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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAED8B it is the complementary color #551274. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAED8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAED8B shade: #AFED86, #C0FF99, #D1FFAC, #E2FFBF and #F3FFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAED8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAED8B shade: #AAED8B, #99DB78, #88C965, #77B752 and #66A53F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAED8B shade: #AAED8C, #C5ED8C, #DFED8C, #EDE08C and #EDC68C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAED8B shade: #AAED8C, #90ED8C, #8CEDA1, #8CEDBB and #8CEDD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAED8B shade matches the following richer shades: #AAED8C and #A6F781

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAED8B shade: #AAED8C, #AEE297, #B2D7A1, #B6CCAC and #BAC2B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAED8B shade: #DEED8C, #C4ED8C, #AAED8C, #91ED8C and #8CEDA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAED8B shade: #76E144, #90E768, #AAED8C, #C5F2AF and #DFF8D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAED8B shade: #AAED8B, #8CEDE1 and #ED8CD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAED8B shade: #AAED8B, #8CAAED and #ED8CAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAED8B shade: #AAED8B, #8CEDE1, #CE8CED and #ED8C97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAED8B shade: #AAED8B, #8CDBED, #CE8CED and #ED9E8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 41 / 7

HEX #AAED8B

RGB 170 237 139

HSL 101.02, 0.73%, 0.74%

LAB 87.47, -38.33, 40.87

 

Complementary color

CMYK 27 / 84 / 0 / 55

HEX #551274

RGB 85 18 116

HSL 281.02, 0.73%, 0.26%

LAB 22.39, 45.25, -41.18

 

CMYK 26 / 0 / 43 / 7

HEX #AFED86

RGB 175 237 134

HSL 96.12, 0.74%, 0.73%

LAB 87.68, -37.26, 43.63

 

CMYK 25 / 0 / 40 / 0

HEX #C0FF99

RGB 192 255 153

HSL 97.06, 1%, 0.8%

LAB 93.89, -37.16, 42.49

 

CMYK 18 / 0 / 33 / 0

HEX #D1FFAC

RGB 209 255 172

HSL 93.25, 1%, 0.84%

LAB 95.18, -28.78, 35

 

CMYK 11 / 0 / 25 / 0

HEX #E2FFBF

RGB 226 255 191

HSL 87.19, 1%, 0.87%

LAB 96.6, -20.17, 27.55

 

CMYK 5 / 0 / 18 / 0

HEX #F3FFD2

RGB 243 255 210

HSL 76, 1%, 0.91%

LAB 98.12, -11.42, 20.21

 

CMYK 28 / 0 / 41 / 7

HEX #AAED8B

RGB 170 237 139

HSL 101.02, 0.73%, 0.74%

LAB 87.47, -38.33, 40.87

 

CMYK 30 / 0 / 45 / 14

HEX #99DB78

RGB 153 219 120

HSL 100, 0.58%, 0.66%

LAB 81.18, -38.46, 42.03

 

CMYK 32 / 0 / 50 / 21

HEX #88C965

RGB 136 201 101

HSL 99, 0.48%, 0.59%

LAB 74.79, -38.55, 43.21

 

CMYK 35 / 0 / 55 / 28

HEX #77B752

RGB 119 183 82

HSL 98.02, 0.41%, 0.52%

LAB 68.31, -38.58, 44.37

 

CMYK 38 / 0 / 62 / 35

HEX #66A53F

RGB 102 165 63

HSL 97.06, 0.45%, 0.45%

LAB 61.74, -38.51, 45.43

 

CMYK 28 / 0 / 41 / 7

HEX #AAED8C

RGB 170 237 140

HSL 101.44, 0.73%, 0.74%

LAB 87.49, -38.2, 40.39

 

CMYK 17 / 0 / 41 / 7

HEX #C5ED8C

RGB 197 237 140

HSL 84.74, 0.73%, 0.74%

LAB 89.08, -28.72, 42.75

 

