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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ACA8DB it is the complementary color #535724. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ACA8DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ACA8DB shade: #B1A8D6, #C2BAE9, #D3CCFC, #E4DEFF and #F5F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ACA8DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ACA8DB shade: #ACA8DB, #9B96C8, #8A84B5, #7972A2 and #68608F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ACA8DB shade: #ACA8DA, #BAA8DA, #C7A8DA, #D5A8DA and #DAA8D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ACA8DB shade: #ACA8DA and #A8A8DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ACA8DB shade matches the following richer shades: #ACA8DA, #A49EE4, #9B94EE and #938BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ACA8DB shade: #ACA8DA, #B4B2D0, #BDBCC7, #C5C6BD and #CED0B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ACA8DB shade: #A8C0DA, #A8B2DA, #ACA8DA, #B9A8DA and #C6A8DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ACA8DB shade: #756EC2, #908BCE, #ACA8DA, #C8C5E7 and #E4E2F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ACA8DB shade: #ACA8DB, #DAA8CD and #B9DAA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ACA8DB shade: #ACA8DB, #DAACA8 and #A8DAAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ACA8DB shade: #ACA8DB, #DAA8CD, #D7DAA8 and #A8DAB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ACA8DB shade: #ACA8DB, #DAA8BE, #D7DAA8 and #A8DAC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 23 / 0 / 14

HEX #ACA8DB

RGB 172 168 219

HSL 244.71, 0.41%, 0.76%

LAB 70.8, 12.09, -25.23

 

Complementary color

CMYK 5 / 0 / 59 / 66

HEX #535724

RGB 83 87 36

HSL 64.71, 0.41%, 0.24%

LAB 35.56, -9.78, 28.63

 

CMYK 17 / 21 / 0 / 16

HEX #B1A8D6

RGB 177 168 214

HSL 251.74, 0.36%, 0.75%

LAB 71.01, 12.53, -22.12

 

CMYK 17 / 20 / 0 / 9

HEX #C2BAE9

RGB 194 186 233

HSL 250.21, 0.52%, 0.82%

LAB 77.56, 12.15, -22.37

 

CMYK 16 / 19 / 0 / 1

HEX #D3CCFC

RGB 211 204 252

HSL 248.75, 0.89%, 0.89%

LAB 84, 11.8, -22.63

 

CMYK 11 / 13 / 0 / 0

HEX #E4DEFF

RGB 228 222 255

HSL 250.91, 1%, 0.94%

LAB 89.84, 8.22, -15.27

 

CMYK 4 / 6 / 0 / 0

HEX #F5F0FF

RGB 245 240 255

HSL 260, 1%, 0.97%

LAB 95.56, 4.36, -6.62

 

CMYK 21 / 23 / 0 / 14

HEX #ACA8DB

RGB 172 168 219

HSL 244.71, 0.41%, 0.76%

LAB 70.8, 12.09, -25.23

 

CMYK 23 / 25 / 0 / 22

HEX #9B96C8

RGB 155 150 200

HSL 246, 0.31%, 0.69%

LAB 64.12, 12.52, -25.07

 

CMYK 24 / 27 / 0 / 29

HEX #8A84B5

RGB 138 132 181

HSL 247.35, 0.25%, 0.61%

LAB 57.31, 12.99, -24.93

 

CMYK 25 / 30 / 0 / 36

HEX #7972A2

RGB 121 114 162

HSL 248.75, 0.21%, 0.54%

LAB 50.34, 13.52, -24.82

 

CMYK 27 / 33 / 0 / 44

HEX #68608F

RGB 104 96 143

HSL 250.21, 0.2%, 0.47%

LAB 43.2, 14.12, -24.76

 

CMYK 21 / 23 / 0 / 15

HEX #ACA8DA

RGB 172 168 218

HSL 244.8, 0.4%, 0.76%

LAB 70.76, 11.86, -24.74

 

