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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9AE45 it is the complementary color #5651BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9AE45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9AE45 shade: #AEAE40, #BFC053, #D0D266, #E1E479 and #F2F68C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9AE45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9AE45 shade: #A9AE45, #989C32, #878A1F, #76780C and #656600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9AE45 shade: #AAAF45, #AF9745, #AF7B45, #AF5E45 and #AF4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9AE45 shade: #AAAF45, #8DAF45, #71AF45, #54AF45 and #45AF53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9AE45 shade matches the following richer shades: #AAAF45, #BBC231, #CDD61E and #DFEA0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9AE45 shade: #AAAF45, #989B59, #86876D, #747381 and #625F94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9AE45 shade: #AF7A45, #AF9645, #ABAF45, #8FAF45 and #73AF45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9AE45 shade: #70742E, #8D913A, #AAAF45, #BABF5E and #C7CA7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9AE45 shade: #A9AE45, #45AF5E and #8845AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9AE45 shade: #A9AE45, #45ABAF and #AF45AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9AE45 shade: #A9AE45, #45AF5E, #4945AF and #AF4596

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9AE45 shade: #A9AE45, #45AF7D, #4945AF and #AF4576

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 60 / 32

HEX #A9AE45

RGB 169 174 69

HSL 62.86, 0.43%, 0.48%

LAB 68.85, -15.84, 51.84

 

Complementary color

CMYK 54 / 56 / 0 / 27

HEX #5651BA

RGB 86 81 186

HSL 242.86, 0.43%, 0.52%

LAB 40.26, 31.51, -55.04

 

CMYK 0 / 0 / 63 / 32

HEX #AEAE40

RGB 174 174 64

HSL 60, 0.46%, 0.47%

LAB 69.21, -14.05, 54.52

 

CMYK 1 / 0 / 57 / 25

HEX #BFC053

RGB 191 192 83

HSL 60.55, 0.46%, 0.54%

LAB 75.7, -14.73, 53.65

 

CMYK 1 / 0 / 51 / 18

HEX #D0D266

RGB 208 210 102

HSL 61.11, 0.55%, 0.61%

LAB 82.09, -15.29, 52.6

 

CMYK 1 / 0 / 47 / 11

HEX #E1E479

RGB 225 228 121

HSL 61.68, 0.66%, 0.68%

LAB 88.39, -15.74, 51.49

 

CMYK 2 / 0 / 43 / 4

HEX #F2F68C

RGB 242 246 140

HSL 62.26, 0.85%, 0.76%

LAB 94.6, -16.13, 50.35

 

CMYK 3 / 0 / 60 / 32

HEX #A9AE45

RGB 169 174 69

HSL 62.86, 0.43%, 0.48%

LAB 68.85, -15.84, 51.84

 

CMYK 3 / 0 / 68 / 39

HEX #989C32

RGB 152 156 50

HSL 62.26, 0.51%, 0.4%

LAB 62.24, -15.12, 52.55

 

CMYK 2 / 0 / 78 / 46

HEX #878A1F

RGB 135 138 31

HSL 61.68, 0.63%, 0.33%

LAB 55.51, -14.21, 52.64

 

CMYK 2 / 0 / 90 / 53

HEX #76780C

RGB 118 120 12

HSL 61.11, 0.82%, 0.26%

LAB 48.65, -13.02, 51.48

 

CMYK 1 / 0 / 100 / 60

HEX #656600

RGB 101 102 0

HSL 60.59, 1%, 0.2%

LAB 41.64, -11.48, 48.1

 

CMYK 3 / 0 / 61 / 31

HEX #AAAF45

RGB 170 175 69

HSL 62.83, 0.43%, 0.48%

LAB 69.21, -15.92, 52.26

 

CMYK 0 / 14 / 61 / 31

HEX #AF9745

RGB 175 151 69

HSL 46.42, 0.43%, 0.48%

LAB 63.07, -1.09, 45.58

 

CMYK 0 / 30 / 61 / 31

HEX #AF7B45

RGB 175 123 69

HSL 30.57, 0.43%, 0.48%

LAB 55.8, 14.43, 37.17

 

