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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A91DA7 it is the complementary color #56E258. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A91DA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A91DA7 shade: #AE1DA2, #BF2FB5, #D041C8, #E153DB and #F265EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A91DA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A91DA7 shade: #A91DA7, #980B94, #870081, #76006E and #65005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A91DA7 shade: #AA1CA8, #AA1C81, #AA1C5B, #AA1C35 and #AA1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A91DA7 shade: #AA1CA8, #861CAA, #5F1CAA, #391CAA and #1C1CAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A91DA7 shade matches the following richer shades: #AA1CA8 and #BA0CB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A91DA7 shade: #AA1CA8, #992C98, #893D88, #794D79 and #695D69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A91DA7 shade: #5E1CAA, #841CAA, #AA1CAA, #AA1C84 and #AA1C5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A91DA7 shade: #631062, #861685, #AA1CA8, #CD22CA and #DD3BDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A91DA7 shade: #A91DA7, #AA391C and #1CAA71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A91DA7 shade: #A91DA7, #AAAA1C and #1CAAAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A91DA7 shade: #A91DA7, #AA391C, #1CAA1C and #1C8DAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A91DA7 shade: #A91DA7, #AA631C, #1CAA1C and #1C63AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 1 / 34

HEX #A91DA7

RGB 169 29 167

HSL 300.86, 0.71%, 0.39%

LAB 41.38, 67.72, -41.44

 

Complementary color

CMYK 62 / 0 / 61 / 11

HEX #56E258

RGB 86 226 88

HSL 120.86, 0.71%, 0.61%

LAB 80.22, -64.06, 55.09

 

CMYK 0 / 83 / 7 / 32

HEX #AE1DA2

RGB 174 29 162

HSL 304.97, 0.71%, 0.4%

LAB 41.98, 67.94, -37.44

 

CMYK 0 / 75 / 5 / 25

HEX #BF2FB5

RGB 191 47 181

HSL 304.17, 0.61%, 0.47%

LAB 47.55, 69.65, -39.69

 

CMYK 0 / 69 / 4 / 18

HEX #D041C8

RGB 208 65 200

HSL 303.36, 0.6%, 0.54%

LAB 53.34, 70.51, -41.39

 

CMYK 0 / 63 / 3 / 12

HEX #E153DB

RGB 225 83 219

HSL 302.54, 0.7%, 0.6%

LAB 59.26, 70.8, -42.71

 

CMYK 0 / 58 / 2 / 5

HEX #F265EE

RGB 242 101 238

HSL 301.7, 0.84%, 0.67%

LAB 65.25, 70.72, -43.74

 

CMYK 0 / 83 / 1 / 34

HEX #A91DA7

RGB 169 29 167

HSL 300.86, 0.71%, 0.39%

LAB 41.38, 67.72, -41.44

 

CMYK 0 / 93 / 3 / 40

HEX #980B94

RGB 152 11 148

HSL 301.7, 0.87%, 0.32%

LAB 36.09, 64.81, -38.57

 

CMYK 0 / 100 / 4 / 47

HEX #870081

RGB 135 0 129

HSL 302.67, 1%, 0.26%

LAB 31.2, 60.33, -34.79

 

CMYK 0 / 100 / 7 / 54

HEX #76006E

RGB 118 0 110

HSL 304.07, 1%, 0.23%

LAB 26.67, 54.35, -30.11

 

CMYK 0 / 100 / 10 / 60

HEX #65005B

RGB 101 0 91

HSL 305.94, 1%, 0.2%

LAB 22.02, 48.2, -25.26

 

CMYK 0 / 84 / 1 / 33

HEX #AA1CA8

RGB 170 28 168

HSL 300.85, 0.72%, 0.39%

LAB 41.54, 68.29, -41.77

 

CMYK 0 / 84 / 24 / 33

HEX #AA1C81

RGB 170 28 129

HSL 317.32, 0.72%, 0.39%

LAB 39.52, 62.77, -21.25

 

