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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A96C5E it is the complementary color #5693A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A96C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A96C5E shade: #AE6C59, #BF7E6C, #D0907F, #E1A292 and #F2B4A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A96C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A96C5E shade: #A96C5E, #985A4B, #874838, #763625 and #652412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A96C5E shade: #A96D5F and #A95F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A96C5E shade: #A96D5F, #A9815F, #A9955F, #A9A95F and #95A95F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A96C5E shade matches the following richer shades: #A96D5F, #BD614C, #D05438, #E44824 and #F83B10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A96C5E shade: #A96D5F, #957973, #818687, #6D929B and #5A9FAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A96C5E shade: #A95F79, #A95F65, #A96D5F, #A9805F and #A9945F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A96C5E shade: #764A3F, #915A4E, #A96D5F, #B7867A and #C69E95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A96C5E shade: #A96C5E, #8DA95F and #5F6FA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A96C5E shade: #A96C5E, #5FA96D and #6D5FA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A96C5E shade: #A96C5E, #8DA95F, #5F9BA9 and #7C5FA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A96C5E shade: #A96C5E, #77A95F, #5F9BA9 and #925FA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 44 / 34

HEX #A96C5E

RGB 169 108 94

HSL 11.2, 0.3%, 0.52%

LAB 51.8, 22.66, 17.93

 

Complementary color

CMYK 47 / 9 / 0 / 37

HEX #5693A1

RGB 86 147 161

HSL 191.2, 0.3%, 0.48%

LAB 57.48, -15.88, -13.54

 

CMYK 0 / 38 / 49 / 32

HEX #AE6C59

RGB 174 108 89

HSL 13.41, 0.34%, 0.52%

LAB 52.34, 24.18, 21.67

 

CMYK 0 / 34 / 43 / 25

HEX #BF7E6C

RGB 191 126 108

HSL 13.01, 0.39%, 0.59%

LAB 59.05, 23.09, 20.15

 

CMYK 0 / 31 / 39 / 18

HEX #D0907F

RGB 208 144 127

HSL 12.59, 0.46%, 0.66%

LAB 65.66, 22.13, 18.8

 

CMYK 0 / 28 / 35 / 12

HEX #E1A292

RGB 225 162 146

HSL 12.15, 0.57%, 0.73%

LAB 72.18, 21.28, 17.58

 

CMYK 0 / 26 / 32 / 5

HEX #F2B4A5

RGB 242 180 165

HSL 11.69, 0.75%, 0.8%

LAB 78.6, 20.52, 16.46

 

CMYK 0 / 36 / 44 / 34

HEX #A96C5E

RGB 169 108 94

HSL 11.2, 0.3%, 0.52%

LAB 51.8, 22.66, 17.93

 

CMYK 0 / 41 / 51 / 40

HEX #985A4B

RGB 152 90 75

HSL 11.69, 0.34%, 0.45%

LAB 44.94, 23.81, 19.54

 

CMYK 0 / 47 / 59 / 47

HEX #874838

RGB 135 72 56

HSL 12.15, 0.41%, 0.37%

LAB 37.97, 25.14, 21.44

 

CMYK 0 / 54 / 69 / 54

HEX #763625

RGB 118 54 37

HSL 12.59, 0.52%, 0.3%

LAB 30.93, 26.64, 23.72

 

CMYK 0 / 64 / 82 / 60

HEX #652412

RGB 101 36 18

HSL 13.01, 0.7%, 0.23%

LAB 23.91, 28.24, 26.42

 

CMYK 0 / 36 / 44 / 34

HEX #A96D5F

RGB 169 109 95

HSL 11.35, 0.3%, 0.52%

LAB 52.06, 22.21, 17.7

 

CMYK 0 / 44 / 44 / 34

HEX #A95F5F

RGB 169 95 95

HSL 0, 0.3%, 0.52%

LAB 48.82, 30.01, 13.25

 

