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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA9354 it is the complementary color #556CAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA9354. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA9354 shade: #AF934F, #C0A562, #D1B775, #E2C988 and #F3DB9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA9354. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA9354 shade: #AA9354, #998141, #886F2E, #775D1B and #664B08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA9354 shade: #AA9354, #AA7C54, #AA6454 and #AA5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA9354 shade: #AA9354, #AAAA54, #93AA54, #7BAA54 and #64AA54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA9354 shade matches the following richer shades: #AA9354, #BF9D3F, #D4A62A, #E8B016 and #FDBA01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA9354 shade: #AA9354, #968A68, #81807D, #6C7692 and #586DA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA9354 shade: #AA6454, #AA7B54, #AA9254, #AAA954 and #95AA54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA9354 shade: #736338, #8F7B46, #AA9354, #B8A56F and #C6B68B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA9354 shade: #AA9354, #5BAA54 and #6F54AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA9354 shade: #AA9354, #54AA92 and #9254AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA9354 shade: #AA9354, #5BAA54, #546CAA and #A354AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA9354 shade: #AA9354, #54AA66, #546CAA and #AA5498

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 51 / 33

HEX #AA9354

RGB 170 147 84

HSL 43.95, 0.34%, 0.5%

LAB 61.7, 0.18, 36.3

 

Complementary color

CMYK 50 / 37 / 0 / 33

HEX #556CAB

RGB 85 108 171

HSL 223.95, 0.34%, 0.5%

LAB 46.44, 9.55, -36.38

 

CMYK 0 / 16 / 55 / 31

HEX #AF934F

RGB 175 147 79

HSL 42.5, 0.38%, 0.5%

LAB 62.12, 1.89, 39.51

 

CMYK 0 / 14 / 49 / 25

HEX #C0A562

RGB 192 165 98

HSL 42.77, 0.43%, 0.57%

LAB 68.75, 1.08, 38.19

 

CMYK 0 / 12 / 44 / 18

HEX #D1B775

RGB 209 183 117

HSL 43.04, 0.5%, 0.64%

LAB 75.27, 0.41, 36.91

 

CMYK 0 / 11 / 40 / 11

HEX #E2C988

RGB 226 201 136

HSL 43.33, 0.61%, 0.71%

LAB 81.69, -0.17, 35.69

 

CMYK 0 / 10 / 36 / 5

HEX #F3DB9B

RGB 243 219 155

HSL 43.64, 0.79%, 0.78%

LAB 88.01, -0.66, 34.52

 

CMYK 0 / 14 / 51 / 33

HEX #AA9354

RGB 170 147 84

HSL 43.95, 0.34%, 0.5%

LAB 61.7, 0.18, 36.3

 

CMYK 0 / 16 / 58 / 40

HEX #998141

RGB 153 129 65

HSL 43.64, 0.4%, 0.43%

LAB 54.92, 1.02, 37.63

 

CMYK 0 / 18 / 66 / 47

HEX #886F2E

RGB 136 111 46

HSL 43.33, 0.49%, 0.36%

LAB 48.01, 2.07, 38.9

 

CMYK 0 / 22 / 77 / 53

HEX #775D1B

RGB 119 93 27

HSL 43.04, 0.63%, 0.29%

LAB 40.94, 3.42, 39.84

 

CMYK 0 / 26 / 92 / 60

HEX #664B08

RGB 102 75 8

HSL 42.77, 0.85%, 0.22%

LAB 33.72, 5.17, 39.71

 

CMYK 0 / 14 / 51 / 33

HEX #AA9354

RGB 170 147 84

HSL 43.95, 0.34%, 0.5%

LAB 61.7, 0.18, 36.3

 

CMYK 0 / 27 / 51 / 33

HEX #AA7C54

RGB 170 124 84

HSL 27.91, 0.34%, 0.5%

LAB 55.69, 13, 28.77

 

CMYK 0 / 41 / 51 / 33

HEX #AA6454

RGB 170 100 84

HSL 11.16, 0.34%, 0.5%

LAB 49.86, 26.5, 21.19

 