CMYK 6 / 0 / 41 / 7

HEX #DFED8C

RGB 223 237 140

HSL 68.66, 0.73%, 0.74%

LAB 90.85, -19.02, 45.36

 

CMYK 0 / 5 / 41 / 7

HEX #EDE08C

RGB 237 224 140

HSL 51.96, 0.73%, 0.74%

LAB 88.55, -7.17, 42.67

 

CMYK 0 / 16 / 41 / 7

HEX #EDC68C

RGB 237 198 140

HSL 35.88, 0.73%, 0.74%

LAB 81.99, 6.18, 34.22

 

CMYK 28 / 0 / 41 / 7

HEX #AAED8C

RGB 170 237 140

HSL 101.44, 0.73%, 0.74%

LAB 87.49, -38.2, 40.39

 

CMYK 39 / 0 / 41 / 7

HEX #90ED8C

RGB 144 237 140

HSL 117.53, 0.73%, 0.74%

LAB 86.2, -46.49, 38.48

 

CMYK 41 / 0 / 32 / 7

HEX #8CEDA1

RGB 140 237 161

HSL 132.99, 0.73%, 0.74%

LAB 86.36, -44.35, 28.09

 

CMYK 41 / 0 / 21 / 7

HEX #8CEDBB

RGB 140 237 187

HSL 149.07, 0.73%, 0.74%

LAB 86.87, -39.57, 15.38

 

CMYK 41 / 0 / 10 / 7

HEX #8CEDD6

RGB 140 237 214

HSL 165.77, 0.73%, 0.74%

LAB 87.48, -33.9, 2.17

 

CMYK 28 / 0 / 41 / 7

HEX #AAED8C

RGB 170 237 140

HSL 101.44, 0.73%, 0.74%

LAB 87.49, -38.2, 40.39

 

CMYK 33 / 0 / 48 / 3

HEX #A6F781

RGB 166 247 129

HSL 101.19, 0.88%, 0.74%

LAB 89.96, -45.31, 48.77

 

CMYK 28 / 0 / 41 / 7

HEX #AAED8C

RGB 170 237 140

HSL 101.44, 0.73%, 0.74%

LAB 87.49, -38.2, 40.39

 

CMYK 23 / 0 / 33 / 11

HEX #AEE297

RGB 174 226 151

HSL 101.6, 0.56%, 0.74%

LAB 84.81, -30.24, 31.41

 

CMYK 17 / 0 / 25 / 16

HEX #B2D7A1

RGB 178 215 161

HSL 101.11, 0.4%, 0.74%

LAB 82.18, -22.03, 22.74

 

CMYK 11 / 0 / 16 / 20

HEX #B6CCAC

RGB 182 204 172

HSL 101.25, 0.24%, 0.74%

LAB 79.68, -13.31, 13.47

 

CMYK 4 / 0 / 6 / 24

HEX #BAC2B7

RGB 186 194 183

HSL 103.64, 0.08%, 0.74%

LAB 77.54, -4.79, 4.56

 

CMYK 6 / 0 / 41 / 7

HEX #DEED8C

RGB 222 237 140

HSL 69.28, 0.73%, 0.74%

LAB 90.78, -19.4, 45.25

 

CMYK 17 / 0 / 41 / 7

HEX #C4ED8C

RGB 196 237 140

HSL 85.36, 0.73%, 0.74%

LAB 89.02, -29.09, 42.65

 

CMYK 28 / 0 / 41 / 7

HEX #AAED8C

RGB 170 237 140

HSL 101.44, 0.73%, 0.74%

LAB 87.49, -38.2, 40.39

 

CMYK 39 / 0 / 41 / 7

HEX #91ED8C

RGB 145 237 140

HSL 116.91, 0.73%, 0.74%

LAB 86.25, -46.19, 38.55

 

CMYK 41 / 0 / 32 / 7

HEX #8CEDA1

RGB 140 237 161

HSL 132.99, 0.73%, 0.74%

LAB 86.36, -44.35, 28.09

 

