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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB3BE2 it is the complementary color #54C41D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB3BE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB3BE2 shade: #B03BDD, #C14DF0, #D25FFF, #E371FF and #F483FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB3BE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB3BE2 shade: #AB3BE2, #9A29CF, #8917BC, #7805A9 and #670096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB3BE2 shade: #AB3BE1, #D73BE1, #E13BBE, #E13B92 and #E13B65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB3BE2 shade: #AB3BE1, #7E3BE1, #513BE1 and #3B3BE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB3BE2 shade matches the following richer shades: #AB3BE1 and #B129F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB3BE2 shade: #AB3BE1, #A44DCF, #9E60BD, #9872AB and #928499

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB3BE2 shade: #513BE1, #7E3BE1, #AA3BE1, #D63BE1 and #E13BC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB3BE2 shade: #7F1AB0, #991FD4, #AB3BE1, #BA5FE7 and #C983EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB3BE2 shade: #AB3BE2, #E13B51 and #3BE168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB3BE2 shade: #AB3BE2, #E1AA3B and #3BE1AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB3BE2 shade: #AB3BE2, #E13B51, #73E13B and #3BE1CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB3BE2 shade: #AB3BE2, #E1573B, #73E13B and #3BC6E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 74 / 0 / 11

HEX #AB3BE2

RGB 171 59 226

HSL 280.24, 0.74%, 0.56%

LAB 48.61, 69.67, -64.13

 

Complementary color

CMYK 57 / 0 / 85 / 23

HEX #54C41D

RGB 84 196 29

HSL 100.24, 0.74%, 0.44%

LAB 70.49, -58.47, 65.64

 

CMYK 20 / 73 / 0 / 13

HEX #B03BDD

RGB 176 59 221

HSL 283.33, 0.7%, 0.55%

LAB 48.98, 69.62, -60.65

 

CMYK 20 / 68 / 0 / 6

HEX #C14DF0

RGB 193 77 240

HSL 282.7, 0.84%, 0.62%

LAB 55.01, 69.8, -61.54

 

CMYK 18 / 63 / 0 / 0

HEX #D25FFF

RGB 210 95 255

HSL 283.13, 1%, 0.69%

LAB 60.88, 68.8, -60.33

 

CMYK 11 / 56 / 0 / 0

HEX #E371FF

RGB 227 113 255

HSL 288.17, 1%, 0.72%

LAB 66.03, 64.68, -52

 

CMYK 4 / 49 / 0 / 0

HEX #F483FF

RGB 244 131 255

HSL 294.68, 1%, 0.76%

LAB 71.34, 60.57, -43.49

 

CMYK 24 / 74 / 0 / 11

HEX #AB3BE2

RGB 171 59 226

HSL 280.24, 0.74%, 0.56%

LAB 48.61, 69.67, -64.13

 

CMYK 26 / 80 / 0 / 19

HEX #9A29CF

RGB 154 41 207

HSL 280.84, 0.67%, 0.49%

LAB 42.7, 68.95, -62.93

 

CMYK 27 / 88 / 0 / 26

HEX #8917BC

RGB 137 23 188

HSL 281.45, 0.78%, 0.41%

LAB 37.04, 67.26, -61.16

 

CMYK 29 / 97 / 0 / 34

HEX #7805A9

RGB 120 5 169

HSL 282.07, 0.94%, 0.34%

LAB 31.73, 64.24, -58.63

 

CMYK 31 / 100 / 0 / 41

HEX #670096

RGB 103 0 150

HSL 281.2, 1%, 0.29%

LAB 26.98, 59.14, -54.95

 

CMYK 24 / 74 / 0 / 12

HEX #AB3BE1

RGB 171 59 225

HSL 280.48, 0.73%, 0.56%

LAB 48.54, 69.47, -63.67

 

CMYK 4 / 74 / 0 / 12

HEX #D73BE1

RGB 215 59 225

HSL 296.39, 0.73%, 0.56%

LAB 55.08, 77.97, -52.81

 

