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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA4030 it is the complementary color #55BFCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA4030. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA4030 shade: #AF402B, #C0523E, #D16451, #E27664 and #F38877

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA4030. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA4030 shade: #AA4030, #992E1D, #881C0A, #770A00 and #660000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA4030 shade: #AB4030 and #AB3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA4030 shade: #AB4030, #AB6130, #AB8230, #ABA330 and #91AB30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA4030 shade matches the following richer shades: #AB4030, #BC331E and #CE260C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA4030 shade: #AB4030, #994D41, #875A53, #756765 and #647477

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA4030 shade: #AB3063, #AB3042, #AB3E30, #AB5F30 and #AB8030

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA4030 shade: #6A281E, #8A3427, #AB4030, #C84E3C and #D16B5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA4030 shade: #AA4030, #84AB30 and #3053AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA4030 shade: #AA4030, #30AB3E and #3E30AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA4030 shade: #AA4030, #84AB30, #309CAB and #5730AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA4030 shade: #AA4030, #5FAB30, #309CAB and #7B30AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 72 / 33

HEX #AA4030

RGB 170 64 48

HSL 7.87, 0.56%, 0.43%

LAB 41.89, 42.56, 32.25

 

Complementary color

CMYK 59 / 8 / 0 / 19

HEX #55BFCF

RGB 85 191 207

HSL 187.87, 0.56%, 0.57%

LAB 72.03, -25.75, -17.23

 

CMYK 0 / 63 / 75 / 31

HEX #AF402B

RGB 175 64 43

HSL 9.55, 0.61%, 0.43%

LAB 42.7, 44.14, 36.22

 

CMYK 0 / 57 / 68 / 25

HEX #C0523E

RGB 192 82 62

HSL 9.23, 0.51%, 0.5%

LAB 48.99, 42.86, 33.49

 

CMYK 0 / 52 / 61 / 18

HEX #D16451

RGB 209 100 81

HSL 8.91, 0.58%, 0.57%

LAB 55.34, 41.54, 31.09

 

CMYK 0 / 48 / 56 / 11

HEX #E27664

RGB 226 118 100

HSL 8.57, 0.68%, 0.64%

LAB 61.69, 40.25, 28.99

 

CMYK 0 / 44 / 51 / 5

HEX #F38877

RGB 243 136 119

HSL 8.23, 0.84%, 0.71%

LAB 68.02, 39.04, 27.14

 

CMYK 0 / 62 / 72 / 33

HEX #AA4030

RGB 170 64 48

HSL 7.87, 0.56%, 0.43%

LAB 41.89, 42.56, 32.25

 

CMYK 0 / 70 / 81 / 40

HEX #992E1D

RGB 153 46 29

HSL 8.23, 0.68%, 0.36%

LAB 35.63, 43.63, 35.3

 

CMYK 0 / 79 / 93 / 47

HEX #881C0A

RGB 136 28 10

HSL 8.57, 0.86%, 0.29%

LAB 29.63, 44.17, 38.18

 

CMYK 0 / 92 / 100 / 53

HEX #770A00

RGB 119 10 0

HSL 5.04, 1%, 0.23%

LAB 24.13, 43.54, 35.99

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 63 / 72 / 33

HEX #AB4030

RGB 171 64 48

HSL 7.8, 0.56%, 0.43%

LAB 42.06, 42.93, 32.49

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 0 / 63 / 72 / 33

HEX #AB4030

RGB 171 64 48

HSL 7.8, 0.56%, 0.43%

LAB 42.06, 42.93, 32.49

 

CMYK 0 / 43 / 72 / 33

HEX #AB6130

RGB 171 97 48

HSL 23.9, 0.56%, 0.43%

LAB 48.79, 25.89, 39.98

 

CMYK 0 / 24 / 72 / 33

HEX #AB8230

RGB 171 130 48

HSL 40, 0.56%, 0.43%

LAB 56.92, 7.39, 48.54

 

CMYK 0 / 5 / 72 / 33

HEX #ABA330

RGB 171 163 48

HSL 56.1, 0.56%, 0.43%

LAB 65.8, -10.55, 57.4

 

CMYK 15 / 0 / 72 / 33

HEX #91AB30

RGB 145 171 48

HSL 72.68, 0.56%, 0.43%

LAB 66.03, -25.8, 56.93

 

CMYK 0 / 63 / 72 / 33

HEX #AB4030

RGB 171 64 48

HSL 7.8, 0.56%, 0.43%

LAB 42.06, 42.93, 32.49

 

CMYK 0 / 73 / 84 / 26

HEX #BC331E

RGB 188 51 30

HSL 7.97, 0.72%, 0.43%

LAB 42.99, 53.45, 44.12

 

CMYK 0 / 82 / 94 / 19

HEX #CE260C

RGB 206 38 12

HSL 8.04, 0.89%, 0.43%

LAB 44.99, 62.57, 54.47

 

CMYK 0 / 63 / 72 / 33

HEX #AB4030

RGB 171 64 48

HSL 7.8, 0.56%, 0.43%

LAB 42.06, 42.93, 32.49

 

CMYK 0 / 50 / 58 / 40

HEX #994D41

RGB 153 77 65

HSL 8.18, 0.4%, 0.43%

LAB 41.94, 30.55, 21.64

 

