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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA3A6B it is the complementary color #55C594. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA3A6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA3A6B shade: #AF3A66, #C04C79, #D15E8C, #E2709F and #F382B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA3A6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA3A6B shade: #AA3A6B, #992858, #881645, #770432 and #66001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA3A6B shade: #AA3A6B, #AA3A4D and #AA3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA3A6B shade: #AA3A6B, #AA3A8A, #AA3AA8, #8F3AAA and #703AAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA3A6B shade matches the following richer shades: #AA3A6B, #BD2769, #D01567 and #E20264

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA3A6B shade: #AA3A6B, #984D6E, #855F70, #737272 and #608475

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA3A6B shade: #AA3AA9, #AA3A8B, #AA3A6D, #AA3A4F and #AA433A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA3A6B shade: #6D2544, #8C3058, #AA3A6B, #C14C80 and #CC6B95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA3A6B shade: #AA3A6B, #AA8E3A and #3A9AAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA3A6B shade: #AA3A6B, #6DAA3A and #3A6DAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA3A6B shade: #AA3A6B, #AA8E3A, #3AAA78 and #3A56AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA3A6B shade: #AA3A6B, #A5AA3A, #3AAA78 and #403AAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 37 / 33

HEX #AA3A6B

RGB 170 58 107

HSL 333.75, 0.49%, 0.45%

LAB 42.21, 50.15, -3.52

 

Complementary color

CMYK 57 / 0 / 25 / 23

HEX #55C594

RGB 85 197 148

HSL 153.75, 0.49%, 0.55%

LAB 72.23, -43.47, 15.14

 

CMYK 0 / 67 / 42 / 31

HEX #AF3A66

RGB 175 58 102

HSL 337.44, 0.5%, 0.46%

LAB 42.91, 51.14, 0.72

 

CMYK 0 / 60 / 37 / 25

HEX #C04C79

RGB 192 76 121

HSL 336.72, 0.48%, 0.53%

LAB 49.2, 50.77, -1.38

 

CMYK 0 / 55 / 33 / 18

HEX #D15E8C

RGB 209 94 140

HSL 336, 0.56%, 0.59%

LAB 55.54, 50.14, -3.07

 

CMYK 0 / 50 / 30 / 11

HEX #E2709F

RGB 226 112 159

HSL 335.26, 0.66%, 0.66%

LAB 61.88, 49.39, -4.47

 

CMYK 0 / 47 / 27 / 5

HEX #F382B2

RGB 243 130 178

HSL 334.51, 0.82%, 0.73%

LAB 68.19, 48.59, -5.68

 

CMYK 0 / 66 / 37 / 33

HEX #AA3A6B

RGB 170 58 107

HSL 333.75, 0.49%, 0.45%

LAB 42.21, 50.15, -3.52

 

CMYK 0 / 74 / 42 / 40

HEX #992858

RGB 153 40 88

HSL 334.51, 0.59%, 0.38%

LAB 35.97, 50.07, -1.05

 

CMYK 0 / 84 / 49 / 47

HEX #881645

RGB 136 22 69

HSL 335.26, 0.72%, 0.31%

LAB 30, 49.11, 2.26

 

CMYK 0 / 97 / 58 / 53

HEX #770432

RGB 119 4 50

HSL 336, 0.93%, 0.24%

LAB 24.45, 46.84, 6.74

 

CMYK 0 / 100 / 70 / 60

HEX #66001F

RGB 102 0 31

HSL 341.76, 1%, 0.2%

LAB 19.74, 41.98, 13.05

 

CMYK 0 / 66 / 37 / 33

HEX #AA3A6B

RGB 170 58 107

HSL 333.75, 0.49%, 0.45%

LAB 42.21, 50.15, -3.52

 

CMYK 0 / 66 / 55 / 33

HEX #AA3A4D

RGB 170 58 77

HSL 349.82, 0.49%, 0.45%

LAB 41.39, 47.18, 14.03

 