CMYK 0 / 74 / 16 / 12

HEX #E13BBE

RGB 225 59 190

HSL 312.65, 0.73%, 0.56%

LAB 54.92, 74.87, -32.96

 

CMYK 0 / 74 / 35 / 12

HEX #E13B92

RGB 225 59 146

HSL 328.55, 0.73%, 0.56%

LAB 53.18, 69.52, -9.84

 

CMYK 0 / 74 / 55 / 12

HEX #E13B65

RGB 225 59 101

HSL 344.82, 0.73%, 0.56%

LAB 51.92, 65.49, 15.34

 

CMYK 24 / 74 / 0 / 12

HEX #AB3BE1

RGB 171 59 225

HSL 280.48, 0.73%, 0.56%

LAB 48.54, 69.47, -63.67

 

CMYK 44 / 74 / 0 / 12

HEX #7E3BE1

RGB 126 59 225

HSL 264.22, 0.73%, 0.56%

LAB 42.76, 61.68, -73.32

 

CMYK 64 / 74 / 0 / 12

HEX #513BE1

RGB 81 59 225

HSL 247.95, 0.73%, 0.56%

LAB 38.4, 55.54, -80.65

 

CMYK 74 / 74 / 0 / 12

HEX #3B3BE1

RGB 59 59 225

HSL 240, 0.73%, 0.56%

LAB 36.92, 53.38, -83.14

 

CMYK 24 / 74 / 0 / 12

HEX #AB3BE1

RGB 171 59 225

HSL 280.48, 0.73%, 0.56%

LAB 48.54, 69.47, -63.67

 

CMYK 27 / 83 / 0 / 5

HEX #B129F3

RGB 177 41 243

HSL 280.4, 0.89%, 0.56%

LAB 48.77, 79.57, -73.43

 

CMYK 24 / 74 / 0 / 12

HEX #AB3BE1

RGB 171 59 225

HSL 280.48, 0.73%, 0.56%

LAB 48.54, 69.47, -63.67

 

CMYK 21 / 63 / 0 / 19

HEX #A44DCF

RGB 164 77 207

HSL 280.15, 0.58%, 0.56%

LAB 49.14, 56.72, -52.49

 

CMYK 16 / 49 / 0 / 26

HEX #9E60BD

RGB 158 96 189

HSL 280, 0.41%, 0.56%

LAB 51.05, 41.58, -39.14

 

CMYK 11 / 33 / 0 / 33

HEX #9872AB

RGB 152 114 171

HSL 280, 0.25%, 0.56%

LAB 53.65, 25.66, -24.71

 

CMYK 5 / 14 / 0 / 40

HEX #928499

RGB 146 132 153

HSL 280, 0.09%, 0.56%

LAB 56.99, 9.35, -9.28

 

CMYK 64 / 74 / 0 / 12

HEX #513BE1

RGB 81 59 225

HSL 247.95, 0.73%, 0.56%

LAB 38.4, 55.54, -80.65

 

CMYK 44 / 74 / 0 / 12

HEX #7E3BE1

RGB 126 59 225

HSL 264.22, 0.73%, 0.56%

LAB 42.76, 61.68, -73.32

 

CMYK 24 / 74 / 0 / 12

HEX #AA3BE1

RGB 170 59 225

HSL 280.12, 0.73%, 0.56%

LAB 48.4, 69.28, -63.9

 

CMYK 5 / 74 / 0 / 12

HEX #D63BE1

RGB 214 59 225

HSL 296.02, 0.73%, 0.56%

LAB 54.93, 77.77, -53.06

 

CMYK 0 / 74 / 15 / 12

HEX #E13BC0

RGB 225 59 192

HSL 311.93, 0.73%, 0.56%

LAB 55.01, 75.14, -33.97

 

