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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AACB3E it is the complementary color #5534C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AACB3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AACB3E shade: #AFCB39, #C0DD4C, #D1EF5F, #E2FF72 and #F3FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AACB3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AACB3E shade: #AACB3E, #99B92B, #88A718, #779505 and #668300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AACB3E shade: #AACB3D, #CBC63D, #CBA03D, #CB793D and #CB533D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AACB3E shade: #AACB3D, #84CB3D, #5DCB3D, #3DCB43 and #3DCB6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AACB3E shade matches the following richer shades: #AACB3D, #B4DF29 and #BFF315

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AACB3E shade: #AACB3D, #9FB751, #95A365, #8A9079 and #807C8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AACB3E shade: #CBA03D, #CBC63D, #AACB3D, #84CB3D and #5ECB3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AACB3E shade: #779026, #92B02F, #AACB3D, #B8D45E and #C6DC7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AACB3E shade: #AACB3E, #3DCB7B and #B33DCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AACB3E shade: #AACB3E, #3DAACB and #CB3DAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AACB3E shade: #AACB3E, #3DCB7B, #5E3DCB and #CB3D8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AACB3E shade: #AACB3E, #3DCBA5, #5E3DCB and #CB3D63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 69 / 20

HEX #AACB3E

RGB 170 203 62

HSL 74.04, 0.58%, 0.52%

LAB 77.04, -30.13, 63.29

 

Complementary color

CMYK 56 / 73 / 0 / 24

HEX #5534C1

RGB 85 52 193

HSL 254.04, 0.58%, 0.48%

LAB 34.47, 50.22, -68.58

 

CMYK 14 / 0 / 72 / 20

HEX #AFCB39

RGB 175 203 57

HSL 71.51, 0.58%, 0.51%

LAB 77.35, -28.4, 65.51

 

CMYK 13 / 0 / 66 / 13

HEX #C0DD4C

RGB 192 221 76

HSL 72, 0.68%, 0.58%

LAB 83.67, -28.99, 65.21

 

CMYK 13 / 0 / 60 / 6

HEX #D1EF5F

RGB 209 239 95

HSL 72.5, 0.82%, 0.65%

LAB 89.91, -29.45, 64.55

 

CMYK 11 / 0 / 55 / 0

HEX #E2FF72

RGB 226 255 114

HSL 72.34, 1%, 0.72%

LAB 95.54, -28.9, 63.07

 

CMYK 5 / 0 / 48 / 0

HEX #F3FF85

RGB 243 255 133

HSL 65.9, 1%, 0.76%

LAB 96.93, -20.75, 56.48

 

CMYK 16 / 0 / 69 / 20

HEX #AACB3E

RGB 170 203 62

HSL 74.04, 0.58%, 0.52%

LAB 77.04, -30.13, 63.29

 

CMYK 17 / 0 / 77 / 27

HEX #99B92B

RGB 153 185 43

HSL 73.52, 0.62%, 0.45%

LAB 70.63, -29.5, 63.23

 

CMYK 19 / 0 / 86 / 35

HEX #88A718

RGB 136 167 24

HSL 73.01, 0.75%, 0.37%

LAB 64.11, -28.67, 62.23

 

CMYK 20 / 0 / 97 / 42

HEX #779505

RGB 119 149 5

HSL 72.5, 0.94%, 0.3%

LAB 57.49, -27.61, 59.77

 

CMYK 22 / 0 / 100 / 49

HEX #668300

RGB 102 131 0

HSL 73.28, 1%, 0.26%

LAB 50.75, -26.24, 54.94

 

CMYK 16 / 0 / 70 / 20

HEX #AACB3D

RGB 170 203 61

HSL 73.94, 0.58%, 0.52%

LAB 77.04, -30.19, 63.65

 

CMYK 0 / 2 / 70 / 20

HEX #CBC63D

RGB 203 198 61

HSL 57.89, 0.58%, 0.52%

LAB 78.12, -14.1, 65.55

 

