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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A88495 it is the complementary color #577B6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A88495. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A88495 shade: #AD8490, #BE96A3, #CFA8B6, #E0BAC9 and #F1CCDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A88495. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A88495 shade: #A88495, #977282, #86606F, #754E5C and #643C49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A88495 shade: #A88495, #A8848B and #A88484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A88495 shade: #A88495, #A8849F, #A784A8, #9E84A8 and #9484A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A88495 shade matches the following richer shades: #A88495, #B97394, #CA6293, #DA5192 and #EB4191

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A88495 shade: #A88495, #979596, #86A697, #75B798 and #64C899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A88495 shade: #A784A8, #A8849F, #A88495, #A8848C and #A88684

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A88495 shade: #7F5A6C, #976C80, #A88495, #B99CAA and #CAB4BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A88495 shade: #A88495, #A89E84 and #84A4A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A88495 shade: #A88495, #95A884 and #8495A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A88495 shade: #A88495, #A89E84, #84A897 and #848EA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A88495 shade: #A88495, #A7A884, #84A897 and #8584A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 11 / 34

HEX #A88495

RGB 168 132 149

HSL 331.67, 0.17%, 0.59%

LAB 58.97, 16.61, -3.81

 

Complementary color

CMYK 29 / 0 / 14 / 52

HEX #577B6A

RGB 87 123 106

HSL 151.67, 0.17%, 0.41%

LAB 48.55, -16.63, 5.22

 

CMYK 0 / 24 / 17 / 32

HEX #AD8490

RGB 173 132 144

HSL 342.44, 0.2%, 0.6%

LAB 59.34, 17.63, -0.34

 

CMYK 0 / 21 / 14 / 25

HEX #BE96A3

RGB 190 150 163

HSL 340.5, 0.24%, 0.67%

LAB 66.06, 17.04, -1.08

 

CMYK 0 / 19 / 12 / 19

HEX #CFA8B6

RGB 207 168 182

HSL 338.46, 0.29%, 0.74%

LAB 72.66, 16.51, -1.78

 

CMYK 0 / 17 / 10 / 12

HEX #E0BAC9

RGB 224 186 201

HSL 336.32, 0.38%, 0.8%

LAB 79.15, 16.03, -2.44

 

CMYK 0 / 15 / 9 / 5

HEX #F1CCDC

RGB 241 204 220

HSL 334.05, 0.57%, 0.87%

LAB 85.53, 15.58, -3.07

 

CMYK 0 / 21 / 11 / 34

HEX #A88495

RGB 168 132 149

HSL 331.67, 0.17%, 0.59%

LAB 58.97, 16.61, -3.81

 

CMYK 0 / 25 / 14 / 41

HEX #977282

RGB 151 114 130

HSL 334.05, 0.15%, 0.52%

LAB 52.09, 17.22, -3.11

 

CMYK 0 / 28 / 17 / 47

HEX #86606F

RGB 134 96 111

HSL 336.32, 0.17%, 0.45%

LAB 45.06, 17.9, -2.35

 

CMYK 0 / 33 / 21 / 54

HEX #754E5C

RGB 117 78 92

HSL 338.46, 0.2%, 0.38%

LAB 37.85, 18.67, -1.49

 

CMYK 0 / 40 / 27 / 61

HEX #643C49

RGB 100 60 73

HSL 340.5, 0.25%, 0.31%

LAB 30.45, 19.57, -0.47

 

CMYK 0 / 21 / 11 / 34

HEX #A88495

RGB 168 132 149

HSL 331.67, 0.17%, 0.59%

LAB 58.97, 16.61, -3.81

 

CMYK 0 / 21 / 17 / 34

HEX #A8848B

RGB 168 132 139

HSL 348.33, 0.17%, 0.59%

LAB 58.69, 14.91, 1.52

 

CMYK 0 / 21 / 21 / 34

HEX #A88484

RGB 168 132 132

HSL 0, 0.17%, 0.59%

LAB 58.5, 13.78, 5.27

 