CMYK 15 / 23 / 0 / 15

HEX #BAA8DA

RGB 186 168 218

HSL 261.6, 0.4%, 0.76%

LAB 71.9, 16.26, -22.9

 

CMYK 9 / 23 / 0 / 15

HEX #C7A8DA

RGB 199 168 218

HSL 277.2, 0.4%, 0.76%

LAB 73.03, 20.45, -21.07

 

CMYK 2 / 23 / 0 / 15

HEX #D5A8DA

RGB 213 168 218

HSL 294, 0.4%, 0.76%

LAB 74.33, 25.03, -18.98

 

CMYK 0 / 23 / 3 / 15

HEX #DAA8D3

RGB 218 168 211

HSL 308.4, 0.4%, 0.76%

LAB 74.58, 25.4, -14.73

 

CMYK 21 / 23 / 0 / 15

HEX #ACA8DA

RGB 172 168 218

HSL 244.8, 0.4%, 0.76%

LAB 70.76, 11.86, -24.74

 

CMYK 23 / 23 / 0 / 15

HEX #A8A8DA

RGB 168 168 218

HSL 240, 0.4%, 0.76%

LAB 70.45, 10.63, -25.24

 

CMYK 21 / 23 / 0 / 15

HEX #ACA8DA

RGB 172 168 218

HSL 244.8, 0.4%, 0.76%

LAB 70.76, 11.86, -24.74

 

CMYK 28 / 31 / 0 / 11

HEX #A49EE4

RGB 164 158 228

HSL 245.14, 0.56%, 0.76%

LAB 67.98, 17.45, -34.56

 

CMYK 35 / 38 / 0 / 7

HEX #9B94EE

RGB 155 148 238

HSL 244.67, 0.73%, 0.76%

LAB 65.22, 23.18, -44.44

 

CMYK 41 / 44 / 0 / 3

HEX #938BF8

RGB 147 139 248

HSL 244.4, 0.89%, 0.76%

LAB 62.88, 29.01, -53.66

 

CMYK 21 / 23 / 0 / 15

HEX #ACA8DA

RGB 172 168 218

HSL 244.8, 0.4%, 0.76%

LAB 70.76, 11.86, -24.74

 

CMYK 13 / 14 / 0 / 18

HEX #B4B2D0

RGB 180 178 208

HSL 244, 0.24%, 0.76%

LAB 73.61, 6.68, -14.88

 

CMYK 5 / 6 / 0 / 22

HEX #BDBCC7

RGB 189 188 199

HSL 245.45, 0.09%, 0.76%

LAB 76.62, 2.44, -5.41

 

CMYK 1 / 0 / 5 / 22

HEX #C5C6BD

RGB 197 198 189

HSL 66.67, 0.07%, 0.76%

LAB 79.58, -1.96, 4.37

 

CMYK 1 / 0 / 14 / 18

HEX #CED0B3

RGB 206 208 179

HSL 64.14, 0.24%, 0.76%

LAB 82.64, -5.64, 14.18

 

CMYK 23 / 12 / 0 / 15

HEX #A8C0DA

RGB 168 192 218

HSL 211.2, 0.4%, 0.76%

LAB 76.73, -2.49, -15.71

 

CMYK 23 / 18 / 0 / 15

HEX #A8B2DA

RGB 168 178 218

HSL 228, 0.4%, 0.76%

LAB 73.04, 5.1, -21.29

 

CMYK 21 / 23 / 0 / 15

HEX #ACA8DA

RGB 172 168 218

HSL 244.8, 0.4%, 0.76%

LAB 70.76, 11.86, -24.74

 

CMYK 15 / 23 / 0 / 15

HEX #B9A8DA

RGB 185 168 218

HSL 260.4, 0.4%, 0.76%

LAB 71.81, 15.94, -23.04

 

CMYK 9 / 23 / 0 / 15

HEX #C6A8DA

RGB 198 168 218

HSL 276, 0.4%, 0.76%

LAB 72.94, 20.12, -21.22

 

