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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A99D2C it is the complementary color #5662D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A99D2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A99D2C shade: #AE9D27, #BFAF3A, #D0C14D, #E1D360 and #F2E573

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A99D2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A99D2C shade: #A99D2C, #988B19, #877906, #766700 and #655500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A99D2C shade: #AA9E2B, #AA7C2B, #AA592B, #AA372B and #AA2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A99D2C shade: #AA9E2B, #94AA2B, #72AA2B, #50AA2B and #2EAA2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A99D2C shade matches the following richer shades: #AA9E2B, #BBAC1A and #CCBA09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A99D2C shade: #AA9E2B, #98903D, #87824E, #76745F and #646671

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A99D2C shade: #AA5A2B, #AA7B2B, #AA9D2B, #95AA2B and #73AA2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A99D2C shade: #68611A, #897F23, #AA9E2B, #CABC34 and #D3C755

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A99D2C shade: #A99D2C, #2BAA38 and #6B2BAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A99D2C shade: #A99D2C, #2BAA9D and #9D2BAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A99D2C shade: #A99D2C, #2BAA38, #2B38AA and #AA2B9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A99D2C shade: #A99D2C, #2BAA5E, #2B38AA and #AA2B77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 74 / 34

HEX #A99D2C

RGB 169 157 44

HSL 54.24, 0.59%, 0.42%

LAB 63.94, -8.46, 57.04

 

Complementary color

CMYK 59 / 54 / 0 / 17

HEX #5662D3

RGB 86 98 211

HSL 234.24, 0.59%, 0.58%

LAB 46.2, 29.11, -59.9

 

CMYK 0 / 10 / 78 / 32

HEX #AE9D27

RGB 174 157 39

HSL 52.44, 0.63%, 0.42%

LAB 64.37, -6.45, 59.36

 

CMYK 0 / 8 / 70 / 25

HEX #BFAF3A

RGB 191 175 58

HSL 52.78, 0.53%, 0.49%

LAB 70.9, -7.59, 59.18

 

CMYK 0 / 7 / 63 / 18

HEX #D0C14D

RGB 208 193 77

HSL 53.13, 0.58%, 0.56%

LAB 77.33, -8.53, 58.48

 

CMYK 0 / 6 / 57 / 12

HEX #E1D360

RGB 225 211 96

HSL 53.49, 0.68%, 0.63%

LAB 83.67, -9.32, 57.53

 

CMYK 0 / 5 / 52 / 5

HEX #F2E573

RGB 242 229 115

HSL 53.86, 0.83%, 0.7%

LAB 89.93, -9.99, 56.45

 

CMYK 0 / 7 / 74 / 34

HEX #A99D2C

RGB 169 157 44

HSL 54.24, 0.59%, 0.42%

LAB 63.94, -8.46, 57.04

 

CMYK 0 / 9 / 84 / 40

HEX #988B19

RGB 152 139 25

HSL 53.86, 0.72%, 0.35%

LAB 57.28, -7.22, 56.65

 

CMYK 0 / 10 / 96 / 47

HEX #877906

RGB 135 121 6

HSL 53.49, 0.91%, 0.28%

LAB 50.5, -5.68, 54.79

 

CMYK 0 / 13 / 100 / 54

HEX #766700

RGB 118 103 0

HSL 52.37, 1%, 0.23%

LAB 43.58, -3.77, 50.26

 

CMYK 0 / 16 / 100 / 60

HEX #655500

RGB 101 85 0

HSL 50.5, 1%, 0.2%

LAB 36.49, -1.64, 44.39

 

CMYK 0 / 7 / 75 / 33

HEX #AA9E2B

RGB 170 158 43

HSL 54.33, 0.6%, 0.42%

LAB 64.3, -8.59, 57.77

 

CMYK 0 / 27 / 75 / 33

HEX #AA7C2B

RGB 170 124 43

HSL 38.27, 0.6%, 0.42%

LAB 55.21, 10.05, 48.96

 

