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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB449A it is the complementary color #54BB65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB449A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB449A shade: #B04495, #C156A8, #D268BB, #E37ACE and #F48CE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB449A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB449A shade: #AB449A, #9A3287, #892074, #780E61 and #67004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB449A shade: #AB449A, #AB447E, #AB4462, #AB4446 and #AB4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB449A shade: #AB449A, #A044AB, #8444AB, #6944AB and #4D44AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB449A shade matches the following richer shades: #AB449A, #BE30A7, #D21DB4 and #E50AC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB449A shade: #AB449A, #97578D, #846B80, #717E73 and #5D9166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB449A shade: #8344AB, #9F44AB, #AB449B, #AB4480 and #AB4464

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB449A shade: #702C65, #8D387F, #AB449A, #BD5BAD and #C978BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB449A shade: #AB449A, #AB6844 and #44AB91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB449A shade: #AB449A, #9BAB44 and #449BAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB449A shade: #AB449A, #AB6844, #44AB53 and #4487AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB449A shade: #AB449A, #AB8744, #44AB53 and #4468AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 10 / 33

HEX #AB449A

RGB 171 68 154

HSL 309.9, 0.43%, 0.47%

LAB 45.81, 52.65, -26.67

 

Complementary color

CMYK 55 / 0 / 46 / 27

HEX #54BB65

RGB 84 187 101

HSL 129.9, 0.43%, 0.53%

LAB 68.29, -48.27, 34.62

 

CMYK 0 / 61 / 15 / 31

HEX #B04495

RGB 176 68 149

HSL 315, 0.44%, 0.48%

LAB 46.36, 53.26, -22.76

 

CMYK 0 / 55 / 13 / 24

HEX #C156A8

RGB 193 86 168

HSL 314.02, 0.46%, 0.55%

LAB 52.75, 52.89, -23.93

 

CMYK 0 / 50 / 11 / 18

HEX #D268BB

RGB 210 104 187

HSL 313.02, 0.54%, 0.62%

LAB 59.15, 52.32, -24.86

 

CMYK 0 / 46 / 9 / 11

HEX #E37ACE

RGB 227 122 206

HSL 312, 0.65%, 0.68%

LAB 65.52, 51.65, -25.64

 

CMYK 0 / 43 / 8 / 4

HEX #F48CE1

RGB 244 140 225

HSL 310.96, 0.83%, 0.75%

LAB 71.84, 50.94, -26.3

 

CMYK 0 / 60 / 10 / 33

HEX #AB449A

RGB 171 68 154

HSL 309.9, 0.43%, 0.47%

LAB 45.81, 52.65, -26.67

 

CMYK 0 / 68 / 12 / 40

HEX #9A3287

RGB 154 50 135

HSL 310.96, 0.51%, 0.4%

LAB 39.41, 52.69, -25.33

 

CMYK 0 / 77 / 15 / 46

HEX #892074

RGB 137 32 116

HSL 312, 0.62%, 0.33%

LAB 33.16, 52.06, -23.47

 

CMYK 0 / 88 / 19 / 53

HEX #780E61

RGB 120 14 97

HSL 313.02, 0.79%, 0.26%

LAB 27.21, 50.25, -20.78

 

CMYK 0 / 100 / 24 / 60

HEX #67004E

RGB 103 0 78

HSL 314.56, 1%, 0.2%

LAB 21.7, 46.76, -16.99

 

CMYK 0 / 60 / 10 / 33

HEX #AB449A

RGB 171 68 154

HSL 309.9, 0.43%, 0.47%

LAB 45.81, 52.65, -26.67

 

CMYK 0 / 60 / 26 / 33

HEX #AB447E

RGB 171 68 126

HSL 326.21, 0.43%, 0.47%

LAB 44.66, 48.43, -11.53

 

CMYK 0 / 60 / 43 / 33

HEX #AB4462

RGB 171 68 98

HSL 342.52, 0.43%, 0.47%

LAB 43.76, 45, 4.34

 

