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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8B041 it is the complementary color #574FBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8B041. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8B041 shade: #ADB03C, #BEC24F, #CFD462, #E0E675 and #F1F888

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8B041. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8B041 shade: #A8B041, #979E2E, #868C1B, #757A08 and #646800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8B041 shade: #A7AE40, #AE9940, #AE7B40, #AE5D40 and #AE4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8B041 shade: #A7AE40, #89AE40, #6BAE40, #4DAE40 and #40AE51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8B041 shade matches the following richer shades: #A7AE40, #B7C22D, #C8D519 and #D8E906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8B041 shade: #A7AE40, #969B54, #858867, #75747A and #64618E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8B041 shade: #AE7B40, #AE9840, #A7AE40, #8AAE40 and #6CAE40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8B041 shade: #6D722A, #8A9035, #A7AE40, #B9C157 and #C6CC75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8B041 shade: #A8B041, #40AE5E and #8A40AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8B041 shade: #A8B041, #40A7AE and #AE40A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8B041 shade: #A8B041, #40AE5E, #4840AE and #AE4091

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8B041 shade: #A8B041, #40AE7F, #4840AE and #AE4070

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 63 / 31

HEX #A8B041

RGB 168 176 65

HSL 64.32, 0.46%, 0.47%

LAB 69.3, -17.56, 54.04

 

Complementary color

CMYK 54 / 58 / 0 / 25

HEX #574FBE

RGB 87 79 190

HSL 244.32, 0.46%, 0.53%

LAB 40.14, 34.21, -57.57

 

CMYK 2 / 0 / 66 / 31

HEX #ADB03C

RGB 173 176 60

HSL 61.55, 0.49%, 0.46%

LAB 69.66, -15.75, 56.62

 

CMYK 2 / 0 / 59 / 24

HEX #BEC24F

RGB 190 194 79

HSL 62.09, 0.49%, 0.54%

LAB 76.13, -16.45, 55.88

 

CMYK 2 / 0 / 54 / 17

HEX #CFD462

RGB 207 212 98

HSL 62.63, 0.57%, 0.61%

LAB 82.5, -17.02, 54.91

 

CMYK 3 / 0 / 49 / 10

HEX #E0E675

RGB 224 230 117

HSL 63.19, 0.69%, 0.68%

LAB 88.79, -17.48, 53.83

 

CMYK 3 / 0 / 45 / 3

HEX #F1F888

RGB 241 248 136

HSL 63.75, 0.89%, 0.75%

LAB 95, -17.87, 52.71

 

CMYK 5 / 0 / 63 / 31

HEX #A8B041

RGB 168 176 65

HSL 64.32, 0.46%, 0.47%

LAB 69.3, -17.56, 54.04

 

CMYK 4 / 0 / 71 / 38

HEX #979E2E

RGB 151 158 46

HSL 63.75, 0.55%, 0.4%

LAB 62.7, -16.82, 54.56

 

CMYK 4 / 0 / 81 / 45

HEX #868C1B

RGB 134 140 27

HSL 63.19, 0.68%, 0.33%

LAB 55.99, -15.88, 54.33

 

CMYK 4 / 0 / 93 / 52

HEX #757A08

RGB 117 122 8

HSL 62.63, 0.88%, 0.25%

LAB 49.15, -14.66, 52.65

 

CMYK 4 / 0 / 100 / 59

HEX #646800

RGB 100 104 0

HSL 62.31, 1%, 0.2%

LAB 42.17, -13.08, 48.45

 

CMYK 4 / 0 / 63 / 32

HEX #A7AE40

RGB 167 174 64

HSL 63.82, 0.46%, 0.47%

LAB 68.65, -17.03, 53.75

 

CMYK 0 / 12 / 63 / 32

HEX #AE9940

RGB 174 153 64

HSL 48.55, 0.46%, 0.47%

LAB 63.47, -2.96, 48.35

 

CMYK 0 / 29 / 63 / 32

HEX #AE7B40

RGB 174 123 64

HSL 32.18, 0.46%, 0.47%

LAB 55.62, 13.63, 39.54

 