CMYK 0 / 48 / 75 / 33

HEX #AA592B

RGB 170 89 43

HSL 21.73, 0.6%, 0.42%

LAB 46.8, 29.59, 40.36

 

CMYK 0 / 68 / 75 / 33

HEX #AA372B

RGB 170 55 43

HSL 5.67, 0.6%, 0.42%

LAB 40.33, 46.32, 33.37

 

CMYK 0 / 75 / 75 / 33

HEX #AA2B2B

RGB 170 43 43

HSL 0, 0.6%, 0.42%

LAB 38.64, 50.98, 31.47

 

CMYK 0 / 7 / 75 / 33

HEX #AA9E2B

RGB 170 158 43

HSL 54.33, 0.6%, 0.42%

LAB 64.3, -8.59, 57.77

 

CMYK 13 / 0 / 75 / 33

HEX #94AA2B

RGB 148 170 43

HSL 70.39, 0.6%, 0.42%

LAB 65.92, -24.32, 58.68

 

CMYK 33 / 0 / 75 / 33

HEX #72AA2B

RGB 114 170 43

HSL 86.46, 0.6%, 0.42%

LAB 63.76, -37.94, 55.84

 

CMYK 53 / 0 / 75 / 33

HEX #50AA2B

RGB 80 170 43

HSL 102.52, 0.6%, 0.42%

LAB 62.19, -49.28, 53.78

 

CMYK 73 / 0 / 75 / 33

HEX #2EAA2B

RGB 46 170 43

HSL 118.58, 0.6%, 0.42%

LAB 61.22, -57.15, 52.49

 

CMYK 0 / 7 / 75 / 33

HEX #AA9E2B

RGB 170 158 43

HSL 54.33, 0.6%, 0.42%

LAB 64.3, -8.59, 57.77

 

CMYK 0 / 8 / 86 / 27

HEX #BBAC1A

RGB 187 172 26

HSL 54.41, 0.76%, 0.42%

LAB 69.57, -8.99, 67.96

 

CMYK 0 / 9 / 96 / 20

HEX #CCBA09

RGB 204 186 9

HSL 54.46, 0.92%, 0.42%

LAB 74.81, -9.05, 75.4

 

CMYK 0 / 7 / 75 / 33

HEX #AA9E2B

RGB 170 158 43

HSL 54.33, 0.6%, 0.42%

LAB 64.3, -8.59, 57.77

 

CMYK 0 / 5 / 60 / 40

HEX #98903D

RGB 152 144 61

HSL 54.73, 0.43%, 0.42%

LAB 58.94, -8.01, 44.18

 

CMYK 0 / 4 / 42 / 47

HEX #87824E

RGB 135 130 78

HSL 54.74, 0.27%, 0.42%

LAB 53.67, -6.17, 28.79

 

CMYK 0 / 2 / 19 / 54

HEX #76745F

RGB 118 116 95

HSL 54.78, 0.11%, 0.42%

LAB 48.47, -3.08, 11.9

 

CMYK 12 / 10 / 0 / 56

HEX #646671

RGB 100 102 113

HSL 230.77, 0.06%, 0.42%

LAB 43.37, 1.64, -6.44

 

CMYK 0 / 47 / 75 / 33

HEX #AA5A2B

RGB 170 90 43

HSL 22.2, 0.6%, 0.42%

LAB 47.02, 29.05, 40.59

 

CMYK 0 / 28 / 75 / 33

HEX #AA7B2B

RGB 170 123 43

HSL 37.8, 0.6%, 0.42%

LAB 54.96, 10.61, 48.71

 

CMYK 0 / 8 / 75 / 33

HEX #AA9D2B

RGB 170 157 43

HSL 53.86, 0.6%, 0.42%

LAB 64.03, -8.06, 57.51

 

CMYK 12 / 0 / 75 / 33

HEX #95AA2B

RGB 149 170 43

HSL 69.92, 0.6%, 0.42%

LAB 65.99, -23.9, 58.77

 

CMYK 32 / 0 / 75 / 33

HEX #73AA2B

RGB 115 170 43

HSL 85.98, 0.6%, 0.42%

LAB 63.81, -37.57, 55.92

 