CMYK 0 / 84 / 46 / 33

HEX #AA1C5B

RGB 170 28 91

HSL 333.38, 0.72%, 0.39%

LAB 38.08, 58.65, 0.49

 

CMYK 0 / 84 / 69 / 33

HEX #AA1C35

RGB 170 28 53

HSL 349.44, 0.72%, 0.39%

LAB 37.18, 55.97, 23.59

 

CMYK 0 / 84 / 84 / 33

HEX #AA1C1C

RGB 170 28 28

HSL 0, 0.72%, 0.39%

LAB 36.86, 55, 38.2

 

CMYK 0 / 84 / 1 / 33

HEX #AA1CA8

RGB 170 28 168

HSL 300.85, 0.72%, 0.39%

LAB 41.54, 68.29, -41.77

 

CMYK 21 / 84 / 0 / 33

HEX #861CAA

RGB 134 28 170

HSL 284.79, 0.72%, 0.39%

LAB 35.6, 62.05, -52.84

 

CMYK 44 / 84 / 0 / 33

HEX #5F1CAA

RGB 95 28 170

HSL 268.31, 0.72%, 0.39%

LAB 29.83, 55.99, -62.5

 

CMYK 66 / 84 / 0 / 33

HEX #391CAA

RGB 57 28 170

HSL 252.25, 0.72%, 0.39%

LAB 25.57, 51.69, -69.66

 

CMYK 84 / 84 / 0 / 33

HEX #1C1CAA

RGB 28 28 170

HSL 240, 0.72%, 0.39%

LAB 23.6, 49.77, -72.98

 

CMYK 0 / 84 / 1 / 33

HEX #AA1CA8

RGB 170 28 168

HSL 300.85, 0.72%, 0.39%

LAB 41.54, 68.29, -41.77

 

CMYK 0 / 94 / 2 / 27

HEX #BA0CB7

RGB 186 12 183

HSL 301.03, 0.88%, 0.39%

LAB 44.41, 75.96, -45.92

 

CMYK 0 / 84 / 1 / 33

HEX #AA1CA8

RGB 170 28 168

HSL 300.85, 0.72%, 0.39%

LAB 41.54, 68.29, -41.77

 

CMYK 0 / 71 / 1 / 40

HEX #992C98

RGB 153 44 152

HSL 300.55, 0.55%, 0.39%

LAB 39.31, 57.52, -35.87

 

CMYK 0 / 55 / 1 / 46

HEX #893D88

RGB 137 61 136

HSL 300.79, 0.38%, 0.39%

LAB 38.61, 43.14, -27.39

 

CMYK 0 / 36 / 0 / 53

HEX #794D79

RGB 121 77 121

HSL 300, 0.22%, 0.39%

LAB 39.16, 26.23, -17.49

 

CMYK 0 / 11 / 0 / 59

HEX #695D69

RGB 105 93 105

HSL 300, 0.06%, 0.39%

LAB 40.98, 7.23, -5.06

 

CMYK 45 / 84 / 0 / 33

HEX #5E1CAA

RGB 94 28 170

HSL 267.89, 0.72%, 0.39%

LAB 29.69, 55.86, -62.72

 

CMYK 22 / 84 / 0 / 33

HEX #841CAA

RGB 132 28 170

HSL 283.94, 0.72%, 0.39%

LAB 35.28, 61.71, -53.37

 

CMYK 0 / 84 / 0 / 33

HEX #AA1CAA

RGB 170 28 170

HSL 300, 0.72%, 0.39%

LAB 41.66, 68.6, -42.78

 

CMYK 0 / 84 / 22 / 33

HEX #AA1C84

RGB 170 28 132

HSL 316.06, 0.72%, 0.39%

LAB 39.65, 63.15, -22.89

 

CMYK 0 / 84 / 45 / 33

HEX #AA1C5E

RGB 170 28 94

HSL 332.11, 0.72%, 0.39%

LAB 38.17, 58.92, -1.28

 