CMYK 0 / 21 / 70 / 20

HEX #CBA03D

RGB 203 160 61

HSL 41.83, 0.58%, 0.52%

LAB 68.15, 5.76, 55.52

 

CMYK 0 / 40 / 70 / 20

HEX #CB793D

RGB 203 121 61

HSL 25.35, 0.58%, 0.52%

LAB 58.7, 26.95, 45.5

 

CMYK 0 / 59 / 70 / 20

HEX #CB533D

RGB 203 83 61

HSL 9.3, 0.58%, 0.52%

LAB 50.94, 46.36, 36.78

 

CMYK 16 / 0 / 70 / 20

HEX #AACB3D

RGB 170 203 61

HSL 73.94, 0.58%, 0.52%

LAB 77.04, -30.19, 63.65

 

CMYK 35 / 0 / 70 / 20

HEX #84CB3D

RGB 132 203 61

HSL 90, 0.58%, 0.52%

LAB 74.8, -44.57, 60.66

 

CMYK 54 / 0 / 70 / 20

HEX #5DCB3D

RGB 93 203 61

HSL 106.48, 0.58%, 0.52%

LAB 73.14, -56.71, 58.43

 

CMYK 70 / 0 / 67 / 20

HEX #3DCB43

RGB 61 203 67

HSL 122.54, 0.58%, 0.52%

LAB 72.3, -63.3, 54.93

 

CMYK 70 / 0 / 48 / 20

HEX #3DCB6A

RGB 61 203 106

HSL 139.01, 0.58%, 0.52%

LAB 72.72, -58.35, 37.59

 

CMYK 16 / 0 / 70 / 20

HEX #AACB3D

RGB 170 203 61

HSL 73.94, 0.58%, 0.52%

LAB 77.04, -30.19, 63.65

 

CMYK 19 / 0 / 82 / 13

HEX #B4DF29

RGB 180 223 41

HSL 74.18, 0.74%, 0.52%

LAB 83.25, -36.36, 75.81

 

CMYK 21 / 0 / 91 / 5

HEX #BFF315

RGB 191 243 21

HSL 74.05, 0.9%, 0.52%

LAB 89.5, -41.47, 84.95

 

CMYK 16 / 0 / 70 / 20

HEX #AACB3D

RGB 170 203 61

HSL 73.94, 0.58%, 0.52%

LAB 77.04, -30.19, 63.65

 

CMYK 13 / 0 / 56 / 28

HEX #9FB751

RGB 159 183 81

HSL 74.12, 0.41%, 0.52%

LAB 70.75, -23.53, 48.31

 

CMYK 9 / 0 / 38 / 36

HEX #95A365

RGB 149 163 101

HSL 73.55, 0.25%, 0.52%

LAB 64.58, -15.28, 30.58

 

CMYK 4 / 0 / 16 / 44

HEX #8A9079

RGB 138 144 121

HSL 75.65, 0.09%, 0.52%

LAB 58.72, -6.47, 11.5

 

CMYK 9 / 11 / 0 / 45

HEX #807C8C

RGB 128 124 140

HSL 255, 0.07%, 0.52%

LAB 52.84, 4.8, -8.11

 

CMYK 0 / 21 / 70 / 20

HEX #CBA03D

RGB 203 160 61

HSL 41.83, 0.58%, 0.52%

LAB 68.15, 5.76, 55.52

 

CMYK 0 / 2 / 70 / 20

HEX #CBC63D

RGB 203 198 61

HSL 57.89, 0.58%, 0.52%

LAB 78.12, -14.1, 65.55

 

CMYK 16 / 0 / 70 / 20

HEX #AACB3D

RGB 170 203 61

HSL 73.94, 0.58%, 0.52%

LAB 77.04, -30.19, 63.65

 

CMYK 35 / 0 / 70 / 20

HEX #84CB3D

RGB 132 203 61

HSL 90, 0.58%, 0.52%

LAB 74.8, -44.57, 60.66

 

CMYK 54 / 0 / 70 / 20

HEX #5ECB3D

RGB 94 203 61

HSL 106.06, 0.58%, 0.52%

LAB 73.17, -56.44, 58.47

 

