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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9443E it is the complementary color #56BBC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9443E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9443E shade: #AE4439, #BF564C, #D0685F, #E17A72 and #F28C85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9443E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9443E shade: #A9443E, #98322B, #872018, #760E05 and #650000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9443E shade: #A7433D and #A73D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9443E shade: #A7433D, #A7603D, #A77C3D, #A7993D and #99A73D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9443E shade matches the following richer shades: #A7433D, #BA332B, #CC2218 and #DF1206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9443E shade: #A7433D, #945450, #826463, #6F7575 and #5D8588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9443E shade: #A73D70, #A73D54, #A7433D, #A75F3D and #A77B3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9443E shade: #6B2B27, #893732, #A7433D, #BE5650 and #C9736E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9443E shade: #A9443E, #8DA73D and #3D62A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9443E shade: #A9443E, #3DA743 and #433DA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9443E shade: #A9443E, #8DA73D, #3DA2A7 and #583DA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9443E shade: #A9443E, #6DA73D, #3DA2A7 and #783DA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 63 / 34

HEX #A9443E

RGB 169 68 62

HSL 3.36, 0.46%, 0.45%

LAB 42.64, 41.13, 24.85

 

Complementary color

CMYK 55 / 3 / 0 / 24

HEX #56BBC1

RGB 86 187 193

HSL 183.36, 0.46%, 0.55%

LAB 70.43, -27.52, -11.97

 

CMYK 0 / 61 / 67 / 32

HEX #AE4439

RGB 174 68 57

HSL 5.64, 0.51%, 0.45%

LAB 43.4, 42.64, 28.96

 

CMYK 0 / 55 / 60 / 25

HEX #BF564C

RGB 191 86 76

HSL 5.22, 0.47%, 0.52%

LAB 49.8, 41.43, 26.38

 

CMYK 0 / 50 / 54 / 18

HEX #D0685F

RGB 208 104 95

HSL 4.78, 0.55%, 0.59%

LAB 56.22, 40.21, 24.2

 

CMYK 0 / 46 / 49 / 12

HEX #E17A72

RGB 225 122 114

HSL 4.32, 0.65%, 0.66%

LAB 62.63, 39.03, 22.32

 

CMYK 0 / 42 / 45 / 5

HEX #F28C85

RGB 242 140 133

HSL 3.85, 0.81%, 0.74%

LAB 68.99, 37.92, 20.67

 

CMYK 0 / 60 / 63 / 34

HEX #A9443E

RGB 169 68 62

HSL 3.36, 0.46%, 0.45%

LAB 42.64, 41.13, 24.85

 

CMYK 0 / 67 / 72 / 40

HEX #98322B

RGB 152 50 43

HSL 3.85, 0.56%, 0.38%

LAB 36.24, 42.17, 27.82

 

CMYK 0 / 76 / 82 / 47

HEX #872018

RGB 135 32 24

HSL 4.32, 0.7%, 0.31%

LAB 30.03, 42.8, 31.34

 

CMYK 0 / 88 / 96 / 54

HEX #760E05

RGB 118 14 5

HSL 4.78, 0.92%, 0.24%

LAB 24.25, 42.45, 33.99

 

CMYK 0 / 100 / 100 / 60

HEX #650000

RGB 101 0 0

HSL 0, 1%, 0.2%

LAB 19.08, 40.6, 29.31

 

CMYK 0 / 60 / 63 / 35

HEX #A7433D

RGB 167 67 61

HSL 3.4, 0.46%, 0.45%

LAB 42.1, 40.81, 24.71

 

CMYK 0 / 63 / 63 / 35

HEX #A73D3D

RGB 167 61 61

HSL 0, 0.46%, 0.45%

LAB 41.04, 43.63, 23.36

 

CMYK 0 / 60 / 63 / 35

HEX #A7433D

RGB 167 67 61

HSL 3.4, 0.46%, 0.45%

LAB 42.1, 40.81, 24.71

 

CMYK 0 / 43 / 63 / 35

HEX #A7603D

RGB 167 96 61

HSL 19.81, 0.46%, 0.45%

LAB 48.16, 25.55, 32.15

 

CMYK 0 / 26 / 63 / 35

HEX #A77C3D

RGB 167 124 61

HSL 35.66, 0.46%, 0.45%

LAB 55.04, 9.77, 40.19

 

CMYK 0 / 8 / 63 / 35

HEX #A7993D

RGB 167 153 61

HSL 52.08, 0.46%, 0.45%

LAB 62.79, -6.24, 48.79

 

CMYK 8 / 0 / 63 / 35

HEX #99A73D

RGB 153 167 61

HSL 67.92, 0.46%, 0.45%

LAB 65.55, -19.62, 51.41

 

CMYK 0 / 60 / 63 / 35

HEX #A7433D

RGB 167 67 61

HSL 3.4, 0.46%, 0.45%

LAB 42.1, 40.81, 24.71

 

CMYK 0 / 73 / 77 / 27

HEX #BA332B

RGB 186 51 43

HSL 3.36, 0.62%, 0.45%

LAB 42.73, 53.22, 36.85

 

CMYK 0 / 83 / 88 / 20

HEX #CC2218

RGB 204 34 24

HSL 3.33, 0.79%, 0.45%

LAB 44.3, 63.15, 49.29

 

CMYK 0 / 92 / 97 / 13

HEX #DF1206

RGB 223 18 6

HSL 3.32, 0.95%, 0.45%

LAB 47.15, 70.79, 59.19

 

CMYK 0 / 60 / 63 / 35

HEX #A7433D

RGB 167 67 61

HSL 3.4, 0.46%, 0.45%

LAB 42.1, 40.81, 24.71

 

