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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8D014 it is the complementary color #572FEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8D014. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8D014 shade: #ADD00F, #BEE222, #CFF435, #E0FF48 and #F1FF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8D014. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8D014 shade: #A8D014, #97BE01, #86AC00, #759A00 and #648800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8D014 shade: #A8D014, #D0C614, #D09314, #D06014 and #D02D14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8D014 shade: #A8D014, #76D014, #43D014, #14D018 and #14D04B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8D014 shade matches the following richer shades: #A8D014 and #B3E302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8D014 shade: #A8D014, #9EBE27, #93AB39, #88994C and #7E865E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8D014 shade: #D09214, #D0C414, #ABD014, #79D014 and #46D014

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8D014 shade: #6C850D, #8AAB10, #A8D014, #BFE925 and #CAED4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8D014 shade: #A8D014, #14D05F and #AB14D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8D014 shade: #A8D014, #14ABD0 and #D014AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8D014 shade: #A8D014, #14D05F, #3A14D0 and #D01485

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8D014 shade: #A8D014, #14D098, #3A14D0 and #D0144D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 90 / 18

HEX #A8D014

RGB 168 208 20

HSL 72.77, 0.82%, 0.45%

LAB 78.16, -34.86, 75.42

 

Complementary color

CMYK 63 / 80 / 0 / 8

HEX #572FEB

RGB 87 47 235

HSL 252.77, 0.82%, 0.55%

LAB 37.95, 64.59, -87.08

 

CMYK 17 / 0 / 93 / 18

HEX #ADD00F

RGB 173 208 15

HSL 70.88, 0.87%, 0.44%

LAB 78.48, -32.93, 76.49

 

CMYK 16 / 0 / 85 / 11

HEX #BEE222

RGB 190 226 34

HSL 71.25, 0.77%, 0.51%

LAB 84.72, -33.97, 78.89

 

CMYK 15 / 0 / 78 / 4

HEX #CFF435

RGB 207 244 53

HSL 71.62, 0.9%, 0.58%

LAB 90.88, -34.84, 80.14

 

CMYK 12 / 0 / 72 / 0

HEX #E0FF48

RGB 224 255 72

HSL 70.16, 1%, 0.64%

LAB 95.09, -32.38, 78.77

 

CMYK 5 / 0 / 64 / 0

HEX #F1FF5B

RGB 241 255 91

HSL 65.12, 1%, 0.68%

LAB 96.4, -24.67, 73.72

 

CMYK 19 / 0 / 90 / 18

HEX #A8D014

RGB 168 208 20

HSL 72.77, 0.82%, 0.45%

LAB 78.16, -34.86, 75.42

 

CMYK 21 / 0 / 99 / 25

HEX #97BE01

RGB 151 190 1

HSL 72.38, 0.99%, 0.37%

LAB 71.83, -33.74, 72.22

 

CMYK 22 / 0 / 100 / 33

HEX #86AC00

RGB 134 172 0

HSL 73.26, 1%, 0.34%

LAB 65.42, -32.35, 66.99

 

CMYK 24 / 0 / 100 / 40

HEX #759A00

RGB 117 154 0

HSL 74.42, 1%, 0.3%

LAB 58.88, -30.94, 61.54

 

CMYK 26 / 0 / 100 / 47

HEX #648800

RGB 100 136 0

HSL 75.88, 1%, 0.27%

LAB 52.19, -29.51, 55.98

 

CMYK 19 / 0 / 90 / 18

HEX #A8D014

RGB 168 208 20

HSL 72.77, 0.82%, 0.45%

LAB 78.16, -34.86, 75.42

 

CMYK 0 / 5 / 90 / 18

HEX #D0C614

RGB 208 198 20

HSL 56.81, 0.82%, 0.45%

LAB 78.37, -13.27, 76.86

 

CMYK 0 / 29 / 90 / 18

HEX #D09314

RGB 208 147 20

HSL 40.53, 0.82%, 0.45%

LAB 65.22, 13.58, 66.74

 

CMYK 0 / 54 / 90 / 18

HEX #D06014

RGB 208 96 20

HSL 24.26, 0.82%, 0.45%

LAB 53.84, 40.6, 58.21

 

CMYK 0 / 78 / 90 / 18

HEX #D02D14

RGB 208 45 20

HSL 7.98, 0.82%, 0.45%

LAB 46.09, 61.36, 52.62

 

CMYK 19 / 0 / 90 / 18

HEX #A8D014

RGB 168 208 20

HSL 72.77, 0.82%, 0.45%

LAB 78.16, -34.86, 75.42

 

CMYK 43 / 0 / 90 / 18

HEX #76D014

RGB 118 208 20

HSL 88.72, 0.82%, 0.45%

LAB 75.46, -53.21, 72.1

 

CMYK 68 / 0 / 90 / 18

HEX #43D014

RGB 67 208 20

HSL 105, 0.82%, 0.45%

LAB 73.78, -66.62, 70.01

 

CMYK 90 / 0 / 88 / 18

HEX #14D018

RGB 20 208 24

HSL 121.28, 0.82%, 0.45%

LAB 73.11, -72.46, 68.49

 

CMYK 90 / 0 / 64 / 18

HEX #14D04B

RGB 20 208 75

HSL 137.55, 0.82%, 0.45%

LAB 73.4, -68.79, 52.66

 

CMYK 19 / 0 / 90 / 18

HEX #A8D014

RGB 168 208 20

HSL 72.77, 0.82%, 0.45%

LAB 78.16, -34.86, 75.42

 

CMYK 21 / 0 / 99 / 11

HEX #B3E302

RGB 179 227 2

HSL 72.8, 0.98%, 0.45%

LAB 84.24, -39.3, 82.34

 