CMYK 0 / 60 / 59 / 33

HEX #AB4446

RGB 171 68 70

HSL 358.83, 0.43%, 0.47%

LAB 43.11, 42.43, 20.69

 

CMYK 0 / 60 / 60 / 33

HEX #AB4444

RGB 171 68 68

HSL 0, 0.43%, 0.47%

LAB 43.08, 42.28, 21.85

 

CMYK 0 / 60 / 10 / 33

HEX #AB449A

RGB 171 68 154

HSL 309.9, 0.43%, 0.47%

LAB 45.81, 52.65, -26.67

 

CMYK 6 / 60 / 0 / 33

HEX #A044AB

RGB 160 68 171

HSL 293.59, 0.43%, 0.47%

LAB 45.01, 52.69, -38.14

 

CMYK 23 / 60 / 0 / 33

HEX #8444AB

RGB 132 68 171

HSL 277.28, 0.43%, 0.47%

LAB 41.18, 45.53, -44.46

 

CMYK 39 / 60 / 0 / 33

HEX #6944AB

RGB 105 68 171

HSL 261.55, 0.43%, 0.47%

LAB 37.98, 38.98, -49.77

 

CMYK 55 / 60 / 0 / 33

HEX #4D44AB

RGB 77 68 171

HSL 245.24, 0.43%, 0.47%

LAB 35.31, 32.98, -54.23

 

CMYK 0 / 60 / 10 / 33

HEX #AB449A

RGB 171 68 154

HSL 309.9, 0.43%, 0.47%

LAB 45.81, 52.65, -26.67

 

CMYK 0 / 75 / 12 / 25

HEX #BE30A7

RGB 190 48 167

HSL 309.72, 0.6%, 0.47%

LAB 46.78, 67.04, -32.67

 

CMYK 0 / 86 / 14 / 18

HEX #D21DB4

RGB 210 29 180

HSL 309.94, 0.76%, 0.47%

LAB 49.34, 77.59, -36.06

 

CMYK 0 / 96 / 16 / 10

HEX #E50AC1

RGB 229 10 193

HSL 309.86, 0.92%, 0.47%

LAB 52.65, 85.09, -38.21

 

CMYK 0 / 60 / 10 / 33

HEX #AB449A

RGB 171 68 154

HSL 309.9, 0.43%, 0.47%

LAB 45.81, 52.65, -26.67

 

CMYK 0 / 42 / 7 / 41

HEX #97578D

RGB 151 87 141

HSL 309.38, 0.27%, 0.47%

LAB 46.07, 34.63, -18.72

 

CMYK 0 / 19 / 3 / 48

HEX #846B80

RGB 132 107 128

HSL 309.6, 0.1%, 0.47%

LAB 48.23, 13.78, -7.87

 

CMYK 10 / 0 / 9 / 51

HEX #717E73

RGB 113 126 115

HSL 129.23, 0.05%, 0.47%

LAB 51.46, -7.07, 4.35

 

CMYK 36 / 0 / 30 / 43

HEX #5D9166

RGB 93 145 102

HSL 130.38, 0.22%, 0.47%

LAB 55.62, -26.79, 17.47

 

CMYK 23 / 60 / 0 / 33

HEX #8344AB

RGB 131 68 171

HSL 276.7, 0.43%, 0.47%

LAB 41.06, 45.28, -44.67

 

CMYK 7 / 60 / 0 / 33

HEX #9F44AB

RGB 159 68 171

HSL 293.01, 0.43%, 0.47%

LAB 44.87, 52.43, -38.38

 

CMYK 0 / 60 / 9 / 33

HEX #AB449B

RGB 171 68 155

HSL 309.32, 0.43%, 0.47%

LAB 45.85, 52.81, -27.2

 

CMYK 0 / 60 / 25 / 33

HEX #AB4480

RGB 171 68 128

HSL 325.05, 0.43%, 0.47%

LAB 44.73, 48.71, -12.64

 

