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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A96D45 it is the complementary color #5692BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A96D45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A96D45 shade: #AE6D40, #BF7F53, #D09166, #E1A379 and #F2B58C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A96D45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A96D45 shade: #A96D45, #985B32, #87491F, #76370C and #652500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A96D45 shade: #AA6D45, #AA5245 and #AA4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A96D45 shade: #AA6D45, #AA8845, #AAA445, #95AA45 and #79AA45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A96D45 shade matches the following richer shades: #AA6D45, #BD6932, #D0661E and #E4620B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A96D45 shade: #AA6D45, #967158, #83756C, #70797F and #5C7D93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A96D45 shade: #AA4552, #AA5245, #AA6D45, #AA8845 and #AAA345

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A96D45 shade: #6F472D, #8C5A39, #AA6D45, #BC825C and #C89979

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A96D45 shade: #A96D45, #6DAA45 and #4545AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A96D45 shade: #A96D45, #45AA6D and #6D45AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A96D45 shade: #A96D45, #6DAA45, #4581AA and #8145AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A96D45 shade: #A96D45, #4FAA45, #4581AA and #A045AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 59 / 34

HEX #A96D45

RGB 169 109 69

HSL 24, 0.42%, 0.47%

LAB 51.61, 19.71, 31.96

 

Complementary color

CMYK 54 / 22 / 0 / 27

HEX #5692BA

RGB 86 146 186

HSL 204, 0.42%, 0.53%

LAB 58.11, -7.97, -26.8

 

CMYK 0 / 37 / 63 / 32

HEX #AE6D40

RGB 174 109 64

HSL 24.55, 0.46%, 0.47%

LAB 52.18, 21.48, 35.52

 

CMYK 0 / 34 / 57 / 25

HEX #BF7F53

RGB 191 127 83

HSL 24.44, 0.46%, 0.54%

LAB 58.86, 20.14, 33.84

 

CMYK 0 / 30 / 51 / 18

HEX #D09166

RGB 208 145 102

HSL 24.34, 0.53%, 0.61%

LAB 65.45, 18.98, 32.27

 

CMYK 0 / 28 / 46 / 12

HEX #E1A379

RGB 225 163 121

HSL 24.23, 0.63%, 0.68%

LAB 71.95, 17.97, 30.83

 

CMYK 0 / 25 / 42 / 5

HEX #F2B58C

RGB 242 181 140

HSL 24.12, 0.8%, 0.75%

LAB 78.36, 17.09, 29.5

 

CMYK 0 / 36 / 59 / 34

HEX #A96D45

RGB 169 109 69

HSL 24, 0.42%, 0.47%

LAB 51.61, 19.71, 31.96

 

CMYK 0 / 40 / 67 / 40

HEX #985B32

RGB 152 91 50

HSL 24.12, 0.5%, 0.4%

LAB 44.78, 21.17, 33.73

 

CMYK 0 / 46 / 77 / 47

HEX #87491F

RGB 135 73 31

HSL 24.23, 0.63%, 0.33%

LAB 37.87, 22.9, 35.55

 

CMYK 0 / 53 / 90 / 54

HEX #76370C

RGB 118 55 12

HSL 24.34, 0.82%, 0.25%

LAB 30.9, 24.91, 36.93

 

CMYK 0 / 63 / 100 / 60

HEX #652500

RGB 101 37 0

HSL 21.98, 1%, 0.2%

LAB 23.97, 27.13, 34.57

 

CMYK 0 / 36 / 59 / 33

HEX #AA6D45

RGB 170 109 69

HSL 23.76, 0.42%, 0.47%

LAB 51.74, 20.14, 32.14

 

CMYK 0 / 52 / 59 / 33

HEX #AA5245

RGB 170 82 69

HSL 7.72, 0.42%, 0.47%

LAB 45.65, 34.95, 24.53

 

CMYK 0 / 59 / 59 / 33

HEX #AA4545

RGB 170 69 69

HSL 0, 0.42%, 0.47%

LAB 43.11, 41.51, 21.26

 

CMYK 0 / 36 / 59 / 33

HEX #AA6D45

RGB 170 109 69

HSL 23.76, 0.42%, 0.47%

LAB 51.74, 20.14, 32.14

 

CMYK 0 / 20 / 59 / 33

HEX #AA8845

RGB 170 136 69

HSL 39.8, 0.42%, 0.47%

LAB 58.59, 4.96, 40.31

 

CMYK 0 / 4 / 59 / 33

HEX #AAA445

RGB 170 164 69

HSL 56.44, 0.42%, 0.47%

LAB 66.16, -10.22, 48.91

 

CMYK 12 / 0 / 59 / 33

HEX #95AA45

RGB 149 170 69

HSL 72.48, 0.42%, 0.47%

LAB 66.19, -22.19, 48.48

 

CMYK 29 / 0 / 59 / 33

HEX #79AA45

RGB 121 170 69

HSL 89.11, 0.42%, 0.47%

LAB 64.36, -33.29, 45.92

 

CMYK 0 / 36 / 59 / 33

HEX #AA6D45

RGB 170 109 69

HSL 23.76, 0.42%, 0.47%

LAB 51.74, 20.14, 32.14

 

CMYK 0 / 44 / 74 / 26

HEX #BD6932

RGB 189 105 50

HSL 23.74, 0.58%, 0.47%

LAB 53.12, 29.2, 44.36

 

CMYK 0 / 51 / 86 / 18

HEX #D0661E

RGB 208 102 30

HSL 24.27, 0.75%, 0.47%

LAB 55.08, 37.79, 55.87

 

CMYK 0 / 57 / 95 / 11

HEX #E4620B

RGB 228 98 11

HSL 24.06, 0.91%, 0.47%

LAB 57.32, 47.13, 64.24

 

