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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC331E it is the complementary color #43CCE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC331E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC331E shade: #C13319, #D2452C, #E3573F, #F46952 and #FF7B65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC331E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC331E shade: #BC331E, #AB210B, #9A0F00, #890000 and #780000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC331E shade: #BC331E and #BC1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC331E shade: #BC331E, #BC5E1E, #BC881E, #BCB31E and #9BBC1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC331E shade matches the following richer shades: #BC331E and #CE260C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC331E shade: #BC331E, #AA4030, #994D42, #875A53 and #756765

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC331E shade: #BC1E60, #BC1E36, #BC311E, #BC5B1E and #BC851E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC331E shade: #752013, #992918, #BC331E, #DC4028 and #E15F4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC331E shade: #BC331E, #8ABC1E and #1E4BBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC331E shade: #BC331E, #1EBC31 and #311EBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC331E shade: #BC331E, #8ABC1E, #1EAABC and #501EBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC331E shade: #BC331E, #5BBC1E, #1EAABC and #801EBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 84 / 26

HEX #BC331E

RGB 188 51 30

HSL 7.97, 0.72%, 0.43%

LAB 42.99, 53.45, 44.12

 

Complementary color

CMYK 70 / 9 / 0 / 12

HEX #43CCE1

RGB 67 204 225

HSL 187.97, 0.72%, 0.57%

LAB 75.96, -29.65, -21.07

 

CMYK 0 / 74 / 87 / 24

HEX #C13319

RGB 193 51 25

HSL 9.29, 0.77%, 0.43%

LAB 43.91, 54.93, 47.62

 

CMYK 0 / 67 / 79 / 18

HEX #D2452C

RGB 210 69 44

HSL 9.04, 0.65%, 0.5%

LAB 49.67, 54.19, 44.86

 

CMYK 0 / 62 / 72 / 11

HEX #E3573F

RGB 227 87 63

HSL 8.78, 0.75%, 0.57%

LAB 55.59, 53.13, 42.02

 

CMYK 0 / 57 / 66 / 4

HEX #F46952

RGB 244 105 82

HSL 8.52, 0.88%, 0.64%

LAB 61.61, 51.93, 39.4

 

CMYK 0 / 52 / 60 / 0

HEX #FF7B65

RGB 255 123 101

HSL 8.57, 1%, 0.7%

LAB 66.8, 48.54, 35.78

 

CMYK 0 / 73 / 84 / 26

HEX #BC331E

RGB 188 51 30

HSL 7.97, 0.72%, 0.43%

LAB 42.99, 53.45, 44.12

 

CMYK 0 / 81 / 94 / 33

HEX #AB210B

RGB 171 33 11

HSL 8.25, 0.88%, 0.36%

LAB 37.43, 53.61, 46.57

 

CMYK 0 / 90 / 100 / 40

HEX #9A0F00

RGB 154 15 0

HSL 5.84, 1%, 0.3%

LAB 32.28, 52.74, 45.93

 

CMYK 0 / 100 / 100 / 46

HEX #890000

RGB 137 0 0

HSL 0, 1%, 0.27%

LAB 27.62, 50.48, 40.72

 

CMYK 0 / 100 / 100 / 53

HEX #780000

RGB 120 0 0

HSL 0, 1%, 0.24%

LAB 23.65, 45.88, 35.59

 

CMYK 0 / 73 / 84 / 26

HEX #BC331E

RGB 188 51 30

HSL 7.97, 0.72%, 0.43%

LAB 42.99, 53.45, 44.12

 

CMYK 0 / 84 / 84 / 26

HEX #BC1E1E

RGB 188 30 30

HSL 0, 0.72%, 0.43%

LAB 40.76, 59.71, 42.1

 

CMYK 0 / 73 / 84 / 26

HEX #BC331E

RGB 188 51 30

HSL 7.97, 0.72%, 0.43%

LAB 42.99, 53.45, 44.12

 

CMYK 0 / 50 / 84 / 26

HEX #BC5E1E

RGB 188 94 30

HSL 24.3, 0.72%, 0.43%

LAB 50.44, 33.87, 50.73

 

CMYK 0 / 28 / 84 / 26

HEX #BC881E

RGB 188 136 30

HSL 40.25, 0.72%, 0.43%

LAB 60.24, 10.96, 59.17

 

CMYK 0 / 5 / 84 / 26

HEX #BCB31E

RGB 188 179 30

HSL 56.58, 0.72%, 0.43%

LAB 71.57, -12.08, 68.72

 

CMYK 18 / 0 / 84 / 26

HEX #9BBC1E

RGB 155 188 30

HSL 72.53, 0.72%, 0.43%

LAB 71.57, -30.6, 67.71

 

CMYK 0 / 73 / 84 / 26

HEX #BC331E

RGB 188 51 30

HSL 7.97, 0.72%, 0.43%

LAB 42.99, 53.45, 44.12

 

CMYK 0 / 82 / 94 / 19

HEX #CE260C

RGB 206 38 12

HSL 8.04, 0.89%, 0.43%

LAB 44.99, 62.57, 54.47

 

CMYK 0 / 73 / 84 / 26

HEX #BC331E

RGB 188 51 30

HSL 7.97, 0.72%, 0.43%

LAB 42.99, 53.45, 44.12

 

CMYK 0 / 62 / 72 / 33

HEX #AA4030

RGB 170 64 48

HSL 7.87, 0.56%, 0.43%

LAB 41.89, 42.56, 32.25

 