CMYK 40 / 43 / 0 / 24

HEX #756EC2

RGB 117 110 194

HSL 245, 0.41%, 0.6%

LAB 50.49, 23.41, -43.17

 

CMYK 30 / 33 / 0 / 19

HEX #908BCE

RGB 144 139 206

HSL 244.48, 0.41%, 0.68%

LAB 60.65, 16.99, -33.87

 

CMYK 21 / 23 / 0 / 15

HEX #ACA8DA

RGB 172 168 218

HSL 244.8, 0.4%, 0.76%

LAB 70.76, 11.86, -24.74

 

CMYK 13 / 15 / 0 / 9

HEX #C8C5E7

RGB 200 197 231

HSL 245.29, 0.41%, 0.84%

LAB 80.73, 7.68, -16.46

 

CMYK 6 / 7 / 0 / 5

HEX #E4E2F3

RGB 228 226 243

HSL 247.06, 0.41%, 0.92%

LAB 90.49, 3.8, -8.02

 

CMYK 21 / 23 / 0 / 14

HEX #ACA8DB

RGB 172 168 219

HSL 244.71, 0.41%, 0.76%

LAB 70.8, 12.09, -25.23

 

CMYK 0 / 23 / 6 / 15

HEX #DAA8CD

RGB 218 168 205

HSL 315.6, 0.4%, 0.76%

LAB 74.39, 24.33, -11.73

 

CMYK 15 / 0 / 23 / 15

HEX #B9DAA8

RGB 185 218 168

HSL 99.6, 0.4%, 0.76%

LAB 83.59, -19.95, 21.08

 

CMYK 21 / 23 / 0 / 14

HEX #ACA8DB

RGB 172 168 219

HSL 244.71, 0.41%, 0.76%

LAB 70.8, 12.09, -25.23

 

CMYK 0 / 21 / 23 / 15

HEX #DAACA8

RGB 218 172 168

HSL 4.8, 0.4%, 0.76%

LAB 74.34, 16.19, 8.47

 

CMYK 23 / 0 / 21 / 15

HEX #A8DAAC

RGB 168 218 172

HSL 124.8, 0.4%, 0.76%

LAB 82.62, -25.07, 17.47

 

CMYK 21 / 23 / 0 / 14

HEX #ACA8DB

RGB 172 168 219

HSL 244.71, 0.41%, 0.76%

LAB 70.8, 12.09, -25.23

 

CMYK 0 / 23 / 6 / 15

HEX #DAA8CD

RGB 218 168 205

HSL 315.6, 0.4%, 0.76%

LAB 74.39, 24.33, -11.73

 

CMYK 1 / 0 / 23 / 15

HEX #D7DAA8

RGB 215 218 168

HSL 63.6, 0.4%, 0.76%

LAB 85.71, -9.12, 24.34

 

CMYK 23 / 0 / 17 / 15

HEX #A8DAB6

RGB 168 218 182

HSL 136.8, 0.4%, 0.76%

LAB 82.83, -23.28, 12.5

 

CMYK 21 / 23 / 0 / 14

HEX #ACA8DB

RGB 172 168 219

HSL 244.71, 0.41%, 0.76%

LAB 70.8, 12.09, -25.23

 

CMYK 0 / 23 / 13 / 15

HEX #DAA8BE

RGB 218 168 190

HSL 333.6, 0.4%, 0.76%

LAB 73.95, 21.77, -4.16

 

CMYK 1 / 0 / 23 / 15

HEX #D7DAA8

RGB 215 218 168

HSL 63.6, 0.4%, 0.76%

LAB 85.71, -9.12, 24.34

 

CMYK 23 / 0 / 10 / 15

HEX #A8DAC5

RGB 168 218 197

HSL 154.8, 0.4%, 0.76%

LAB 83.18, -20.4, 5.06

 

Description

Color code: HEX #ACA8DB | qconv.com Color code: HEX #ACA8DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 168 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 168 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 23 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 23% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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