CMYK 0 / 33 / 39 / 47

HEX #875A53

RGB 135 90 83

HSL 8.08, 0.24%, 0.43%

LAB 42.9, 17.59, 11.59

 

CMYK 0 / 12 / 14 / 54

HEX #756765

RGB 117 103 101

HSL 7.5, 0.07%, 0.43%

LAB 44.83, 5.17, 3.15

 

CMYK 16 / 3 / 0 / 53

HEX #647477

RGB 100 116 119

HSL 189.47, 0.09%, 0.43%

LAB 47.66, -5.24, -3.66

 

CMYK 0 / 72 / 42 / 33

HEX #AB3063

RGB 171 48 99

HSL 335.12, 0.56%, 0.43%

LAB 40.69, 53.55, -0.73

 

CMYK 0 / 72 / 61 / 33

HEX #AB3042

RGB 171 48 66

HSL 351.22, 0.56%, 0.43%

LAB 39.86, 50.74, 18.88

 

CMYK 0 / 64 / 72 / 33

HEX #AB3E30

RGB 171 62 48

HSL 6.83, 0.56%, 0.43%

LAB 41.71, 43.84, 32.1

 

CMYK 0 / 44 / 72 / 33

HEX #AB5F30

RGB 171 95 48

HSL 22.93, 0.56%, 0.43%

LAB 48.33, 26.99, 39.49

 

CMYK 0 / 25 / 72 / 33

HEX #AB8030

RGB 171 128 48

HSL 39.02, 0.56%, 0.43%

LAB 56.4, 8.51, 48.01

 

CMYK 0 / 62 / 72 / 58

HEX #6A281E

RGB 106 40 30

HSL 7.89, 0.56%, 0.27%

LAB 25.79, 28.83, 21.43

 

CMYK 0 / 62 / 72 / 46

HEX #8A3427

RGB 138 52 39

HSL 7.88, 0.56%, 0.35%

LAB 33.99, 35.86, 26.97

 

CMYK 0 / 63 / 72 / 33

HEX #AB4030

RGB 171 64 48

HSL 7.8, 0.56%, 0.43%

LAB 42.06, 42.93, 32.49

 

CMYK 0 / 61 / 70 / 22

HEX #C84E3C

RGB 200 78 60

HSL 7.71, 0.56%, 0.51%

LAB 49.56, 47.54, 35.61

 

CMYK 0 / 49 / 56 / 18

HEX #D16B5C

RGB 209 107 92

HSL 7.69, 0.56%, 0.59%

LAB 56.92, 38.81, 26.85

 

CMYK 0 / 62 / 72 / 33

HEX #AA4030

RGB 170 64 48

HSL 7.87, 0.56%, 0.43%

LAB 41.89, 42.56, 32.25

 

CMYK 23 / 0 / 72 / 33

HEX #84AB30

RGB 132 171 48

HSL 79.02, 0.56%, 0.43%

LAB 65.16, -31.12, 55.78

 

CMYK 72 / 51 / 0 / 33

HEX #3053AB

RGB 48 83 171

HSL 222.93, 0.56%, 0.43%

LAB 37.4, 18.29, -50.93

 

CMYK 0 / 62 / 72 / 33

HEX #AA4030

RGB 170 64 48

HSL 7.87, 0.56%, 0.43%

LAB 41.89, 42.56, 32.25

 

CMYK 72 / 0 / 64 / 33

HEX #30AB3E

RGB 48 171 62

HSL 126.83, 0.56%, 0.43%

LAB 61.74, -55.32, 45.36

 

CMYK 64 / 72 / 0 / 33

HEX #3E30AB

RGB 62 48 171

HSL 246.83, 0.56%, 0.43%

LAB 29.61, 42.51, -63.59

 

CMYK 0 / 62 / 72 / 33

HEX #AA4030

RGB 170 64 48

HSL 7.87, 0.56%, 0.43%

LAB 41.89, 42.56, 32.25

 

CMYK 23 / 0 / 72 / 33

HEX #84AB30

RGB 132 171 48

HSL 79.02, 0.56%, 0.43%

LAB 65.16, -31.12, 55.78

 

CMYK 72 / 9 / 0 / 33

HEX #309CAB

RGB 48 156 171

HSL 187.32, 0.56%, 0.43%

LAB 59.29, -24.89, -16.61

 

CMYK 49 / 72 / 0 / 33

HEX #5730AB

RGB 87 48 171

HSL 259.02, 0.56%, 0.43%

LAB 31.99, 46.32, -59.59

 

CMYK 0 / 62 / 72 / 33

HEX #AA4030

RGB 170 64 48

HSL 7.87, 0.56%, 0.43%

LAB 41.89, 42.56, 32.25

 

CMYK 44 / 0 / 72 / 33

HEX #5FAB30

RGB 95 171 48

HSL 97.07, 0.56%, 0.43%

LAB 63.15, -44.7, 53.11

 

CMYK 72 / 9 / 0 / 33

HEX #309CAB

RGB 48 156 171

HSL 187.32, 0.56%, 0.43%

LAB 59.29, -24.89, -16.61

 

CMYK 28 / 72 / 0 / 33

HEX #7B30AB

RGB 123 48 171

HSL 276.59, 0.56%, 0.43%

LAB 36.49, 53.1, -52.07

 

Description

Color code: HEX #AA4030 | qconv.com Color code: HEX #AA4030 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 64 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 64 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 72 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 72% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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