CMYK 0 / 50 / 57 / 40

HEX #994D42

RGB 153 77 66

HSL 7.59, 0.4%, 0.43%

LAB 41.96, 30.64, 21.06

 

CMYK 0 / 33 / 39 / 47

HEX #875A53

RGB 135 90 83

HSL 8.08, 0.24%, 0.43%

LAB 42.9, 17.59, 11.59

 

CMYK 0 / 12 / 14 / 54

HEX #756765

RGB 117 103 101

HSL 7.5, 0.07%, 0.43%

LAB 44.83, 5.17, 3.15

 

CMYK 0 / 84 / 49 / 26

HEX #BC1E60

RGB 188 30 96

HSL 334.94, 0.72%, 0.43%

LAB 41.94, 63.23, 3.37

 

CMYK 0 / 84 / 71 / 26

HEX #BC1E36

RGB 188 30 54

HSL 350.89, 0.72%, 0.43%

LAB 41.03, 60.55, 28.52

 

CMYK 0 / 74 / 84 / 26

HEX #BC311E

RGB 188 49 30

HSL 7.22, 0.72%, 0.43%

LAB 42.74, 54.16, 43.89

 

CMYK 0 / 52 / 84 / 26

HEX #BC5B1E

RGB 188 91 30

HSL 23.16, 0.72%, 0.43%

LAB 49.82, 35.43, 50.18

 

CMYK 0 / 29 / 84 / 26

HEX #BC851E

RGB 188 133 30

HSL 39.11, 0.72%, 0.43%

LAB 59.49, 12.61, 58.53

 

CMYK 0 / 73 / 84 / 54

HEX #752013

RGB 117 32 19

HSL 7.96, 0.72%, 0.27%

LAB 26.34, 36.36, 29.31

 

CMYK 0 / 73 / 84 / 40

HEX #992918

RGB 153 41 24

HSL 7.91, 0.73%, 0.35%

LAB 34.85, 45.47, 37.23

 

CMYK 0 / 73 / 84 / 26

HEX #BC331E

RGB 188 51 30

HSL 7.97, 0.72%, 0.43%

LAB 42.99, 53.45, 44.12

 

CMYK 0 / 71 / 82 / 14

HEX #DC4028

RGB 220 64 40

HSL 8, 0.72%, 0.51%

LAB 50.73, 59.24, 48.51

 

CMYK 0 / 58 / 67 / 12

HEX #E15F4B

RGB 225 95 75

HSL 8, 0.71%, 0.59%

LAB 56.78, 49.43, 36.76

 

CMYK 0 / 73 / 84 / 26

HEX #BC331E

RGB 188 51 30

HSL 7.97, 0.72%, 0.43%

LAB 42.99, 53.45, 44.12

 

CMYK 27 / 0 / 84 / 26

HEX #8ABC1E

RGB 138 188 30

HSL 78.99, 0.72%, 0.43%

LAB 70.5, -37.4, 66.36

 

CMYK 84 / 60 / 0 / 26

HEX #1E4BBC

RGB 30 75 188

HSL 222.91, 0.72%, 0.43%

LAB 35.87, 28.16, -63.49

 

CMYK 0 / 73 / 84 / 26

HEX #BC331E

RGB 188 51 30

HSL 7.97, 0.72%, 0.43%

LAB 42.99, 53.45, 44.12

 

CMYK 84 / 0 / 74 / 26

HEX #1EBC31

RGB 30 188 49

HSL 127.22, 0.72%, 0.43%

LAB 66.87, -64.48, 55.96

 

CMYK 74 / 84 / 0 / 26

HEX #311EBC

RGB 49 30 188

HSL 247.22, 0.72%, 0.43%

LAB 27.33, 55.46, -77.52

 

CMYK 0 / 73 / 84 / 26

HEX #BC331E

RGB 188 51 30

HSL 7.97, 0.72%, 0.43%

LAB 42.99, 53.45, 44.12

 

CMYK 27 / 0 / 84 / 26

HEX #8ABC1E

RGB 138 188 30

HSL 78.99, 0.72%, 0.43%

LAB 70.5, -37.4, 66.36

 

CMYK 84 / 10 / 0 / 26

HEX #1EAABC

RGB 30 170 188

HSL 186.84, 0.72%, 0.43%

LAB 63.88, -28.34, -19.22

 

CMYK 57 / 84 / 0 / 26

HEX #501EBC

RGB 80 30 188

HSL 258.99, 0.72%, 0.43%

LAB 30.07, 58.04, -72.9

 

CMYK 0 / 73 / 84 / 26

HEX #BC331E

RGB 188 51 30

HSL 7.97, 0.72%, 0.43%

LAB 42.99, 53.45, 44.12

 

CMYK 52 / 0 / 84 / 26

HEX #5BBC1E

RGB 91 188 30

HSL 96.84, 0.72%, 0.43%

LAB 68.23, -53.61, 63.49

 

CMYK 84 / 10 / 0 / 26

HEX #1EAABC

RGB 30 170 188

HSL 186.84, 0.72%, 0.43%

LAB 63.88, -28.34, -19.22

 

CMYK 32 / 84 / 0 / 26

HEX #801EBC

RGB 128 30 188

HSL 277.22, 0.72%, 0.43%

LAB 36.27, 64.17, -62.49

 

Description

Color code: HEX #BC331E | qconv.com Color code: HEX #BC331E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 51 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 51 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 84 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 84% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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