CMYK 0 / 60 / 42 / 33

HEX #AB4464

RGB 171 68 100

HSL 341.36, 0.43%, 0.47%

LAB 43.82, 45.21, 3.19

 

CMYK 0 / 61 / 10 / 56

HEX #702C65

RGB 112 44 101

HSL 309.71, 0.44%, 0.31%

LAB 29.88, 37.76, -19.34

 

CMYK 0 / 60 / 10 / 45

HEX #8D387F

RGB 141 56 127

HSL 309.88, 0.43%, 0.39%

LAB 37.88, 45.13, -22.94

 

CMYK 0 / 60 / 10 / 33

HEX #AB449A

RGB 171 68 154

HSL 309.9, 0.43%, 0.47%

LAB 45.81, 52.65, -26.67

 

CMYK 0 / 52 / 8 / 26

HEX #BD5BAD

RGB 189 91 173

HSL 309.8, 0.43%, 0.55%

LAB 53.3, 50.12, -26.05

 

CMYK 0 / 40 / 6 / 21

HEX #C978BC

RGB 201 120 188

HSL 309.63, 0.43%, 0.63%

LAB 61.2, 41.55, -22.38

 

CMYK 0 / 60 / 10 / 33

HEX #AB449A

RGB 171 68 154

HSL 309.9, 0.43%, 0.47%

LAB 45.81, 52.65, -26.67

 

CMYK 0 / 39 / 60 / 33

HEX #AB6844

RGB 171 104 68

HSL 20.97, 0.43%, 0.47%

LAB 50.66, 23.3, 31.41

 

CMYK 60 / 0 / 15 / 33

HEX #44AB91

RGB 68 171 145

HSL 164.85, 0.43%, 0.47%

LAB 63.67, -36.15, 4.56

 

CMYK 0 / 60 / 10 / 33

HEX #AB449A

RGB 171 68 154

HSL 309.9, 0.43%, 0.47%

LAB 45.81, 52.65, -26.67

 

CMYK 9 / 0 / 60 / 33

HEX #9BAB44

RGB 155 171 68

HSL 69.32, 0.43%, 0.47%

LAB 66.91, -20.28, 49.85

 

CMYK 60 / 9 / 0 / 33

HEX #449BAB

RGB 68 155 171

HSL 189.32, 0.43%, 0.47%

LAB 59.54, -21.15, -16.19

 

CMYK 0 / 60 / 10 / 33

HEX #AB449A

RGB 171 68 154

HSL 309.9, 0.43%, 0.47%

LAB 45.81, 52.65, -26.67

 

CMYK 0 / 39 / 60 / 33

HEX #AB6844

RGB 171 104 68

HSL 20.97, 0.43%, 0.47%

LAB 50.66, 23.3, 31.41

 

CMYK 60 / 0 / 51 / 33

HEX #44AB53

RGB 68 171 83

HSL 128.74, 0.43%, 0.47%

LAB 62.49, -48.51, 36.37

 

CMYK 60 / 21 / 0 / 33

HEX #4487AB

RGB 68 135 171

HSL 200.97, 0.43%, 0.47%

LAB 53.49, -10.29, -25.44

 

CMYK 0 / 60 / 10 / 33

HEX #AB449A

RGB 171 68 154

HSL 309.9, 0.43%, 0.47%

LAB 45.81, 52.65, -26.67

 

CMYK 0 / 21 / 60 / 33

HEX #AB8744

RGB 171 135 68

HSL 39.03, 0.43%, 0.47%

LAB 58.42, 5.88, 40.65

 

CMYK 60 / 0 / 51 / 33

HEX #44AB53

RGB 68 171 83

HSL 128.74, 0.43%, 0.47%

LAB 62.49, -48.51, 36.37

 

CMYK 60 / 39 / 0 / 33

HEX #4468AB

RGB 68 104 171

HSL 219.03, 0.43%, 0.47%

LAB 44.33, 8.24, -39.78

 

Description

Color code: HEX #AB449A | qconv.com Color code: HEX #AB449A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 68 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 68 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 10 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 10% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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