CMYK 0 / 47 / 63 / 32

HEX #AE5D40

RGB 174 93 64

HSL 15.82, 0.46%, 0.47%

LAB 48.51, 30.31, 31.12

 

CMYK 0 / 63 / 63 / 32

HEX #AE4040

RGB 174 64 64

HSL 0, 0.46%, 0.47%

LAB 42.82, 44.93, 24.05

 

CMYK 4 / 0 / 63 / 32

HEX #A7AE40

RGB 167 174 64

HSL 63.82, 0.46%, 0.47%

LAB 68.65, -17.03, 53.75

 

CMYK 21 / 0 / 63 / 32

HEX #89AE40

RGB 137 174 64

HSL 80.18, 0.46%, 0.47%

LAB 66.49, -29.42, 50.8

 

CMYK 39 / 0 / 63 / 32

HEX #6BAE40

RGB 107 174 64

HSL 96.55, 0.46%, 0.47%

LAB 64.78, -40.61, 48.43

 

CMYK 56 / 0 / 63 / 32

HEX #4DAE40

RGB 77 174 64

HSL 112.91, 0.46%, 0.47%

LAB 63.52, -49.8, 46.69

 

CMYK 63 / 0 / 53 / 32

HEX #40AE51

RGB 64 174 81

HSL 129.27, 0.46%, 0.47%

LAB 63.31, -50.85, 38.34

 

CMYK 4 / 0 / 63 / 32

HEX #A7AE40

RGB 167 174 64

HSL 63.82, 0.46%, 0.47%

LAB 68.65, -17.03, 53.75

 

CMYK 6 / 0 / 77 / 24

HEX #B7C22D

RGB 183 194 45

HSL 64.43, 0.62%, 0.47%

LAB 75.35, -21.28, 67.76

 

CMYK 6 / 0 / 88 / 16

HEX #C8D519

RGB 200 213 25

HSL 64.15, 0.79%, 0.47%

LAB 81.8, -23.98, 78.48

 

CMYK 7 / 0 / 97 / 9

HEX #D8E906

RGB 216 233 6

HSL 64.49, 0.95%, 0.47%

LAB 88.4, -27.13, 86.25

 

CMYK 4 / 0 / 63 / 32

HEX #A7AE40

RGB 167 174 64

HSL 63.82, 0.46%, 0.47%

LAB 68.65, -17.03, 53.75

 

CMYK 3 / 0 / 46 / 39

HEX #969B54

RGB 150 155 84

HSL 64.23, 0.3%, 0.47%

LAB 62.14, -12.66, 36.44

 

CMYK 2 / 0 / 24 / 47

HEX #858867

RGB 133 136 103

HSL 65.45, 0.14%, 0.47%

LAB 55.66, -6.96, 17.4

 

CMYK 4 / 5 / 0 / 52

HEX #75747A

RGB 117 116 122

HSL 250, 0.03%, 0.47%

LAB 49.1, 1.62, -3.17

 

CMYK 30 / 32 / 0 / 44

HEX #64618E

RGB 100 97 142

HSL 244, 0.19%, 0.47%

LAB 43.08, 11.97, -24.38

 

CMYK 0 / 29 / 63 / 32

HEX #AE7B40

RGB 174 123 64

HSL 32.18, 0.46%, 0.47%

LAB 55.62, 13.63, 39.54

 

CMYK 0 / 13 / 63 / 32

HEX #AE9840

RGB 174 152 64

HSL 48, 0.46%, 0.47%

LAB 63.2, -2.42, 48.05

 

CMYK 4 / 0 / 63 / 32

HEX #A7AE40

RGB 167 174 64

HSL 63.82, 0.46%, 0.47%

LAB 68.65, -17.03, 53.75

 

CMYK 21 / 0 / 63 / 32

HEX #8AAE40

RGB 138 174 64

HSL 79.64, 0.46%, 0.47%

LAB 66.55, -29.02, 50.89

 