CMYK 48 / 0 / 70 / 12

HEX #76E144

RGB 118 225 68

HSL 100.89, 0.72%, 0.57%

LAB 80.81, -57.39, 64.03

 

CMYK 38 / 0 / 55 / 9

HEX #90E768

RGB 144 231 104

HSL 101.1, 0.73%, 0.66%

LAB 84.01, -48.5, 52.93

 

CMYK 28 / 0 / 41 / 7

HEX #AAED8C

RGB 170 237 140

HSL 101.44, 0.73%, 0.74%

LAB 87.49, -38.2, 40.39

 

CMYK 19 / 0 / 28 / 5

HEX #C5F2AF

RGB 197 242 175

HSL 100.3, 0.72%, 0.82%

LAB 90.99, -26.35, 27.73

 

CMYK 10 / 0 / 15 / 3

HEX #DFF8D3

RGB 223 248 211

HSL 100.54, 0.73%, 0.9%

LAB 94.96, -14.69, 15.05

 

CMYK 28 / 0 / 41 / 7

HEX #AAED8B

RGB 170 237 139

HSL 101.02, 0.73%, 0.74%

LAB 87.47, -38.33, 40.87

 

CMYK 41 / 0 / 5 / 7

HEX #8CEDE1

RGB 140 237 225

HSL 172.58, 0.73%, 0.74%

LAB 87.77, -31.4, -3.18

 

CMYK 0 / 41 / 12 / 7

HEX #ED8CD1

RGB 237 140 209

HSL 317.32, 0.73%, 0.74%

LAB 70.43, 46.15, -19.7

 

CMYK 28 / 0 / 41 / 7

HEX #AAED8B

RGB 170 237 139

HSL 101.02, 0.73%, 0.74%

LAB 87.47, -38.33, 40.87

 

CMYK 41 / 28 / 0 / 7

HEX #8CAAED

RGB 140 170 237

HSL 221.44, 0.73%, 0.74%

LAB 69.78, 6.43, -36.83

 

CMYK 0 / 41 / 28 / 7

HEX #ED8CAA

RGB 237 140 170

HSL 341.44, 0.73%, 0.74%

LAB 69.23, 40.41, 0.25

 

CMYK 28 / 0 / 41 / 7

HEX #AAED8B

RGB 170 237 139

HSL 101.02, 0.73%, 0.74%

LAB 87.47, -38.33, 40.87

 

CMYK 41 / 0 / 5 / 7

HEX #8CEDE1

RGB 140 237 225

HSL 172.58, 0.73%, 0.74%

LAB 87.77, -31.4, -3.18

 

CMYK 13 / 41 / 0 / 7

HEX #CE8CED

RGB 206 140 237

HSL 280.82, 0.73%, 0.74%

LAB 68.02, 41.81, -39.17

 

CMYK 0 / 41 / 36 / 7

HEX #ED8C97

RGB 237 140 151

HSL 353.2, 0.73%, 0.74%

LAB 68.75, 38.04, 10.2

 

CMYK 28 / 0 / 41 / 7

HEX #AAED8B

RGB 170 237 139

HSL 101.02, 0.73%, 0.74%

LAB 87.47, -38.33, 40.87

 

CMYK 41 / 8 / 0 / 7

HEX #8CDBED

RGB 140 219 237

HSL 191.13, 0.73%, 0.74%

LAB 83.1, -19.71, -16.45

 

CMYK 13 / 41 / 0 / 7

HEX #CE8CED

RGB 206 140 237

HSL 280.82, 0.73%, 0.74%

LAB 68.02, 41.81, -39.17

 

CMYK 0 / 33 / 41 / 7

HEX #ED9E8C

RGB 237 158 140

HSL 11.13, 0.73%, 0.74%

LAB 72.46, 27.33, 21.47

 

Description

Color code: HEX #AAED8B | qconv.com Color code: HEX #AAED8B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 237 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 237 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 41 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 41% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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