CMYK 0 / 21 / 11 / 34

HEX #A88495

RGB 168 132 149

HSL 331.67, 0.17%, 0.59%

LAB 58.97, 16.61, -3.81

 

CMYK 0 / 21 / 5 / 34

HEX #A8849F

RGB 168 132 159

HSL 315, 0.17%, 0.59%

LAB 59.28, 18.42, -9.09

 

CMYK 1 / 21 / 0 / 34

HEX #A784A8

RGB 167 132 168

HSL 298.33, 0.17%, 0.59%

LAB 59.48, 19.79, -13.96

 

CMYK 6 / 21 / 0 / 34

HEX #9E84A8

RGB 158 132 168

HSL 283.33, 0.17%, 0.59%

LAB 58.6, 16.67, -15.36

 

CMYK 12 / 21 / 0 / 34

HEX #9484A8

RGB 148 132 168

HSL 266.67, 0.17%, 0.59%

LAB 57.68, 13.24, -16.85

 

CMYK 0 / 21 / 11 / 34

HEX #A88495

RGB 168 132 149

HSL 331.67, 0.17%, 0.59%

LAB 58.97, 16.61, -3.81

 

CMYK 0 / 38 / 20 / 27

HEX #B97394

RGB 185 115 148

HSL 331.71, 0.33%, 0.59%

LAB 56.8, 32.18, -6.24

 

CMYK 0 / 51 / 27 / 21

HEX #CA6293

RGB 202 98 147

HSL 331.73, 0.5%, 0.59%

LAB 55.48, 46.8, -7.37

 

CMYK 0 / 63 / 33 / 15

HEX #DA5192

RGB 218 81 146

HSL 331.53, 0.65%, 0.59%

LAB 54.93, 59.48, -7.34

 

CMYK 0 / 72 / 38 / 8

HEX #EB4191

RGB 235 65 145

HSL 331.76, 0.81%, 0.59%

LAB 55.57, 70.1, -5.5

 

CMYK 0 / 21 / 11 / 34

HEX #A88495

RGB 168 132 149

HSL 331.67, 0.17%, 0.59%

LAB 58.97, 16.61, -3.81

 

CMYK 0 / 1 / 1 / 41

HEX #979596

RGB 151 149 150

HSL 330, 0.01%, 0.59%

LAB 61.89, 0.92, -0.28

 

CMYK 19 / 0 / 9 / 35

HEX #86A697

RGB 134 166 151

HSL 151.88, 0.15%, 0.59%

LAB 65.42, -14.12, 4.13

 

CMYK 36 / 0 / 17 / 28

HEX #75B798

RGB 117 183 152

HSL 151.82, 0.31%, 0.59%

LAB 69.41, -27.95, 9.18

 

CMYK 50 / 0 / 24 / 22

HEX #64C899

RGB 100 200 153

HSL 151.8, 0.48%, 0.59%

LAB 73.75, -40.26, 14.67

 

CMYK 1 / 21 / 0 / 34

HEX #A784A8

RGB 167 132 168

HSL 298.33, 0.17%, 0.59%

LAB 59.48, 19.79, -13.96

 

CMYK 0 / 21 / 5 / 34

HEX #A8849F

RGB 168 132 159

HSL 315, 0.17%, 0.59%

LAB 59.28, 18.42, -9.09

 

CMYK 0 / 21 / 11 / 34

HEX #A88495

RGB 168 132 149

HSL 331.67, 0.17%, 0.59%

LAB 58.97, 16.61, -3.81

 

CMYK 0 / 21 / 17 / 34

HEX #A8848C

RGB 168 132 140

HSL 346.67, 0.17%, 0.59%

LAB 58.72, 15.07, 0.98

 

CMYK 0 / 20 / 21 / 34

HEX #A88684

RGB 168 134 132

HSL 3.33, 0.17%, 0.59%

LAB 59.01, 12.65, 6.01

 