CMYK 0 / 51 / 51 / 33

HEX #AA5454

RGB 170 84 84

HSL 0, 0.34%, 0.5%

LAB 46.35, 35.19, 16.49

 

CMYK 0 / 14 / 51 / 33

HEX #AA9354

RGB 170 147 84

HSL 43.95, 0.34%, 0.5%

LAB 61.7, 0.18, 36.3

 

CMYK 0 / 0 / 51 / 33

HEX #AAAA54

RGB 170 170 84

HSL 60, 0.34%, 0.5%

LAB 67.97, -12.13, 43.85

 

CMYK 14 / 0 / 51 / 33

HEX #93AA54

RGB 147 170 84

HSL 76.05, 0.34%, 0.5%

LAB 66.21, -21.62, 41.32

 

CMYK 28 / 0 / 51 / 33

HEX #7BAA54

RGB 123 170 84

HSL 92.79, 0.34%, 0.5%

LAB 64.64, -30.95, 39.07

 

CMYK 41 / 0 / 51 / 33

HEX #64AA54

RGB 100 170 84

HSL 108.84, 0.34%, 0.5%

LAB 63.42, -38.97, 37.3

 

CMYK 0 / 14 / 51 / 33

HEX #AA9354

RGB 170 147 84

HSL 43.95, 0.34%, 0.5%

LAB 61.7, 0.18, 36.3

 

CMYK 0 / 18 / 67 / 25

HEX #BF9D3F

RGB 191 157 63

HSL 44.06, 0.5%, 0.5%

LAB 66.17, 2.26, 52.21

 

CMYK 0 / 22 / 80 / 17

HEX #D4A62A

RGB 212 166 42

HSL 43.76, 0.67%, 0.5%

LAB 70.48, 5.66, 65.28

 

CMYK 0 / 24 / 91 / 9

HEX #E8B016

RGB 232 176 22

HSL 44, 0.83%, 0.5%

LAB 74.99, 8.57, 74.92

 

CMYK 0 / 26 / 100 / 1

HEX #FDBA01

RGB 253 186 1

HSL 44.05, 0.99%, 0.5%

LAB 79.62, 12.14, 81.87

 

CMYK 0 / 14 / 51 / 33

HEX #AA9354

RGB 170 147 84

HSL 43.95, 0.34%, 0.5%

LAB 61.7, 0.18, 36.3

 

CMYK 0 / 8 / 31 / 41

HEX #968A68

RGB 150 138 104

HSL 44.35, 0.18%, 0.5%

LAB 57.71, -0.98, 19.87

 

CMYK 0 / 1 / 3 / 49

HEX #81807D

RGB 129 128 125

HSL 45, 0.02%, 0.5%

LAB 53.59, -0.21, 1.75

 

CMYK 26 / 19 / 0 / 43

HEX #6C7692

RGB 108 118 146

HSL 224.21, 0.15%, 0.5%

LAB 49.76, 2.88, -16.43

 

CMYK 47 / 34 / 0 / 35

HEX #586DA6

RGB 88 109 166

HSL 223.85, 0.31%, 0.5%

LAB 46.66, 8.12, -33.08

 

CMYK 0 / 41 / 51 / 33

HEX #AA6454

RGB 170 100 84

HSL 11.16, 0.34%, 0.5%

LAB 49.86, 26.5, 21.19

 

CMYK 0 / 28 / 51 / 33

HEX #AA7B54

RGB 170 123 84

HSL 27.21, 0.34%, 0.5%

LAB 55.43, 13.57, 28.45

 

CMYK 0 / 14 / 51 / 33

HEX #AA9254

RGB 170 146 84

HSL 43.26, 0.34%, 0.5%

LAB 61.43, 0.73, 35.97

 

CMYK 0 / 1 / 51 / 33

HEX #AAA954

RGB 170 169 84

HSL 59.3, 0.34%, 0.5%

LAB 67.7, -11.61, 43.52

 