CMYK 28 / 85 / 0 / 31

HEX #7F1AB0

RGB 127 26 176

HSL 280.4, 0.74%, 0.4%

LAB 34.77, 62.63, -57.82

 

CMYK 28 / 85 / 0 / 17

HEX #991FD4

RGB 153 31 212

HSL 280.44, 0.74%, 0.48%

LAB 42.01, 72.49, -66.96

 

CMYK 24 / 74 / 0 / 12

HEX #AB3BE1

RGB 171 59 225

HSL 280.48, 0.73%, 0.56%

LAB 48.54, 69.47, -63.67

 

CMYK 19 / 59 / 0 / 9

HEX #BA5FE7

RGB 186 95 231

HSL 280.15, 0.74%, 0.64%

LAB 56.48, 58.39, -54.19

 

CMYK 15 / 44 / 0 / 7

HEX #C983EC

RGB 201 131 236

HSL 280, 0.73%, 0.72%

LAB 65.52, 44.97, -42.56

 

CMYK 24 / 74 / 0 / 11

HEX #AB3BE2

RGB 171 59 226

HSL 280.24, 0.74%, 0.56%

LAB 48.61, 69.67, -64.13

 

CMYK 0 / 74 / 64 / 12

HEX #E13B51

RGB 225 59 81

HSL 352.05, 0.73%, 0.56%

LAB 51.53, 64.21, 26.82

 

CMYK 74 / 0 / 54 / 12

HEX #3BE168

RGB 59 225 104

HSL 136.27, 0.73%, 0.56%

LAB 79.49, -66.57, 46.89

 

CMYK 24 / 74 / 0 / 11

HEX #AB3BE2

RGB 171 59 226

HSL 280.24, 0.74%, 0.56%

LAB 48.61, 69.67, -64.13

 

CMYK 0 / 24 / 74 / 12

HEX #E1AA3B

RGB 225 170 59

HSL 40.12, 0.73%, 0.56%

LAB 72.94, 9.81, 61.92

 

CMYK 74 / 0 / 24 / 12

HEX #3BE1AA

RGB 59 225 170

HSL 160.12, 0.73%, 0.56%

LAB 80.56, -54.5, 15.05

 

CMYK 24 / 74 / 0 / 11

HEX #AB3BE2

RGB 171 59 226

HSL 280.24, 0.74%, 0.56%

LAB 48.61, 69.67, -64.13

 

CMYK 0 / 74 / 64 / 12

HEX #E13B51

RGB 225 59 81

HSL 352.05, 0.73%, 0.56%

LAB 51.53, 64.21, 26.82

 

CMYK 49 / 0 / 74 / 12

HEX #73E13B

RGB 115 225 59

HSL 99.76, 0.73%, 0.56%

LAB 80.63, -58.88, 66.97

 

CMYK 74 / 0 / 10 / 12

HEX #3BE1CB

RGB 59 225 203

HSL 172.05, 0.73%, 0.56%

LAB 81.34, -46.43, -1.28

 

CMYK 24 / 74 / 0 / 11

HEX #AB3BE2

RGB 171 59 226

HSL 280.24, 0.74%, 0.56%

LAB 48.61, 69.67, -64.13

 

CMYK 0 / 61 / 74 / 12

HEX #E1573B

RGB 225 87 59

HSL 10.12, 0.73%, 0.56%

LAB 55.22, 52.26, 43.65

 

CMYK 49 / 0 / 74 / 12

HEX #73E13B

RGB 115 225 59

HSL 99.76, 0.73%, 0.56%

LAB 80.63, -58.88, 66.97

 

CMYK 74 / 12 / 0 / 12

HEX #3BC6E1

RGB 59 198 225

HSL 189.76, 0.73%, 0.56%

LAB 74.03, -27.69, -24.02

 

Description

Color code: HEX #AB3BE2 | qconv.com Color code: HEX #AB3BE2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 59 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 59 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 74 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 74% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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