CMYK 0 / 66 / 66 / 33

HEX #AA3A3A

RGB 170 58 58

HSL 0, 0.49%, 0.45%

LAB 41.02, 45.82, 25.28

 

CMYK 0 / 66 / 37 / 33

HEX #AA3A6B

RGB 170 58 107

HSL 333.75, 0.49%, 0.45%

LAB 42.21, 50.15, -3.52

 

CMYK 0 / 66 / 19 / 33

HEX #AA3A8A

RGB 170 58 138

HSL 317.14, 0.49%, 0.45%

LAB 43.37, 54.21, -20.82

 

CMYK 0 / 66 / 1 / 33

HEX #AA3AA8

RGB 170 58 168

HSL 301.07, 0.49%, 0.45%

LAB 44.8, 58.96, -36.6

 

CMYK 16 / 66 / 0 / 33

HEX #8F3AAA

RGB 143 58 170

HSL 285.54, 0.49%, 0.45%

LAB 40.85, 52.85, -44.32

 

CMYK 34 / 66 / 0 / 33

HEX #703AAA

RGB 112 58 170

HSL 268.93, 0.49%, 0.45%

LAB 36.69, 45.76, -51.22

 

CMYK 0 / 66 / 37 / 33

HEX #AA3A6B

RGB 170 58 107

HSL 333.75, 0.49%, 0.45%

LAB 42.21, 50.15, -3.52

 

CMYK 0 / 79 / 44 / 26

HEX #BD2769

RGB 189 39 105

HSL 333.6, 0.66%, 0.45%

LAB 43.2, 62.02, -0.42

 

CMYK 0 / 90 / 50 / 18

HEX #D01567

RGB 208 21 103

HSL 333.69, 0.82%, 0.45%

LAB 45.53, 70.33, 4.67

 

CMYK 0 / 99 / 56 / 11

HEX #E20264

RGB 226 2 100

HSL 333.75, 0.98%, 0.45%

LAB 48.43, 76.14, 11.13

 

CMYK 0 / 66 / 37 / 33

HEX #AA3A6B

RGB 170 58 107

HSL 333.75, 0.49%, 0.45%

LAB 42.21, 50.15, -3.52

 

CMYK 0 / 49 / 28 / 40

HEX #984D6E

RGB 152 77 110

HSL 333.6, 0.33%, 0.45%

LAB 42.93, 35.34, -4.62

 

CMYK 0 / 29 / 16 / 48

HEX #855F70

RGB 133 95 112

HSL 333.16, 0.17%, 0.45%

LAB 44.72, 18.27, -3.47

 

CMYK 0 / 1 / 1 / 55

HEX #737272

RGB 115 114 114

HSL 0, 0%, 0.45%

LAB 48.13, 0.39, 0.13

 

CMYK 27 / 0 / 11 / 48

HEX #608475

RGB 96 132 117

HSL 155, 0.16%, 0.45%

LAB 52.15, -16.02, 4.02

 

CMYK 0 / 66 / 1 / 33

HEX #AA3AA9

RGB 170 58 169

HSL 300.54, 0.49%, 0.45%

LAB 44.85, 59.14, -37.11

 

CMYK 0 / 66 / 18 / 33

HEX #AA3A8B

RGB 170 58 139

HSL 316.61, 0.49%, 0.45%

LAB 43.41, 54.36, -21.36

 

CMYK 0 / 66 / 36 / 33

HEX #AA3A6D

RGB 170 58 109

HSL 332.68, 0.49%, 0.45%

LAB 42.27, 50.38, -4.67

 

CMYK 0 / 66 / 54 / 33

HEX #AA3A4F

RGB 170 58 79

HSL 348.75, 0.49%, 0.45%

LAB 41.43, 47.35, 12.84

 

CMYK 0 / 61 / 66 / 33

HEX #AA433A

RGB 170 67 58

HSL 4.82, 0.49%, 0.45%

LAB 42.56, 41.71, 27.18

 