CMYK 0 / 43 / 46 / 42

HEX #945450

RGB 148 84 80

HSL 3.53, 0.3%, 0.45%

LAB 43.09, 26.09, 13.94

 

CMYK 0 / 23 / 24 / 49

HEX #826463

RGB 130 100 99

HSL 1.94, 0.14%, 0.45%

LAB 45.31, 11.92, 5.21

 

CMYK 5 / 0 / 0 / 54

HEX #6F7575

RGB 111 117 117

HSL 180, 0.03%, 0.45%

LAB 48.74, -2.26, -0.79

 

CMYK 32 / 2 / 0 / 47

HEX #5D8588

RGB 93 133 136

HSL 184.19, 0.19%, 0.45%

LAB 52.82, -13.02, -6.08

 

CMYK 0 / 63 / 33 / 35

HEX #A73D70

RGB 167 61 112

HSL 331.13, 0.46%, 0.45%

LAB 42.34, 48.52, -6.47

 

CMYK 0 / 63 / 50 / 35

HEX #A73D54

RGB 167 61 84

HSL 346.98, 0.46%, 0.45%

LAB 41.52, 45.47, 9.76

 

CMYK 0 / 60 / 63 / 35

HEX #A7433D

RGB 167 67 61

HSL 3.4, 0.46%, 0.45%

LAB 42.1, 40.81, 24.71

 

CMYK 0 / 43 / 63 / 35

HEX #A75F3D

RGB 167 95 61

HSL 19.25, 0.46%, 0.45%

LAB 47.93, 26.1, 31.87

 

CMYK 0 / 26 / 63 / 35

HEX #A77B3D

RGB 167 123 61

HSL 35.09, 0.46%, 0.45%

LAB 54.78, 10.33, 39.9

 

CMYK 0 / 60 / 64 / 58

HEX #6B2B27

RGB 107 43 39

HSL 3.53, 0.47%, 0.29%

LAB 26.73, 28.27, 16.83

 

CMYK 0 / 60 / 64 / 46

HEX #893732

RGB 137 55 50

HSL 3.45, 0.47%, 0.37%

LAB 34.56, 34.68, 20.86

 

CMYK 0 / 60 / 63 / 35

HEX #A7433D

RGB 167 67 61

HSL 3.4, 0.46%, 0.45%

LAB 42.1, 40.81, 24.71

 

CMYK 0 / 55 / 58 / 25

HEX #BE5650

RGB 190 86 80

HSL 3.27, 0.46%, 0.53%

LAB 49.72, 41.36, 23.89

 

CMYK 0 / 43 / 45 / 21

HEX #C9736E

RGB 201 115 110

HSL 3.3, 0.46%, 0.61%

LAB 57.85, 33.21, 17.58

 

CMYK 0 / 60 / 63 / 34

HEX #A9443E

RGB 169 68 62

HSL 3.36, 0.46%, 0.45%

LAB 42.64, 41.13, 24.85

 

CMYK 16 / 0 / 63 / 35

HEX #8DA73D

RGB 141 167 61

HSL 74.72, 0.46%, 0.45%

LAB 64.67, -24.64, 50.21

 

CMYK 63 / 41 / 0 / 35

HEX #3D62A7

RGB 61 98 167

HSL 219.06, 0.46%, 0.45%

LAB 42.03, 9.25, -41.1

 

CMYK 0 / 60 / 63 / 34

HEX #A9443E

RGB 169 68 62

HSL 3.36, 0.46%, 0.45%

LAB 42.64, 41.13, 24.85

 

CMYK 63 / 0 / 60 / 35

HEX #3DA743

RGB 61 167 67

HSL 123.4, 0.46%, 0.45%

LAB 60.81, -50.73, 42.11

 

CMYK 60 / 63 / 0 / 35

HEX #433DA7

RGB 67 61 167

HSL 243.4, 0.46%, 0.45%

LAB 32.53, 34.19, -56.39

 

CMYK 0 / 60 / 63 / 34

HEX #A9443E

RGB 169 68 62

HSL 3.36, 0.46%, 0.45%

LAB 42.64, 41.13, 24.85

 

CMYK 16 / 0 / 63 / 35

HEX #8DA73D

RGB 141 167 61

HSL 74.72, 0.46%, 0.45%

LAB 64.67, -24.64, 50.21

 

CMYK 63 / 3 / 0 / 35

HEX #3DA2A7

RGB 61 162 167

HSL 182.83, 0.46%, 0.45%

LAB 61.33, -27.15, -11.25

 

CMYK 47 / 63 / 0 / 35

HEX #583DA7

RGB 88 61 167

HSL 255.28, 0.46%, 0.45%

LAB 34.4, 38.16, -53.26

 

CMYK 0 / 60 / 63 / 34

HEX #A9443E

RGB 169 68 62

HSL 3.36, 0.46%, 0.45%

LAB 42.64, 41.13, 24.85

 

CMYK 35 / 0 / 63 / 35

HEX #6DA73D

RGB 109 167 61

HSL 92.83, 0.46%, 0.45%

LAB 62.7, -37.1, 47.49

 

CMYK 63 / 3 / 0 / 35

HEX #3DA2A7

RGB 61 162 167

HSL 182.83, 0.46%, 0.45%

LAB 61.33, -27.15, -11.25

 

CMYK 28 / 63 / 0 / 35

HEX #783DA7

RGB 120 61 167

HSL 273.4, 0.46%, 0.45%

LAB 38.06, 45.29, -47.17

 

Description

Color code: HEX #A9443E | qconv.com Color code: HEX #A9443E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 68 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 68 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 63 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 63% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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