CMYK 38 / 0 / 63 / 32

HEX #6CAE40

RGB 108 174 64

HSL 96, 0.46%, 0.47%

LAB 64.83, -40.26, 48.5

 

CMYK 4 / 0 / 63 / 55

HEX #6D722A

RGB 109 114 42

HSL 64.17, 0.46%, 0.31%

LAB 46.25, -12.41, 38.17

 

CMYK 4 / 0 / 63 / 44

HEX #8A9035

RGB 138 144 53

HSL 63.96, 0.46%, 0.39%

LAB 57.66, -14.77, 46.13

 

CMYK 4 / 0 / 63 / 32

HEX #A7AE40

RGB 167 174 64

HSL 63.82, 0.46%, 0.47%

LAB 68.65, -17.03, 53.75

 

CMYK 4 / 0 / 55 / 24

HEX #B9C157

RGB 185 193 87

HSL 64.53, 0.46%, 0.55%

LAB 75.54, -17.4, 51.52

 

CMYK 3 / 0 / 43 / 20

HEX #C6CC75

RGB 198 204 117

HSL 64.14, 0.46%, 0.63%

LAB 79.88, -14.86, 42.53

 

CMYK 5 / 0 / 63 / 31

HEX #A8B041

RGB 168 176 65

HSL 64.32, 0.46%, 0.47%

LAB 69.3, -17.56, 54.04

 

CMYK 63 / 0 / 46 / 32

HEX #40AE5E

RGB 64 174 94

HSL 136.36, 0.46%, 0.47%

LAB 63.48, -48.86, 31.98

 

CMYK 21 / 63 / 0 / 32

HEX #8A40AE

RGB 138 64 174

HSL 280.36, 0.46%, 0.47%

LAB 41.42, 49.69, -45.82

 

CMYK 5 / 0 / 63 / 31

HEX #A8B041

RGB 168 176 65

HSL 64.32, 0.46%, 0.47%

LAB 69.3, -17.56, 54.04

 

CMYK 63 / 4 / 0 / 32

HEX #40A7AE

RGB 64 167 174

HSL 183.82, 0.46%, 0.47%

LAB 63.16, -27.08, -12.42

 

CMYK 0 / 63 / 4 / 32

HEX #AE40A7

RGB 174 64 167

HSL 303.82, 0.46%, 0.47%

LAB 46.25, 57.34, -33.68

 

CMYK 5 / 0 / 63 / 31

HEX #A8B041

RGB 168 176 65

HSL 64.32, 0.46%, 0.47%

LAB 69.3, -17.56, 54.04

 

CMYK 63 / 0 / 46 / 32

HEX #40AE5E

RGB 64 174 94

HSL 136.36, 0.46%, 0.47%

LAB 63.48, -48.86, 31.98

 

CMYK 59 / 63 / 0 / 32

HEX #4840AE

RGB 72 64 174

HSL 244.36, 0.46%, 0.47%

LAB 34.19, 35.5, -57.85

 

CMYK 0 / 63 / 17 / 32

HEX #AE4091

RGB 174 64 145

HSL 315.82, 0.46%, 0.47%

LAB 45.23, 53.83, -22.12

 

CMYK 5 / 0 / 63 / 31

HEX #A8B041

RGB 168 176 65

HSL 64.32, 0.46%, 0.47%

LAB 69.3, -17.56, 54.04

 

CMYK 63 / 0 / 27 / 32

HEX #40AE7F

RGB 64 174 127

HSL 154.36, 0.46%, 0.47%

LAB 64.08, -42.49, 15.08

 

CMYK 59 / 63 / 0 / 32

HEX #4840AE

RGB 72 64 174

HSL 244.36, 0.46%, 0.47%

LAB 34.19, 35.5, -57.85

 

CMYK 0 / 63 / 36 / 32

HEX #AE4070

RGB 174 64 112

HSL 333.82, 0.46%, 0.47%

LAB 44, 49.38, -3.89

 

Description

Color code: HEX #A8B041 | qconv.com Color code: HEX #A8B041 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 176 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 176 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 63 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 63% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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