CMYK 0 / 29 / 15 / 50

HEX #7F5A6C

RGB 127 90 108

HSL 330.81, 0.17%, 0.43%

LAB 42.62, 18.21, -4.21

 

CMYK 0 / 28 / 15 / 41

HEX #976C80

RGB 151 108 128

HSL 332.09, 0.17%, 0.51%

LAB 50.53, 20.34, -4.24

 

CMYK 0 / 21 / 11 / 34

HEX #A88495

RGB 168 132 149

HSL 331.67, 0.17%, 0.59%

LAB 58.97, 16.61, -3.81

 

CMYK 0 / 16 / 8 / 27

HEX #B99CAA

RGB 185 156 170

HSL 331.03, 0.17%, 0.67%

LAB 67.27, 13.1, -3.28

 

CMYK 0 / 11 / 5 / 21

HEX #CAB4BF

RGB 202 180 191

HSL 330, 0.17%, 0.75%

LAB 75.43, 9.77, -2.7

 

CMYK 0 / 21 / 11 / 34

HEX #A88495

RGB 168 132 149

HSL 331.67, 0.17%, 0.59%

LAB 58.97, 16.61, -3.81

 

CMYK 0 / 6 / 21 / 34

HEX #A89E84

RGB 168 158 132

HSL 43.33, 0.17%, 0.59%

LAB 65.31, -0.71, 14.91

 

CMYK 21 / 2 / 0 / 34

HEX #84A4A8

RGB 132 164 168

HSL 186.67, 0.17%, 0.59%

LAB 65.19, -10.05, -5.71

 

CMYK 0 / 21 / 11 / 34

HEX #A88495

RGB 168 132 149

HSL 331.67, 0.17%, 0.59%

LAB 58.97, 16.61, -3.81

 

CMYK 11 / 0 / 21 / 34

HEX #95A884

RGB 149 168 132

HSL 91.67, 0.17%, 0.59%

LAB 66.57, -13.34, 16.43

 

CMYK 21 / 11 / 0 / 34

HEX #8495A8

RGB 132 149 168

HSL 211.67, 0.17%, 0.59%

LAB 60.98, -1.8, -11.99

 

CMYK 0 / 21 / 11 / 34

HEX #A88495

RGB 168 132 149

HSL 331.67, 0.17%, 0.59%

LAB 58.97, 16.61, -3.81

 

CMYK 0 / 6 / 21 / 34

HEX #A89E84

RGB 168 158 132

HSL 43.33, 0.17%, 0.59%

LAB 65.31, -0.71, 14.91

 

CMYK 21 / 0 / 10 / 34

HEX #84A897

RGB 132 168 151

HSL 151.67, 0.17%, 0.59%

LAB 65.86, -15.84, 4.76

 

CMYK 21 / 15 / 0 / 34

HEX #848EA8

RGB 132 142 168

HSL 223.33, 0.17%, 0.59%

LAB 59.05, 2.16, -14.9

 

CMYK 0 / 21 / 11 / 34

HEX #A88495

RGB 168 132 149

HSL 331.67, 0.17%, 0.59%

LAB 58.97, 16.61, -3.81

 

CMYK 1 / 0 / 21 / 34

HEX #A7A884

RGB 167 168 132

HSL 61.67, 0.17%, 0.59%

LAB 67.94, -6.5, 18.54

 

CMYK 21 / 0 / 10 / 34

HEX #84A897

RGB 132 168 151

HSL 151.67, 0.17%, 0.59%

LAB 65.86, -15.84, 4.76

 

CMYK 21 / 21 / 0 / 34

HEX #8584A8

RGB 133 132 168

HSL 241.67, 0.17%, 0.59%

LAB 56.4, 8.24, -18.91

 

Description

Color code: HEX #A88495 | qconv.com Color code: HEX #A88495 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 132 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 132 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 11 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 11% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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