CMYK 0 / 46 / 61 / 31

HEX #AF5E45

RGB 175 94 69

HSL 14.15, 0.43%, 0.48%

LAB 48.94, 30.54, 28.85

 

CMYK 0 / 61 / 61 / 31

HEX #AF4545

RGB 175 69 69

HSL 0, 0.43%, 0.48%

LAB 43.94, 43.32, 22.5

 

CMYK 3 / 0 / 61 / 31

HEX #AAAF45

RGB 170 175 69

HSL 62.83, 0.43%, 0.48%

LAB 69.21, -15.92, 52.26

 

CMYK 19 / 0 / 61 / 31

HEX #8DAF45

RGB 141 175 69

HSL 79.25, 0.43%, 0.48%

LAB 67.09, -27.9, 49.33

 

CMYK 35 / 0 / 61 / 31

HEX #71AF45

RGB 113 175 69

HSL 95.09, 0.43%, 0.48%

LAB 65.44, -38.48, 47.02

 

CMYK 52 / 0 / 61 / 31

HEX #54AF45

RGB 84 175 69

HSL 111.51, 0.43%, 0.48%

LAB 64.14, -47.74, 45.2

 

CMYK 61 / 0 / 53 / 31

HEX #45AF53

RGB 69 175 83

HSL 127.92, 0.43%, 0.48%

LAB 63.79, -49.83, 37.98

 

CMYK 3 / 0 / 61 / 31

HEX #AAAF45

RGB 170 175 69

HSL 62.83, 0.43%, 0.48%

LAB 69.21, -15.92, 52.26

 

CMYK 4 / 0 / 75 / 24

HEX #BBC231

RGB 187 194 49

HSL 62.9, 0.6%, 0.48%

LAB 75.68, -19.42, 66.92

 

CMYK 4 / 0 / 86 / 16

HEX #CDD61E

RGB 205 214 30

HSL 62.93, 0.75%, 0.48%

LAB 82.47, -22.27, 78.27

 

CMYK 5 / 0 / 96 / 8

HEX #DFEA0A

RGB 223 234 10

HSL 62.95, 0.92%, 0.48%

LAB 89.18, -24.68, 86.76

 

CMYK 3 / 0 / 61 / 31

HEX #AAAF45

RGB 170 175 69

HSL 62.83, 0.43%, 0.48%

LAB 69.21, -15.92, 52.26

 

CMYK 2 / 0 / 43 / 39

HEX #989B59

RGB 152 155 89

HSL 62.73, 0.27%, 0.48%

LAB 62.37, -11.28, 34.16

 

CMYK 1 / 0 / 19 / 47

HEX #86876D

RGB 134 135 109

HSL 62.31, 0.11%, 0.48%

LAB 55.58, -5.06, 13.89

 

CMYK 10 / 11 / 0 / 49

HEX #747381

RGB 116 115 129

HSL 244.29, 0.06%, 0.48%

LAB 48.96, 3.35, -7.54

 

CMYK 34 / 36 / 0 / 42

HEX #625F94

RGB 98 95 148

HSL 243.4, 0.22%, 0.48%

LAB 42.64, 14.24, -28.67

 

CMYK 0 / 30 / 61 / 31

HEX #AF7A45

RGB 175 122 69

HSL 30, 0.43%, 0.48%

LAB 55.55, 14.99, 36.87

 

CMYK 0 / 14 / 61 / 31

HEX #AF9645

RGB 175 150 69

HSL 45.85, 0.43%, 0.48%

LAB 62.81, -0.55, 45.28

 

CMYK 2 / 0 / 61 / 31

HEX #ABAF45

RGB 171 175 69

HSL 62.26, 0.43%, 0.48%

LAB 69.29, -15.5, 52.37

 

CMYK 18 / 0 / 61 / 31

HEX #8FAF45

RGB 143 175 69

HSL 78.11, 0.43%, 0.48%

LAB 67.22, -27.1, 49.51

 