CMYK 0 / 36 / 44 / 34

HEX #A96D5F

RGB 169 109 95

HSL 11.35, 0.3%, 0.52%

LAB 52.06, 22.21, 17.7

 

CMYK 0 / 24 / 44 / 34

HEX #A9815F

RGB 169 129 95

HSL 27.57, 0.3%, 0.52%

LAB 57.04, 10.91, 24.36

 

CMYK 0 / 12 / 44 / 34

HEX #A9955F

RGB 169 149 95

HSL 43.78, 0.3%, 0.52%

LAB 62.3, -0.22, 31.19

 

CMYK 0 / 0 / 44 / 34

HEX #A9A95F

RGB 169 169 95

HSL 60, 0.3%, 0.52%

LAB 67.75, -10.95, 38.05

 

CMYK 12 / 0 / 44 / 34

HEX #95A95F

RGB 149 169 95

HSL 76.22, 0.3%, 0.52%

LAB 66.21, -19.1, 35.79

 

CMYK 0 / 36 / 44 / 34

HEX #A96D5F

RGB 169 109 95

HSL 11.35, 0.3%, 0.52%

LAB 52.06, 22.21, 17.7

 

CMYK 0 / 49 / 60 / 26

HEX #BD614C

RGB 189 97 76

HSL 11.15, 0.46%, 0.52%

LAB 51.71, 35.05, 28.74

 

CMYK 0 / 60 / 73 / 18

HEX #D05438

RGB 208 84 56

HSL 11.05, 0.62%, 0.52%

LAB 51.88, 47.46, 40.78

 

CMYK 0 / 68 / 84 / 11

HEX #E44824

RGB 228 72 36

HSL 11.25, 0.78%, 0.52%

LAB 53.23, 58.72, 53.17

 

CMYK 0 / 76 / 94 / 3

HEX #F83B10

RGB 248 59 16

HSL 11.12, 0.94%, 0.52%

LAB 55.2, 68.96, 63.54

 

CMYK 0 / 36 / 44 / 34

HEX #A96D5F

RGB 169 109 95

HSL 11.35, 0.3%, 0.52%

LAB 52.06, 22.21, 17.7

 

CMYK 0 / 19 / 23 / 42

HEX #957973

RGB 149 121 115

HSL 10.59, 0.14%, 0.52%

LAB 53.28, 9.89, 7.38

 

CMYK 4 / 1 / 0 / 47

HEX #818687

RGB 129 134 135

HSL 190, 0.02%, 0.52%

LAB 55.55, -1.63, -1.18

 

CMYK 30 / 6 / 0 / 39

HEX #6D929B

RGB 109 146 155

HSL 191.74, 0.19%, 0.52%

LAB 58.2, -10.53, -8.91

 

CMYK 49 / 9 / 0 / 31

HEX #5A9FAF

RGB 90 159 175

HSL 191.29, 0.35%, 0.52%

LAB 61.71, -17.39, -15.08

 

CMYK 0 / 44 / 28 / 34

HEX #A95F79

RGB 169 95 121

HSL 338.92, 0.3%, 0.52%

LAB 49.5, 33.3, -1.34

 

CMYK 0 / 44 / 40 / 34

HEX #A95F65

RGB 169 95 101

HSL 355.14, 0.3%, 0.52%

LAB 48.96, 30.7, 9.86

 

CMYK 0 / 36 / 44 / 34

HEX #A96D5F

RGB 169 109 95

HSL 11.35, 0.3%, 0.52%

LAB 52.06, 22.21, 17.7

 

CMYK 0 / 24 / 44 / 34

HEX #A9805F

RGB 169 128 95

HSL 26.76, 0.3%, 0.52%

LAB 56.78, 11.47, 24.02

 

CMYK 0 / 12 / 44 / 34

HEX #A9945F

RGB 169 148 95

HSL 42.97, 0.3%, 0.52%

LAB 62.03, 0.33, 30.85

 