CMYK 12 / 0 / 51 / 33

HEX #95AA54

RGB 149 170 84

HSL 74.65, 0.34%, 0.5%

LAB 66.35, -20.81, 41.53

 

CMYK 0 / 14 / 51 / 55

HEX #736338

RGB 115 99 56

HSL 43.73, 0.35%, 0.34%

LAB 42.54, 0.2, 26.66

 

CMYK 0 / 14 / 51 / 44

HEX #8F7B46

RGB 143 123 70

HSL 43.56, 0.34%, 0.42%

LAB 52.34, 0.41, 31.64

 

CMYK 0 / 14 / 51 / 33

HEX #AA9354

RGB 170 147 84

HSL 43.95, 0.34%, 0.5%

LAB 61.7, 0.18, 36.3

 

CMYK 0 / 10 / 40 / 28

HEX #B8A56F

RGB 184 165 111

HSL 44.38, 0.34%, 0.58%

LAB 68.2, -0.88, 30.51

 

CMYK 0 / 8 / 30 / 22

HEX #C6B68B

RGB 198 182 139

HSL 43.73, 0.34%, 0.66%

LAB 74.4, -0.88, 23.99

 

CMYK 0 / 14 / 51 / 33

HEX #AA9354

RGB 170 147 84

HSL 43.95, 0.34%, 0.5%

LAB 61.7, 0.18, 36.3

 

CMYK 46 / 0 / 51 / 33

HEX #5BAA54

RGB 91 170 84

HSL 115.12, 0.34%, 0.5%

LAB 63.02, -41.79, 36.71

 

CMYK 35 / 51 / 0 / 33

HEX #6F54AA

RGB 111 84 170

HSL 258.84, 0.34%, 0.5%

LAB 42.19, 30.8, -42.4

 

CMYK 0 / 14 / 51 / 33

HEX #AA9354

RGB 170 147 84

HSL 43.95, 0.34%, 0.5%

LAB 61.7, 0.18, 36.3

 

CMYK 51 / 0 / 14 / 33

HEX #54AA92

RGB 84 170 146

HSL 163.26, 0.34%, 0.5%

LAB 63.93, -31.94, 4.44

 

CMYK 14 / 51 / 0 / 33

HEX #9254AA

RGB 146 84 170

HSL 283.26, 0.34%, 0.5%

LAB 46.12, 40.55, -35.93

 

CMYK 0 / 14 / 51 / 33

HEX #AA9354

RGB 170 147 84

HSL 43.95, 0.34%, 0.5%

LAB 61.7, 0.18, 36.3

 

CMYK 46 / 0 / 51 / 33

HEX #5BAA54

RGB 91 170 84

HSL 115.12, 0.34%, 0.5%

LAB 63.02, -41.79, 36.71

 

CMYK 51 / 36 / 0 / 33

HEX #546CAA

RGB 84 108 170

HSL 223.26, 0.34%, 0.5%

LAB 46.33, 8.99, -35.98

 

CMYK 4 / 51 / 0 / 33

HEX #A354AA

RGB 163 84 170

HSL 295.12, 0.34%, 0.5%

LAB 48.3, 45.47, -32.35

 

CMYK 0 / 14 / 51 / 33

HEX #AA9354

RGB 170 147 84

HSL 43.95, 0.34%, 0.5%

LAB 61.7, 0.18, 36.3

 

CMYK 51 / 0 / 40 / 33

HEX #54AA66

RGB 84 170 102

HSL 132.56, 0.34%, 0.5%

LAB 63.01, -41.03, 27.29

 

CMYK 51 / 36 / 0 / 33

HEX #546CAA

RGB 84 108 170

HSL 223.26, 0.34%, 0.5%

LAB 46.33, 8.99, -35.98

 

CMYK 0 / 51 / 11 / 33

HEX #AA5498

RGB 170 84 152

HSL 312.56, 0.34%, 0.5%

LAB 48.45, 44.31, -21.4

 

Description

Color code: HEX #AA9354 | qconv.com Color code: HEX #AA9354 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 147 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 147 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 51 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 51% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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