CMYK 34 / 0 / 61 / 31

HEX #73AF45

RGB 115 175 69

HSL 93.96, 0.43%, 0.48%

LAB 65.54, -37.77, 47.17

 

CMYK 3 / 0 / 60 / 55

HEX #70742E

RGB 112 116 46

HSL 63.43, 0.43%, 0.32%

LAB 47.15, -11.83, 37.3

 

CMYK 3 / 0 / 60 / 43

HEX #8D913A

RGB 141 145 58

HSL 62.76, 0.43%, 0.4%

LAB 58.24, -13.61, 44.55

 

CMYK 3 / 0 / 61 / 31

HEX #AAAF45

RGB 170 175 69

HSL 62.83, 0.43%, 0.48%

LAB 69.21, -15.92, 52.26

 

CMYK 3 / 0 / 51 / 25

HEX #BABF5E

RGB 186 191 94

HSL 63.09, 0.43%, 0.56%

LAB 75.14, -15.38, 47.79

 

CMYK 1 / 0 / 39 / 21

HEX #C7CA7C

RGB 199 202 124

HSL 62.31, 0.42%, 0.64%

LAB 79.52, -12.7, 38.58

 

CMYK 3 / 0 / 60 / 32

HEX #A9AE45

RGB 169 174 69

HSL 62.86, 0.43%, 0.48%

LAB 68.85, -15.84, 51.84

 

CMYK 61 / 0 / 46 / 31

HEX #45AF5E

RGB 69 175 94

HSL 134.15, 0.43%, 0.48%

LAB 63.94, -48.16, 32.6

 

CMYK 22 / 61 / 0 / 31

HEX #8845AF

RGB 136 69 175

HSL 277.92, 0.43%, 0.48%

LAB 42.13, 46.92, -45.28

 

CMYK 3 / 0 / 60 / 32

HEX #A9AE45

RGB 169 174 69

HSL 62.86, 0.43%, 0.48%

LAB 68.85, -15.84, 51.84

 

CMYK 61 / 2 / 0 / 31

HEX #45ABAF

RGB 69 171 175

HSL 182.26, 0.43%, 0.48%

LAB 64.55, -27.9, -10.88

 

CMYK 0 / 61 / 2 / 31

HEX #AF45AB

RGB 175 69 171

HSL 302.26, 0.43%, 0.48%

LAB 47.38, 56.14, -34.26

 

CMYK 3 / 0 / 60 / 32

HEX #A9AE45

RGB 169 174 69

HSL 62.86, 0.43%, 0.48%

LAB 68.85, -15.84, 51.84

 

CMYK 61 / 0 / 46 / 31

HEX #45AF5E

RGB 69 175 94

HSL 134.15, 0.43%, 0.48%

LAB 63.94, -48.16, 32.6

 

CMYK 58 / 61 / 0 / 31

HEX #4945AF

RGB 73 69 175

HSL 242.26, 0.43%, 0.48%

LAB 35.53, 32.91, -56.26

 

CMYK 0 / 61 / 14 / 31

HEX #AF4596

RGB 175 69 150

HSL 314.15, 0.43%, 0.48%

LAB 46.41, 52.69, -23.3

 

CMYK 3 / 0 / 60 / 32

HEX #A9AE45

RGB 169 174 69

HSL 62.86, 0.43%, 0.48%

LAB 68.85, -15.84, 51.84

 

CMYK 61 / 0 / 29 / 31

HEX #45AF7D

RGB 69 175 125

HSL 151.7, 0.43%, 0.48%

LAB 64.49, -42.35, 16.77

 

CMYK 58 / 61 / 0 / 31

HEX #4945AF

RGB 73 69 175

HSL 242.26, 0.43%, 0.48%

LAB 35.53, 32.91, -56.26

 

CMYK 0 / 61 / 33 / 31

HEX #AF4576

RGB 175 69 118

HSL 332.26, 0.43%, 0.48%

LAB 45.19, 48.18, -5.78

 

Description

Color code: HEX #A9AE45 | qconv.com Color code: HEX #A9AE45 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 174 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 174 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 60 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 60% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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