CMYK 0 / 36 / 59 / 33

HEX #AA6D45

RGB 170 109 69

HSL 23.76, 0.42%, 0.47%

LAB 51.74, 20.14, 32.14

 

CMYK 0 / 25 / 41 / 41

HEX #967158

RGB 150 113 88

HSL 24.19, 0.26%, 0.47%

LAB 50.69, 11.16, 19.53

 

CMYK 0 / 11 / 18 / 49

HEX #83756C

RGB 131 117 108

HSL 23.48, 0.1%, 0.47%

LAB 50.25, 3.82, 6.93

 

CMYK 12 / 5 / 0 / 50

HEX #70797F

RGB 112 121 127

HSL 204, 0.06%, 0.47%

LAB 50.28, -2.04, -4.43

 

CMYK 37 / 15 / 0 / 42

HEX #5C7D93

RGB 92 125 147

HSL 204, 0.23%, 0.47%

LAB 50.74, -5.9, -15.62

 

CMYK 0 / 59 / 52 / 33

HEX #AA4552

RGB 170 69 82

HSL 352.28, 0.42%, 0.47%

LAB 43.38, 42.59, 13.65

 

CMYK 0 / 52 / 59 / 33

HEX #AA5245

RGB 170 82 69

HSL 7.72, 0.42%, 0.47%

LAB 45.65, 34.95, 24.53

 

CMYK 0 / 36 / 59 / 33

HEX #AA6D45

RGB 170 109 69

HSL 23.76, 0.42%, 0.47%

LAB 51.74, 20.14, 32.14

 

CMYK 0 / 20 / 59 / 33

HEX #AA8845

RGB 170 136 69

HSL 39.8, 0.42%, 0.47%

LAB 58.59, 4.96, 40.31

 

CMYK 0 / 4 / 59 / 33

HEX #AAA345

RGB 170 163 69

HSL 55.84, 0.42%, 0.47%

LAB 65.88, -9.69, 48.6

 

CMYK 0 / 36 / 59 / 56

HEX #6F472D

RGB 111 71 45

HSL 23.64, 0.42%, 0.31%

LAB 34.14, 14.14, 22.54

 

CMYK 0 / 36 / 59 / 45

HEX #8C5A39

RGB 140 90 57

HSL 23.86, 0.42%, 0.39%

LAB 43.04, 16.98, 27.35

 

CMYK 0 / 36 / 59 / 33

HEX #AA6D45

RGB 170 109 69

HSL 23.76, 0.42%, 0.47%

LAB 51.74, 20.14, 32.14

 

CMYK 0 / 31 / 51 / 26

HEX #BC825C

RGB 188 130 92

HSL 23.75, 0.42%, 0.55%

LAB 59.37, 18.02, 29.48

 

CMYK 0 / 24 / 40 / 22

HEX #C89979

RGB 200 153 121

HSL 24.3, 0.42%, 0.63%

LAB 66.86, 13.33, 23.6

 

CMYK 0 / 36 / 59 / 34

HEX #A96D45

RGB 169 109 69

HSL 24, 0.42%, 0.47%

LAB 51.61, 19.71, 31.96

 

CMYK 36 / 0 / 59 / 33

HEX #6DAA45

RGB 109 170 69

HSL 96.24, 0.42%, 0.47%

LAB 63.7, -37.67, 44.99

 

CMYK 59 / 59 / 0 / 33

HEX #4545AA

RGB 69 69 170

HSL 240, 0.42%, 0.47%

LAB 34.85, 30.52, -54.4

 

CMYK 0 / 36 / 59 / 34

HEX #A96D45

RGB 169 109 69

HSL 24, 0.42%, 0.47%

LAB 51.61, 19.71, 31.96

 

CMYK 59 / 0 / 36 / 33

HEX #45AA6D

RGB 69 170 109

HSL 143.76, 0.42%, 0.47%

LAB 62.61, -43.48, 22.91

 

CMYK 36 / 59 / 0 / 33

HEX #6D45AA

RGB 109 69 170

HSL 263.76, 0.42%, 0.47%

LAB 38.57, 39.08, -48.21

 

CMYK 0 / 36 / 59 / 34

HEX #A96D45

RGB 169 109 69

HSL 24, 0.42%, 0.47%

LAB 51.61, 19.71, 31.96

 

CMYK 36 / 0 / 59 / 33

HEX #6DAA45

RGB 109 170 69

HSL 96.24, 0.42%, 0.47%

LAB 63.7, -37.67, 44.99

 

CMYK 59 / 24 / 0 / 33

HEX #4581AA

RGB 69 129 170

HSL 204.36, 0.42%, 0.47%

LAB 51.69, -6.98, -27.65

 

CMYK 24 / 59 / 0 / 33

HEX #8145AA

RGB 129 69 170

HSL 275.64, 0.42%, 0.47%

LAB 40.94, 44.02, -44.28

 

CMYK 0 / 36 / 59 / 34

HEX #A96D45

RGB 169 109 69

HSL 24, 0.42%, 0.47%

LAB 51.61, 19.71, 31.96

 

CMYK 54 / 0 / 59 / 33

HEX #4FAA45

RGB 79 170 69

HSL 114.06, 0.42%, 0.47%

LAB 62.37, -47.15, 43.12

 

CMYK 59 / 24 / 0 / 33

HEX #4581AA

RGB 69 129 170

HSL 204.36, 0.42%, 0.47%

LAB 51.69, -6.98, -27.65

 

CMYK 6 / 59 / 0 / 33

HEX #A045AA

RGB 160 69 170

HSL 294.06, 0.42%, 0.47%

LAB 45.13, 52.03, -37.37

 

Description

Color code: HEX #A96D45 | qconv.com Color code: HEX #A96D45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 109 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 109 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 59 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 59% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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