CMYK 0 / 84 / 1 / 61

HEX #631062

RGB 99 16 98

HSL 300.72, 0.72%, 0.23%

LAB 23.36, 45.16, -27.8

 

CMYK 0 / 84 / 1 / 47

HEX #861685

RGB 134 22 133

HSL 300.54, 0.72%, 0.31%

LAB 32.56, 56.95, -35.13

 

CMYK 0 / 84 / 1 / 33

HEX #AA1CA8

RGB 170 28 168

HSL 300.85, 0.72%, 0.39%

LAB 41.54, 68.29, -41.77

 

CMYK 0 / 83 / 1 / 20

HEX #CD22CA

RGB 205 34 202

HSL 301.05, 0.72%, 0.47%

LAB 49.96, 78.81, -47.94

 

CMYK 0 / 73 / 1 / 13

HEX #DD3BDB

RGB 221 59 219

HSL 300.74, 0.7%, 0.55%

LAB 55.7, 78.23, -48.37

 

CMYK 0 / 83 / 1 / 34

HEX #A91DA7

RGB 169 29 167

HSL 300.86, 0.71%, 0.39%

LAB 41.38, 67.72, -41.44

 

CMYK 0 / 66 / 84 / 33

HEX #AA391C

RGB 170 57 28

HSL 12.25, 0.72%, 0.39%

LAB 40.5, 44.91, 41.6

 

CMYK 84 / 0 / 34 / 33

HEX #1CAA71

RGB 28 170 113

HSL 155.92, 0.72%, 0.39%

LAB 61.82, -49.17, 19.52

 

CMYK 0 / 83 / 1 / 34

HEX #A91DA7

RGB 169 29 167

HSL 300.86, 0.71%, 0.39%

LAB 41.38, 67.72, -41.44

 

CMYK 0 / 0 / 84 / 33

HEX #AAAA1C

RGB 170 170 28

HSL 60, 0.72%, 0.39%

LAB 67.56, -15.4, 65.22

 

CMYK 84 / 0 / 0 / 33

HEX #1CAAAA

RGB 28 170 170

HSL 180, 0.72%, 0.39%

LAB 63.26, -34.13, -10.11

 

CMYK 0 / 83 / 1 / 34

HEX #A91DA7

RGB 169 29 167

HSL 300.86, 0.71%, 0.39%

LAB 41.38, 67.72, -41.44

 

CMYK 0 / 66 / 84 / 33

HEX #AA391C

RGB 170 57 28

HSL 12.25, 0.72%, 0.39%

LAB 40.5, 44.91, 41.6

 

CMYK 84 / 0 / 84 / 33

HEX #1CAA1C

RGB 28 170 28

HSL 120, 0.72%, 0.39%

LAB 60.85, -60.68, 56.75

 

CMYK 84 / 17 / 0 / 33

HEX #1C8DAA

RGB 28 141 170

HSL 192.25, 0.72%, 0.39%

LAB 54.24, -19.61, -23.8

 

CMYK 0 / 83 / 1 / 34

HEX #A91DA7

RGB 169 29 167

HSL 300.86, 0.71%, 0.39%

LAB 41.38, 67.72, -41.44

 

CMYK 0 / 42 / 84 / 33

HEX #AA631C

RGB 170 99 28

HSL 30, 0.72%, 0.39%

LAB 48.95, 23.5, 49.21

 

CMYK 84 / 0 / 84 / 33

HEX #1CAA1C

RGB 28 170 28

HSL 120, 0.72%, 0.39%

LAB 60.85, -60.68, 56.75

 

CMYK 84 / 42 / 0 / 33

HEX #1C63AA

RGB 28 99 170

HSL 210, 0.72%, 0.39%

LAB 41.33, 5.07, -44.05

 

Description

Color code: HEX #A91DA7 | qconv.com Color code: HEX #A91DA7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 29 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 29 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 1 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 1% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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