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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9716E it is the complementary color #568E91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9716E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9716E shade: #AE7169, #BF837C, #D0958F, #E1A7A2 and #F2B9B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9716E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9716E shade: #A9716E, #985F5B, #874D48, #763B35 and #652922

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9716E shade: #AA716E and #AA6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9716E shade: #AA716E, #AA816E, #AA916E, #AAA16E and #A2AA6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9716E shade matches the following richer shades: #AA716E, #BC605B, #CF5049, #E13F36 and #F42E24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9716E shade: #AA716E, #978280, #849293, #72A3A6 and #5FB4B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9716E shade: #AA6E8B, #AA6E7B, #AA716E, #AA816E and #AA916E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9716E shade: #7C4B49, #965B58, #AA716E, #B98A88 and #C8A4A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9716E shade: #A9716E, #9BAA6E and #6E83AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9716E shade: #A9716E, #6EAA71 and #716EAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9716E shade: #A9716E, #9BAA6E, #6EA7AA and #7D6EAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9716E shade: #A9716E, #89AA6E, #6EA7AA and #8F6EAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 35 / 34

HEX #A9716E

RGB 169 113 110

HSL 3.05, 0.26%, 0.55%

LAB 53.35, 21.77, 10.72

 

Complementary color

CMYK 41 / 2 / 0 / 43

HEX #568E91

RGB 86 142 145

HSL 183.05, 0.26%, 0.45%

LAB 55.45, -17.58, -7.41

 

CMYK 0 / 35 / 40 / 32

HEX #AE7169

RGB 174 113 105

HSL 6.96, 0.3%, 0.55%

LAB 53.84, 23.15, 14.42

 

CMYK 0 / 31 / 35 / 25

HEX #BF837C

RGB 191 131 124

HSL 6.27, 0.34%, 0.62%

LAB 60.57, 22.22, 13.14

 

CMYK 0 / 28 / 31 / 18

HEX #D0958F

RGB 208 149 143

HSL 5.54, 0.41%, 0.69%

LAB 67.19, 21.39, 11.99

 

CMYK 0 / 26 / 28 / 12

HEX #E1A7A2

RGB 225 167 162

HSL 4.76, 0.51%, 0.76%

LAB 73.71, 20.66, 10.95

 

CMYK 0 / 24 / 25 / 5

HEX #F2B9B5

RGB 242 185 181

HSL 3.93, 0.7%, 0.83%

LAB 80.13, 20, 10

 

CMYK 0 / 33 / 35 / 34

HEX #A9716E

RGB 169 113 110

HSL 3.05, 0.26%, 0.55%

LAB 53.35, 21.77, 10.72

 

CMYK 0 / 38 / 40 / 40

HEX #985F5B

RGB 152 95 91

HSL 3.93, 0.25%, 0.48%

LAB 46.47, 22.74, 12.04

 

CMYK 0 / 43 / 47 / 47

HEX #874D48

RGB 135 77 72

HSL 4.76, 0.3%, 0.41%

LAB 39.46, 23.86, 13.59

 

CMYK 0 / 50 / 55 / 54

HEX #763B35

RGB 118 59 53

HSL 5.54, 0.38%, 0.34%

LAB 32.34, 25.12, 15.47

 

CMYK 0 / 59 / 66 / 60

HEX #652922

RGB 101 41 34

HSL 6.27, 0.5%, 0.26%

LAB 25.16, 26.5, 17.89

 

CMYK 0 / 34 / 35 / 33

HEX #AA716E

RGB 170 113 110

HSL 3, 0.26%, 0.55%

LAB 53.47, 22.17, 10.91

 

CMYK 0 / 35 / 35 / 33

HEX #AA6E6E

RGB 170 110 110

HSL 0, 0.26%, 0.55%

LAB 52.76, 23.86, 9.9

 

CMYK 0 / 34 / 35 / 33

HEX #AA716E

RGB 170 113 110

HSL 3, 0.26%, 0.55%

LAB 53.47, 22.17, 10.91

 

CMYK 0 / 24 / 35 / 33

HEX #AA816E

RGB 170 129 110

HSL 19, 0.26%, 0.55%

LAB 57.44, 13.13, 16.42

 

CMYK 0 / 15 / 35 / 33

HEX #AA916E

RGB 170 145 110

HSL 35, 0.26%, 0.55%

LAB 61.59, 4.17, 22.06

 

CMYK 0 / 5 / 35 / 33

HEX #AAA16E

RGB 170 161 110

HSL 51, 0.26%, 0.55%

LAB 65.87, -4.58, 27.77

 

CMYK 5 / 0 / 35 / 33

HEX #A2AA6E

RGB 162 170 110

HSL 68, 0.26%, 0.55%

LAB 67.69, -12.58, 30.02

 

CMYK 0 / 34 / 35 / 33

HEX #AA716E

RGB 170 113 110

HSL 3, 0.26%, 0.55%

LAB 53.47, 22.17, 10.91

 

CMYK 0 / 49 / 52 / 26

HEX #BC605B

RGB 188 96 91

HSL 3.09, 0.42%, 0.55%

LAB 51.62, 36.43, 19.89

 

CMYK 0 / 61 / 65 / 19

HEX #CF5049

RGB 207 80 73

HSL 3.13, 0.58%, 0.55%

LAB 51.25, 49.82, 30.49

 

CMYK 0 / 72 / 76 / 12

HEX #E13F36

RGB 225 63 54

HSL 3.16, 0.74%, 0.55%

LAB 51.64, 61.6, 42.46

 

CMYK 0 / 81 / 85 / 4

HEX #F42E24

RGB 244 46 36

HSL 2.88, 0.9%, 0.55%

LAB 53.29, 71.61, 54.41

 