CMYK 0 / 7 / 75 / 59

HEX #68611A

RGB 104 97 26

HSL 54.62, 0.6%, 0.25%

LAB 40.52, -6.25, 39.31

 

CMYK 0 / 7 / 74 / 46

HEX #897F23

RGB 137 127 35

HSL 54.12, 0.59%, 0.34%

LAB 52.53, -7.14, 48.45

 

CMYK 0 / 7 / 75 / 33

HEX #AA9E2B

RGB 170 158 43

HSL 54.33, 0.6%, 0.42%

LAB 64.3, -8.59, 57.77

 

CMYK 0 / 7 / 74 / 21

HEX #CABC34

RGB 202 188 52

HSL 54.4, 0.59%, 0.5%

LAB 75.31, -9.85, 66.01

 

CMYK 0 / 6 / 60 / 17

HEX #D3C755

RGB 211 199 85

HSL 54.29, 0.59%, 0.58%

LAB 79.24, -9.81, 57.16

 

CMYK 0 / 7 / 74 / 34

HEX #A99D2C

RGB 169 157 44

HSL 54.24, 0.59%, 0.42%

LAB 63.94, -8.46, 57.04

 

CMYK 75 / 0 / 67 / 33

HEX #2BAA38

RGB 43 170 56

HSL 126.14, 0.6%, 0.42%

LAB 61.26, -56.47, 47.41

 

CMYK 37 / 75 / 0 / 33

HEX #6B2BAA

RGB 107 43 170

HSL 270.24, 0.6%, 0.42%

LAB 33.47, 51.97, -56.48

 

CMYK 0 / 7 / 74 / 34

HEX #A99D2C

RGB 169 157 44

HSL 54.24, 0.59%, 0.42%

LAB 63.94, -8.46, 57.04

 

CMYK 75 / 0 / 8 / 33

HEX #2BAA9D

RGB 43 170 157

HSL 173.86, 0.6%, 0.42%

LAB 63.09, -36.47, -3.06

 

CMYK 8 / 75 / 0 / 33

HEX #9D2BAA

RGB 157 43 170

HSL 293.86, 0.6%, 0.42%

LAB 40.89, 61.88, -44.12

 

CMYK 0 / 7 / 74 / 34

HEX #A99D2C

RGB 169 157 44

HSL 54.24, 0.59%, 0.42%

LAB 63.94, -8.46, 57.04

 

CMYK 75 / 0 / 67 / 33

HEX #2BAA38

RGB 43 170 56

HSL 126.14, 0.6%, 0.42%

LAB 61.26, -56.47, 47.41

 

CMYK 75 / 67 / 0 / 33

HEX #2B38AA

RGB 43 56 170

HSL 233.86, 0.6%, 0.42%

LAB 30.02, 35.02, -62.36

 

CMYK 0 / 75 / 8 / 33

HEX #AA2B9D

RGB 170 43 157

HSL 306.14, 0.6%, 0.42%

LAB 42.32, 62.56, -33.94

 

CMYK 0 / 7 / 74 / 34

HEX #A99D2C

RGB 169 157 44

HSL 54.24, 0.59%, 0.42%

LAB 63.94, -8.46, 57.04

 

CMYK 75 / 0 / 45 / 33

HEX #2BAA5E

RGB 43 170 94

HSL 144.09, 0.6%, 0.42%

LAB 61.72, -51.12, 29.61

 

CMYK 75 / 67 / 0 / 33

HEX #2B38AA

RGB 43 56 170

HSL 233.86, 0.6%, 0.42%

LAB 30.02, 35.02, -62.36

 

CMYK 0 / 75 / 30 / 33

HEX #AA2B77

RGB 170 43 119

HSL 324.09, 0.6%, 0.42%

LAB 40.58, 57.28, -13.41

 

Description

Color code: HEX #A99D2C | qconv.com Color code: HEX #A99D2C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 157 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 157 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 74 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 74% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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