CMYK 0 / 37 / 47 / 54

HEX #764A3F

RGB 118 74 63

HSL 12, 0.3%, 0.35%

LAB 36.19, 17.34, 14.34

 

CMYK 0 / 38 / 46 / 43

HEX #915A4E

RGB 145 90 78

HSL 10.75, 0.3%, 0.44%

LAB 44.06, 21.2, 16.42

 

CMYK 0 / 36 / 44 / 34

HEX #A96D5F

RGB 169 109 95

HSL 11.35, 0.3%, 0.52%

LAB 52.06, 22.21, 17.7

 

CMYK 0 / 27 / 33 / 28

HEX #B7867A

RGB 183 134 122

HSL 11.8, 0.3%, 0.6%

LAB 60.36, 17.13, 13.84

 

CMYK 0 / 20 / 25 / 22

HEX #C69E95

RGB 198 158 149

HSL 11.02, 0.3%, 0.68%

LAB 68.48, 13.46, 10.33

 

CMYK 0 / 36 / 44 / 34

HEX #A96C5E

RGB 169 108 94

HSL 11.2, 0.3%, 0.52%

LAB 51.8, 22.66, 17.93

 

CMYK 17 / 0 / 44 / 34

HEX #8DA95F

RGB 141 169 95

HSL 82.7, 0.3%, 0.52%

LAB 65.64, -22.26, 34.96

 

CMYK 44 / 34 / 0 / 34

HEX #5F6FA9

RGB 95 111 169

HSL 227.03, 0.3%, 0.52%

LAB 47.84, 9.64, -32.97

 

CMYK 0 / 36 / 44 / 34

HEX #A96C5E

RGB 169 108 94

HSL 11.2, 0.3%, 0.52%

LAB 51.8, 22.66, 17.93

 

CMYK 44 / 0 / 36 / 34

HEX #5FA96D

RGB 95 169 109

HSL 131.35, 0.3%, 0.52%

LAB 63.27, -36.24, 23.97

 

CMYK 36 / 44 / 0 / 34

HEX #6D5FA9

RGB 109 95 169

HSL 251.35, 0.3%, 0.52%

LAB 44.66, 23.31, -37.9

 

CMYK 0 / 36 / 44 / 34

HEX #A96C5E

RGB 169 108 94

HSL 11.2, 0.3%, 0.52%

LAB 51.8, 22.66, 17.93

 

CMYK 17 / 0 / 44 / 34

HEX #8DA95F

RGB 141 169 95

HSL 82.7, 0.3%, 0.52%

LAB 65.64, -22.26, 34.96

 

CMYK 44 / 8 / 0 / 34

HEX #5F9BA9

RGB 95 155 169

HSL 191.35, 0.3%, 0.52%

LAB 60.55, -15.69, -13.42

 

CMYK 27 / 44 / 0 / 34

HEX #7C5FA9

RGB 124 95 169

HSL 263.51, 0.3%, 0.52%

LAB 46.09, 27.6, -35.55

 

CMYK 0 / 36 / 44 / 34

HEX #A96C5E

RGB 169 108 94

HSL 11.2, 0.3%, 0.52%

LAB 51.8, 22.66, 17.93

 

CMYK 30 / 0 / 44 / 34

HEX #77A95F

RGB 119 169 95

HSL 100.54, 0.3%, 0.52%

LAB 64.26, -30.53, 32.92

 

CMYK 44 / 8 / 0 / 34

HEX #5F9BA9

RGB 95 155 169

HSL 191.35, 0.3%, 0.52%

LAB 60.55, -15.69, -13.42

 

CMYK 14 / 44 / 0 / 34

HEX #925FA9

RGB 146 95 169

HSL 281.35, 0.3%, 0.52%

LAB 48.46, 34.21, -31.66

 

Description

Color code: HEX #A96C5E | qconv.com Color code: HEX #A96C5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 108 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 108 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 44 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 44% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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