CMYK 0 / 34 / 35 / 33

HEX #AA716E

RGB 170 113 110

HSL 3, 0.26%, 0.55%

LAB 53.47, 22.17, 10.91

 

CMYK 0 / 14 / 15 / 41

HEX #978280

RGB 151 130 128

HSL 5.22, 0.1%, 0.55%

LAB 56.19, 7.65, 4.03

 

CMYK 10 / 1 / 0 / 42

HEX #849293

RGB 132 146 147

HSL 184, 0.06%, 0.55%

LAB 59.5, -4.8, -2.25

 

CMYK 31 / 2 / 0 / 35

HEX #72A3A6

RGB 114 163 166

HSL 183.46, 0.23%, 0.55%

LAB 63.77, -15.5, -6.81

 

CMYK 48 / 2 / 0 / 28

HEX #5FB4B8

RGB 95 180 184

HSL 182.7, 0.39%, 0.55%

LAB 68.41, -24.59, -10

 

CMYK 0 / 35 / 18 / 33

HEX #AA6E8B

RGB 170 110 139

HSL 331, 0.26%, 0.55%

LAB 53.56, 28.1, -5.99

 

CMYK 0 / 35 / 28 / 33

HEX #AA6E7B

RGB 170 110 123

HSL 347, 0.26%, 0.55%

LAB 53.09, 25.64, 2.73

 

CMYK 0 / 34 / 35 / 33

HEX #AA716E

RGB 170 113 110

HSL 3, 0.26%, 0.55%

LAB 53.47, 22.17, 10.91

 

CMYK 0 / 24 / 35 / 33

HEX #AA816E

RGB 170 129 110

HSL 19, 0.26%, 0.55%

LAB 57.44, 13.13, 16.42

 

CMYK 0 / 15 / 35 / 33

HEX #AA916E

RGB 170 145 110

HSL 35, 0.26%, 0.55%

LAB 61.59, 4.17, 22.06

 

CMYK 0 / 40 / 41 / 51

HEX #7C4B49

RGB 124 75 73

HSL 2.35, 0.26%, 0.39%

LAB 37.48, 20.54, 10

 

CMYK 0 / 39 / 41 / 41

HEX #965B58

RGB 150 91 88

HSL 2.9, 0.26%, 0.47%

LAB 45.18, 23.85, 12.02

 

CMYK 0 / 34 / 35 / 33

HEX #AA716E

RGB 170 113 110

HSL 3, 0.26%, 0.55%

LAB 53.47, 22.17, 10.91

 

CMYK 0 / 25 / 26 / 27

HEX #B98A88

RGB 185 138 136

HSL 2.45, 0.26%, 0.63%

LAB 61.89, 17.61, 8.07

 

CMYK 0 / 18 / 19 / 22

HEX #C8A4A2

RGB 200 164 162

HSL 3.16, 0.26%, 0.71%

LAB 70.48, 12.89, 6.01

 

CMYK 0 / 33 / 35 / 34

HEX #A9716E

RGB 169 113 110

HSL 3.05, 0.26%, 0.55%

LAB 53.35, 21.77, 10.72

 

CMYK 9 / 0 / 35 / 33

HEX #9BAA6E

RGB 155 170 110

HSL 75, 0.26%, 0.55%

LAB 67.16, -15.36, 29.23

 

CMYK 35 / 23 / 0 / 33

HEX #6E83AA

RGB 110 131 170

HSL 219, 0.26%, 0.55%

LAB 54.5, 2.19, -23.12

 

CMYK 0 / 33 / 35 / 34

HEX #A9716E

RGB 169 113 110

HSL 3.05, 0.26%, 0.55%

LAB 53.35, 21.77, 10.72

 

CMYK 35 / 0 / 34 / 33

HEX #6EAA71

RGB 110 170 113

HSL 123, 0.26%, 0.55%

LAB 64.37, -31.33, 23.4

 

CMYK 34 / 35 / 0 / 33

HEX #716EAA

RGB 113 110 170

HSL 243, 0.26%, 0.55%

LAB 48.96, 15.59, -31.69

 

CMYK 0 / 33 / 35 / 34

HEX #A9716E

RGB 169 113 110

HSL 3.05, 0.26%, 0.55%

LAB 53.35, 21.77, 10.72

 

CMYK 9 / 0 / 35 / 33

HEX #9BAA6E

RGB 155 170 110

HSL 75, 0.26%, 0.55%

LAB 67.16, -15.36, 29.23

 

CMYK 35 / 2 / 0 / 33

HEX #6EA7AA

RGB 110 167 170

HSL 183, 0.26%, 0.55%

LAB 64.85, -17.76, -7.47

 

CMYK 26 / 35 / 0 / 33

HEX #7D6EAA

RGB 125 110 170

HSL 255, 0.26%, 0.55%

LAB 49.99, 19.19, -30.01

 

CMYK 0 / 33 / 35 / 34

HEX #A9716E

RGB 169 113 110

HSL 3.05, 0.26%, 0.55%

LAB 53.35, 21.77, 10.72

 

CMYK 19 / 0 / 35 / 33

HEX #89AA6E

RGB 137 170 110

HSL 93, 0.26%, 0.55%

LAB 65.9, -22.29, 27.34

 

CMYK 35 / 2 / 0 / 33

HEX #6EA7AA

RGB 110 167 170

HSL 183, 0.26%, 0.55%

LAB 64.85, -17.76, -7.47

 

CMYK 16 / 35 / 0 / 33

HEX #8F6EAA

RGB 143 110 170

HSL 273, 0.26%, 0.55%

LAB 51.72, 24.84, -27.2

 

Description

Color code: HEX #A9716E | qconv.com Color code: HEX #A9716E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 113 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 113 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 35 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 35% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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