CMYK 19 / 0 / 90 / 18

HEX #A8D014

RGB 168 208 20

HSL 72.77, 0.82%, 0.45%

LAB 78.16, -34.86, 75.42

 

CMYK 17 / 0 / 79 / 25

HEX #9EBE27

RGB 158 190 39

HSL 72.72, 0.66%, 0.45%

LAB 72.39, -30, 66.17

 

CMYK 14 / 0 / 67 / 33

HEX #93AB39

RGB 147 171 57

HSL 72.63, 0.5%, 0.45%

LAB 66.23, -24.41, 53.68

 

CMYK 11 / 0 / 50 / 40

HEX #88994C

RGB 136 153 76

HSL 73.25, 0.34%, 0.45%

LAB 60.37, -18.3, 38.13

 

CMYK 6 / 0 / 30 / 47

HEX #7E865E

RGB 126 134 94

HSL 72, 0.18%, 0.45%

LAB 54.34, -10.06, 20.61

 

CMYK 0 / 30 / 90 / 18

HEX #D09214

RGB 208 146 20

HSL 40.21, 0.82%, 0.45%

LAB 64.98, 14.12, 66.55

 

CMYK 0 / 6 / 90 / 18

HEX #D0C414

RGB 208 196 20

HSL 56.17, 0.82%, 0.45%

LAB 77.84, -12.26, 76.44

 

CMYK 18 / 0 / 90 / 18

HEX #ABD014

RGB 171 208 20

HSL 71.81, 0.82%, 0.45%

LAB 78.36, -33.66, 75.66

 

CMYK 42 / 0 / 90 / 18

HEX #79D014

RGB 121 208 20

HSL 87.77, 0.82%, 0.45%

LAB 75.59, -52.23, 72.27

 

CMYK 66 / 0 / 90 / 18

HEX #46D014

RGB 70 208 20

HSL 104.04, 0.82%, 0.45%

LAB 73.85, -66.02, 70.1

 

CMYK 19 / 0 / 90 / 48

HEX #6C850D

RGB 108 133 13

HSL 72.5, 0.82%, 0.29%

LAB 51.83, -24.31, 53.55

 

CMYK 19 / 0 / 91 / 33

HEX #8AAB10

RGB 138 171 16

HSL 72.77, 0.83%, 0.37%

LAB 65.41, -29.96, 64.95

 

CMYK 19 / 0 / 90 / 18

HEX #A8D014

RGB 168 208 20

HSL 72.77, 0.82%, 0.45%

LAB 78.16, -34.86, 75.42

 

CMYK 18 / 0 / 84 / 9

HEX #BFE925

RGB 191 233 37

HSL 72.86, 0.82%, 0.53%

LAB 86.75, -36.68, 80

 

CMYK 15 / 0 / 69 / 7

HEX #CAED4A

RGB 202 237 74

HSL 72.88, 0.82%, 0.61%

LAB 88.74, -32.62, 71.35

 

CMYK 19 / 0 / 90 / 18

HEX #A8D014

RGB 168 208 20

HSL 72.77, 0.82%, 0.45%

LAB 78.16, -34.86, 75.42

 

CMYK 90 / 0 / 54 / 18

HEX #14D05F

RGB 20 208 95

HSL 143.94, 0.82%, 0.45%

LAB 73.6, -66.24, 43.89

 

CMYK 18 / 90 / 0 / 18

HEX #AB14D0

RGB 171 20 208

HSL 288.19, 0.82%, 0.45%

LAB 43.82, 76.55, -61.58

 

CMYK 19 / 0 / 90 / 18

HEX #A8D014

RGB 168 208 20

HSL 72.77, 0.82%, 0.45%

LAB 78.16, -34.86, 75.42

 

CMYK 90 / 18 / 0 / 18

HEX #14ABD0

RGB 20 171 208

HSL 191.81, 0.82%, 0.45%

LAB 64.83, -22.83, -28.89

 

CMYK 0 / 90 / 18 / 18

HEX #D014AB

RGB 208 20 171

HSL 311.81, 0.82%, 0.45%

LAB 48.07, 77.42, -32.78

 

CMYK 19 / 0 / 90 / 18

HEX #A8D014

RGB 168 208 20

HSL 72.77, 0.82%, 0.45%

LAB 78.16, -34.86, 75.42

 

CMYK 90 / 0 / 54 / 18

HEX #14D05F

RGB 20 208 95

HSL 143.94, 0.82%, 0.45%

LAB 73.6, -66.24, 43.89

 

CMYK 72 / 90 / 0 / 18

HEX #3A14D0

RGB 58 20 208

HSL 252.13, 0.82%, 0.45%

LAB 29.3, 64.86, -85.98

 

CMYK 0 / 90 / 36 / 18

HEX #D01485

RGB 208 20 133

HSL 323.94, 0.82%, 0.45%

LAB 46.45, 73.12, -12.46

 

CMYK 19 / 0 / 90 / 18

HEX #A8D014

RGB 168 208 20

HSL 72.77, 0.82%, 0.45%

LAB 78.16, -34.86, 75.42

 

CMYK 90 / 0 / 27 / 18

HEX #14D098

RGB 20 208 152

HSL 162.13, 0.82%, 0.45%

LAB 74.53, -55.49, 16.04

 

CMYK 72 / 90 / 0 / 18

HEX #3A14D0

RGB 58 20 208

HSL 252.13, 0.82%, 0.45%

LAB 29.3, 64.86, -85.98

 

CMYK 0 / 90 / 63 / 18

HEX #D0144D

RGB 208 20 77

HSL 341.81, 0.82%, 0.45%

LAB 44.87, 68.76, 19.95

 

Description

Color code: HEX #A8D014 | qconv.com Color code: HEX #A8D014 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 208 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 208 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 90 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 90% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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