CMYK 0 / 66 / 38 / 57

HEX #6D2544

RGB 109 37 68

HSL 334.17, 0.49%, 0.29%

LAB 26.71, 35.13, -2.51

 

CMYK 0 / 66 / 37 / 45

HEX #8C3058

RGB 140 48 88

HSL 333.91, 0.49%, 0.37%

LAB 34.79, 42.81, -3.07

 

CMYK 0 / 66 / 37 / 33

HEX #AA3A6B

RGB 170 58 107

HSL 333.75, 0.49%, 0.45%

LAB 42.21, 50.15, -3.52

 

CMYK 0 / 61 / 34 / 24

HEX #C14C80

RGB 193 76 128

HSL 333.33, 0.49%, 0.53%

LAB 49.57, 51.91, -5.02

 

CMYK 0 / 48 / 27 / 20

HEX #CC6B95

RGB 204 107 149

HSL 334.02, 0.49%, 0.61%

LAB 57.58, 43.21, -5.39

 

CMYK 0 / 66 / 37 / 33

HEX #AA3A6B

RGB 170 58 107

HSL 333.75, 0.49%, 0.45%

LAB 42.21, 50.15, -3.52

 

CMYK 0 / 16 / 66 / 33

HEX #AA8E3A

RGB 170 142 58

HSL 45, 0.49%, 0.45%

LAB 60.07, 0.87, 47.31

 

CMYK 66 / 9 / 0 / 33

HEX #3A9AAA

RGB 58 154 170

HSL 188.57, 0.49%, 0.45%

LAB 58.89, -22.69, -16.62

 

CMYK 0 / 66 / 37 / 33

HEX #AA3A6B

RGB 170 58 107

HSL 333.75, 0.49%, 0.45%

LAB 42.21, 50.15, -3.52

 

CMYK 36 / 0 / 66 / 33

HEX #6DAA3A

RGB 109 170 58

HSL 92.68, 0.49%, 0.45%

LAB 63.6, -38.69, 49.76

 

CMYK 66 / 36 / 0 / 33

HEX #3A6DAA

RGB 58 109 170

HSL 212.68, 0.49%, 0.45%

LAB 45.27, 2.86, -37.73

 

CMYK 0 / 66 / 37 / 33

HEX #AA3A6B

RGB 170 58 107

HSL 333.75, 0.49%, 0.45%

LAB 42.21, 50.15, -3.52

 

CMYK 0 / 16 / 66 / 33

HEX #AA8E3A

RGB 170 142 58

HSL 45, 0.49%, 0.45%

LAB 60.07, 0.87, 47.31

 

CMYK 66 / 0 / 29 / 33

HEX #3AAA78

RGB 58 170 120

HSL 153.21, 0.49%, 0.45%

LAB 62.51, -43.47, 16.73

 

CMYK 66 / 49 / 0 / 33

HEX #3A56AA

RGB 58 86 170

HSL 225, 0.49%, 0.45%

LAB 38.65, 17.54, -48.29

 

CMYK 0 / 66 / 37 / 33

HEX #AA3A6B

RGB 170 58 107

HSL 333.75, 0.49%, 0.45%

LAB 42.21, 50.15, -3.52

 

CMYK 3 / 0 / 66 / 33

HEX #A5AA3A

RGB 165 170 58

HSL 62.68, 0.49%, 0.45%

LAB 67.32, -16.23, 54.82

 

CMYK 66 / 0 / 29 / 33

HEX #3AAA78

RGB 58 170 120

HSL 153.21, 0.49%, 0.45%

LAB 62.51, -43.47, 16.73

 

CMYK 62 / 66 / 0 / 33

HEX #403AAA

RGB 64 58 170

HSL 243.21, 0.49%, 0.45%

LAB 31.85, 36.55, -59.31

 

Description

Color code: HEX #AA3A6B | qconv.com Color code: HEX #AA3A6B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 58 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 58 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 37 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 37% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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