CMYK 17 / 0 / 74 / 44

HEX #779026

RGB 119 144 38

HSL 74.15, 0.58%, 0.36%

LAB 56.1, -24, 50.27

 

CMYK 17 / 0 / 73 / 31

HEX #92B02F

RGB 146 176 47

HSL 73.95, 0.58%, 0.44%

LAB 67.55, -27.87, 58.81

 

CMYK 16 / 0 / 70 / 20

HEX #AACB3D

RGB 170 203 61

HSL 73.94, 0.58%, 0.52%

LAB 77.04, -30.19, 63.65

 

CMYK 13 / 0 / 56 / 17

HEX #B8D45E

RGB 184 212 94

HSL 74.24, 0.58%, 0.6%

LAB 80.79, -26.53, 54.31

 

CMYK 10 / 0 / 43 / 14

HEX #C6DC7E

RGB 198 220 126

HSL 74.04, 0.57%, 0.68%

LAB 84.33, -21.82, 43.64

 

CMYK 16 / 0 / 69 / 20

HEX #AACB3E

RGB 170 203 62

HSL 74.04, 0.58%, 0.52%

LAB 77.04, -30.13, 63.29

 

CMYK 70 / 0 / 39 / 20

HEX #3DCB7B

RGB 61 203 123

HSL 146.2, 0.58%, 0.52%

LAB 72.98, -55.44, 29.28

 

CMYK 12 / 70 / 0 / 20

HEX #B33DCB

RGB 179 61 203

HSL 289.86, 0.58%, 0.52%

LAB 48.55, 66.07, -51.01

 

CMYK 16 / 0 / 69 / 20

HEX #AACB3E

RGB 170 203 62

HSL 74.04, 0.58%, 0.52%

LAB 77.04, -30.13, 63.29

 

CMYK 70 / 16 / 0 / 20

HEX #3DAACB

RGB 61 170 203

HSL 193.94, 0.58%, 0.52%

LAB 65, -20.16, -25.79

 

CMYK 0 / 70 / 16 / 20

HEX #CB3DAA

RGB 203 61 170

HSL 313.94, 0.58%, 0.52%

LAB 50.61, 66.25, -28.29

 

CMYK 16 / 0 / 69 / 20

HEX #AACB3E

RGB 170 203 62

HSL 74.04, 0.58%, 0.52%

LAB 77.04, -30.13, 63.29

 

CMYK 70 / 0 / 39 / 20

HEX #3DCB7B

RGB 61 203 123

HSL 146.2, 0.58%, 0.52%

LAB 72.98, -55.44, 29.28

 

CMYK 54 / 70 / 0 / 20

HEX #5E3DCB

RGB 94 61 203

HSL 253.94, 0.58%, 0.52%

LAB 37.89, 49.76, -68.77

 

CMYK 0 / 70 / 30 / 20

HEX #CB3D8E

RGB 203 61 142

HSL 325.77, 0.58%, 0.52%

LAB 49.48, 62.6, -13.4

 

CMYK 16 / 0 / 69 / 20

HEX #AACB3E

RGB 170 203 62

HSL 74.04, 0.58%, 0.52%

LAB 77.04, -30.13, 63.29

 

CMYK 70 / 0 / 19 / 20

HEX #3DCBA5

RGB 61 203 165

HSL 163.94, 0.58%, 0.52%

LAB 73.82, -46.44, 8.15

 

CMYK 54 / 70 / 0 / 20

HEX #5E3DCB

RGB 94 61 203

HSL 253.94, 0.58%, 0.52%

LAB 37.89, 49.76, -68.77

 

CMYK 0 / 70 / 51 / 20

HEX #CB3D63

RGB 203 61 99

HSL 343.94, 0.58%, 0.52%

LAB 48.18, 58.23, 10.75

 

Description

Color code: HEX #AACB3E | qconv.com Color code: HEX #AACB3E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 203 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 203 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 69 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 69% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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