 17 / 35 / 22

HEX #C6A580

RGB 198 165 128

HSL 31.71, 0.38%, 0.64%

LAB 69.81, 6.83, 23.71

 

CMYK 0 / 7 / 35 / 22

HEX #C6B880

RGB 198 184 128

HSL 48, 0.38%, 0.64%

LAB 74.73, -3.32, 30.28

 

CMYK 3 / 0 / 35 / 22

HEX #C1C680

RGB 193 198 128

HSL 64.29, 0.38%, 0.64%

LAB 78.04, -12.56, 34.54

 

CMYK 12 / 0 / 35 / 22

HEX #AEC680

RGB 174 198 128

HSL 80.57, 0.38%, 0.64%

LAB 76.65, -19.88, 32.45

 

CMYK 22 / 0 / 35 / 22

HEX #9BC680

RGB 155 198 128

HSL 96.86, 0.38%, 0.64%

LAB 75.4, -26.89, 30.58

 

CMYK 0 / 17 / 35 / 22

HEX #C6A580

RGB 198 165 128

HSL 31.71, 0.38%, 0.64%

LAB 69.81, 6.83, 23.71

 

CMYK 0 / 22 / 47 / 17

HEX #D4A671

RGB 212 166 113

HSL 32.12, 0.54%, 0.64%

LAB 71.19, 10.3, 33.84

 

CMYK 0 / 27 / 57 / 11

HEX #E3A662

RGB 227 166 98

HSL 31.63, 0.7%, 0.64%

LAB 72.55, 15.15, 43.65

 

CMYK 0 / 31 / 66 / 5

HEX #F2A753

RGB 242 167 83

HSL 31.7, 0.86%, 0.64%

LAB 74.28, 19.8, 53.42

 

CMYK 0 / 17 / 35 / 22

HEX #C6A580

RGB 198 165 128

HSL 31.71, 0.38%, 0.64%

LAB 69.81, 6.83, 23.71

 

CMYK 0 / 10 / 22 / 28

HEX #B7A48F

RGB 183 164 143

HSL 31.5, 0.22%, 0.64%

LAB 68.46, 3.51, 13.42

 

CMYK 0 / 3 / 6 / 34

HEX #A8A39E

RGB 168 163 158

HSL 30, 0.05%, 0.64%

LAB 67.27, 0.89, 3.22

 

CMYK 11 / 6 / 0 / 33

HEX #99A2AC

RGB 153 162 172

HSL 211.58, 0.1%, 0.64%

LAB 66.21, -1.14, -6.28

 

CMYK 26 / 14 / 0 / 27

HEX #8AA1BB

RGB 138 161 187

HSL 211.84, 0.26%, 0.64%

LAB 65.34, -2.07, -16.06

 

CMYK 0 / 35 / 35 / 22

HEX #C68081

RGB 198 128 129

HSL 359.14, 0.38%, 0.64%

LAB 60.81, 27.22, 10.73

 

CMYK 0 / 27 / 35 / 22

HEX #C69180

RGB 198 145 128

HSL 14.57, 0.38%, 0.64%

LAB 64.82, 17.76, 16.9

 

CMYK 0 / 17 / 35 / 22

HEX #C6A480

RGB 198 164 128

HSL 30.86, 0.38%, 0.64%

LAB 69.55, 7.37, 23.37

 

CMYK 0 / 8 / 35 / 22

HEX #C6B680

RGB 198 182 128

HSL 46.29, 0.38%, 0.64%

LAB 74.2, -2.27, 29.59

 

CMYK 2 / 0 / 35 / 22

HEX #C2C680

RGB 194 198 128

HSL 63.43, 0.38%, 0.64%

LAB 78.12, -12.17, 34.66

 

CMYK 0 / 26 / 55 / 34

HEX #A87C4B

RGB 168 124 75

HSL 31.61, 0.38%, 0.48%

LAB 55.33, 11.31, 33.21

 

CMYK 0 / 22 / 46 / 27

HEX #B99163

RGB 185 145 99

HSL 32.09, 0.38%, 0.56%

LAB 62.9, 9.14, 30.12

 

CMYK 0 / 17 / 35 / 22

HEX #C6A580

RGB 198 165 128

HSL 31.71, 0.38%, 0.64%

LAB 69.81, 6.83, 23.71

 

CMYK 0 / 12 / 26 / 18

HEX #D2B99C

RGB 210 185 156

HSL 32.22, 0.38%, 0.72%

LAB 76.56, 4.48, 18

 

CMYK 0 / 8 / 17 / 13

HEX #DFCDB9

RGB 223 205 185

HSL 31.58, 0.37%, 0.8%

LAB 83.37, 3.04, 12.22

 

CMYK 0 / 17 / 35 / 22

HEX #C6A580

RGB 198 165 128

HSL 31.71, 0.38%, 0.64%

LAB 69.81, 6.83, 23.71

 

CMYK 25 / 0 / 35 / 22

HEX #94C680

RGB 148 198 128

HSL 102.86, 0.38%, 0.64%

LAB 74.98, -29.37, 29.95

 

CMYK 31 / 35 / 0 / 22

HEX #8880C6

RGB 136 128 198

HSL 246.86, 0.38%, 0.64%

LAB 56.83, 19.03, -35.36

 

CMYK 0 / 17 / 35 / 22

HEX #C6A580

RGB 198 165 128

HSL 31.71, 0.38%, 0.64%

LAB 69.81, 6.83, 23.71

 

CMYK 35 / 0 / 17 / 22

HEX #80C6A4

RGB 128 198 164

HSL 150.86, 0.38%, 0.64%

LAB 74.61, -29.47, 10.13

 

CMYK 17 / 35 / 0 / 22

HEX #A480C6

RGB 164 128 198

HSL 270.86, 0.38%, 0.64%

LAB 59.35, 27.42, -31.24

 

CMYK 0 / 17 / 35 / 22

HEX #C6A580

RGB 198 165 128

HSL 31.71, 0.38%, 0.64%

LAB 69.81, 6.83, 23.71

 

CMYK 25 / 0 / 35 / 22

HEX #94C680

RGB 148 198 128

HSL 102.86, 0.38%, 0.64%

LAB 74.98, -29.37, 29.95

 

CMYK 35 / 18 / 0 / 22

HEX #80A2C6

RGB 128 162 198

HSL 210.86, 0.38%, 0.64%

LAB 65.36, -2.81, -22.22

 

CMYK 10 / 35 / 0 / 22

HEX #B280C6

RGB 178 128 198

HSL 282.86, 0.38%, 0.64%

LAB 60.76, 31.79, -28.94

 

CMYK 0 / 17 / 35 / 22

HEX #C6A580

RGB 198 165 128

HSL 31.71, 0.38%, 0.64%

LAB 69.81, 6.83, 23.71

 

CMYK 35 / 0 / 35 / 22

HEX #80C681

RGB 128 198 129

HSL 120.86, 0.38%, 0.64%

LAB 73.91, -35.91, 27.81

 

CMYK 35 / 18 / 0 / 22

HEX #80A2C6

RGB 128 162 198

HSL 210.86, 0.38%, 0.64%

LAB 65.36, -2.81, -22.22

 

CMYK 0 / 35 / 1 / 22

HEX #C680C4

RGB 198 128 196

HSL 301.71, 0.38%, 0.64%

LAB 62.87, 37.75, -24.39

 

Description

Color code: HEX #C6A580 | qconv.com Color code: HEX #C6A580 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 165 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 165 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 35 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 35% 22% C M Y K

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Provide designers and agencies with accurate color values.

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